• Dry stone wall on the Greek Island of Ios, Greece
  • Dry stone wall on the Greek Island of Ios, Greece
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • The remains of the grain stores showing underground heating piers,  Houseteads Roman Fort, Veronicum, Hadrians Wall, A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • The remains of the grain stores showing underground heating piers,  Houseteads Roman Fort, Veronicum, Hadrians Wall, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, A UNESCO World Heritage Site, Northumberland, England, UK
  • The remains of the grain stores showing underground heating piers,  Houseteads Roman Fort, Veronicum, Hadrians Wall, A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • The remains of the grain stores showing underground heating piers,  Houseteads Roman Fort, Veronicum, Hadrians Wall, A UNESCO World Heritage Site, Northumberland, England, UK
  • The remains of the grain stores showing underground heating piers,  Houseteads Roman Fort, Veronicum, Hadrians Wall, A UNESCO World Heritage Site, Northumberland, England, UK
  • "Vanishing Poiunt No: 15" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 14" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 11" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 12" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 9" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 10" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 6" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 7" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 8" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 5" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 2" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 4" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 3" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Vanishing Poiunt No: 1" - A Series of abstract nude wall art photo prints, by photographer Paul E Williams.
  • "Harghita No 18"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 17"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 16"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 12"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 15"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 14"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 11"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 7"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 9"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 8"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 6"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 5"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 1"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 2"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 3"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 10"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • "Harghita No 4"- Fine Art abstract nude photography picture wall art prints, by photographer Paul E Williams.
  • Art photo of Mushrooms by photographer Paul E Williams. Available to buy online as wall art prints.
  • "Venice in Colour No 3" The Grand Canal at Academia, Venice, Italy. A colour wall art print by photographer Paul E Williams
  • "Venice in Colour No 2" Gondolas near St Marks Square on the Grand Canal, Venice, Italy. A colour wall art print by photographer Paul E Williams
  • "Venice in Colour No 1" Gondolas near St Marks Square on the Grand Canal, Venice, Italy. A colour wall art print by photographer Paul E Williams
  • "Flowerpress no: 9 Red Poppy". A Polaroid lift wall art print by photographer Paul E Williams
  • "Flowerpress no: 6 Wood Anenome". A Polaroid lift wall art print by photographer Paul E Williams
  • "Flowerpress no: 4 Primrose". A Polaroid lift wall art print by photographer Paul E Williams
  • "Flowerpress no: 1- Foxgloves". A Polaroid lift wall art print by photographer Paul E Williams
  • "Flowerpress no: 3 Meadow Cranesbill". A Polaroid lift wall art print by photographer Paul E Williams
  • "Flowerpress no: 1- Foxgloves". A Polaroid lift wall art print by photographer Paul E Williams
  • Icarus # 19 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 16 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 20 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 17 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 11 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 5- Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 2 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Body Study # 53 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 52 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 51 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 47 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 46 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 45 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 42 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 37 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 36 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 35 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 31 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 30 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 27 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 25 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 23 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 22 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 21 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 18 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 17-Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 14 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 12 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 10 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Masks # 14  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 6 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 17  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 4 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 20  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 2 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 8 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 5 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos " Children Of The Revolution” by photographer Paul Williams depict the harrowing images of children at war in an abstract fine art photography prints series.<br />
<br />
"When the Balkan war broke out it was not long before we saw photos of white kids being caught up in battle. In my life time I have become immune to seeing black and asian kids with guns and it was a shock to see children that could have been mine at war. So as a protest I made the photo series "Children Of The Revolution" with my kids to remind myself that it is always better to talk and understand than fight." Paul Williams
  • Musee Secree # 16  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 12  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 9  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 3  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 2 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Shells” by photographer Paul Williams, depicting shells in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos " Children Of The Revolution” by photographer Paul Williams depict the harrowing images of children at war in an abstract fine art photography prints series.<br />
<br />
"When the Balkan war broke out it was not long before we saw photos of white kids being caught up in battle. In my life time I have become immune to seeing black and asian kids with guns and it was a shock to see children that could have been mine at war. So as a protest I made the photo series "Children Of The Revolution" with my kids to remind myself that it is always better to talk and understand than fight." Paul Williams
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Shells” by photographer Paul Williams, depicting shells in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Shells” by photographer Paul Williams, depicting shells in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Shells” by photographer Paul Williams, depicting shells in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Shells” by photographer Paul Williams, depicting shells in an abstract fine art photography prints series
  • Ox Eye Daisy. Fine Art Black and White Pictures Wall Art Prints Polaroid Photos by photographer Paul Williams,
