• Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey. Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a warm art background
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Black Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  White Background.<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Grey Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107. <br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Grey art Background <br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, third freeze down depicting a man leading a bull, 16th century BC. Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, third freeze down depicting a man leading a bull, 16th century BC. Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, third freeze down depicting a man leading a bull, 16th century BC. Huseyindede . Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, third freeze down depicting a man leading a bull, 16th century BC. Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, third freeze down depicting a man leading a bull, 16th century BC. Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, top frieze depicting a procession of musicians and dancers, , 16th century BC. . Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, top frieze depicting a procession of musicians and dancers, , 16th century BC. . Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, top frieze depicting a procession of musicians and dancers, , 16th century BC. . Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, second frieze down close up depicting two people on a "bed throne" who are performing some sort of ritual, 16th century BC. . Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, top frieze depicting a procession of musicians and dancers, , 16th century BC. . Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, second frieze down close up depicting two people on a "bed throne" who are performing some sort of ritual, 16th century BC. . Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, second frieze down close up depicting two people on a "bed throne" who are performing some sort of ritual, 16th century BC. . Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, second frieze down close up depicting two people on a "bed throne" who are performing some sort of ritual, 16th century BC. . Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, second frieze down close up depicting two people on a "bed throne" who are performing some sort of ritual, 16th century BC. . Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, close up  depicting a ceremony at a sacrificial altar, 16th century BC. . Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, close up depicting a bull being led to be sacrificed, following Hittite convention of sacrificing an animal of the same gender as the God this bull indicates the sacrifice is to a male god, 16th century BC.. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, close up depicting a bull being led to be sacrificed, following Hittite convention of sacrificing an animal of the same gender as the God this bull indicates the sacrifice is to a male god, 16th century BC.. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, close up depicting a bull being led to be sacrificed, following Hittite convention of sacrificing an animal of the same gender as the God this bull indicates the sacrifice is to a male god, 16th century BC.. Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, close up depicting a bull being led to be sacrificed, following Hittite convention of sacrificing an animal of the same gender as the God this bull indicates the sacrifice is to a male god, 16th century BC.. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel close up  depicting top and second friezes showing a procession of musicians and dancers moving towards a temple building, 16th century BC. Huseyindede. Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel close up  depicting top and second friezes showing a procession of musicians and dancers moving towards a temple building, 16th century BC. Huseyindede. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel close up  depicting top and second friezes showing a procession of musicians and dancers moving towards a temple building, 16th century BC. Huseyindede. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel. Top frieze depictis a procession of musicians and dancers, second frieze down depicts two figure on a "throne bed" performing a ritual, 16th century BC. Huseyindede. Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel close up  depicting top and second friezes showing a procession of musicians and dancers moving towards a temple building, 16th century BC. Huseyindede. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC. Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, top frieze depicting a procession of musicians and dancers, , 16th century BC. . Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel, close up depicting a bull being led to be sacrificed, following Hittite convention of sacrificing an animal of the same gender as the God this bull indicates the sacrifice is to a male god, 16th century BC.. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel depicting a procession of musicians and dancers, ox wagon, bulls and sacrificial altar, 16th century BC.  Huseyindede . Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Po;ychrome Relief vessel, partially finished, 16th century BC. Çorum Archaeological Museum, Corum, Turkey
  • Hüseyindede vases, Old Hittite Po;ychrome Relief vessel, partially finished, 16th century BC. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hüseyindede vases, Old Hittite Po;ychrome Relief vessel, partially finished, 16th century BC. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hüseyindede vases, Old Hittite Po;ychrome Relief vessel, partially finished, 16th century BC. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hüseyindede vases, Old Hittite Po;ychrome Relief vessel, partially finished, 16th century BC. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hüseyindede vases, Old Hittite Polychrome Relief vessel close up  depicting top and second friezes showing a procession of musicians and dancers moving towards a temple building, 16th century BC. Huseyindede. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  White Background.<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • Hittite terra cotta twa handles fluted vase. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Alaca Hoyuk. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite terra cotta twa handles fluted vase. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Alaca Hoyuk. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta twa handles fluted vase. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Alaca Hoyuk. Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta twa handles fluted vase. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Alaca Hoyuk. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Hittite terra cotta twa handles fluted vase. Hittite Empire, Alaca Hoyuk, 1450 - 1200 BC. Alaca Hoyuk. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Assyrian Traders terra cotta imported two handled pointed base vase. 1900 - 1600 BC. Çorum Archaeological Museum, Corum, Turkey. Against a warm art bacground.
  • Bronze Age Anatolian four handled terra cotta vase with reliefs - 19th - 17th century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • An Etruscan Dinos ( style of vase) with a face, from the Group of Dinoi Campana Ribbon Painter,  540-520 B.C. inv 3784, National Archaeological Museum Florence, Italy , against grey
  • An Etruscan Dinos ( style of vase) with a face, from the Group of Dinoi Campana Ribbon Painter,  540-520 B.C. inv 3784, National Archaeological Museum Florence, Italy , black background
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Black Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  White Background.<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Black Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  White Background.<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Black Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey Background<br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426. <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • 'House of Warriors Vase' : Pictoral Mycenaean Krater depicting Mycenaean soldiers in full armour, Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 1426.  Grey art Background <br />
<br />
This large pictoral Mycenaean Krater depicts Mycenaean soldiers full armed with helmet, cuirass, greaves, shield and spaer as they depart for war. This is a superb example of Mycenaean pictoral pottery
  • Assyrian Traders terra cotta imported two handled pointed base vase. 1900 - 1600 BC. Çorum Archaeological Museum, Corum, Turkey
  • Assyrian Traders terra cotta imported two handled pointed base vase. 1900 - 1600 BC. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Assyrian Traders terra cotta imported two handled pointed base vase. 1900 - 1600 BC. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Assyrian Traders terra cotta imported two handled pointed base vase. 1900 - 1600 BC. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Bronze Age Anatolian four handled terra cotta vase with reliefs - 19th - 17th century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Bronze Age Anatolian four handled terra cotta vase with reliefs - 19th - 17th century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a grey background.
