• Interior of an Etruscan "dado: (dice) tomb known as Tomba Maroi dating form the 7th century BC, Necropoli della Banditaccia, Cerveteri, Italy. A UNESCO World Heritage Site
  • Original interior of the kitchen area with paet fire burning in The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Animal quarters in the original interior of The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Original interior of the kitchen area with paet fire burning in The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Original interior of an isle of Lewis White house which replaced the Black hosuses on the Island, Scotland
  • Original interior of the kitchen area with paet fire burning in The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Original interior of the kitchen area with paet fire burning in The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Original bedroom interior with original box-beds of The Blackhouse, 24 Arnol, Bragar, Isle of Lewis, Scotland.
  • Rustic Interior of the 1798 wooden house from the valley of Izei, Wooden church on Dobaies. The Village museum near Sighlet, Maramures, Northern Transylvania
  • Rustic interior of a wooden house of the Izei Valley of Maramures. The Village museum near Sighlet, Maramures, Northern Transylvania
  • Rustic interior of a wooden house of the Izei Valley of Maramures. The Village museum near Sighlet, Maramures, Northern Transylvania
  • Rustic Interior of the 1798 wooden house from the valley of Izei, Wooden church on Dobaies. The Village museum near Sighlet, Maramures, Northern Transylvania
  • Rustic interior of a wooden house of the Izei Valley of Maramures. The Village museum near Sighlet, Maramures, Northern Transylvania
  • Rustic interior of a wooden house of the Izei Valley of Maramures. The Village museum near Sighlet, Maramures, Northern Transylvania
  • Interior of an Etruscan burial tomb known  with sarcopoghi carved out of the volcanic tuff rock, 6th century BC, Necropoli della Banditaccia, Cerveteri, Italy. A UNESCO World Heritage Site
  • Interior of an Etruscan burial tomb known  with sarcopoghi carved out of the volcanic tuff rock, 6th century BC, Necropoli della Banditaccia, Cerveteri, Italy. A UNESCO World Heritage Site
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Interior Byzantine Romanesque style Christian frescoes of scens from the life of Christ, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia. Panorama
  • Interior Byzantine Romanesque style Christian frescoes of biblical scenes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of biblical scenes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of biblical scenes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of biblical scenes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of biblical scenes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior Byzantine Romanesque style Christian frescoes of the central apse with Christ Pantocrator (in majesty) in a maodorla, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a white background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a black background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a grey background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against an art background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a white background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a black background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against a grey background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy. Against an art background.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Roman fresco wall decorations of Viridarium L  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
Rooms B and D, clearly bedrooms (cubicula), were symmetrically arranged and projected farther forward than the large room C (the triclinium). They opened onto a rectangular unroofed space that must have been a garden (viridarium). This was a genuine hortus conclusus (enclosed garden). The walls that surrounded the real garden were decorated with a painted garden, like an extension of the real one. The south wall was decorated with the three panels shown here: within dense vegetation there are huts made of reeds, jetting fountains, and a marble seat. The most complete example of this kind of room is the one from the Villa of Livia (on display on this floor of the museum), the prototype for the fashion that spread throughout the Roman world of painting gardens on interior walls and around real garden spaces.
  • Interior of the Neo Classical Basilica, Eger, Hungary
  • Interior of the Neo Classical Basilica, Eger, Hungary
  • Interior of the Neo Classical Basilica, Eger, Hungary
  • Interior of the Neo Classical Basilica, Eger, Hungary
  • Interior of the Neo Classical Basilica, Eger, Hungary
  • Photo of Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.<br />
<br />
Against a brown art background.
  • Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.  <br />
<br />
Against a white background.
  • Picture & imafe of Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.  <br />
<br />
Against a gray background.
  • Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.  <br />
<br />
Against a black background.
  • Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.<br />
<br />
Against a Grey art background.
  • Interior Byzantine Romanesque style Christian frescoes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior stairs of The Doge's Palace, Palazzo Ducale, Venice Italy
  • Interior of an ancient cave dwelling, known as a ? Sassi ? , in Matera, Southern Italy. A UNESCO World Heritage Site.
