• The sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • Two warriors clasing shields on a freeze from the Large Podium of the sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • The sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • The sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the right wall is a scene with protraits of the dead buried in the tomb followed by a female demon of death carrying a torch to light the way to the after life. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the right wall is a scene with protraits of the dead buried in the tomb followed by a female demon of death carrying a torch to light the way to the after life. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the right wall is a scene with protraits of the dead buried in the tomb followed by a female demon of death carrying a torch to light the way to the after life. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • A Lycian  marble pillar tomb from 480-470 B.C.  Xanthos UNESCO World Heritage Archaeological Site, Turkey
  • A Lycian  marble pillar tomb from 480-470 B.C.  Xanthos UNESCO World Heritage Archaeological Site, Turkey
  • A Lycian  marble pillar tomb from 480-470 B.C.  Xanthos UNESCO World Heritage Archaeological Site, Turkey
  • A Lycian  marble pillar tomb from 480-470 B.C.  Xanthos UNESCO World Heritage Archaeological Site, Turkey
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the pillar is painted a threatening Caronte grasping a hammer. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba delle Leonesse". A single chamber with double sloping ceiling decorated with a painted chequered design. Six painted columns divide the walls to give the tomb the appearance of a pavillion. In the typanium of the back wall are two lionesses below which is a large Krater used to mix water and wine, flanked by two musicians and a female dancer.  Circa 520 BC. Excavated 1874, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba del Cacciatore A single chamber with double sloping ceiling decorated with a painted chequered design, the rest of the tomb is decorated like a hunting tent with hanging wild ducks and hats. 510-500 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba del Cacciatore A single chamber with double sloping ceiling decorated with a painted chequered design, the rest of the tomb is decorated like a hunting tent with hanging wild ducks and hats. 510-500 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomb of the Leopard A single chamber with double sloping ceiling decorated with a painted chequered design. In the tympanuim are painted two leopards below which is a banquet sceneOn the back wall is painted a banquet scene in honour of the dead. Circa 470 BC. Excavated 1857, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb "Tomba dei Caronti" made about 150-125 BC. This tomb has a higher level with 2 painted false doors that was furnished with seats as was probably used for religious functions, steps lead down to a lower burial chamber. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling. In the tympanium are two wild animals below wich is a scene with a portait of the deceased seated watching a dancer and a flute player. Circa 400 BC, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba della Caccia al Cervo" A single chamber with double sloping ceiling. On the back wall is painted a banquet scene with three couples lying on beds (Klinai). On the dide walls are dancers and musicians. Circa 450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba dei Fiorellini" A single chamber with double sloping ceiling decorated with red circles and three petalled flowers. In the tympanium on the back wall is a painted pillar and two cockerals, a couple are depicted banquetting bellow. 475-450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling. In the tympanium are two wild animals below wich is a scene with a portait of the deceased seated watching a dancer and a flute player. Circa 400 BC, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling decorated with a painted chequered design, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb  A single chamber with double sloping ceiling. In the tympanium are two wild animals below wich is a scene with a portait of the deceased seated watching a dancer and a flute player. Circa 400 BC, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba della Caccia e della Pesca". A double chamber with double sloping ceiling. In the tsecond chamber can be see a scene of hunting and fishing in the style of the "little Ionic masters" . 520-510 BC. Excavated 1873 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Cardarelli" A single chamber with double sloping ceiling decorated with circles. In the tympanium has a scene of fighting animals below which is a flute player, a male figure holding a kylix. 510-500 BC. Excavated 1959 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Cardarelli" A single chamber with double sloping ceiling decorated with circles. In the tympanium has a scene of fighting animals below which is a flute player, a male figure holding a kylix. 510-500 BC. Excavated 1959 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Cardarelli" A single chamber with double sloping ceiling decorated with circles. In the tympanium has a scene of fighting animals below which is a flute player, a male figure holding a kylix. 