• Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Marble statue bust of Emperor Hadrian at Hadrian's Villa ( Villa Adriana ) museum, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Philosophers Hall ( Sala dei Filosofi ) at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Tre Esedre Banquet Hall of Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Statues and columns that surround a rectangular basin that ends at The Serapaeum, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Small Thermal  Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Greek Library at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Greek Library at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Hadrian's Villa ( Villa Adriana ) 2nd century AD - The Maritime Theatre (  Teatro Marittimo ), so called because of its shape and marine architectural decorations such as Tritons, is at the centre of Hadrian's Villa complex.  At its centre of the Teatro Marittimo is a circular islet surrounded  by a water filled moat which in turn is surrounded by a circular barrel vaulted portico with 40 Ionic columns. The circular building on the islet consisted of rooms that surrounded a central peristyle which was probably a retreat for Hadrian to escape to. Villa Adriana, Tivoli, Italy. A UNESCO World Heritage Site.
  • Small Thermal  Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Greek Library at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Tre Esedre Banquet Hall of Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Statues and columns that surround a rectangular basin that ends at The Serapaeum, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Thermal Grand Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Small Thermal  Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Serapaeum, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Small Thermal  Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Statues and columns that surround a rectangular basin that ends at The Serapaeum, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Serapaeum, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • Small Thermal  Baths at Hadrian's Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • The remains of the grain stores showing underground heating piers,  Houseteads Roman Fort, Veronicum, Hadrians Wall, A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • The remains of the grain stores showing underground heating piers,  Houseteads Roman Fort, Veronicum, Hadrians Wall, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • The remains of the grain stores showing underground heating piers,  Houseteads Roman Fort, Veronicum, Hadrians Wall, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, A UNESCO World Heritage Site, Northumberland, England, UK
  • The remains of the grain stores showing underground heating piers,  Houseteads Roman Fort, Veronicum, Hadrians Wall, A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • Ruins of  Houseteads Roman Fort, Veronicum, Hadrians Wall , A UNESCO World Heritage Site, Northumberland, England, UK
  • The remains of the grain stores showing underground heating piers,  Houseteads Roman Fort, Veronicum, Hadrians Wall, A UNESCO World Heritage Site, Northumberland, England, UK
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Canopus, an elongated canal imitating the famous sanctuary of Serapis near Alexandria. The semi-circular exedra of the Serapeum is located at its southern end, dedicated to the gods Isis and Serpis which was probably used as a banqueting hall. Hadrian’s Villa ( Villa Adriana ) built during the second and third decades of the 2nd century AD, Tivoli, Italy. A UNESCO World Heritage Site.
  • The Maritime Theatre Hadian's Villa (Villa Adriana) Tivoli, Italy
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman marble portrait bust of Emperor Hadrian, 117-138 AD found in the Horti Tauriani, Rome.  The bust portrays an elderly Hadrian with a well worn expression from around 130AD. An enthusiastic builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors.  MC inv 890, Capitoline Museums, Rome
  • Roman portrait bust of Emperor Hadrian, 117-138 AD excavated from the S. Barbiana region near the Station Terminus, Rome. Hadrian ( Publius Aelius Hadrianus Augustus) was Roman Emperor from 117 to 138. An enthusiastic  builder Hadrian rebuilt the Pantheon and constructed the Temple of Venus and Roma as well as building Hadrian's Wall, which marked the northern limit of Roman Britain. His villa at Tivoli also showed Hadrian passion for water and Roman baths. Hadrian was regarded by some as a humanist and was philhellene in most of his tastes. He is regarded as one of the Five Good Emperors. The great love of his life was Antinous who died tragically and suspiciously when he drowned in the Nile.  The National Roman Museum, Rome, Italy
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman statue of Emperor Hadrian. Marble. Perge. 2nd century AD. Inv no 3053. Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey.
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey.
  • Roman statue of Emperor Hadrian. Marble. Perge. 2nd century AD. Inv no 3053. Antalya Archaeology Museum; Turkey.
  • Roman statue of Emperor Hadrian. Marble. Perge. 2nd century AD. Inv no 3053. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Emperor Hadrian. Marble. Perge. 2nd century AD. Inv no 3730-3728. Antalya Archaeology Museum; Turkey.
  • Roman statue of Emperor Hadrian. Marble. Perge. 2nd century AD. Inv no 3730-3728. Antalya Archaeology Museum; Turkey.
  • Roman statue of Emperor Hadrian. Marble. Perge. 2nd century AD. Inv no 3730-3728. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a warm art background.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Emperor Hadrian. Marble. Perge. 2nd century AD. Inv no 3053. Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman statue of Emperor Hadrian. Marble. Perge. 2nd century AD. Inv no 3053. Antalya Archaeology Museum; Turkey. Against a black background.
  • Roman statue of Emperor Hadrian. Marble. Perge. 2nd century AD. Inv no 3730-3728. Antalya Archaeology Museum; Turkey. Against a warm art background.