  • Dire Straits Album Cover "On Every Street" - Fine Art Black and White Pictures Wall Art Prints Polaroid Photos by photographer Paul Williams,
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos " Children Of The Revolution” by photographer Paul Williams depict the harrowing images of children at war in an abstract fine art photography prints series.<br />
<br />
"When the Balkan war broke out it was not long before we saw photos of white kids being caught up in battle. In my life time I have become immune to seeing black and asian kids with guns and it was a shock to see children that could have been mine at war. So as a protest I made the photo series "Children Of The Revolution" with my kids to remind myself that it is always better to talk and understand than fight." Paul Williams
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “You Are What You Eat” by photographer Paul Williams, depicting raw food ingredients in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “You Are What You Eat” by photographer Paul Williams, depicting raw food ingredients in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos " Children Of The Revolution” by photographer Paul Williams depict the harrowing images of children at war in an abstract fine art photography prints series.<br />
<br />
"When the Balkan war broke out it was not long before we saw photos of white kids being caught up in battle. In my life time I have become immune to seeing black and asian kids with guns and it was a shock to see children that could have been mine at war. So as a protest I made the photo series "Children Of The Revolution" with my kids to remind myself that it is always better to talk and understand than fight." Paul Williams
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos " Children Of The Revolution” by photographer Paul Williams depict the harrowing images of children at war in an abstract fine art photography prints series.<br />
<br />
"When the Balkan war broke out it was not long before we saw photos of white kids being caught up in battle. In my life time I have become immune to seeing black and asian kids with guns and it was a shock to see children that could have been mine at war. So as a protest I made the photo series "Children Of The Revolution" with my kids to remind myself that it is always better to talk and understand than fight." Paul Williams
  • Musee Secree # 11  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 7 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 1 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • "Flowerpress no: 8 Wild Daffodil". A Polaroid lift wall art print by photographer Paul E Williams
  • "Flowerpress no: 11- Scabious". A Polaroid lift wall art print by photographer Paul E Williams
  • "Flowerpress no: 7 Ramson". A Polaroid lift wall art print by photographer Paul E Williams
  • "Flowerpress no: 5 Welsh Poppy". A Polaroid lift wall art print by photographer Paul E Williams
  • "Flowerpress no: 2 Fritillary". A Polaroid lift wall art print by photographer Paul E Williams
  • "Flowerpress no: 2 Fritillary". A Polaroid lift wall art print by photographer Paul E Williams
  • "Flowerpress no: 3 Meadow Cranesbill". A Polaroid lift wall art print by photographer Paul E Williams
  • Icarus # 18 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 12 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 8 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 7 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 14 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 10 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 9- Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 6  - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus #  4- Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 3 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Icarus # 1 - Fine Art Polaroid lift photography picture wall art prints, by photographer Paul Williams.
  • Body Study # 50 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 49 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 48 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 44 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 43 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 41 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 40 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 39 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 34 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 33 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 32 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 29 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 28 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 26 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 24 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 20 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 19 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 16 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 15 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 11 -Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 9 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 8 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 7  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study #  6 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Masks # 12  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 10  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 9 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 7 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 18  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 1 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Masks # 15  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Body Study # 1 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Musee Secree # 5 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 4 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Shells” by photographer Paul Williams, depicting shells in an abstract fine art photography prints series
  • Self Portrait by Paul Williams.Fine Art Black and White Pictures Wall Art Prints Polaroid Photos by photographer Paul Williams,
  • Keys. Fine Art Black and White Pictures Wall Art Prints Polaroid Photos by photographer Paul Williams,
  • Skipping ropes. Fine Art Black and White Pictures Wall Art Prints Polaroid Photos by photographer Paul Williams,
  • Foxgloves. Fine Art Black and White Pictures Wall Art Prints Polaroid Photos by photographer Paul Williams,
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “You Are What You Eat” by photographer Paul Williams, depicting raw food ingredients in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “You Are What You Eat” by photographer Paul Williams, depicting raw food ingredients in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “You Are What You Eat” by photographer Paul Williams, depicting raw food ingredients in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “You Are What You Eat” by photographer Paul Williams, depicting raw food ingredients in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “You Are What You Eat” by photographer Paul Williams, depicting raw food ingredients in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos “Metal Morphosing” by photographer Paul Williams, depicting rusting metal objects in an abstract fine art photography prints series
  • Fine Art Black and White Pictures Wall Art Prints Polaroid Photos " Children Of The Revolution” by photographer Paul Williams depict the harrowing images of children at war in an abstract fine art photography prints series.<br />
<br />
"When the Balkan war broke out it was not long before we saw photos of white kids being caught up in battle. In my life time I have become immune to seeing black and asian kids with guns and it was a shock to see children that could have been mine at war. So as a protest I made the photo series "Children Of The Revolution" with my kids to remind myself that it is always better to talk and understand than fight." Paul Williams
  • Masks # 21  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 15  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 14  - Fine Art nude photography pictu4re wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 10  - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 8 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Musee Secree # 6 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.