510-500 BC. Excavated 1959 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Maurio Moretti no 5591" A single chamber with double sloping ceiling decorated with flowers. In the tympanium are two lions below which is a flute player, a male figure holding a kylix and a richly dressed female figure. 500-490 BC. Excavated 1968 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba dei Fiorellini" A single chamber with double sloping ceiling decorated with red circles and three petalled flowers. In the tympanium on the back wall is a painted pillar and two cockerals, a couple are depicted banquetting bellow. 475-450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Massimo Pallottino no 3713". A single chamber with double sloping ceiling decorated. On the back wall are a painted dancing harpist, and couples dancing holding dinking cups.  Circa 580 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Massimo Pallottino no 3713". A single chamber with double sloping ceiling decorated. On the back wall are a painted dancing harpist, and couples dancing holding dinking cups.  Circa 580 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba del Fiore di Loto". A single chamber with double sloping ceiling decorated with a painted ca flower design. In the typanium on the back wall are a painted Lion and panther.  Circa 520 BC. Excavated 1962, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba Claudio Bettini no 5513" A single chamber with double sloping ceiling. In the tympanium on the back wall is a painted two lions, a two men lying on beds (Klinai) are  banquetting with two women bellow. On the dide walls are dancers and musicians. 5th century BC. Excavated 1967 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb Known as "Tomba dei Fiorellini" A single chamber with double sloping ceiling decorated with red circles and three petalled flowers. In the tympanium on the back wall is a painted pillar and two cockerals, a couple are depicted banquetting bellow. 475-450 BC. Excavated 1960 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Picture and image of the prehistoric nuragic Giants Tomb foundation ruins, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic Giants Tomb foundation ruins, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture of the ruins of the tomb of St Philip, Roman 1st century AD. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the ruins of the tomb of St Philip, Roman 1st century AD. Hierapolis archaeological site near Pamukkale in Turkey.
  • Tomb monument of Dagobert (603-639) King of all the Franks (629-634), of Austria and Neustria and Burgundy. Dagobert was the frist Frankish King  and the last Merovingian King being son of Clothar II. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb monument of Dagobert (603-639) King of all the Franks (629-634), of Austria and Neustria and Burgundy. Dagobert was the frist Frankish King  and the last Merovingian King being son of Clothar II. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of (foreground) Marguerite d?artois (1311) and Louis of France (1319) count of Evreux and son of Philippe III le Hardi King of France.  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval tomb of Charles 1st of Anjou (1226-1285) King of Naples and Sicily from 1266 to 1285 and son of Louis VIII and Blanche of Castille. . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval tomb of Charles 1st of Anjou (1226-1285) King of Naples and Sicily from 1266 to 1285 and son of Louis VIII and Blanche of Castille. . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of  (front) Henry 1st (1008 - 1060) King of France from 1031 to 1060, and Louis VI le Gros (1080- - 1137) King of France 1108 to 1137. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.
  • Medieval tomb of Philippe (1116 - 1131) son of Louis VI le Gros and Adelaide of Savoie and Constance of Castille (1136 - 1160) Queen of France and second wife of Louis II le Jeune.  . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.
  • Medieval tomb of Philippe (1116 - 1131) son of Louis VI le Gros and Adelaide of Savoie and Constance of Castille (1136 - 1160) Queen of France and second wife of Louis II le Jeune.  . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.
  • Medieval tomb of, rear, Carloman (751 - 771), King of Burgundy and Austria, son of Pepin le Bref and brother of Charlemagne, and his wife Ermentrude (825 - 869).  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.
  • The tomb of Louis XVII (1785 - 1795) second son of Louis XVI and Marie Antoinette, king of France from 1793 to 1795. The crypt Chapelle of the Bourbons. . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.
  • Tomb of King Henry IV of France and Navarra (1553 - 1610) ruler from 1589 to 1610... The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval tomb and statue of Jeanne de France, son of French King Philippe VI of Valois and of Blanche of Navarre, 1332 - 1398. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.  A UNESCO World Heritage Site.
  • Medieval tomb and statue of Charles comte de Valois, son of Phiippe III and Isabelle d'Aragon, 1270 - 1325.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.  A UNESCO World Heritage Site.