  • Medieval relief sculpturs on the pulpit  in the interior of the Duomo, Pisa, Italy
  • Medieval relief sculpturs on the pulpit  in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Interior of the Duomo, Pisa Italy
  • Interior of the Duomo, Pisa Italy
  • Medieval relief sculpturs on the pulpit  in the interior of the Duomo, Pisa, Italy
  • Medieval relief sculpturs on the pulpit  in the interior of the Duomo, Pisa, Italy
  • Medieval relief sculpturs on the pulpit  in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Baroque interior of the Crkva sv. Katarine [ Church St. Catherine ]. Painting above altar by Andrew Jelov?ek.  Gradec , Zagreb, Croatia
  • Baroque interior of the Crkva sv. Katarine [ Church St. Catherine ]. Painting above altar by Andrew Jelov?ek.  Gradec , Zagreb, Croatia
  • The unusual Baroque interior of the Greek Orthodox Metropolitan Cathedral of the Metamorphosis,  Ermoupolis, Syros Island [ ????? ] , Greek Cyclades Islands
  • The unusual Baroque interior of the Greek Orthodox Metropolitan Cathedral of the Metamorphosis,  Ermoupolis, Syros Island [ ????? ] , Greek Cyclades Islands
  • The unusual Baroque interior of the Greek Orthodox Metropolitan Cathedral of the Metamorphosis,  Ermoupolis, Syros Island [ ????? ] , Greek Cyclades Islands
  • The unusual Baroque interior of the Greek Orthodox Metropolitan Cathedral of the Metamorphosis,  Ermoupolis, Syros Island [ ????? ] , Greek Cyclades Islands
  • The unusual Baroque interior of the Greek Orthodox Metropolitan Cathedral of the Metamorphosis,  Ermoupolis, Syros Island [ ????? ] , Greek Cyclades Islands
  • The unusual Baroque interior of the Greek Orthodox Metropolitan Cathedral of the Metamorphosis,  Ermoupolis, Syros Island [ ????? ] , Greek Cyclades Islands
  • Interior of the Neo Classic Catholic Parish church of Ano Syros, Syros Island [ ????? ] , Greek Cyclades Islands
  • Interior of the Neo Classic Catholic Parish church of Ano Syros, Syros Island [ ????? ] , Greek Cyclades Islands
  • Interior of the Neo Classic Catholic Parish church of Ano Syros, Syros Island [ ????? ] , Greek Cyclades Islands
  • Interior of the Neo Classic Catholic Parish church of Ano Syros, Syros Island [ ????? ] , Greek Cyclades Islands
  • Interior of the Neo Classic Catholic Parish church of Ano Syros, Syros Island [ ????? ] , Greek Cyclades Islands
  • Interior of the Neo Classic Catholic Parish church of Ano Syros, Syros Island [ ????? ] , Greek Cyclades Islands
  • Interior of the Neo Classic Catholic Parish church of Ano Syros, Syros Island [ ????? ] , Greek Cyclades Islands
  • Interior of one of the many small chapels of Ioulis (Chora) . Greek Cyclades Islands
  • Interior of one of the many small chapels of Ioulis (Chora) . Greek Cyclades Islands
  • Interior of one of the many small chapels of Ioulis (Chora) . Greek Cyclades Islands
  • Interior of The Szeged Synagogue, Eclectic Style. Hungary
  • Interior of The Szeged Synagogue, Eclectic Style. Hungary
  • Interior of The Szeged Synagogue, Eclectic Style. Hungary
  • Interior of The Szeged Synagogue, Eclectic Style. Hungary
  • Interior of Greek Orthodox Chapel with Icons - Naxos Cyclades Islands, Greece
  • Interior of the Hill top Orthodox cave church above Naxos Thira, Naxos Island, Greek Cyclades Islands
  • Interior of the Hill top Orthodox cave church above Naxos Thira, Naxos Island, Greek Cyclades Islands
  • Interior of the Hill top Orthodox cave church above Naxos Thira, Naxos Island, Greek Cyclades Islands
  • Interior of Greek Orthodox Chapel with Icons - Naxos Cyclades Islands, Greece
  • Interior of Greek Orthodox Chapel with Icons - Naxos Cyclades Islands, Greece
  • Interior of Greek Orthodox Chapel with Icons of the Madonna, Virgin Mary ( Hodegetaria Style) and Jesus Christ - Naxos Cyclades Islands, Greece
  • Interior of Greek Orthodox Chapel with Icons - Naxos Cyclades Islands, Greece
  • Interior of Greek Orthodox Chapel with Icons - Naxos Cyclades Islands, Greece
  • Interior of traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of Monastery of Paleokastro Greek Orthodox church, Ano Mera,  Mykonos, Cyclades Islands, Greece.
