• The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae, Greece Cat No 11672. National Archaeological Museum, Athens.  White Background.<br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae Acropolis, Greece Cat No 11671. National Archaeological Museum, Athens.<br />
<br />
12th-14th cent BC.<br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • Mycenaean fresco wall painting of hunting demons, Mycenae Acropolis, Greece Cat No 2665. National Archaeological Museum, Athens.<br />
<br />
The Mycenaean fresco fragment depicts three animal demons with donkey heads holding a wooden pole over their shoulders from which hangs the prey thay have been hunting. This type of demon originated in Egypt.
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. Grey art Background <br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean fresco wall painting of a women in a procession, Mycenae, Greece Cat No 11651. National Archaeological Museum, Athens.<br />
<br />
The Mycenaean fresco fragment depicts a women in a procession. Her head is in profile and her body is depicted frontally. She holds a lily as a gift to a goddess.
  • Mycenaean Fresco wall painting of a Mycanaean chariot, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. Black Background<br />
<br />
14th  Cent BC. Cat No 5879. Mycanaean chariots were use for hunting as well as battle.
  • Mycenaean Fresco wall painting of a Mycanaean chariot, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. White Background.<br />
<br />
14th  Cent BC. Cat No 5879. Mycanaean chariots were use for hunting as well as battle.
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878.  White Background.
  • Mycenaean Fresco wall painting of a Mycanaean chariot, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum.<br />
<br />
14th  Cent BC. Cat No 5879. Mycanaean chariots were use for hunting as well as battle.
  • Mycenaean Fresco wall painting of a Mycanaean acrobat leaping over a bull, Early Palace,  Tiryns, Greece.  Athens Archaeological Museum. Grey Background<br />
<br />
14th  Cent BC.. Cat No 1595. The Mycenaean Fresco depicts an acrobat leaping over a charging bull whilst holding onto its horns. This ritual symbolised the struggle of domination of man over wild nature.
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.<br />
 Black Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey art Background
  • The 'Mycenaean Lady' fresco wall painting depicting a women in a procession, Mycenae, Greece Cat No 11670. National Archaeological Museum, Athens.<br />
<br />
The 'Mycenaean Lady' fresco depicts a women with a serious and pensive expression of a goddess in a solemn moment during which she accepts a gift of a necklace which she hold tightly in her right hand. she wears a short sleeved bodice over a sheer blouse which deliniates her bosom. She has an  intricate hairstyle and wears rich jewellery.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae, Greece Cat No 11672. National Archaeological Museum, Athens. <br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • Mycenaean fresco wall painting of hunting demons, Mycenae Acropolis, Greece Cat No 2665. National Archaeological Museum, Athens. White Background.<br />
<br />
The Mycenaean fresco fragment depicts three animal demons with donkey heads holding a wooden pole over their shoulders from which hangs the prey thay have been hunting. This type of demon originated in Egypt.
  • Mycenaean fresco wall painting of hunting demons, Mycenae Acropolis, Greece Cat No 2665. National Archaeological Museum, Athens. Grey art Background <br />
<br />
The Mycenaean fresco fragment depicts three animal demons with donkey heads holding a wooden pole over their shoulders from which hangs the prey thay have been hunting. This type of demon originated in Egypt.
  • Mycenaean Fresco wall painting of a Mycanaean chariot, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. Grey art Background <br />
<br />
14th  Cent BC. Cat No 5879. Mycanaean chariots were use for hunting as well as battle.
  • Mycenaean fresco wall painting of a women in a procession, Mycenae, Greece Cat No 11651. National Archaeological Museum, Athens. Grey art Background <br />
<br />
The Mycenaean fresco fragment depicts a women in a procession. Her head is in profile and her body is depicted frontally. She holds a lily as a gift to a goddess.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae, Greece Cat No 11672. National Archaeological Museum, Athens.  Black Background<br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae, Greece Cat No 11672. National Archaeological Museum, Athens. <br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • Mycenaean Fresco wall painting of a Mycanaean chariot, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. Grey Background<br />
<br />
14th  Cent BC. Cat No 5879. Mycanaean chariots were use for hunting as well as battle.