  • Roman statue of Emperor Hadrian. Marble. Perge. 2nd century AD. Inv no 3730-3728. Antalya Archaeology Museum; Turkey. Against a grey background
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a white background.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Roman bust of a female deity, circa 117-138 AD from the Villa Adriana (Hadrian), Tivoli, Italy. The head, made separately for insertion onto a larger than life size body, is that of a female deity; type is known from other copies from a Greek original, probably from Attic circa 470-460 B.C. The bust was found in Hadrian’s villa and is therefore dated to 117-138 AD. The National Roman Museum, Rome, Italy
  • Roman bust of a female deity, circa 117-138 AD from the Villa Adriana (Hadrian), Tivoli, Italy. The head, made separately for insertion onto a larger than life size body, is that of a female deity; type is known from other copies from a Greek original, probably from Attic circa 470-460 B.C. The bust was found in Hadrian’s villa and is therefore dated to 117-138 AD. The National Roman Museum, Rome, Italy
  • Roman bust of a female deity, circa 117-138 AD from the Villa Adriana (Hadrian), Tivoli, Italy. The head, made separately for insertion onto a larger than life size body, is that of a female deity; type is known from other copies from a Greek original, probably from Attic circa 470-460 B.C. The bust was found in Hadrian’s villa and is therefore dated to 117-138 AD. The National Roman Museum, Rome, Italy
  • Roman bust of a female deity, circa 117-138 AD from the Villa Adriana (Hadrian), Tivoli, Italy. The head, made separately for insertion onto a larger than life size body, is that of a female deity; type is known from other copies from a Greek original, probably from Attic circa 470-460 B.C. The bust was found in Hadrian’s villa and is therefore dated to 117-138 AD. The National Roman Museum, Rome, Italy
  • Roman bust of a female deity, circa 117-138 AD from the Villa Adriana (Hadrian), Tivoli, Italy. The head, made separately for insertion onto a larger than life size body, is that of a female deity; type is known from other copies from a Greek original, probably from Attic circa 470-460 B.C. The bust was found in Hadrian’s villa and is therefore dated to 117-138 AD. The National Roman Museum, Rome, Italy
  • Roman bust of a female deity, circa 117-138 AD from the Villa Adriana (Hadrian), Tivoli, Italy. The head, made separately for insertion onto a larger than life size body, is that of a female deity; type is known from other copies from a Greek original, probably from Attic circa 470-460 B.C. The bust was found in Hadrian’s villa and is therefore dated to 117-138 AD. The National Roman Museum, Rome, Italy
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Roman bust of a female deity, circa 117-138 AD from the Villa Adriana (Hadrian), Tivoli, Italy. The head, made separately for insertion onto a larger than life size body, is that of a female deity; type is known from other copies from a Greek original, probably from Attic circa 470-460 B.C. The bust was found in Hadrian’s villa and is therefore dated to 117-138 AD. The National Roman Museum, Rome, Italy
  • Roman bust of a female deity, circa 117-138 AD from the Villa Adriana (Hadrian), Tivoli, Italy. The head, made separately for insertion onto a larger than life size body, is that of a female deity; type is known from other copies from a Greek original, probably from Attic circa 470-460 B.C. The bust was found in Hadrian’s villa and is therefore dated to 117-138 AD. The National Roman Museum, Rome, Italy
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Roman bust of a female deity, circa 117-138 AD from the Villa Adriana (Hadrian), Tivoli, Italy. The head, made separately for insertion onto a larger than life size body, is that of a female deity; type is known from other copies from a Greek original, probably from Attic circa 470-460 B.C. The bust was found in Hadrian’s villa and is therefore dated to 117-138 AD. The National Roman Museum, Rome, Italy
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Roman bust of a female deity, circa 117-138 AD from the Villa Adriana (Hadrian), Tivoli, Italy. The head, made separately for insertion onto a larger than life size body, is that of a female deity; type is known from other copies from a Greek original, probably from Attic circa 470-460 B.C. The bust was found in Hadrian’s villa and is therefore dated to 117-138 AD. The National Roman Museum, Rome, Italy
  • Roman statue in the nude hero style of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Roman statue of Emperor Hadrian .Marble. Perge. 2nd century AD. Inv no 3861-3863 .Antalya Archaeology Museum; Turkey. Against a white background.
  • Roman stuate from the time of Hadrian of the muse Tersichore, inv 308, Vatican Museum Rome, Italy,  white background
  • Roman stuate from the time of Hadrian of the muse Tersichore, inv 308, Vatican Museum Rome, Italy,  black background
  • Roman stuate from the time of Hadrian of the muse Tersichore, inv 308, Vatican Museum Rome, Italy,  grey art background
  • Roman stuate from the time of Hadrian of the muse Tersichore, inv 308, Vatican Museum Rome, Italy,  art background
  • Roman statue in the nude hero style of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman statue in the nude hero style of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman statue in the nude hero style of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman statue in the nude hero style of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman statue in the nude hero style of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman statue in the nude hero style of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman statue in the nude hero style of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Corinthian capital from the Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . Pergamon (Bergama) Archaeological Site, Turkey
  • Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • Roman stuate from the time of Hadrian of the muse Tersichore, inv 308, Vatican Museum Rome, Italy,  grey background
  • Roman statue in the nude hero style of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Roman statue in the nude hero style of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Detail from the  Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Picture of A Roman Theatre reconstructed over an earlier Greek theatre under the reign of Hadrian after the earthquake of 60 AD. The facade is 300 feet (91 m) long, the full extent of which remains standingand the cavea has 50 rows of seats. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of A Roman Theatre reconstructed over an earlier Greek theatre under the reign of Hadrian after the earthquake of 60 AD. The facade is 300 feet (91 m) long, the full extent of which remains standingand the cavea has 50 rows of seats. Hierapolis archaeological site near Pamukkale in Turkey.

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