  • Tomb monument of Dagobert (603-639) King of all the Franks (629-634), of Austria and Neustria and Burgundy. Dagobert was the frist Frankish King  and the last Merovingian King being son of Clothar II. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb monument of Dagobert (603-639) King of all the Franks (629-634), of Austria and Neustria and Burgundy. Dagobert was the frist Frankish King  and the last Merovingian King being son of Clothar II. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval tomb of Leon V de Lusignan (1342 - 1393) King of Armenie 1374 to 1375. . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval tomb of Robert II Count of Artois (1250 - 1302). . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval tomb of Childebert 1st ( 496 - 558)  King of Paris from 511 to 558, son of Clovis 1st and Clotilde. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of (from left) King Philippe V le Long (1294 - 1322, Jeane d'Evreux ( 1307 - 1371) and Charles IV le Bel (1294 - 1328). The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of (background) King Henry II of France (1519 - 1559) second son of Francis I and Catherine de Medici (1519 - 1589) daughter of Lorenzo II de Medici. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of (foreground) King Henry II of France (1519 - 1559) second son of Francis I and Catherine de Medici (1519 - 1589) daughter of Lorenzo II de Medici. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of King Henry II of France (1519 - 1559) second son of Francis I. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of Louis of France (1319) count of Evreux and son of Philippe III le Hardi King of France. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of Clemence of Hungary (1293 - 1328) daughter of Charles 1st of Hungary and second wife of Louis X le Hutin. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of Charles Count of Alencon (1297 - 1346) son of Charles 1st of France and brother of Philippe VI of Valois.  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of  Marie of Spain ( 1379) wife of Charoes Count of Alencon daughter of Ferdinand II of Spain . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of  Antoine de La Haye abbot of St Denis 1499 to 1505.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of Charles V (1338 - 1380) King of France 1366 to 1380. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval tomb of Jeanne (Joanna) of Bourbon (1338 - 1377) Queen of France and wife of Charles V .. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval tomb of Clovis 1st (465 - 511) King of France from 481 to 511, son of Childeric 1st . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval tomb of Clovis 1st (465 - 511) King of France from 481 to 511, son of Childeric 1st . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval tomb of Clovis 1st (465 - 511) King of France from 481 to 511, son of Childeric 1st . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of Blanche of France (1320) daughter of Saint Louis and Marguerite of Provence. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site
  • Medieval tomb of  Philippe of France (1235), son of Louis VIII and brother of saint Louis IX. . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of  Louis X le Hutin (1289 - 1316) King of France 1314 to 1316.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of  Louis XII (1462 - 1515) King of France 1498 to 1515 and his wife Anne of Bretagne who was alos wife of Charles VIII in 1491. The four sculptures at the corners of the monument represent prudence, justice, force and temperance abd the Bas relief along the bottom of the monument shows scenes from the wars against Italy. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Tomb of  (front) Jeanne ( 1311 - 1349) Queen of France and Navarra daughter of Louis X , and Jean 1st (1316) called the Posthumous as he only ruled from his birth to his death 5 days later. Son of Louis X he was the shortest ruling undisputed King of France.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.
  • Medieval tomb of, rear, Carloman (751 - 771), King of Burgundy and Austria, son of Pepin le Bref and brother of Charlemagne, and his wife Ermentrude (825 - 869).  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.
