• Blue Domes No 10 , Santorini Island Greece. A Selective Colour Art Photo Series of the blue domed churches of the Greek Islads buy Photographer Paul E Williams.
  • Blue Domes No 9 , Santorini Island Greece. A Selective Colour Art Photo Series of the blue domed churches of the Greek Islads buy Photographer Paul E Williams.
  • Blue Domes No 8 , Santorini Island Greece. A Selective Colour Art Photo Series of the blue domed churches of the Greek Islads buy Photographer Paul E Williams.
  • Blue Domes No 7 , Santorini Island Greece. A Selective Colour Art Photo Series of the blue domed churches of the Greek Islads buy Photographer Paul E Williams.
  • Blue Domes No 5 , Santorini Island Greece. A Selective Colour Art Photo Series of the blue domed churches of the Greek Islads buy Photographer Paul E Williams.
  • Blue Domes No 6 , Santorini Island Greece. A Selective Colour Art Photo Series of the blue domed churches of the Greek Islads buy Photographer Paul E Williams.
  • Blue Domes No 2 , Ios Island Greece. A Selective Colour Art Photo Series of the blue domed churches of the Greek Islads buy Photographer Paul E Williams.
  • Blue Domes No 4 , Santorini Island Greece. A Selective Colour Art Photo Series of the blue domed churches of the Greek Islads buy Photographer Paul E Williams.
  • Blue Domes No 3 , Santorini Island Greece. A Selective Colour Art Photo Series of the blue domed churches of the Greek Islads buy Photographer Paul E Williams.
  • Blue Domes No 1 , Ios Island Greece. A Selective Colour Art Photo Series of the blue domed churches of the Greek Islads buy Photographer Paul E Williams.
  • Blue domed byzantine church of Megalohori, Santorini, Greece
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey at sunset. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • Panorama of The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey at night. Built from 1609 to 1616 during the rule of Ahmed I.
  • Interior of The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I the interior is decorated with Iznik tiles.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • Interior of The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I the interior is decorated with Iznik tiles.
  • Interior of The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I the interior is decorated with Iznik tiles.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • English blue cheese wedges - stilton, white stilton amd blacksticks
  • Blue Vinney  cheese. British Blue Cheese photos - Funky Stock Photos
  • Blue Shropshire Cheese. British Blue Cheese Photos- Funky Stock Photos
  • Blue Shropshire Cheese. British Blue Cheese Photos- Funky Stock Photos
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii or Blue Mosque 1609 to 1616 ) on Sarayburnu or Seraglio Point with a ferry and the banks of the Golden Horn in the foreground, Istanbul Turkey.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • British Blue Cheese photos-From the top - Blue Vinney, Stilton, Blacksticks Blue, Creamy Stilton. Funky Stock Photos.
  • British Blue Cheese Photos -From the top - Blue Vinney, Stilton, Blacksticks Blue, Creamy Stilton. Funky Stock Photos.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue domed Greek Orthodox church and bell tower near oia (Ia), Santorini, Greece
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue domed Greek Orthodox church and bell tower near oia (Ia), Santorini, Greece
  • Blue domed  Orthodox church, Fira, Santorini
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • English Stilton blue cheese and biscuits stock photos
  • Urban textures - reflections in water with blue tiles
  • Traditional British blue Stilton cheese truckle photos
  • Traditional blue Stilton cheese  with cranberry pork pie.
  • Traditional blue Stilton cheese and biscuits stock photos
  • Traditional blue Stilton cheese
  • Traditional blue Stilton cheese
  • Traditional blue Stilton cheese  with cranberry pork pie stock photos
  • Traditional blue Stilton cheese and biscuits stock photos
  • Traditional blue Stilton cheese
  • British Blue Cheese photos - Blacksticks Blue cheese from Lancashire. Funky Stock cheese photos.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue domed byzantine church of Megalohori, Santorini, Greece
  • Blue domed byzantine church of Megalohori, Santorini, Greece
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue domed Greek Orthodox church and bell tower near oia (Ia), Santorini, Greece
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Blue Domed church of Imerovigli, Santorini, Greece.
