• stone carvings and sculptures on the 15th century cathedral of The white city, Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • Osteriao dell Tempo perso, the white city of Ostuni, Puglia, South Italy.
  • Interior of Hotel Rione Antico La Terra, The white city of Ostuni, Puglia, South Italy.
  • Interior of Hotel Rione Antico La Terra, The white city of Ostuni, Puglia, South Italy.
  • stone carvings and sculptures on the 15th century cathedral of The white city, Ostuni, Puglia, South Italy.
  • stone carvings and sculptures on the 15th century cathedral of The white city, Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • Outside bar in the  alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • Osteriao dell Tempo perso, the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The alleys and narrow streets of the white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • The white city of Ostuni, Puglia, South Italy.
  • Ancient Cerignola olive trees  of Ostuni, Puglia, South Italy.
  • Ancient Cerignola olive trees  of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • Ancient Cerignola olive trees  of Ostuni, Puglia, South Italy.
  • Ancient Cerignola olive trees  of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The 15th century  rose window of the cathedral of Ostuni, Puglia, South Italy.
  • The Ottoman White Tower of Thessaloniki (15351536), symbol of Thealonika. Greece
  • The Ottoman White Tower of Thessaloniki (15351536), symbol of Thealonika. Greece
  • Hittite terra cotta tower shaped vessel representing a two storey tower of the city walls complete with merlons - 14th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite terra cotta tower shaped vessel representing a two storey tower of the city walls complete with merlons - 14th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The medieval white fortified hill town walls of Ostuni, The White Town, Puglia, Italy.
  • The 19th century Neo Classic facade of the Carmine Church ( Chisea sel Carmine )   .Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • The Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • The Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • The Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Medieval architectural details on the  Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Medieval architectural details of Gargoils on the  Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Medieval architectural details on the  Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Medieval architectural details on the  Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Medieval architectural details of Gargoils on the  Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Medieval architectural details on the  Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Medieval architectural details on the  Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Medieval architectural details on the  Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Rose Window on the The Italian Gothic medieval Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Medieval architectural details on the  Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • The Italian Gothic ogival main door of the medieval Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • Rose Window on the The Italian Gothic medieval Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Facade with ogival arched door and rose window of the Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • The Italian Gothic medieval relief sculptures of the Madonna & Child over the main door of the Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • The Italian Gothic medieval relief sculptures of the Madonna & Child over the main door of the Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Rose Window on the The Italian Gothic medieval Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Rose Window on the The Italian Gothic medieval Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • The Italian Gothic medieval relief sculptures of the Madonna & Child over the main door of the Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • The Italian Gothic ogival main door of the medieval Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Medieval relief sculptures from 1432 on the Church of San Giacomo di Compostella. .Ostuni, The White Town, Puglia, Italy.
  • Medieval relief sculptures from 1432 on the Church of San Giacomo di Compostella. .Ostuni, The White Town, Puglia, Italy.
  • Photo of Roman releif sculpture of Roma & Ge [ Earth ] from  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  White
  • The Ottoman White Tower of Thessaloniki (15351536), symbol of Thealonika. Greece
  • The 19th century Neo Classic facade of the Carmine Church ( Chisea sel Carmine )   .Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • The medieval narrow streets of Ostuni, The White Town, Puglia, Italy.
  • Facade with ogival arched door and rose window of the Italian Gothic Cathedral of Ostuni built between 1569-1495  .Ostuni, The White Town, Puglia, Italy.
  • Medieval relief sculptures from 1432 on the Church of San Giacomo di Compostella. .Ostuni, The White Town, Puglia, Italy.
  • Hittite Terra cotta lion shaped ritual vessel - 16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey. Against white background
  • Hittite terra cotta ritual vessel in the shape of a duck with two heads - 16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite terra cotta ritual vessel in the shape of a duck with two heads - 16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite terra cotta long neck pitcher - 16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Terra cotta ritual bull pots, probably of Hurri & Serri, the bulls of Teshup the Storm God. produced as pairs only differing in the direction of their tails, the spouts on their backs indicate that they were offering vessels- 16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite terra cotta bull head - 17th -16th century BC- Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite pot with animal head reliefs - 17th-16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite Terracotta statue of a bull - 17th-16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite pithos with reliefs of animals - 17th - 16th century BC -  Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Blue domed white Byzantine Greek Orthodox Chapel of Panaghia Gremiotissa. Chora  (Hora), Ios, Cyclades Islands, Greece.
  • Blue domed white Byzantine Greek Orthodox Chapel of Panaghia Gremiotissa. Chora  (Hora), Ios, Cyclades Islands, Greece.
  • Blue domed white Byzantine Greek Orthodox Chapel of Panaghia Gremiotissa. Chora  (Hora), Ios, Cyclades Islands, Greece.
  • Blue domed white Byzantine Greek Orthodox Chapel of Panaghia Gremiotissa. Chora  (Hora), Ios, Cyclades Islands, Greece.