  • Interior of Monastery of Paleokastro Greek Orthodox church, Ano Mera,  Mykonos, Cyclades Islands, Greece.
  • Interior of Monastery of Paleokastro Greek Orthodox church, Ano Mera,  Mykonos, Cyclades Islands, Greece.
  • Interior of Monastery of Paleokastro Greek Orthodox church, Ano Mera,  Mykonos, Cyclades Islands, Greece.
  • Interior of Monastery of Paleokastro Greek Orthodox church, Ano Mera,  Mykonos, Cyclades Islands, Greece.
  • Interior of St Georges  traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of St Georges  traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of St Georges  traditional Greek Orthodox church, Mykonos, Cyclades Islands, Greece.
  • Interior of St Georges  traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of St Georges  traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of St Georges  traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of St Georges  traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of St Georges  traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior roof of St Peters Cathedral, The Vatican.
  • The dome interior  of St Peter's by Michelangelo , The Vatican, Rome
  • The dome interior  of St Peter's by Michelangelo , The Vatican, Rome
  • The dome interior  of St Peter's by Michelangelo , The Vatican, Rome
  • The dome interior  of St Peter's by Michelangelo , The Vatican, Rome
  • The dome interior  of St Peter's by Michelangelo , The Vatican, Rome
  • Baroque interior of The Great Church, Hungary Kecskemét
  • Interior of the Neo Classic Lutheran Church (Evangélikus templon)- Sopron, Hungary
  • Interior of the Neo Classic Lutheran Church (Evangélikus templon)- Sopron, Hungary
  • Interior of the Neo Classic Lutheran Church (Evangélikus templon)- Sopron, Hungary
  • Interior of the Neo Classic Lutheran Church (Evangélikus templon)- Sopron, Hungary
  • Interior of the Neo Classic Lutheran Church (Evangélikus templon)- Sopron, Hungary
  • Interior of the Neo Classic Lutheran Church (Evangélikus templon)- Sopron, Hungary
  • Baroque interior of the Goat's Church (Kecske templom )- Sopron, Hungary
  • Baroque interior of the Goat's Church (Kecske templom )- Sopron, Hungary
  • Baroque interior of the Goat's Church (Kecske templom )- Sopron, Hungary
  • Baroque interior of the church of St Francis Borgia, Eger, Hungary
  • Baroque interior of the church of St Francis Borgia, Eger, Hungary
  • Baroque interior of the church of St Francis Borgia, Eger, Hungary
  • Baroque interior of the church of St Francis Borgia, Eger, Hungary
  • Baroque interior of the church of St Francis Borgia, Eger, Hungary
  • Baroque interior of the church of St Francis Borgia, Eger, Hungary
  • Baroque interior of the church of St Francis Borgia, Eger, Hungary
  • Baroque interior of The Carmelite church - ( Gy?r )  Gyor Hungary
  • Baroque interior of The Carmelite church - ( Gy?r )  Gyor Hungary
  • Baroque interior of The Carmelite church - ( Gy?r )  Gyor Hungary
  • Baroque interior of The Carmelite church - ( Gy?r )  Gyor Hungary
  • Baroque interior of The Carmelite church - ( Gy?r )  Gyor Hungary
  • Baroque interior of The Carmelite church - ( Gy?r )  Gyor Hungary
  • Baroque interior of The Carmelite church - ( Gy?r )  Gyor Hungary
  • Hallway entrance Interior of Baroque Villa Palagonia - Baghera Sicily. Pictures, photos, images & fotos
  • Hallway entrance Interior of Baroque Villa Palagonia - Baghera Sicily Pictures, photos, images & fotos
  • Interior of Baroque Villa Palagonia - Baghera Sicily Pictures, photos, images & fotos
  • Interior of Baroque Villa Palagonia - Baghera Sicily Pictures, photos, images & fotos
  • Hallway entrance Interior of Baroque Villa Palagonia - Baghera Sicily Pictures, photos, images & fotos
  • Interior Byzantine Romanesque style Christian frescoes, Santissima Trinita di Saccargia, consecrated 1116 AD, Codrongianos, Sardinia.
