• Old court shoes
  • Collage financial material and Times newspaper
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • Paris - France - Seine Bank with Book Stalls Near Notre Dame
  • New Summer clothes collection
  • New Summer clothes collection
  • Runswick Bay - North Yorkshire - England disabled women paddling
  • Runswick Bay - North Yorkshire - England - man and baby
  • Thornton Pickard wooden bellows view camera
  • Thornton Pickard wooden bellows view camera
  • Real Fox Terrier Dog kissing a toy Fox Terrier on  push along wheels
  • FGox Terrier puppy on a childs wheel around
  • Green Boy and a dog Statue Polaroid Lift
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • children playing - Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England disabled women paddling
  • Runswick Bay - North Yorkshire - England - family walking
  • Runswick Bay - North Yorkshire - England - family walking
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Runswick Bay - North Yorkshire - England - grandad
  • Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - Captain Cooke house
  • Runswick Bay - North Yorkshire - Captain Cooke house
  • Runswick Bay - North Yorkshire - England - children jumping waves
  • Runswick Bay - North Yorkshire - England people on seats
  • Runswick Bay - North Yorkshire - England people on seats
  • Runswick Bay - North Yorkshire - England- child on beach
  • Runswick Bay - North Yorkshire - England - man and baby
  • Runswick Bay - North Yorkshire - England - kids walking
  • Runswick Bay Village - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Century Half Plate wooden View Camera close up of lens and shutter
  • Century Half Plate wooden View Camera
  • Century Half Plate wooden View Camera
  • Lancaster International Half Plate wooden View Camera with film slides
  • Sanderson double movement Half Plate wooden View Camera with film slides
  • Sanderson double movement Half Plate wooden View Camera with film slides
  • Thornton Pickard Half Plate wooden View Camera with film slides
  • Kodak Brownie folding camera with red bellows & Kolios shutter
  • Kodak Brownie folding camera with red bellows & Kolios shutter
  • Sanderson tropical Half Plate wooden View Camera
  • Sanderson tropical Half Plate wooden View Camera
  • Sanderson tropical Half Plate wooden View Camera close up of lens and shutter
  • Sanderson tropical Half Plate wooden View Camera
  • Sanderson tropical Half Plate wooden View Camera
  • Sanderson tropical Half Plate wooden View Camera close up of lens and shutter
  • Sanderson tropical Half Plate wooden View Camera close up of lens and shutter
  • Sanderson tropical Half Plate wooden View Camera on a wooden tripod
  • Sanderson tropical Half Plate wooden View Camera on a wooden tripod
  • Bilclife Half Plate wooden View Camera on a wooden tripod
  • Runswick Bay - North Yorkshire - England - teenage anxiety
  • Runswick Bay - North Yorkshire - England - man walking dog
  • Runswick Bay - North Yorkshire - England - family making sand castles
  • Sanderson tropical Half Plate wooden View Camera close up of lens and shutter
  • Paris ; France ; Notre Dame ; Cathedral ; seine ; bank ; south ; book ; stall ; books ; antiques ; collectables ; collectors ; second ; hand ; old ; fragile ; precious ; special ; first ; edition ; French ; novels ; stationary
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Fresco depicting a scematic arial view of the square houses of Catalhoyuk with the volcanic mout Hasan behind. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Antinous Mondragone, A Roman marble bust from circa 130 AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. The Borghese Collection Inv No. MR 412 or Ma 1205, Louvre Museum, Paris.