  • Blue domed white Byzantine Greek Orthodox Chapel of Panaghia Gremiotissa. Chora  (Hora), Ios, Cyclades Islands, Greece.
  • Hittite Terra cotta lion shaped ritual vessel - 16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey. Against white background
  • Hittite terra cotta two handled vessel and a ritual vessel in the shape of a bunch of grapes - 16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite terra cotta ring shaped vessel - 16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite terra cotta pitcher - 16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Terra cotta ritual bull pots, probably of Hurri & Serri, the bulls of Teshup the Storm God. produced as pairs only differing in the direction of their tails, the spouts on their backs indicate that they were offering vessels- 16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite terra cotta vessel with strainer - 19th 17th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite terra cotta double handled jug with a relief human face- 17th - 16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Hittite Terracotta statue of a bull - 17th-16th century BC - Hattusa ( Bogazkoy ) - Museum of Anatolian Civilisations, Ankara, Turkey . Against white background
  • Blue domed white Byzantine Greek Orthodox Chapel of Panaghia Gremiotissa. Chora  (Hora), Ios, Cyclades Islands, Greece.
  • Blue domed white Byzantine Greek Orthodox Chapel of Panaghia Gremiotissa. Chora  (Hora), Ios, Cyclades Islands, Greece.
  • Picture of a black and white geometric Roman mosaics , from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey.. Against a white bacground.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.  <br />
<br />
Against a white background.
  • Roman Sebasteion relief  sculpture of the goddess Roma and Ge (Earth),  Aphrodisias Museum, Aphrodisias, Turkey.  Against a white background. <br />
<br />
The goddess Roma holds a spear and wears a crown in the form of a city wall. Earth reclines half naked leaning on a pile of fruit. She holds a cornucopia full of more fruit. A baby child (now damaged) climbs up the horn she holds. The relief represents Earths fertility and abundance overseen by Rome.
  • Roman Sebasteion relief  sculpture of Apollo and Royal Hero Aphrodisias Museum, Aphrodisias, Turkey.     Against a white background.<br />
<br />
Apollo sits on a raised platform with his tripod at his oracular shrine. He is approached by two figures. A women greets  the god with a raised hand. With her is a hero wearing a travelling cloak and the flat headband or diadem of a king. He has come to consult Apollo, probably about a city foundation.
  • Roman Sebasteion relief  sculpture of Royal Hero with hunting dogs,  Aphrodisias Museum, Aphrodisias, Turkey.     Against a white background.<br />
<br />
A diademed youth stands with his horse and hunting dogs. At the left an oval shield (foreign) hangs from a leafless tree, against which leans a long thin club. The Royal hero in this and the relief to the left is probably a local founder such as Assyrian King Ninos, claimed as founder of their city by the Aphrodisians.
  • Pictures of a geometric Roman mosaics with animals & fruit, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Pictures of a geometric Roman doorstep mosaics depicting five fishes surrounded by bars and a medallion, from the ancient Roman city of Thysdrus. 3rd century AD The Small Baths in the M'barek Rhaiem area. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background<br />
<br />
The mosaic depicts the emblem of the Pentasii, a powerful Nortyh African Roman association that organised and  maintained the wild animals and hired animal killers to carry on the games in ampitheatres.
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Pictures of a geometric Roman mosaics with strap work and cruciform flowers and in the centre a damaged depiction of a running deer, from the ancient Roman city of Thysdrus, Jilani Guirat area. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Pictures of a Roman mosaics from an apse depicting a fan of multicoloured triangles and vine foliated scrolls, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Pictures of a Roman mosaics with medallions containing mosaic birds, fishes and fruit, from the ancient Roman city of Thysdrus, house in the M'Barek R'Haiem area. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting Orpheus, god of music, playing his lyre,  from the ancient Roman city of Thysdrus, Bir Zid area. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting scenes from the Life of Dionysus, from the ancient Roman city of Thysdrus, House of Silenus. Late 2nd to early 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background<br />
<br />
In the central panel of this Roman mosaic the  teacher of Dionysus, Silenus, is being carried towards a donkey.
  • Picture of a Roman mosaics design depicting scenes from the Life of Dionysus, from the ancient Roman city of Thysdrus, House of Silenus. Late 2nd to early 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background<br />
<br />
In the central panel of this Roman mosaic the  teacher of Dionysus, Silenus, is being carried towards a donkey.