  • Bronze Age Anatolian four handled terra cotta vase with reliefs - 19th - 17th century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.
  • Bronze Age Anatolian relief Vase with bulls - 19th to 17th Century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey,  Against a white background.
  • Bronze Age Anatolian relief Vase with bulls - 19th to 17th Century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a grey background.
  • Bronze Age Anatolian relief Vase with bulls - 19th to 17th Century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a black background.
  • Bronze Age Anatolian relief Vase with bulls - 19th to 17th Century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey.  Against a warn art background.
  • Bronze Age Anatolian relief Vase with bulls - 19th to 17th Century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey
  • An Etruscan Dinos ( style of vase) with a face, from the Group of Dinoi Campana Ribbon Painter,  540-520 B.C. inv 3784, National Archaeological Museum Florence, Italy, white background
  • An Etruscan Dinos ( style of vase) with a face, from the Group of Dinoi Campana Ribbon Painter,  540-520 B.C. inv 3784, National Archaeological Museum Florence, Italy , grey art background
  • An Etruscan Dinos ( style of vase) with a face, from the Group of Dinoi Campana Ribbon Painter,  540-520 B.C. inv 3784, National Archaeological Museum Florence, Italy
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.  Grey background.<br />
<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.  White background.<br />
<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.  Gray background.<br />
<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Bronze Age Anatolian four handled terra cotta vase with reliefs - 19th - 17th century BC - Kültepe Kanesh - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background.
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Close up of an end of 7th to start of 6th century B.C Etruscan lid in the shape of a head of a Canopo style vase, used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , black background
  • Close up of an end of 7th to start of 6th century B.C Etruscan lid in the shape of a head of a Canopo style vase, used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , against grey
  • Close up of an end of 7th to start of 6th century B.C Etruscan lid in the shape of a head of a Canopo style vase, used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy
  • Close up of an end of 7th to start of 6th century B.C Etruscan lid in the shape of a head of a Canopo style vase, used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , grey art background
  • Close up of an end of 7th to start of 6th century B.C Etruscan lid in the shape of a head of a Canopo style vase, used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , white background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , black background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , grey art background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , white background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , against grey
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , black background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , grey art background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , against grey
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture.  Inv Ma 2184 Louvre Museum, Paris.
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture.  Inv Ma 2184 Louvre Museum, Paris.
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture.  Inv Ma 2184 Louvre Museum, Paris.
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture.  Inv Ma 2184 Louvre Museum, Paris.
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture.  Inv Ma 2184 Louvre Museum, Paris.
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , white background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy , against grey
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94610, National Archaeological Museum Florence, Italy
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , black background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , white background
  • End of 7th to start of 6th century B.C Etruscan Canopo style vase used to hold funereal ashes from Chiusi, inv 94611, National Archaeological Museum Florence, Italy , grey art background
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture.  Inv Ma 2184 Louvre Museum, Paris.
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture.  Inv Ma 2184 Louvre Museum, Paris.
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture.  Inv Ma 2184 Louvre Museum, Paris.
  • 2nd century Roman marble torso copy of the statue of Aphrodite of Cnidus by Praixitele. Many Roman replicas exist of the Aphrodite of Cnidus which is one of the most famous statues of antiquity. The statue depicts the goddess bathing with a vase of water beside her. The lost original is a Hellenistic Greek sculpture made in 360-350 BC which is attributed to Athenian sculpture Praxiteles. Tradition has it that the model for the original was the lover of sculptor Phryne. The original is the oldest known female nude in Greek sculpture. Louvre Museum, Paris. Usual No 2184
  • Minoan cay vase with painted goat in a crocus landscape from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
 From the French Archaeological School in Athens collection.
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650.  Grey art Background <br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.
  • Diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the "gushing vase" dedicated to the goddess Geshtinanna. From the ancient Sumarian city of Lagash.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Diorite statue of Guidea who ruled Lagash from around 2150 BC. The statue called the "gushing vase" dedicated to the goddess Geshtinanna. From the ancient Sumarian city of Lagash.
  • Minoan cay vase with painted goat in a crocus landscape from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
 From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted goat in a crocus landscape from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
 From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted goat in a crocus landscape from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
 From the French Archaeological School in Athens collection.
  • Minoan cay vase with painted goat in a crocus landscape from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
 From the French Archaeological School in Athens collection.
  • 'Flying gallop' clay vase. Minoan Polychrome arge jug with eyes on its spout and lions or panthers, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • 'Flying gallop' clay vase. Minoan Polychrome arge jug with eyes on its spout and lions or panthers, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • 'Flying gallop' clay vase. Minoan Polychrome arge jug with eyes on its spout and lions or panthers, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • 'Flying gallop' clay vase. Minoan Polychrome arge jug with eyes on its spout and lions or panthers, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • 'Flying gallop' clay vase. Minoan Polychrome arge jug with eyes on its spout and lions or panthers, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Three handled Palace Style pictoral Mycenaean amphora with aquatic bird motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 5650.  Black Background<br />
<br />
This Mycenaean vase is one of the first examples of Mycenaean pictoral pottery created from Minoan influences.

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