  • Interior of an ancient cave dwelling, known as a ? Sassi ? , in Matera, Southern Italy. A UNESCO World Heritage Site.
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Medieval Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Byzantine style mosaics of Christ in the interior of the Duomo, Pisa, Italy
  • Baroque interior of the Crkva sv. Katarine [ Church St. Catherine ]. Painting above altar by Andrew Jelov?ek.  Gradec , Zagreb, Croatia
  • Interior of the Neo Classic Catholic Parish church of Ano Syros, Syros Island [ ????? ] , Greek Cyclades Islands
  • Interior of the Neo Classic Catholic Parish church of Ano Syros, Syros Island [ ????? ] , Greek Cyclades Islands
  • The unusual Baroque interior of the Greek Orthodox Metropolitan Cathedral of the Metamorphosis,  Ermoupolis, Syros Island [ ????? ] , Greek Cyclades Islands
  • The unusual Baroque interior of the Greek Orthodox Metropolitan Cathedral of the Metamorphosis,  Ermoupolis, Syros Island [ ????? ] , Greek Cyclades Islands
  • The unusual Baroque interior of the Greek Orthodox Metropolitan Cathedral of the Metamorphosis,  Ermoupolis, Syros Island [ ????? ] , Greek Cyclades Islands
  • Interior of the Neo Classic Catholic Parish church of Ano Syros, Syros Island [ ????? ] , Greek Cyclades Islands
  • Interior of The Szeged Synagogue, Eclectic Style. Hungary
  • Interior of The Szeged Synagogue, Eclectic Style. Hungary
  • Interior of the Hill top Orthodox cave church above Naxos Thira, Naxos Island, Greek Cyclades Islands
  • Interior of the Hill top Orthodox cave church above Naxos Thira, Naxos Island, Greek Cyclades Islands
  • Interior of Greek Orthodox Chapel with Icons - Naxos Cyclades Islands, Greece
  • Interior of Monastery of Paleokastro Greek Orthodox church, Ano Mera,  Mykonos, Cyclades Islands, Greece.
  • Interior of traditional Greek Orthodox church, Chora, Mykonos, Cyclades Islands, Greece.
  • Interior of Monastery of Paleokastro Greek Orthodox church, Ano Mera,  Mykonos, Cyclades Islands, Greece.