  • Detail from the tomb of Louis XVII (1785 - 1795) second son of Louis XVI and Marie Antoinette, king of France from 1793 to 1795. The crypt Chapelle of the Bourbons. . The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • 18th century Tomb of Marie-Terese of Austria (1638 - 1683 ) Queen of France and Navarra and wife of Louis XIV .  The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Baroque tomb of King Louis XIV of France and Navarra (1638 - 1715) , ruler from 1643 - 1715. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Side panels of the Renaissance style Tomb of  Valentine Visconti duchesse d?orleans  built by Italian craftsmen in 1504.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Side panels of the Renaissance style Tomb of  Valentine Visconti duchesse d?orleans  built by Italian craftsmen in 1504.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Side panels of the Renaissance style Tomb of  Valentine Visconti duchesse d?orleans  built by Italian craftsmen in 1504.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Renaissance style Tomb of (top) Valentine Visconti duchesse d?orleans (1366 - 1408) and Philippe comte de Vertus ( 1396 - 1420 ), built by Italian craftsmen in 1504.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Renaissance style Tomb of (top) Valentine Visconti duchesse d?orleans (1366 - 1408) and Philippe comte de Vertus ( 1396 - 1420 ), built by Italian craftsmen in 1504.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Renaissance style Tomb of (top) Valentine Visconti duchesse d?orleans (1366 - 1408) and Philippe comte de Vertus ( 1396 - 1420 ), built by Italian craftsmen in 1504.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France. A UNESCO World Heritage Site.
  • Medieval tomb and statue of Pepin le Bref (714 - 768), King of France 751 - 768, and his wife Berthe in the foreground (726 - 782).. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.  A UNESCO World Heritage Site.
  • Medieval tomb and statue of (rear) Louis II ( 863 - 882), King of France 879 - 882 (foreground) Carloman (866 - 884) King of France 879 - 884 ,  sons of Charles  II le Chauve son of Charlemagne.. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.  A UNESCO World Heritage Site.
  • Medieval tomb and statue of Blanche of Navarra, second wife of French King Philippe VI of Valois, 1332 - 1398. The Gothic Cathedral Basilica of Saint Denis ( Basilique Saint-Denis ) Paris, France.  A UNESCO World Heritage Site.
  • Tomb of Enrico Dandolo the infamous 41st Doge of Venice who persuaded the Fourth Crusade to Sack Constantinople on April 13, 1204. Hagia Sophia, Istanbul, Turkey.
  • Tomb of Enrico Dandolo the infamous 41st Doge of Venice who persuaded the Fourth Crusade to Sack Constantinople on April 13, 1204. Hagia Sophia, Istanbul, Turkey.
  • Ottoman style Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 the exterior is white marble and İznik ceramic tiles , Istanbul, Turkey
  • Entrance to the Ottoman style Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 the exterior is white marble and İznik ceramic tiles , Istanbul, Turkey
  • Entrance to the Ottoman style Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 the exterior is white marble and İznik ceramic tiles , Istanbul, Turkey
  • Entrance to the Ottoman style Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 the exterior is white marble and İznik ceramic tiles , Istanbul, Turkey
  • Interior & Iznik Tiles of the Ottoman style İznik ceramic tiles of the Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 , Istanbul, Turkey
  • Interior & Iznik Tiles of the Ottoman style İznik ceramic tiles of the Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 , Istanbul, Turkey
  • Interior & Iznik Tiles of the Ottoman style İznik ceramic tiles of the Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 , Istanbul, Turkey
  • Interior & Iznik Tiles of the Ottoman style İznik ceramic tiles of the Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 , Istanbul, Turkey
  • Interior & Iznik Tiles of the Ottoman style İznik ceramic tiles of the Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 , Istanbul, Turkey
  • Interior & Iznik Tiles of the Ottoman style İznik ceramic tiles of the Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 , Istanbul, Turkey
  • Interior & Iznik Tiles of the Ottoman style İznik ceramic tiles of the Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 , Istanbul, Turkey
  • Ulu Kumbet [ Great Tomb ] Thirteenth century Mongol . Ahlet, Lake Van, Turkey
  • Interior & Iznik Tiles of the Ottoman style İznik ceramic tiles of the Tomb of Sultan Selim II in the outer courtyard of Aya Sophia. Built in in 1577 , Istanbul, Turkey
  • Ulu Kumbet [ Great Tomb ] Thirteenth century Mongol . Ahlet, Lake Van, Turkey 1
