• Minoan stone vessel, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan stone vessel, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan stone vessel, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan stone vessel, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum.
  • Elaborate Minoan amphora  of veined stone with double mouth and s shaped handles, Zakros Central Sanctuary  1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan stone bottle with carved fluted decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan stone bottle with carved fluted decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan stone bottle with carved fluted decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan stone conical rhython with carved ring decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan stone conical rhython with carved ring decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan stone conical rhython with fluted decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Minoan stone conical rhython with fluted decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan stone chalice made of spotted Nisyros Obsidian, Zakros central sanctuary complex 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Elaborate Minoan amphora  of veined stone with double mouth and s shaped handles, Zakros Central Sanctuary  1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Elaborate Minoan amphora  of veined stone with double mouth and s shaped handles, Zakros Central Sanctuary  1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Elaborate Minoan amphora  of veined stone with double mouth and s shaped handles, Zakros Central Sanctuary  1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Elaborate Minoan amphora  of veined stone with double mouth and s shaped handles, Zakros Central Sanctuary  1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan stone bottle with carved fluted decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, black background..
  • Minoan stone bottle with carved fluted decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan stone conical rhython with carved ring decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan stone conical rhython with carved ring decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, black background..
  • Minoan stone conical rhython with carved ring decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan stone conical rhython with fluted decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan stone conical rhython with fluted decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan stone conical rhython with fluted decoration, Zakros 1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan stone chalice made of spotted Nisyros Obsidian, Zakros central sanctuary complex 1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan stone chalice made of spotted Nisyros Obsidian, Zakros central sanctuary complex 1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Minoan stone chalice made of spotted Nisyros Obsidian, Zakros central sanctuary complex 1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan stone chalice made of spotted Nisyros Obsidian, Zakros central sanctuary complex 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan marble conical rhython, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan marble conical rhython, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Minoan marble fluted chalice with fine four fold walls, Zakros central sanctuary complex 1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Minoan marble conical rhython, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan marble conical rhython, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Minoan marble conical rhython, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan marble conical rhython, Zakros 1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan Clorite rhython with traces of guilding depicting goats in an open air sanctuary, Zakros Palace  1500-1400 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
The snctuary is delimited by a tripartite facade with a doorway, decorated with spirals and four posts. An enclosure has walls with horns of consecration. Inside are two altars and a podium
  • Minoan Clorite rhython with traces of guilding depicting goats in an open air sanctuary, Zakros Palace  1500-1400 BC; Heraklion Archaeological  Museum, black background..<br />
<br />
The snctuary is delimited by a tripartite facade with a doorway, decorated with spirals and four posts. An enclosure has walls with horns of consecration. Inside are two altars and a podium
  • Minoan Clorite rhython with traces of guilding depicting goats in an open air sanctuary, Zakros Palace  1500-1400 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
The snctuary is delimited by a tripartite facade with a doorway, decorated with spirals and four posts. An enclosure has walls with horns of consecration. Inside are two altars and a podium
  • Minoan marble conical rhython, Zakros 1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan marble conical rhython, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan marble conical rhython, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan marble fluted chalice with fine four fold walls, Zakros central sanctuary complex 1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan marble fluted chalice with fine four fold walls, Zakros central sanctuary complex 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan marble fluted chalice with fine four fold walls, Zakros central sanctuary complex 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan marble conical rhython, Zakros 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan Clorite rhython with traces of guilding depicting goats in an open air sanctuary, Zakros Palace  1500-1400 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
The snctuary is delimited by a tripartite facade with a doorway, decorated with spirals and four posts. An enclosure has walls with horns of consecration. Inside are two altars and a podium
  • Minoan Clorite rhython with traces of guilding depicting goats in an open air sanctuary, Zakros Palace  1500-1400 BC; Heraklion Archaeological  Museum.<br />
<br />
The snctuary is delimited by a tripartite facade with a doorway, decorated with spirals and four posts. An enclosure has walls with horns of consecration. Inside are two altars and a podium
  • Minoan marble fluted chalice with fine four fold walls, Zakros central sanctuary complex 1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan stone cult vessel from the  Knossos Palace Repositories 1650-1550 BC, Heraklion Archaeological  Museum.
  • Minoan stone cult vessel from the  Knossos Palace Repositories 1650-1550 BC, Heraklion Archaeological  Museum, black background.