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878.  Grey Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Black Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae, Greece Cat No 11672. National Archaeological Museum, Athens. <br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae Acropolis, Greece Cat No 11671. National Archaeological Museum, Athens. Grey art Background <br />
<br />
12th-14th cent BC.<br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • Mycenaean fresco wall painting of a marine scape. National Archaeological Museum Athens. Cat No 5844. Grey art Background <br />
<br />
The Mycenaean fresco fragments depict a marine scape with flying fish diving and swimming with sponges attached to rocks.
  • Mycenaean fresco wall painting of hunting demons, Mycenae Acropolis, Greece Cat No 2665. National Archaeological Museum, Athens. Grey Background<br />
<br />
The Mycenaean fresco fragment depicts three animal demons with donkey heads holding a wooden pole over their shoulders from which hangs the prey thay have been hunting. This type of demon originated in Egypt.
  • Mycenaean fresco wall painting of hunting demons, Mycenae Acropolis, Greece Cat No 2665. National Archaeological Museum, Athens. Black Background<br />
<br />
The Mycenaean fresco fragment depicts three animal demons with donkey heads holding a wooden pole over their shoulders from which hangs the prey thay have been hunting. This type of demon originated in Egypt.
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. Black Background<br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum.<br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. Grey art Background <br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean Fresco wall painting of a Mycanaean acrobat leaping over a bull, Early Palace,  Tiryns, Greece.  Athens Archaeological Museum. White Background.<br />
<br />
14th  Cent BC.. Cat No 1595. The Mycenaean Fresco depicts an acrobat leaping over a charging bull whilst holding onto its horns. This ritual symbolised the struggle of domination of man over wild nature.
  • Mycenaean Fresco wall painting of a Mycanaean acrobat leaping over a bull, Early Palace,  Tiryns, Greece.  Athens Archaeological Museum. Grey art Background <br />
<br />
14th  Cent BC.. Cat No 1595. The Mycenaean Fresco depicts an acrobat leaping over a charging bull whilst holding onto its horns. This ritual symbolised the struggle of domination of man over wild nature.
  • The 'Mycenaean Lady' fresco wall painting depicting a women in a procession, Mycenae, Greece Cat No 11670. National Archaeological Museum, Athens. Grey Background<br />
<br />
The 'Mycenaean Lady' fresco depicts a women with a serious and pensive expression of a goddess in a solemn moment during which she accepts a gift of a necklace which she hold tightly in her right hand. she wears a short sleeved bodice over a sheer blouse which deliniates her bosom. She has an  intricate hairstyle and wears rich jewellery.
  • The 'Mycenaean Lady' fresco wall painting depicting a women in a procession, Mycenae, Greece Cat No 11670. National Archaeological Museum, Athens. Black Background<br />
<br />
The 'Mycenaean Lady' fresco depicts a women with a serious and pensive expression of a goddess in a solemn moment during which she accepts a gift of a necklace which she hold tightly in her right hand. she wears a short sleeved bodice over a sheer blouse which deliniates her bosom. She has an  intricate hairstyle and wears rich jewellery.
  • Mycenaean fresco wall painting of a women in a procession, Mycenae, Greece Cat No 11651. National Archaeological Museum, Athens. Grey Background<br />
<br />
The Mycenaean fresco fragment depicts a women in a procession. Her head is in profile and her body is depicted frontally. She holds a lily as a gift to a goddess.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae, Greece Cat No 11672. National Archaeological Museum, Athens.  Black Background<br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae Acropolis, Greece Cat No 11671. National Archaeological Museum, Athens.<br />
<br />
12th-14th cent BC.<br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae Acropolis, Greece Cat No 11671. National Archaeological Museum, Athens. Grey Background<br />
<br />
12th-14th cent BC.<br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae Acropolis, Greece Cat No 11671. National Archaeological Museum, Athens.<br />
<br />
12th-14th cent BC.<br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • Mycenaean fresco wall painting of a marine scape. National Archaeological Museum Athens. Cat No 5844.<br />
<br />
The Mycenaean fresco fragments depict a marine scape with flying fish diving and swimming with sponges attached to rocks.