  • Statue of Eros known as The Genie of Borghese - a  Roman copy of a 4th century BC Greek original from Rome, Monte Cavallo. The statue belonged to Domenico Biondo, employee of Pope Paul V Borghese. The statue joined in 1608 in the collection of Scipio Borghese. Wings, arms and legs of Eros, formerly called Genie Borghese, are modern. In the 18th century it was much admired, especially in France, as one of the seven most important parts of the collection Borghese. The Borghese Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Sleeping Hermaphroditus, The Borghese Hermaphrodite.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Terracotta Vase with female face. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Plastered human skull and jawbone [11330]. Unique among excavated human remains from  Catalhoyuk, the shull and jawbone have been covered in soft palster from the forehead to the chin. This was then painted dark red. The nose was remodelled in plaster and several layers of plaster indicate that the process was repeated several times. Possibly an adult female.  Building 42 {F 1517], level V cirac 6300 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Geometric wall painting fragment found in 1999 in building 2, space 117, level IX. Unit no 4223X1. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Neolithic decorative hand print from the inside wall of a house. 7000 BC to 5000 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a black background
  • Neolithic necklace, 7000 BC to 6500 BC . Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Neolithic stone tools, 7000 BC to 6500 BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a gray background
  • Neolithic terracotta bowl. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Neolithic terracotta pot . Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Chalcolithic decorated terra cotta basket pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey
  • Chalcolithic decorated terra cotta pot. Circa 5000BC. Catalhoyuk collection, Konya Archaeological Museum, Turkey. Against a white background
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Painted colour verion of a Statue of  Atalanta a 2nd century Roman sculpture restored in the 17th century. Atalanta  is a character in Greek mythology, a virgin huntress, unwilling to marry, and loved by the hero Meleager.. The Mazarin Collection  Louvre Museum, Paris.
  • Painted colour verion of end of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy
  • Painted colour verion of end of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Naples  Museum of Archaeology, Italy
  • Painted colour verion of end of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman sculpture of Pothos, a copy of a 4th century BC Greek original attributed to Skopas of Paros, inv no 6253, The Farnese collection, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman sculpture of Pothos, a copy of a 4th century BC Greek original attributed to Skopas of Paros, inv no 6253, The Farnese collection, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman sculpture of Pothos, a copy of a 4th century BC Greek original attributed to Skopas of Paros, inv no 6253, The Farnese collection, Naples Museum of Archaeology, Italy
  • The celebrated Greek statue known as 'The Belvedere Torso', possibly of Greek hero Ajax, signed by Athenian neo-Attic sculptor Apollonios, ist century BC, inv 1192, Pope Clement collection, Vatican Museum Rome, Italy,  grey art background
  • The celebrated Greek statue known as 'The Belvedere Torso', possibly of Greek hero Ajax, signed by Athenian neo-Attic sculptor Apollonios, ist century BC, inv 1192, Pope Clement collection, Vatican Museum Rome, Italy,  grey  background
  • End of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy, black background
  • End of 2nd century beginning of 3rd century AD Roman marble sculpture of Hercules at rest copied from the second half of the 4th century BC Hellanistic Greek original,  inv 6001, Farnese Collection, Museum of Archaeology, Italy, grey background
  • Erotic 5th cnetury BC attica style anfora of two men, black against an potrange background, Caolina Murat Collection inv no 27670, Secret Museum or Secret Cabinet, Naples National Archaeological Museum , grey art background
  • Roman marble relief sculpture known as  Alcibiades and Etere, Franeses Collection, Roman copy of an earlier Greek Helenistic original , inv no 6688, Secret Museum or Secret Cabinet, Naples National Archaeological Museum, grey backround
  • captured wild animal from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman mosaic of young Roman women in Bikinis exercising from the Room of the Ten Bikini Girls, room no 30, from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman Mosaic from the Cubilcle with Erotic Scene, room 24, at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Detail of a Roman mosaic of the Peristyle no 13  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Chariot racing at the Circus Maximus. Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Bulls pulling a wagon from the Ambulatory of The Great Hunt, room no 28,  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a hare from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter after a wild boar hunt from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Detail of the geometric  Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaic detail of a women with a red bikini playing with a ball, from the Room of the Ten Bikini Girls, room no 30 at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • 2nd century AD Roman marble sculpture known as the Farnese Bull from the Baths of Caracalla, Rome, Farnese Collection, Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as the Farnese Bull from the Baths of Caracalla, Rome, Farnese Collection, Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as the Farnese Bull from the Baths of Caracalla, Rome, Farnese Collection, Museum of Archaeology, Italy
  • 2nd century AD Roman sculpture of Eros with a dolphin, inv no 6357, The Farnese collection, Naples Museum of Archaeology, Italy
  • 2nd century Roman sculpture of Apollo seated with lyre, sculpted in porphyry, inv no 6281,  The Farnese collection, Naples Archiological Musuem, Italy
  • 2nd century AD Roman statue of Artemis of Ephesus (Copy of the Greek Classical original), inv no 6278,  The Farnese collection, Naples Archiological Musuem, Italy
  • Statue of a male divinity known as Jupiter de Smyrne, a 2nd Roman statue from Smyrne, Izmir present day Turkey. The Royal Collection Inv No. MR 255 or Ma 13, Louvre Museum, Paris.
