• Spicy BBQ Chicken wings and thights on a plate with a blue edge and stars
  • Barbecue chicken legs & thighs on a barbecue grill and bbq sauce
  • Close up of a Roman Sebasteion relief  sculpture of Leda and swan, Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
Zeus disguised as a swan assaults Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed foot on the thigh of modest, struggling Leda. The swan is supported from behind a small Eros. From this encounter came a large egg from which were born Helen and the Dionskouroi twins, Kastor and Polydeukes
  • Close up of a Roman Sebasteion relief  sculpture of Leda and swan, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
Zeus disguised as a swan assaults Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed foot on the thigh of modest, struggling Leda. The swan is supported from behind a small Eros. From this encounter came a large egg from which were born Helen and the Dionskouroi twins, Kastor and Polydeukes
  • Close up of a Roman Sebasteion relief  sculpture of Leda and swan, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
Zeus disguised as a swan assaults Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed foot on the thigh of modest, struggling Leda. The swan is supported from behind a small Eros. From this encounter came a large egg from which were born Helen and the Dionskouroi twins, Kastor and Polydeukes
  • Close up of a Roman Sebasteion relief  sculpture of Leda and swan, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
Zeus disguised as a swan assaults Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed foot on the thigh of modest, struggling Leda. The swan is supported from behind a small Eros. From this encounter came a large egg from which were born Helen and the Dionskouroi twins, Kastor and Polydeukes
  • Close up of a Roman Sebasteion relief  sculpture of Leda and swan, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
Zeus disguised as a swan assaults Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed foot on the thigh of modest, struggling Leda. The swan is supported from behind a small Eros. From this encounter came a large egg from which were born Helen and the Dionskouroi twins, Kastor and Polydeukes
  • Roman Sebasteion relief  sculpture of Leda and swan, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
Zeus disguised as a swan assaults Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed foot on the thigh of modest, struggling Leda. The swan is supported from behind a small Eros. From this encounter came a large egg from which were born Helen and the Dionskouroi twins, Kastor and Polydeukes
  • Roman Sebasteion relief  sculpture of Leda and swan, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
Zeus disguised as a swan assaults Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed foot on the thigh of modest, struggling Leda. The swan is supported from behind a small Eros. From this encounter came a large egg from which were born Helen and the Dionskouroi twins, Kastor and Polydeukes
  • Roman Sebasteion relief  sculpture of Leda and swan, Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
Zeus disguised as a swan assaults Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed foot on the thigh of modest, struggling Leda. The swan is supported from behind a small Eros. From this encounter came a large egg from which were born Helen and the Dionskouroi twins, Kastor and Polydeukes
  • Roman Sebasteion relief  sculpture of Leda and swan, Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
Zeus disguised as a swan assaults Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed foot on the thigh of modest, struggling Leda. The swan is supported from behind a small Eros. From this encounter came a large egg from which were born Helen and the Dionskouroi twins, Kastor and Polydeukes
  • Roman Sebasteion relief  sculpture of Leda and swan, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
Zeus disguised as a swan assaults Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed foot on the thigh of modest, struggling Leda. The swan is supported from behind a small Eros. From this encounter came a large egg from which were born Helen and the Dionskouroi twins, Kastor and Polydeukes
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Roman marble statue of the Esquiline Venus or Aphrodite dated to the 1st cent. It was found in 1874 in Piazza Dante on the Esquiline Hill in Rome, probably part of the site of the Horti Lamiani, one of the imperial gardens, rich archaeological sources of classical sculpture. The Esquiline Venus is an example of the Pasitelean “eclectic" style of the Neo-Attic school. It combines elements from a variety of other previous schools - a Praxitelean idea of the nude female form; a face, muscular torso, and small high breasts in the fifth-century BC severe style; and pressed-together thighs typical of Hellenistic sculptures. Capitoline Museums, Rome
  • Barbecue chicken legs & thighs on a BBQ grill
  • Barbecue chicken legs & thighs on a barbecue grill and bbq sauce
  • Barbecue chicken legs & thighs on a barbecue grill and bbq sauce
  • Chicken thighs cooking on a bbq. Food photos, pictures & images.
  • Chicken thighs cooking on a bbq. Food photos, pictures & images.

FunkyStock Picture Library Resource

Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

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