  • Mycenaean fresco wall painting of three women, Ramp House, Mycenae Acropolis, Greece Cat No 1015. National Archaeological Museum, Athens. White Background.<br />
<br />
This 14th Cent BC Mycenaean fresco fragment depicts three women looking out of a window. The scene is festive and the veneration gestures of the women suggest that they are watching a religiuos procession through the window.
  • Mycenaean fresco wall painting of three women, Ramp House, Mycenae Acropolis, Greece Cat No 1015. National Archaeological Museum, Athens. Black Background<br />
<br />
This 14th Cent BC Mycenaean fresco fragment depicts three women looking out of a window. The scene is festive and the veneration gestures of the women suggest that they are watching a religiuos procession through the window.
  • Mycenaean fresco wall painting of three women, Ramp House, Mycenae Acropolis, Greece Cat No 1015. National Archaeological Museum, Athens. Grey art Background <br />
<br />
This 14th Cent BC Mycenaean fresco fragment depicts three women looking out of a window. The scene is festive and the veneration gestures of the women suggest that they are watching a religiuos procession through the window.
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. White Background.<br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. Grey Background<br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. Black Background<br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. Grey Background<br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. White Background.
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey art Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. White Background.
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey Background
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • The 'Mycenaean Lady' fresco wall painting depicting a women in a procession, Mycenae, Greece Cat No 11670. National Archaeological Museum, Athens. White Background.<br />
<br />
The 'Mycenaean Lady' fresco depicts a women with a serious and pensive expression of a goddess in a solemn moment during which she accepts a gift of a necklace which she hold tightly in her right hand. she wears a short sleeved bodice over a sheer blouse which deliniates her bosom. She has an  intricate hairstyle and wears rich jewellery.
  • The 'Mycenaean Lady' fresco wall painting depicting a women in a procession, Mycenae, Greece Cat No 11670. National Archaeological Museum, Athens. Grey art Background <br />
<br />
The 'Mycenaean Lady' fresco depicts a women with a serious and pensive expression of a goddess in a solemn moment during which she accepts a gift of a necklace which she hold tightly in her right hand. she wears a short sleeved bodice over a sheer blouse which deliniates her bosom. She has an  intricate hairstyle and wears rich jewellery.
  • The 'Mycenaean Lady' fresco wall painting depicting a women in a procession, Mycenae, Greece Cat No 11670. National Archaeological Museum, Athens. White Background.<br />
<br />
The 'Mycenaean Lady' fresco depicts a women with a serious and pensive expression of a goddess in a solemn moment during which she accepts a gift of a necklace which she hold tightly in her right hand. she wears a short sleeved bodice over a sheer blouse which deliniates her bosom. She has an  intricate hairstyle and wears rich jewellery.
  • Mycenaean fresco wall painting of a women in a procession, Mycenae, Greece Cat No 11651. National Archaeological Museum, Athens. White Background.<br />
<br />
The Mycenaean fresco fragment depicts a women in a procession. Her head is in profile and her body is depicted frontally. She holds a lily as a gift to a goddess.
  • Mycenaean fresco wall painting of a women in a procession, Mycenae, Greece Cat No 11651. National Archaeological Museum, Athens. Black Background<br />
<br />
The Mycenaean fresco fragment depicts a women in a procession. Her head is in profile and her body is depicted frontally. She holds a lily as a gift to a goddess.
  • Mycenaean fresco wall painting of a women in a procession, Mycenae, Greece Cat No 11651. National Archaeological Museum, Athens.<br />
<br />
The Mycenaean fresco fragment depicts a women in a procession. Her head is in profile and her body is depicted frontally. She holds a lily as a gift to a goddess.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae Acropolis, Greece Cat No 11671. National Archaeological Museum, Athens. White Background.<br />
<br />
12th-14th cent BC.<br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae Acropolis, Greece Cat No 11671. National Archaeological Museum, Athens. Black Background<br />
<br />
12th-14th cent BC.<br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • Mycenaean fresco wall painting of three women, Ramp House, Mycenae Acropolis, Greece Cat No 1015. National Archaeological Museum, Athens.<br />
<br />
This 14th Cent BC Mycenaean fresco fragment depicts three women looking out of a window. The scene is festive and the veneration gestures of the women suggest that they are watching a religiuos procession through the window.