  • Female statue known as the Muse de Louveciennes, a Roman statue of the 3rd century AD from Rome. The Royal Collection Inv No. MR 354 or Ma 170, Louvre Museum, Paris.
  • Female statue known as the Muse de Louveciennes, a Roman statue of the 3rd century AD from Rome. The Royal Collection Inv No. MR 354 or Ma 170, Louvre Museum, Paris.
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Statue known as Antonius as Aristaeus. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. This statue was part of the collection of ancient sculptors bought in Rome by Cardinal Richelieu (1585-1642) for his chateau in Poitou. The favourite of the Emperor Hadrian (117-138 AD) Antonius  is depicted here as Aristaeus, a minor Greek God of fruit trees and bee keeping. The Richelieu Collection, Inv No. MR 73 or Ma 5781, Louvre Museum, Paris.
  • Statue of Narcissus known as The Marazin Hermaphrodite or The Genie at Eternal Rest - a 3rd century AD Roman marble statue. The restoration combines an ancient  funeral head with another ancient Roman statue. The Mazarin Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Narcissus known as The Marazin Hermaphrodite or The Genie at Eternal Rest - a 3rd century AD Roman marble statue. The restoration combines an ancient  funeral head with another ancient Roman statue. The Mazarin Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Narcissus known as The Marazin Hermaphrodite or The Genie at Eternal Rest - a 3rd century AD Roman marble statue. The restoration combines an ancient  funeral head with another ancient Roman statue. The Mazarin Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Adonis - Tis antique statue was completely restored in the 16th century by Francois Du Quesnoy for the collection of Cardinal Mazarin. The Mazarin Collection Inv No. MR 239, Louvre Museum, Paris.
  • Venus (Aphrodite) in Arms. A 2nd century AD marble Roman statue completed in the 16th century. The so called Venus in Arms shows Venus with a sword and armour accompanied by a cupid that is about to try on her oversized helmet. The statue belonged to the collection of Tiberio Ceuli, purchased by Cardinal Scipione Borghese (1576-1623) in 1607. The Roman head does not seem to belong to the statue. It graced one niche of the living room of the Villa Borghese.<br />
Borghese collection, Inv No. MR. 373 (Usual No Ma 370), Louvre Museum, Paris.
  • Venus (Aphrodite) in Arms. A 2nd century AD marble Roman statue completed in the 16th century. The so called Venus in Arms shows Venus with a sword and armour accompanied by a cupid that is about to try on her oversized helmet. The statue belonged to the collection of Tiberio Ceuli, purchased by Cardinal Scipione Borghese (1576-1623) in 1607. The Roman head does not seem to belong to the statue. It graced one niche of the living room of the Villa Borghese.<br />
Borghese collection, Inv No. MR. 373 (Usual No Ma 370), Louvre Museum, Paris.
  • Venus (Aphrodite) in Arms. A 2nd century AD marble Roman statue completed in the 16th century. The so called Venus in Arms shows Venus with a sword and armour accompanied by a cupid that is about to try on her oversized helmet. The statue belonged to the collection of Tiberio Ceuli, purchased by Cardinal Scipione Borghese (1576-1623) in 1607. The Roman head does not seem to belong to the statue. It graced one niche of the living room of the Villa Borghese.<br />
Borghese collection, Inv No. MR. 373 (Usual No Ma 370), Louvre Museum, Paris.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Altar of the Twelve Gods a Roman relief sculpture. This curious object, perhaps a Zodiacal altar, has the signs of the zodiac and busts of the twelve gods identified by their attributes. From the Borghese Collection  Inv MR 959  (or Ma 666), The Louvre Mueum, Paris.