  • Minoan stone cult vessel from the  Knossos Palace Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan stone cult vessel from the  Knossos Palace Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan stone cult vessel from the  Knossos Palace Repositories 1650-1550 BC, Heraklion Archaeological  Museum.
  • Minoan conical fluted stone rhython from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan conical fluted stone rhython from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, black background.
  • Minoan stone ewer jug  with relief pattern from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum.
  • Minoan stone ewer jug  with relief pattern from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum.
  • Minoan conical fluted stone rhython from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum.
  • Minoan conical fluted stone rhython from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan conical fluted stone rhython from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum.
  • Minoan stone ewer jug  with relief pattern from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, black background.
  • Minoan stone ewer jug  with relief pattern from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan stone ewer jug  with relief pattern from the  Knossos  Palace 1600-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a white background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a grey art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a white background.
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Stone stele fragment with a Phrygian written inscription. From Grodion . Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara Turkey. Against a grey background
  • Fine Minoan translucent limestone lioness head shaped rhython from the  Knossos Palace Repositories 1600-1500 BC, Heraklion Archaeological  Museum.<br />
<br />
This exquitely worked lioness head rhython has a hole in the muzzle for pouring liquid offerings. The nose and eyes were originally inlaid
  • Fine Minoan translucent limestone lioness head shaped rhython from the  Knossos Palace Repositories 1600-1500 BC, Heraklion Archaeological  Museum, grey background.<br />
<br />
This exquitely worked lioness head rhython has a hole in the muzzle for pouring liquid offerings. The nose and eyes were originally inlaid
  • Fine Minoan translucent limestone lioness head shaped rhython from the  Knossos Palace Repositories 1600-1500 BC, Heraklion Archaeological  Museum.<br />
<br />
This exquitely worked lioness head rhython has a hole in the muzzle for pouring liquid offerings. The nose and eyes were originally inlaid
  • Fine Minoan translucent limestone lioness head shaped rhython from the  Knossos Palace Repositories 1600-1500 BC, Heraklion Archaeological  Museum, grey background.<br />
<br />
This exquitely worked lioness head rhython has a hole in the muzzle for pouring liquid offerings. The nose and eyes were originally inlaid
  • Fine Minoan translucent limestone lioness head shaped rhython from the  Knossos Palace Repositories 1600-1500 BC, Heraklion Archaeological  Museum, black background.<br />
<br />
This exquitely worked lioness head rhython has a hole in the muzzle for pouring liquid offerings. The nose and eyes were originally inlaid
  • Early Minoan Stone jspouted bowl from the George of the Dead 3000-2000 BC BC, Heraklion Archaeological  Museum , black background.<br />
<br />
In the 3rd milleneum BC the invetion of new tools made of metal allowed stone to be carved and polished to high standards. Harder stone could also be used for making stone vessels
  • Early Minoan Stone jspouted bowl from the George of the Dead 3000-2000 BC BC, Heraklion Archaeological  Museum , grey background.<br />
<br />
In the 3rd milleneum BC the invetion of new tools made of metal allowed stone to be carved and polished to high standards. Harder stone could also be used for making stone vessels
  • Early Minoan Stone jug from the George of the Dead 3000-2000 BC BC, Heraklion Archaeological  Museum , grey background.<br />
<br />
In the 3rd milleneum BC the invetion of new tools made of metal allowed stone to be carved and polished to high standards. Harder stone could also be used for making stone vessels
  • Early Minoan Stone jspouted bowl from the George of the Dead 3000-2000 BC BC, Heraklion Archaeological  Museum , white background.<br />
<br />
In the 3rd milleneum BC the invetion of new tools made of metal allowed stone to be carved and polished to high standards. Harder stone could also be used for making stone vessels
  • Early Minoan Stone jspouted bowl from the George of the Dead 3000-2000 BC BC, Heraklion Archaeological  Museum , grey background.<br />
<br />
In the 3rd milleneum BC the invetion of new tools made of metal allowed stone to be carved and polished to high standards. Harder stone could also be used for making stone vessels
  • Early Minoan Stone jspouted bowl from the George of the Dead 3000-2000 BC BC, Heraklion Archaeological  Museum .<br />
<br />
In the 3rd milleneum BC the invetion of new tools made of metal allowed stone to be carved and polished to high standards. Harder stone could also be used for making stone vessels
  • Early Minoan Stone jug from the George of the Dead 3000-2000 BC BC, Heraklion Archaeological  Museum , white background.<br />
<br />
In the 3rd milleneum BC the invetion of new tools made of metal allowed stone to be carved and polished to high standards. Harder stone could also be used for making stone vessels
  • Early Minoan Stone jug from the George of the Dead 3000-2000 BC BC, Heraklion Archaeological  Museum, grey background.<br />
<br />
In the 3rd milleneum BC the invetion of new tools made of metal allowed stone to be carved and polished to high standards. Harder stone could also be used for making stone vessels
  • Early Minoan Stone jug from the George of the Dead 3000-2000 BC BC, Heraklion Archaeological  Museum , black background.<br />
<br />
In the 3rd milleneum BC the invetion of new tools made of metal allowed stone to be carved and polished to high standards. Harder stone could also be used for making stone vessels
  • Early Minoan Stone jug from the George of the Dead 3000-2000 BC BC, Heraklion Archaeological  Museum .<br />
<br />
In the 3rd milleneum BC the invetion of new tools made of metal allowed stone to be carved and polished to high standards. Harder stone could also be used for making stone vessels

FunkyStock Picture Library Resource

Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

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MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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