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum.<br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean Fresco wall painting of a Mycanaean acrobat leaping over a bull, Early Palace,  Tiryns, Greece.  Athens Archaeological Museum. Black Background<br />
<br />
14th  Cent BC.. Cat No 1595. The Mycenaean Fresco depicts an acrobat leaping over a charging bull whilst holding onto its horns. This ritual symbolised the struggle of domination of man over wild nature.
  • Mycenaean Fresco wall painting of a Mycanaean acrobat leaping over a bull, Early Palace,  Tiryns, Greece.  Athens Archaeological Museum.<br />
<br />
14th  Cent BC.. Cat No 1595. The Mycenaean Fresco depicts an acrobat leaping over a charging bull whilst holding onto its horns. This ritual symbolised the struggle of domination of man over wild nature.
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878.  Black Background
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878.  Grey art Background
  • Mycenaean fresco wall painting of a marine scape. National Archaeological Museum Athens. Cat No 5844. Grey Background<br />
<br />
The Mycenaean fresco fragments depict a marine scape with flying fish diving and swimming with sponges attached to rocks.
  • Mycenaean fresco wall painting of a marine scape. National Archaeological Museum Athens. Cat No 5844. Black Background<br />
<br />
The Mycenaean fresco fragments depict a marine scape with flying fish diving and swimming with sponges attached to rocks.
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum.<br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878
  • Mycenaean Fresco wall painting of a Wild Boar Hunt from the Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Grey Background
  • The 'Mycenaean Lady' fresco wall painting depicting a women in a procession, Mycenae, Greece Cat No 11670. National Archaeological Museum, Athens.<br />
<br />
The 'Mycenaean Lady' fresco depicts a women with a serious and pensive expression of a goddess in a solemn moment during which she accepts a gift of a necklace which she hold tightly in her right hand. she wears a short sleeved bodice over a sheer blouse which deliniates her bosom. She has an  intricate hairstyle and wears rich jewellery.
  • Mycenaean pottery funiture decorations from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens.  White Background.
  • Mycenaean pottery funiture decorations from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens.  Grey Background
  • Mycenaean pottery funiture decorations from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens.  Grey art Background
  • Mycenaean pottery funiture decorations from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens.  Black Background
  • Mycenaean pottery funiture decorations from Grave IV, Circle Grave A, Mycenae, 16th cent BC. National Archaeological Museum Athens.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae, Greece Cat No 11672. National Archaeological Museum, Athens.  Grey art Background <br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • Mycenaean gold cup with ivy leaf decoration from the Mycenaean cemetery of Midea tomb 10, Dendra, Greece. National Archaeological Museum Athens Cat no 8743.
  • Mycenaean gold cup with ivy leaf decoration from the Mycenaean cemetery of Midea tomb 10, Dendra, Greece. National Archaeological Museum Athens Cat no 8743. Black Background
  • Mycenaean gold cup with arches decoration, Grave V, Grave Circle A Mycenae, Greece. National Archaeological Museum of Athens. Grey Background<br />
<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with arches decoration, Grave V, Grave Circle A Mycenae, Greece. National Archaeological Museum of Athens.  Grey Art Background<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with ivy leaf decoration from the Mycenaean cemetery of Midea tomb 10, Dendra, Greece. National Archaeological Museum Athens Cat no 8743.  White Background.
  • Mycenaean gold cup with ivy leaf decoration from the Mycenaean cemetery of Midea tomb 10, Dendra, Greece. National Archaeological Museum Athens Cat no 8743.  Grey art Background
  • Mycenaean gold cup with arches decoration, Grave V, Grave Circle A Mycenae, Greece. National Archaeological Museum of Athens. White background.<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with arches decoration, Grave V, Grave Circle A Mycenae, Greece. National Archaeological Museum of Athens.<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean clay jug with ornate decoration of vegetal motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8375. Grey Background
  • Mycenaean gold cup with arches decoration, Grave V, Grave Circle A Mycenae, Greece. National Archaeological Museum of Athens. Black Background<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with ivy leaf decoration from the Mycenaean cemetery of Midea tomb 10, Dendra, Greece. National Archaeological Museum Athens Cat no 8743.
  • Mycenaean clay jug with ornate decoration of vegetal motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8375. White Background.