  • Statue of  Atalanta a 2nd century Roman sculpture restored in the 17th century. Atalanta  is a character in Greek mythology, a virgin huntress, unwilling to marry, and loved by the hero Meleager.. The Mazarin Collection  Louvre Museum, Paris.
  • Female statue known as the Muse de Louveciennes, a Roman statue of the 3rd century AD from Rome. The Royal Collection Inv No. MR 354 or Ma 170, Louvre Museum, Paris.
  • Bust of Rome - a 1st or 2nd century Ad Roman sculpture made in marble, from Italy. The Borghese Collection Inv No. MR 643 or Ma 1209, Louvre Museum, Paris.
  • Statue of Narcissus known as The Marazin Hermaphrodite or The Genie at Eternal Rest - a 3rd century AD Roman marble statue. The restoration combines an ancient  funeral head with another ancient Roman statue. The Mazarin Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Statue of Narcissus known as The Marazin Hermaphrodite or The Genie at Eternal Rest - a 3rd century AD Roman marble statue. The restoration combines an ancient  funeral head with another ancient Roman statue. The Mazarin Collection Inv No. MR 207 or Ma 435, Louvre Museum, Paris.
  • Venus (Aphrodite) in Arms. A 2nd century AD marble Roman statue completed in the 16th century. The so called Venus in Arms shows Venus with a sword and armour accompanied by a cupid that is about to try on her oversized helmet. The statue belonged to the collection of Tiberio Ceuli, purchased by Cardinal Scipione Borghese (1576-1623) in 1607. The Roman head does not seem to belong to the statue. It graced one niche of the living room of the Villa Borghese.<br />
Borghese collection, Inv No. MR. 373 (Usual No Ma 370), Louvre Museum, Paris.
  • Venus (Aphrodite) in Arms. A 2nd century AD marble Roman statue completed in the 16th century. The so called Venus in Arms shows Venus with a sword and armour accompanied by a cupid that is about to try on her oversized helmet. The statue belonged to the collection of Tiberio Ceuli, purchased by Cardinal Scipione Borghese (1576-1623) in 1607. The Roman head does not seem to belong to the statue. It graced one niche of the living room of the Villa Borghese.<br />
Borghese collection, Inv No. MR. 373 (Usual No Ma 370), Louvre Museum, Paris.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Lucanian fresco tomb painting of the deceased collecting pomegranates. Paestrum, Andriuolo. 3rd Century BC
  • Wild Foul freeze from the east side of Tomb of Kybernis also known as the "Harpy Tomb"  (480 B.C). Kybernis was a Lycian ruler of Xanthos who led the Lycian ships as part of the Persian invasion of Greece in 480 B.C. The Freeze comes from a nine meter high pillar tomb from Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit B299 - B306, excavated by Charles Fellows in 1844.
  • The sculptured  4th cent. B.C Lycian Nereid ( Mythical Greek Sea Nymphs) Monument tomb of Arbina, a Xanthian client ruler of the Persians conquerors of Lycia. From Xanthos UNESCO World Heritage site, south west Turkey. British Museum exhibit excavated by Charles Fellows in 1840s.
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Neolithic round stone weaving loom weights. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Black obsidian blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Black obsidian arrow heads. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Brown obsidian dagger blades. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Brown obsidian dagger with a bone handle carved into the shape of a snake. It is believed this may have been a ritual dagger. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Bone necklace. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Hunting scene. A deer and wild boar are depicted being hunted with people using bows and arrows. One person is depcted trying to net the boar. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • painted leopard relief. The people of Catalhoyuk had a special religious meaning with leopards. These platered reliefs have many coats of plater indicating their long term importance. 6000 BC,  Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara.
  • Fresco of human figures around a deer. None of the figures carry weapons and some a dressed in leopard costumes. The figures seem to be trying to hold on or touch the deer amd one figure appears to be holding its tongue. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Fresco of a scene in which a pair of Cranes stand opposite two wild deer. The head of one of the birds is missing. 6000 BC, Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Detail of wall fresco depicting figure moving. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Detail of wall fresco depicting figure moving. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Detail of wall fresco depicting figure moving wearing a leopard costume. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Detail of wall fresco depicting figure moving wearing a leopard costume. 6000 BC. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara

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MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....