  • Picture and image of the stone sculpture of a young women waiting by the gates of the tomb in a Borgeois Realistic style. The Piaggio Family Tomb sculpted by G Scanzi 1885. Section D no 36, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a young women waiting by the gates of the tomb in a Borgeois Realistic style. The Piaggio Family Tomb sculpted by G Scanzi 1885. Section D no 36, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of 2 mourning sisters at the door of their mothers pyramid shaped tomb, The Rossi Tomb sculpted by G Benetti in 1878. Section D, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of 2 mourning sisters at the door of their mothers pyramid shaped tomb, The Rossi Tomb sculpted by G Benetti in 1878. Section D, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of 2 mourning sisters at the door of their mothers pyramid shaped tomb, The Rossi Tomb sculpted by G Benetti in 1878. Section D, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a mouyring widow and two children sitting by the doors of the tomb with an angel. The Patrone tomb sculpted by S Varni 1976. Section D, no 23, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel guarding the pyramid shaped tomb with some Egyptian symbols of death which increases the sense of mystery. Tomb Gorlero sculptor E. Sclavi 1892. Section A, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel guarding the pyramid shaped tomb with some Egyptian symbols of death which increases the sense of mystery. Tomb Gorlero sculptor E. Sclavi 1892. Section A, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving father and son standing at the doors of a tomb. Piccollo Tomb sculpted by G Moreno 1891. Section A, no 26, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving father and son standing at the doors of a tomb. Piccollo Tomb sculpted by G Moreno 1891. Section A, no 26, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 6
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 5
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 5
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Statue heads, from right, Herekles & Apollo  in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of  Antiochus, the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Picture and image of the stone sculpture of a young women waiting by the gates of the tomb in a Borgeois Realistic style. The Piaggio Family Tomb sculpted by G Scanzi 1885. Section D no 36, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures and image of the stone sculpture of a mouring widow sitting on the steps of the tomb. The Lavarello Family Tomb sculpted by S Saccomanno 1890. Section D no 32, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of 2 mourning sisters at the door of their mothers pyramid shaped tomb, The Rossi Tomb sculpted by G Benetti in 1878. Section D, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of 2 mourning sisters at the door of their mothers pyramid shaped tomb, The Rossi Tomb sculpted by G Benetti in 1878. Section D, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of 2 mourning sisters at the door of their mothers pyramid shaped tomb, The Rossi Tomb sculpted by G Benetti in 1878. Section D, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of 2 mourning sisters at the door of their mothers pyramid shaped tomb, The Rossi Tomb sculpted by G Benetti in 1878. Section D, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a mouyring widow and two children sitting by the doors of the tomb with an angel. The Patrone tomb sculpted by S Varni 1976. Section D, no 23, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a mouyring widow and two children sitting by the doors of the tomb with an angel. The Patrone tomb sculpted by S Varni 1976. Section D, no 23, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a mouyring widow and two children sitting by the doors of the tomb with an angel. The Patrone tomb sculpted by S Varni 1976. Section D, no 23, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a mouyring widow and two children sitting by the doors of the tomb with an angel. The Patrone tomb sculpted by S Varni 1976. Section D, no 23, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving father and son standing at the doors of a tomb. Piccollo Tomb sculpted by G Moreno 1891. Section A, no 26, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving father and son standing at the doors of a tomb. Piccollo Tomb sculpted by G Moreno 1891. Section A, no 26, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures & Images of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Image of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 1
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 4
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 3
  • Pictures of the statues of around the tomb of Commagene King Antochus 1 on the top of Mount Nemrut, Turkey. Stock photos & Photo art prints. In 62 BC, King Antiochus I Theos of Commagene built on the mountain top a tomb-sanctuary flanked by huge statues (8–9 m/26–30 ft high) of himself, two lions, two eagles and various Greek, Armenian, and Iranian gods. The photos show the broken statues on the  2,134 m (7,001 ft)  mountain. 2