  • Picture of a Roman mosaics design depicting Dionysus drunk being transported on a chariot pulled by a centaur, they are followed by a Bacchante, follower of Bacchus, and a Satyr, from the ancient Roman city of Thysdrus. 3rd century AD House of Tertulla. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting a Satyr persuing Bacchante, from the ancient Roman city of Thysdrus. End of 2nd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting scenes from mythology, from the ancient Roman city of Thysdrus. End of 2nd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background<br />
<br />
This Roman mosaic depicts Aurore enticing Cephane, Apollo enticing Cyrene and Apollo persuing Daphne
  • Picture of a Roman mosaics design depicting animals killing people in an ampitheatre, from the ancient Roman city of Thysdrus. End of 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting the Abduction of Ganymede, from the ancient Roman city of Thysdrus. End od 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting a Nymph lying on a sea horse with two dolphins, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting Sileuns and two of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a geometric Roman mosaics design using dolphins and swans designs, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting an owl, symbol of victory over envy. On either side of the Owl are symbols of Telegenii an North African Roman association. From the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting Silenus and fishing cupids, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting a lion attacking two onagers or Asiatic wild ass, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting Dionysus riding a lion; from the ancient Roman city of Thysdrus. 2nd century AD House of the Dionysus Proccession. El Djem Archaeological Museum; El Djem; Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting Lions eating a boar, from the ancient Roman city of Thysdrus. 2nd century AD, House of the Dionysus Proccession. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting shells and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Selinus. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting Dionysus, God of wine, surrounded by women's busts representing the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting the Muses inside medallions, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Roman statue of Tyche. Marble. Perge. 2nd century AD. Inv no 3062 . Antalya Archaeology Museum; Turkey.  Against a white background.<br />
<br />
A Tyche; was the presiding tutelary deity who governed the fortune and prosperity of a city; its destiny. In Classical Greek mythology; she is the daughter of Aphrodite and Zeus or Hermes.
  • Second century Roman funerary stele dedicated to Anninia Laeta from the cemetery of Thuburbo Majus a city of the Roman province of Africa Proconsularis, in present day Tunisia. The Bardo National Museum , Tunis, Tunisia.  Against a white background.
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Pictures of a Roman mosaics with medallions containing mosaic birds, fishes and fruit, from the ancient Roman city of Thysdrus, house in the M'Barek R'Haiem area. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Pictures of a geometric Roman mosaics with a hexagon at its centre in the middle of which is a cruciform of flowers, from the ancient Roman city of Thysdrus, house in the M'Barek R'Haiem area. Begining of 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting scenes from mythology, from the ancient Roman city of Thysdrus House in Jilani Guirat area. End of 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background<br />
<br />
Detail from a mosaic which depicts Polyphene playing a lyre to charm Galate ; Dionysus drunk ; Alpheus attacking the nymph Arethusa
  • Picture of a Roman mosaics design depicting the Four Seasons; from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum; El Djem; Tunisia. Against a white background
  • Roman mosaics - The Duluk Mosaic  Mosaic. 4th century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.  Against a white background.<br />
<br />
The mosaic, which was found in the ancient city DOM in Gaziantep and brought to the museum, is dated to 4th century A.D. The mosaic, which is geometric, is a part of a greater mosaic. The remaining parts are destroyed by natural factors. Herbal motifs are pictured within the main panel cross squares. It consists of a wide mesh band on the side and hexagonal and square geometric motifs on the outer border.
  • Roman Dionysus mosaic from the house of Oceanos, Zeugma archaeological site. 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
This is the floor (base) mosaic of a room of House of Okeanos. This is among the first pieces of those that excavated from ancient Zeugma city and known for Dionysus Bust and "meeting of Dionysus and Ariadne'. This mosaic is consisted of three panels. On the left side of this partly damaged art work, there has been the bust of god Dionysus. Through the white and black triangles around Dionysus, a virtual perspective had been created to get a focus on the figure.
  • Roman Dionysus mosaic from the house of Oceanos, Zeugma archaeological site. 2nd - 3rd century AD . Zeugma Mosaic Museum, Gaziantep, Turkey.<br />
<br />
This is the floor (base) mosaic of a room of House of Okeanos. This is among the first pieces of those that excavated from ancient Zeugma city and known for Dionysus Bust and "meeting of Dionysus and Ariadne'. This mosaic is consisted of three panels. On the left side of this partly damaged art work, there has been the bust of god Dionysus. Through the white and black triangles around Dionysus, a virtual perspective had been created to get a focus on the figure.
  • Roman statue of Tyche. Marble. Perge. 2nd century AD. Inv no . Antalya Archaeology Museum; Turkey. Against a white background.<br />
<br />
Tyche was the presiding tutelary deity who governed the fortune and prosperity of a city, its destiny. In Classical Greek mythology, she is the daughter of Aphrodite and Zeus or Hermes.
  • Hittite sculpted Orthostats panel from the  Long Wall.  Limestone, Kargarmis, Gaziantep, 900 - 700 BC,  Hieroglyph. Anatolian Civilisations Museum, Ankara, Turkey.<br />
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In the epigraph with hieroglyph, he narrates that the gods were provoked against him, the account of the cities conquered and the spoils of war; that he allocated a share for the gods, and that he instigated the mighty king Tarhunza and the other gods. In the other lines, he demands that people should present offerings to statues but should evil-intentioned people be among them, such person individuals be punished by the gods. <br />
<br />
On a White Background.

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