  • Body Study # 5 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Body Study # 4 - Fine Art nude photography picture wall art prints, by photographer Paul Williams. These art photo prints contain female nude body studies which explores the female form to create striking images to be framed.  <br />
<br />
Fine art nude photography prints are available to buy on line as photo art prints.
  • Ruins of the Armenian City walls built by  King Smbat (977–989) of Ani archaelogical site on the Ancient Silk Road , Kars , Anatolia, Turkey
  • Ruins of the Armenian City walls built by  King Smbat (977–989) of Ani archaelogical site on the Ancient Silk Road , Kars , Anatolia, Turkey
  • Roman fresco wall decorations of Bedroom E of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
Bedroom E, a private room with a bed (kline), was divided into antechamber and alcove. The room is probably a later reworking, as the doorway is off-center. The decoration of the walls, in contrast to cubicula B and D, is done in muted colors. Slender columns with a surreal superstructure frame aedicula with sacred landscapes. Three of these show travellers making a sacrifice to a herm of Athena. The images refer in various ways to the world of women. The little pictures along the walls of the antechamber show girls engaged in different activities. On the rear wall of the alcove, which has a picture with an amorous theme, the goddess Artemis is shown dressed as both huntress and moon goddess. Two Muses are on the opposite wall. The stucco decorations of the vaulted ceiling show idyllic landscapes with sacred elements and mythological scenes. In one, Phaethon asks his father Apollo to let him drive the chariot of the Sun. Other scenes show statues of Zeus, a statue probably representing Augustus as the new Mercury, disks of the sun, winged victories and grotesque figures, all done in very low relief with the elegance and delicacy of jewellery. The mosaic pavement of this room, known from a contemporary watercolor, had a pattern of squares and stars.
  • Roman fresco wall decorations of Bedroom E of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
Bedroom E, a private room with a bed (kline), was divided into antechamber and alcove. The room is probably a later reworking, as the doorway is off-center. The decoration of the walls, in contrast to cubicula B and D, is done in muted colors. Slender columns with a surreal superstructure frame aedicula with sacred landscapes. Three of these show travellers making a sacrifice to a herm of Athena. The images refer in various ways to the world of women. The little pictures along the walls of the antechamber show girls engaged in different activities. On the rear wall of the alcove, which has a picture with an amorous theme, the goddess Artemis is shown dressed as both huntress and moon goddess. Two Muses are on the opposite wall. The stucco decorations of the vaulted ceiling show idyllic landscapes with sacred elements and mythological scenes. In one, Phaethon asks his father Apollo to let him drive the chariot of the Sun. Other scenes show statues of Zeus, a statue probably representing Augustus as the new Mercury, disks of the sun, winged victories and grotesque figures, all done in very low relief with the elegance and delicacy of jewellery. The mosaic pavement of this room, known from a contemporary watercolor, had a pattern of squares and stars.
  • Roman fresco wall decorations of  Vestibule of a Rome Villa, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a white background.<br />
<br />
A large fresco covered the curving wall of the vestibule E 5 was positioned at the entrance of the house onto the street. Vitruvius claims that the vestibulum was a room which was not needed by common people, but which was essential in a house worthy of respect, because it served to welcome guests and the people who came to be received by the owners of the house. The frescoed decoration of this wall, which was entirely detached, shows a division into panels, architectural perspectives and pavilions among which are figures and decorative elements, above a band of skirting. Numerous panels have been detached from the corridor E 3 E 11 which connected all the areas of the house, but it has not been possible to reconstruct the sequence of the walls. Inside the frames, against a white background, different decorative elements are arranged, along with hanging female and male figures, hippogriffs and other fantastical animals, vases, garlands and vegetation.