  • Statue head of Herekles in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of Zeus in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of Commagene in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads at sunset, from right,  Lion, Eagle, Herekles & Apollo,  with headless seated statues in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads at sunrise, from right, Eagle, Herekles, Apollo, Zeus, Commagene, Antiochus, & Eagle, 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue heads at sunset, from left,  Eagle, Antiochus, Commagene, Zeus, Apollo, & Herekles with headless seated statues in front of the stone pyramid 62 BC Royal Tomb of King Antiochus I Theos of Commagene, east Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Zeus, Commagene, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head of from left, Apollo, Herekles & Eagle in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Statue head at sunset of Zeus & Antiocchus behind, in front of the 62 BC Royal Tomb of King Antiochus I Theos of Commagene, west Terrace, Mount Nemrut or Nemrud Dagi summit, near Adıyaman, Turkey
  • Picture and image of the stone sculpture of Christ standing arms outstretched by the sacophagus of the deceased whilst his wife prays on the steps of the tomb. Sculpted in a Borgeoise Realistic style by GB Villa in 1881. The Tomati family tomb, section D no 12, the  monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of Christ standing arms outstretched by the sacophagus of the deceased whilst his wife prays on the steps of the tomb. Sculpted in a Borgeoise Realistic style by GB Villa in 1881. The Tomati family tomb, section D no 12, the  monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of Christ standing arms outstretched by the sacophagus of the deceased whilst his wife prays on the steps of the tomb. Sculpted in a Borgeoise Realistic style by GB Villa in 1881. The Tomati family tomb, section D no 12, the  monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of Christ standing arms outstretched by the sacophagus of the deceased whilst his wife prays on the steps of the tomb. Sculpted in a Borgeoise Realistic style by GB Villa in 1881. The Tomati family tomb, section D no 12, the  monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of Christ standing arms outstretched by the sacophagus of the deceased whilst his wife prays on the steps of the tomb. Sculpted in a Borgeoise Realistic style by GB Villa in 1881. The Tomati family tomb, section D no 12, the  monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture commissioned by Luigi Parpaglioni, a rich trader coming from the Lombardy, because of his daughter’s death. The funery monument depicts  flying angel going before the soul who is rising up to the sky.  This romantic style is typical of the pre raphilites and although realistic the style is a little stilted. The Papaglioni tomb became popular and was copied by sculptors in many other countries.  Tomb Parpaglioni sculptor F. Fabiani 1884. Section A, no 35, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture commissioned by Luigi Parpaglioni, a rich trader coming from the Lombardy, because of his daughter’s death. The funery monument depicts  flying angel going before the soul who is rising up to the sky.  This romantic style is typical of the pre raphilites and although realistic the style is a little stilted. The Papaglioni tomb became popular and was copied by sculptors in many other countries.  Tomb Parpaglioni sculptor F. Fabiani 1884. Section A, no 35, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Underground Etruscan tomb  A single chamber with double sloping ceiling decorated with a painted chequered design, Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Picture and image of the stone sculpture commissioned by Luigi Parpaglioni, a rich trader coming from the Lombardy, because of his daughter’s death. The funery monument depicts  flying angel going before the soul who is rising up to the sky.  This romantic style is typical of the pre raphilites and although realistic the style is a little stilted. The Papaglioni tomb became popular and was copied by sculptors in many other countries.  Tomb Parpaglioni sculptor F. Fabiani 1884. Section A, no 35, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture commissioned by Luigi Parpaglioni, a rich trader coming from the Lombardy, because of his daughter’s death. The funery monument depicts  flying angel going before the soul who is rising up to the sky.  This romantic style is typical of the pre raphilites and although realistic the style is a little stilted. The Papaglioni tomb became popular and was copied by sculptors in many other countries.  Tomb Parpaglioni sculptor F. Fabiani 1884. Section A, no 35, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture commissioned by Luigi Parpaglioni, a rich trader coming from the Lombardy, because of his daughter’s death. The funery monument depicts  flying angel going before the soul who is rising up to the sky.  This romantic style is typical of the pre raphilites and although realistic the style is a little stilted. The Papaglioni tomb became popular and was copied by sculptors in many other countries.  Tomb Parpaglioni sculptor F. Fabiani 1884. Section A, no 35, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture commissioned by Luigi Parpaglioni, a rich trader coming from the Lombardy, because of his daughter’s death. The funery monument depicts  flying angel going before the soul who is rising up to the sky.  