  • Mycenaean clay jug with ornate decoration of vegetal motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8375. Black Background
  • Mycenaean clay jug with ornate decoration of vegetal motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8375.
  • Mycenaean clay jug with ornate decoration of vegetal motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8375. Grey art Background
  • Mycenaean Gold diadems from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. White Background.<br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 232<br />
<br />
Bottom: Elegant Mycenaean gold daidem with fastening loops and dotted decoration. Three diamond shaped pendant hung from chains. Cat no 236.
  • Mycenaean Gold diadems from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey Background<br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 232<br />
<br />
Bottom: Elegant Mycenaean gold daidem with fastening loops and dotted decoration. Three diamond shaped pendant hung from chains. Cat no 236.
  • Mycenaean Gold diadems from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC.<br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 232<br />
<br />
Bottom: Elegant Mycenaean gold daidem with fastening loops and dotted decoration. Three diamond shaped pendant hung from chains. Cat no 236.
  • Mycenaean Gold diadems from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Black Background<br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 232<br />
<br />
Bottom: Elegant Mycenaean gold daidem with fastening loops and dotted decoration. Three diamond shaped pendant hung from chains. Cat no 236.
  • Mycenaean Gold diadems from Grave IV, Grave Circle A, Myenae, Greece. National Archaeological Museum Athens. 16th Cent BC. Grey art Background <br />
<br />
Top: Mycenaean Gold diadem with repousse circles and rosettes Cat No 232<br />
<br />
Bottom: Elegant Mycenaean gold daidem with fastening loops and dotted decoration. Three diamond shaped pendant hung from chains. Cat no 236.
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115. Black Background<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115.<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC.  White Background.
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115. Grey Background<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115.<br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC. National Archaeological Museum Athens. Cat No 115. Grey art Background <br />
<br />
A large Mycenaean Krate decorated with a two horse chariot and two riders. The style is typical of the painting style known as ;painter of the shield bearers' of the Tiryns workshop producing pictorial pottery from the late 13th to 12th century BC
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  White Background.
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  Black Background
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  Grey Background
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  Grey art Background
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  Grey Background
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  White Background.
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  Black Background
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192,  Grey art Background
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199.  White Background.
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199.  Black Background
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199.  Grey Background
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199.  Grey art Background
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens.<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens. Black Background<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens. Grey Background<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens.<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens. Grey art Background <br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511. White Background.<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511. Grey Background<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511. Black Background<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511.<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511.<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511. Grey art Background <br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean gold cup with spiral decorations, Grave V, Grave Circle A,  Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with spiral decorations, Grave V, Grave Circle A,  Mycenae, Greece. National Archaeological Museum of Athens.  White background.<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with spiral decorations, Grave V, Grave Circle A,  Mycenae, Greece. National Archaeological Museum of Athens. An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with spiral decorations, Grave V, Grave Circle A,  Mycenae, Greece. National Archaeological Museum of Athens. <br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Mycenaean gold cup with spiral decorations, Grave V, Grave Circle A,  Mycenae, Greece. National Archaeological Museum of Athens.   Grey Art Background<br />
<br />
An elegant precious gold cup hammered from thick gold to created a simple elegant design. This Mycenaean gold cup demonstrates how advance Mycenaean metalworking was in the 16th century BC. The value of the cup would have been extermely high so must have graced the table of a Mycenaean noble perhaps even a v king.
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725.  White Background.<br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725.  Black Background<br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725.  Grey art Background <br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725. <br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725. <br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Mycenaean clay alabastron decorated with seaweed motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8374.
  • Mycenaean clay alabastron decorated with seaweed motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8374. Black Background
  • Mycenaean clay alabastron decorated with seaweed motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8374. Grey Background
  • Mycenaean clay alabastron decorated with seaweed motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8374.
  • Mycenaean clay alabastron decorated with seaweed motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8374.
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580.  Black Background
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580.  White Background.
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580.  Grey Background
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580.  Grey art Background
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437.  White Background.<br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437. <br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437.  Grey art Background <br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Grey Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107. <br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Black Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  White Background.<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107. <br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437.  Black Background<br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437.  Grey Background<br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  White Background.<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Black Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Grey art Background <br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Grey Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Grey art Background <br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations

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