  • Roman fresco wall decorations of  Vestibule of a Rome Villa, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a grey background.<br />
<br />
A large fresco covered the curving wall of the vestibule E 5 was positioned at the entrance of the house onto the street. Vitruvius claims that the vestibulum was a room which was not needed by common people, but which was essential in a house worthy of respect, because it served to welcome guests and the people who came to be received by the owners of the house. The frescoed decoration of this wall, which was entirely detached, shows a division into panels, architectural perspectives and pavilions among which are figures and decorative elements, above a band of skirting. Numerous panels have been detached from the corridor E 3 E 11 which connected all the areas of the house, but it has not been possible to reconstruct the sequence of the walls. Inside the frames, against a white background, different decorative elements are arranged, along with hanging female and male figures, hippogriffs and other fantastical animals, vases, garlands and vegetation.
  • Roman fresco wall decorations of  Vestibule of a Rome Villa, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a black background.<br />
<br />
A large fresco covered the curving wall of the vestibule E 5 was positioned at the entrance of the house onto the street. Vitruvius claims that the vestibulum was a room which was not needed by common people, but which was essential in a house worthy of respect, because it served to welcome guests and the people who came to be received by the owners of the house. The frescoed decoration of this wall, which was entirely detached, shows a division into panels, architectural perspectives and pavilions among which are figures and decorative elements, above a band of skirting. Numerous panels have been detached from the corridor E 3 E 11 which connected all the areas of the house, but it has not been possible to reconstruct the sequence of the walls. Inside the frames, against a white background, different decorative elements are arranged, along with hanging female and male figures, hippogriffs and other fantastical animals, vases, garlands and vegetation.
  • Roman fresco wall decorations of  Vestibule of a Rome Villa, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
A large fresco covered the curving wall of the vestibule E 5 was positioned at the entrance of the house onto the street. Vitruvius claims that the vestibulum was a room which was not needed by common people, but which was essential in a house worthy of respect, because it served to welcome guests and the people who came to be received by the owners of the house. The frescoed decoration of this wall, which was entirely detached, shows a division into panels, architectural perspectives and pavilions among which are figures and decorative elements, above a band of skirting. Numerous panels have been detached from the corridor E 3 E 11 which connected all the areas of the house, but it has not been possible to reconstruct the sequence of the walls. Inside the frames, against a white background, different decorative elements are arranged, along with hanging female and male figures, hippogriffs and other fantastical animals, vases, garlands and vegetation.
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of Bedroom B  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of  Vestibule of a Rome Villa, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against an art background.<br />
<br />
A large fresco covered the curving wall of the vestibule E 5 was positioned at the entrance of the house onto the street. Vitruvius claims that the vestibulum was a room which was not needed by common people, but which was essential in a house worthy of respect, because it served to welcome guests and the people who came to be received by the owners of the house. The frescoed decoration of this wall, which was entirely detached, shows a division into panels, architectural perspectives and pavilions among which are figures and decorative elements, above a band of skirting. Numerous panels have been detached from the corridor E 3 E 11 which connected all the areas of the house, but it has not been possible to reconstruct the sequence of the walls. Inside the frames, against a white background, different decorative elements are arranged, along with hanging female and male figures, hippogriffs and other fantastical animals, vases, garlands and vegetation.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a black background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a grey background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of the Bedroom B, the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of the Bedroom B, the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of the Bedroom B, the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of the Triclinium C, Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
In the center of the dining room was a table, with three couches (klinai in Greek, hence the name "triclinium") on which the diners reclined as they ate. The southern exposure of the room and its main color suggest it was meant to be used in the winter. The architect Vitruvius, writing in the 1st century after Christ, recommends a dark background that will absorb heat to make the rooms warmer in cold weather. The black color (atramentum), made from a mixture of charcoal and glue, was resistant to smoke from the fire and soot from the lamps. On the dark background delicate landscapes are painted in light colors: cityscapes with buildings, arches, and gateways, and rural scenes showing huts, animals, and rustic shrines. The lavish decoration is broken up by slender columns festooned with ivy. The capitals are crowned by graceful female figures (caryatids). A frieze at eye level has scenes in which the same figures keep reappearing: popular tales depicted in a lively fashion. The scenes of the frieze start with the rear of the right wall. Also on this wall, near the doorway. can be seen a restoration made in antiquity to close off another entrance. We can identify a part of the polychrome mosaic pavement of this room. with meanders and stacked cubes rendered in perspective. The modem arrangement does not reproduce the or final. but is intended to suggest the effect of the pavement in the room
  • Roman fresco wall decorations of Bedroom B  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of Bedroom B  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of Bedroom B  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of Bedroom B  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a white background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a black background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a grey background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against an art background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.

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