This romantic style is typical of the pre raphilites and although realistic the style is a little stilted. The Papaglioni tomb became popular and was copied by sculptors in many other countries.  Tomb Parpaglioni sculptor F. Fabiani 1884. Section A, no 35, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture commissioned by Luigi Parpaglioni, a rich trader coming from the Lombardy, because of his daughter’s death. The funery monument depicts  flying angel going before the soul who is rising up to the sky.  This romantic style is typical of the pre raphilites and although realistic the style is a little stilted. The Papaglioni tomb became popular and was copied by sculptors in many other countries.  Tomb Parpaglioni sculptor F. Fabiani 1884. Section A, no 35, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the Dominico Boasi, Boasi tomb 1870, stone sculptured monumental tomb of the Staglieno Monumental Cemetery, . Genoa, Italy
  • Pictures of the Dominico Boasi & his wife, Boasi tomb 1870, stone sculptured monumental tomb of the Staglieno Monumental Cemetery, . Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an enigmatic angels face in a realistic style. One of the best know csulptures of Staglieno. The Oneto family tomb sculpted by G Monteverde. Section D no 13, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an enigmatic angels face in a realistic style. One of the best know csulptures of Staglieno. The Oneto family tomb sculpted by G Monteverde. Section D no 13, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family arounf the death bed of an old man sculpted in Borgeoise Realistic style by A Rivalta in 1872.  The Raggio family tomb, Scection D no 10, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family arounf the death bed of an old man sculpted in Borgeoise Realistic style by A Rivalta in 1872.  The Raggio family tomb, Scection D no 10, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and iamge of the stone sculpture of an angel with a grieving family on the steps of the Palrano tomb. Sculpted in a Borgeoise realistic style by C Rubatto in 1878. Section D no 09, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a young women grieving in the Borgosie Realistic style. The Gatti Tomb sculpted by G Benetti 1875. Section D no 5, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a man sitting in a chair on a plinth in Borgeois Realistic style. The Bomba family Tomb sculpted by G B Cevasco. Section D no 33, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a young women filling a candle stick with oil in an art Nouveau style. Family Tomb Montanari sculpted by G B Villa 1888. Section D no 31 the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a young women filling a candle stick with oil in an art Nouveau style. Family Tomb Montanari sculpted by G B Villa 1888. Section D no 31 the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of Giuseppe Ratto looking down on his grieving wife with an angel in a Borgeois Realistic style. The Ratto Family Tomb sculpted by L Orengo in 1890. Section D no 30 the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of Giuseppe Ratto looking down on his grieving wife with an angel in a Borgeois Realistic style. The Ratto Family Tomb sculpted by L Orengo in 1890. Section D no 30 the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a young girl picking flowers in a Borgeoise Realistic style. The Grillo Family Tomb sulpted by G Scanzi 1876. Section D No 26, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a young giral and her dog. The Varni family tomb sculpted by S Varni 1875. Sction D No 25 the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel at the doors of the Pallavicino Family tomb, sculpted by A Rivalta 1896. Section D no 27, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel at the doors of the Pallavicino Family tomb, sculpted by A Rivalta 1896. Section D no 27, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the bronze sculpture of a women dancing with a shrouded corpse. The Celle Tomb sculpted by G Monteverde in 1893. Section D, no 22, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculpture of a dead man lying whilst surrounded by his grieving family. The Lavarello tomb sculpted by Brizzolara 1926. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a nude looking at a skull on a crucifix.  Sculpted in an art Nouveau style the sculture is a reminder that beauty and life is transient. The Lavarello tomb sculpted by Demetrio Paernio 1914. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a nude looking at a skull on a crucifix.  Sculpted in an art Nouveau style the sculture is a reminder that beauty and life is transient. The Lavarello tomb sculpted by Demetrio Paernio 1914. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a nude looking at a skull on a crucifix.  Sculpted in an art Nouveau style the sculture is a reminder that beauty and life is transient. The Lavarello tomb sculpted by Demetrio Paernio 1914. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the stone sculpture  of a young couple and an angel. The Pietrafraccia Tomb sculped by G. Navone 1909. Section A, no 17, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the stone sculpture  of a young couple and an angel. The Pietrafraccia Tomb sculped by G. Navone 1909. Section A, no 17, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture of the stone sculpture of a women in Art Nouveau style. The G.B. Susto Family Tomb sculpted by L Beltrami in 1904. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture of the stone sculpture bas relief of the Orsini Tomb sculpted by L  Bistolfi 1906-07. Section A, no 20, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture of the stone sculpture bas relief of the Orsini Tomb sculpted by L  Bistolfi 1906-07. Section A, no 20, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture of the Art Deco stone sculpture women of the Masnata tomb sculpted by E de Albertis 1935. Section A, no 22, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture of the Art Deco stone sculpture women of the Masnata tomb sculpted by E de Albertis 1935. Section A, no 22, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture of the Art Deco stone sculpture women of the Masnata tomb sculpted by E de Albertis 1935. Section A, no 22, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel on the Raggio Family Tomb 1887. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculpture of a father and son in realistic style being handed a will by the deceased. Tomb of Gian Battista Castagnola 1896. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculpture of a father and son in realistic style being handed a will by the deceased. Tomb of Gian Battista Castagnola 1896. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel standing by a stone sarcophagus. The Croce Tomb sculpted by G Moreno 1889. Section A, no 23, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel standing by a stone sarcophagus. The Croce Tomb sculpted by G Moreno 1889. Section A, no 23, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel standing by a stone sarcophagus. The Croce Tomb sculpted by G Moreno 1889. Section A, no 23, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture ”L’Angelo Nocchiero” (the Helmsman Angel). The sculpture depicts an angel, standing astride a small boat, beginning to secure the sails at the end of a journey. His garments are streaming behind him, suggesting a strong wind. The prow of the boat is the stoic face of a woman, and under the prow the water swirls. The Giacomo Carpaneto tomb  sculpted by Giovanni Scanzi in 1886. Section A, no 25, monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a nude on the Taramiso tomb. The  monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an agel in thought at the door of the tomb of the Mantero family. Art Nouveau style sculpted by L Orengo 1895. Section B, no 04, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an agel in thought at the door of the tomb of the Mantero family. Art Nouveau style sculpted by L Orengo 1895. Section B, no 04, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel blessing the deceased lying on a chez longue. Bonini Tomb sculpted by D Carli 1891. Section A, no 27, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture in Borgeoise Realistic style of the Rossi family tomb. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture in Borgeoise Realistic style of the Rossi family tomb. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture in Borgeoise Realistic style of the Rossi family tomb. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Bronze sculpture of the Gallino Tomb by G Bennetti 1903. Section A, no 29, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Bronze sculpture of the Gallino Tomb by G Bennetti 1903. Section A, no 29, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a mourning widow in Borgeois Realistc style. The Emanuelle Tomb sculpted by Carli Fecce 1888. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Art Nouveau stone sculpture of a nude. The Pizzorini Tomb by Vittorio  Lavezzari 1906. Section A, no 33, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Art Nouveau stone sculpture of a nude. The Pizzorini Tomb by Vittorio  Lavezzari 1906. Section A, no 33, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Art Nouveau stone sculpture of a nude. The Pizzorini Tomb by Vittorio  Lavezzari 1906. Section A, no 33, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tombs of a women on a charging horse. The Scala Tomb sculpted by E Sclavi 1913. Section A, no 36, The Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tombs of a women on a charging horse. The Scala Tomb sculpted by E Sclavi 1913. Section A, no 36, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of the Podesta family tomb in the Borgeois Realistic style by  D Carli 1892. Section A, no 39, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of the Podesta family tomb in the Borgeois Realistic style by  D Carli 1892. Section A, no 39, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy

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