  • The dome interior  of St Peter's by Michelangelo , The Vatican, Rome
  • Baroque interior of The Great Church, Hungary Kecskemét
  • Baroque interior of The Great Church, Hungary Kecskemét
  • Interior of the Neo Classic Lutheran Church (Evangélikus templon)- Sopron, Hungary
  • Interior of the Neo Classic Lutheran Church (Evangélikus templon)- Sopron, Hungary
  • Baroque interior of the church of St Francis Borgia, Eger, Hungary
  • Baroque interior of The Carmelite church - ( Gy?r )  Gyor Hungary
  • Interior of Baroque Villa Palagonia - Baghera Sicily Pictures, photos, images & fotos
  • Interior of Baroque Villa Palagonia - Baghera Sicily Pictures, photos, images & fotos
  • Roman fresco wall decorations of the Bedroom B, the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of the Bedroom B, the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of Bedroom B  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of Bedroom B  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of Bedroom B  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of the Bedroom B, the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of Bedroom B  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Roman fresco wall decorations of Bedroom B  of the Villa Farnesia, Rome. Museo Nazionale Romano ( National Roman Museum), Rome, Italy.<br />
<br />
The bedroom (cubiculum). an intimate space with a bed (kline), divided into antechamber and bed alcove, has a rich decoration whose dominant color is the expensive cinnabar red. Architectural elements rendered in perspective complete with shadows are the setting for representations of pictures hung on the walls, which give the impression of an art gallery. Painted aedicula frame on the left wall the toilette of Aphrodite, on the right Dionysos with the nymphs of Mt. Nysa, to whom Zeus had entrusted the care of his baby son. Other small pictures, shown with illusionistic wooden protective shutters, present scenes of interiors and pairs of lovers. Fantastic ornamental figures and Egyptian gods, like Isis and Juppiter Ammon, cover the walls. The barrel vault in pure white stucco is decorated with reliefs showing scenes of initiation into the mysteries and idylic landscapes with sacred elements.
  • Aurochs skulls covered in lime plaster to make waht appear to be seats. On the wall are frescoes of hand prints will a platererd bulls skull. A reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • A close up of a clay oven in a reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • An exposed skeleton which were found in pits under the floors of some houses. On the wall are frescoes of what look like vultures, Scholars belive that dead bodies were subject to excarnation which means that their flesh was stripped from the body to leave the skeleton. A reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • An exposed skeleton which were found in pits under the floors of some houses. On the wall are frescoes of what look like vultures, Scholars belive that dead bodies were subject to excarnation which means that their flesh was stripped from the body to leave the skeleton. A reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • An exposed skeleton which were found in pits under the floors of some houses. On the wall are frescoes of what look like vultures, Scholars belive that dead bodies were subject to excarnation which means that their flesh was stripped from the body to leave the skeleton. A reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • A clay oven below a ladder which led to the main entrance via the roof, which also allowed smoke out. A reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • A plastered bull skull and frescoes of a reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • A plastered bull skull and frescoes of a reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • Reconstruction of 4 Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. The leopard frescoes on the wall were not found in this room reconstruction. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • Reconstruction of 4 Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. The leopard frescoes on the wall were not found in this room reconstruction. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • A plastered bull skull and frescoes of a reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • A plastered bull skull and frescoes of a reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • An exposed skeleton which were found in pits under the floors of some houses. On the wall are frescoes of what look like vultures, Scholars belive that dead bodies were subject to excarnation which means that their flesh was stripped from the body to leave the skeleton. A reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • A plastered bull skull and frescoes of a reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • A plastered bull skull and frescoes of a reconstruction of one of four Catalhoyuk houses to help archaeologists understand the finished structure of excavated ruins. 7500 BC to 5700 BC, Catalyhoyuk Archaeological Site, Çumra, Konya, Turkey
  • Medieval Byzantine mosaics of Noah's Arc, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Noah building the arc, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of with a depiction of Christ Pantocrator on the apse and main altar, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Noah putting animals into the arc, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Christian scene with Christ and the angels, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Rebecca and Abraham  Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Rebecca and Abraham, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Abraham about to sacrifice  Ishmael, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Angels appearing to Abraham, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Noahs Sons rebuilding their home, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of biblical senes, Monreale Cathedral, Sicily
  • South wall mosaics depicting the bibliacl story of Noah in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • Medieval Byzantine mosaics of God appearing to Noah, Monreale Cathedral, Sicily
  • South wall mosaics depicting the bibliacl story of Noah in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • South wall mosaics depicting the bibliacl story of Noah in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting the building of the tower of Babel in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • South wall mosaics depicting the bibliacl story of Noah in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • South wall mosaics depicting the bibliacl story of Noah in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • Decorative roof beams of the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • Mosaics of the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • South wall mosaics depicting the bibliacl story of Noah in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • Mosaics of the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • Mosaics of the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • South wall mosaics depicting the bibliacl story of Noah in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • South wall mosaics depicting the bibliacl story of Noah in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.

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