  • Urban textures - reflections in water with blue tiles
  • Traditional blue Stilton cheese  with cranberry pork pie stock photos
  • Traditional blue Stilton cheese  with cranberry pork pie stock photos
  • Traditional blue Stilton cheese  with cranberry pork pie stock photos
  • Traditional blue Stilton cheese
  • Traditional blue Stilton cheese
  • English blue cheese wedges - stilton, white stilton amd blacksticks
  • English blue cheese wedges - stilton, white stilton amd blacksticks
  • Cross of the blue Madonna - Korseg Wineyards, Velem, Hungary
  • Blacksticks blue cheese & biscuits
  • English blue cheese wedges - stilton, white stilton amd blacksticks
  • English blue cheese wedges - stilton, white stilton amd blacksticks
  • English blue cheese wedges - stilton, white stilton amd blacksticks
  • English Double Gloucester blue  and biscuits stock photos
  • English Double Gloucester blue  and biscuits stock photos
  • English Blackstick blue cheese and biscuits stock photos
  • English Blackstick blue cheese and biscuits stock photos
  • Cheese and biscuits with Blacksticks blue cheese
  • Cross of the blue Madonna - Korseg (Körseg) vineyards, Velem, Hungary
  • Cross of the blue Madonna - Korseg (Körseg) vineyards, Velem, Hungary
  • Cross of the blue Madonna - Korseg (Körseg) vineyards, Velem, Hungary
  • Cross of the blue Madonna - Korseg (Körseg) vineyards, Velem, Hungary
  • Cross of the blue Madonna - Korseg (Körseg) vineyards, Velem, Hungary
  • Cross of the blue Madonna - Korseg (Körseg) vineyards, Velem, Hungary
  • Cross of the blue Madonna - Korseg (Körseg) vineyards, Velem, Hungary
  • Cross of the blue Madonna - Korseg (Körseg) vineyards, Velem, Hungary
  • Blue and white stilton and Creamy Blacksticks cheese photos
  • British Blue and white stilton cheese photos
  • Blue and white stilton and Creamy Blacksticks cheese photos. Funky Stock Photos
  • Blue and white stilton cheese photos. Funky Stock Photos.
  • Perenial Cornflower ( Centaurea montana ) Closeup of blue flower petals.
  • Perenial Cornflower ( Centaurea montana ) Closeup of blue flower petals.
  • Close up of the wing of a Brazilian Blue butterfly photo. Funky stock butterfly photos
  • Brazilian Blue butterfly photo. Funky stock butterfly photos
  • British Blue Cheese -From the top - Double Gloucester. Lancashire, Red Leicester. Funky Stock Photos.
  • British Blue Cheese Photos -Creamy Stilton ( bottom) Stilton above. Funky Stock Photos
  • The Suleymaniye Mosque (Süleymaniye Camii, 1550-1558)  on the Third Hill with a ferries on the banks of the Golden Horn in the foreground, Istanbul Turkey.
  • Sculptures on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Bell tower of an Orthodox church, Fira, Santorini
  • Chapel and churches of Pyros, Santorini, Greece
  • Chapel and churches of Pyros, Santorini, Greece
  • Bell tower of a street at Megalohori, Santorini, Greece
  • Bell tower of a street at Megalohori, Santorini, Greece
  • Chapel and churches of Pyros, Santorini, Greece
  • Bell tower of a street at Megalohori, Santorini, Greece
  • Bell tower of an Orthodox church, Fira, Santorini
  • Typical Santorini house of Imerovigli, Santorini, Greece.
  • Bell tower of an Orthodox church, Fira, Santorini
  • Bell tower of an Orthodox church, Fira, Santorini
  • steps amd paths leading to the Phrygian water cistern of Midas city cut deep into the underground rock. 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Close up of the inscription dedicated to King Midas on the Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Picture of The north  gate forms part of a fortification system built at Hierapolis in late 4th century Theodosian times. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of St Philip Gate ruins.  Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
The St. Philip Gate <br />
The gate is situated on the north-eastern side of the defensive walls built under the Emperor Theodosius in the late 4th century. Its importance is indicated by the presence of the two towers that flank the opening The gate was used by pilgrims heading for the summit of the hill on which stood the sanctuary of St. Philip, one of the twelve apostles of Christ. According to tradition the Saint was martyred in Hierapolis.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Roman Great Harbour Monument opened by the city of Miletus either in honour of the achievements of Pompeius in his war against the pirates (67 BC) or for the victory of Augustus over Mark Antony and Cleopatra in the battle of Actium (31 BC). Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • The Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Close up of the richly decorated corner stoes of the  of Gök Medrese , Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • Royal rock tombs of Pontus including Mithridates I, died 266 BC. Amasya, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Bas-relief sculpture panel scene of Eve giving Adam an apple by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Collegiate Church of Saint Andrew, Piazza della Repubblica, Orvieto, Umbria, Italy
  • Close up of a medieval sculpted decotative twisting pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted decotative twisting pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Bas-relief sculpture panel scene of the Nativity by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of the Tree Kings bringing gifts to the baby Christ by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel with scenes from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the main door with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia and sculpture of the Madonna and Child created by Andrea Pisano in 1347  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Bronze statue of a lion representing the the Evangelist Mark created by Maitani and collaborators between 1325 and 1330 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a gable with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia and the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a gable with mosaics depicting the batism of Christ by John the Baptist created between 1350 and 1390 after designs by artist Cesare Nebbia on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • C.ose up of a gable of the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the "Coronation of the Virgin Mary" osaic  in the topmost gable created between 1350 and 1390 after designs by artist Cesare Nebbia. on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Detail of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the doorway column sculptures on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the doorway sculptures and mosaics on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto at sunset, designed by Maitani, Umbria, Italy
  • 13th century Romanesque facade of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Terrace cafe's in the Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • 13th century Romanesque facade & Campinale of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Close up of the Arcades columns & statues of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century Romanesque facade of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the Arcades of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Romaesque Apse exterior of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting St Mary and the Apostles , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures  depicting the life of St Martin and the labours of the year on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for December with an animal being killed and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,

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