• Roman Temple of Apollo  Pompeii archaeological site, Italy
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • Roman Temple of Apollo  Pompeii archaeological site, Italy
  • The Roman Corinthian Porticus, columns & tables of the money changers at the entrance of the Macellum in the Forum of Pompeii archaeological site, Italy.
  • Cobbled street of Pompeii archaeological site.
  • Well in the street of Pompeii archaeological site.
  • Street of Pompeii archaeological site.
  • Street of Pompeii archaeological site.
  • Cobbled street of Pompeii archaeological site.
  • Cobbled street of Pompeii archaeological site.
  • Cobbled street of Pompeii archaeological site.
  • Roman Frescos of Pompei arhaeological site.
  • Roman Frescos of Pompei arhaeological site.
  • Roman Frescos of Pompei arhaeological site.
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • The columns of the 2nd cent. B.C Roman Basilica of Pompeii which was the Roman courts of justice and the core of economic life in Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • Doric & Corinthian columns of the Roman colonade in the Forum of Pompeii.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Columns of The Building of Eumachia, Pompeii. The inscription on lintel above the columns is to Concordia Augusta, wife of Emperor Augustus, from the priestess Eumachia the patron of the "fullones", an artisan association of dyers. The building was a prototype of medieval hostels were travelling merchant rented accommodation.
  • The Roman Great Theatre of Pompeii. Seating up to 5000 spectators the theatre was originally built in Hellanistic time (200-150 B.C)
  • The Roman Great Theatre of Pompeii. Seating up to 5000 spectators the theatre was originally built in Hellanistic time (200-150 B.C)
  • The Roman Great Theatre of Pompeii. Seating up to 5000 spectators the theatre was originally built in Hellanistic time (200-150 B.C)
  • The Roman tombs & mausoleums on the street of Tombs in the Herculaneum cemetry, Pompeii
  • The Roman tombs & mausoleums on the street of Tombs in the Herculaneum cemetry, Pompeii
  • Roman road of Via Consolare , Pompeii, with a well and a surgeons house.
  • Peristyle of `Roman Villa of Pompeii
  • Peristyle of `Roman Villa of Pompeii
  • 6th century Byzantine Roman mosaics of a hunters from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of a hunter from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of a man with an amphora from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of horses from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of a hunters from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of deer from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of a mythical Griffin from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of an Eagle catching a snake from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of goats from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of a man thinking, possibly a philospher, from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of a mythical Griffin from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of a race from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman mosaics of a man from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman hare hunt mosaics from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman hare hunt mosaics from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • 6th century Byzantine Roman lion mosaics from the peristyle of the Great Palace from the reign of Emperor Justinian I. Istanbul, Turkey.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • 2nd Cent. AD Roman relief sculpture depicting the struggle of Athena ( the goddess of wisdom, skill & warfare) fighting the Gigantes ( Giants) . From Aphrodisias (Geyne, Ayden) Turkey. Istanbul Archaeological Museum, Turkey, Inv. 1613aT , Cat. Mendel 512.
  • 2nd Cent. AD Roman relief sculpture depicting the struggle of Athena ( the goddess of wisdom, skill & warfare) fighting the Gigantes ( Giants) . From Aphrodisias (Geyne, Ayden) Turkey. Istanbul Archaeological Museum, Turkey, Inv. 1613aT , Cat. Mendel 512.
  • 2nd Cent. AD Roman relief sculpture depicting Gigantomachy, the battle between the gods & the giants. From Aphrodisias (Geyne, Ayden), Turkey. Istanbul Archaeological Museum, Turkey, Inv. 1613T , Cat. Mendel 511.
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Los Milagros Aquaduct of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Los Milagros Aquaduct of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Los Milagros Aquaduct of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Nero supports a slumping naked Armenia. She wears a soft eastern hat.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Herakles is preparing to wrestle the Libyan giant Antaios. Herakles (left) is taking off his bow case to hang it on a pillar statue. Antaios (right) is binding up his head with ear protectors, next to him stands an oil basin used in the palaistra (wrestling ground). Antaios was a famous wrestler who challenged and killed all visitors to his country, until he was defeated by Herakles.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs from the mauseleum of Julius Zoilus.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Baby Dionysus is handed from one nymph to another for suckling. A bearded Silenos gestures excitedly. The scene is set at Nysa in the Meander Valley, where Zeus had his gifted child Dionysos, born to him by Semele and brought up in the wilds out of the view of Hera.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Prometheus is screaming in pain. Zeus had given him a terrible punishment for giving fire to man: he was tied to the Caucasus mountains and had his liver picked out daily by an eagle. Herakles shot the eagle and is undoing the first manacle. He wears his trade mark lion-skin and thrown his club to one side. A small mountain nymph, holding a throwing stick appears amongst the rocks.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Meleager sits on a rock tying his sandal. Below him lies a fierce hunting dog with a wide collar. On one side a god or another hero wearing a rounded hat  crowning Meleager ( arm missing). On the other side stands the huntress Atalante, Meleager's lover: she wears a short dress and quiver,
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Apollo sits on his raised platform with his tripod at his oracular shrine. He is approached by 2 figures one with the flat diadem of a king who have come to consult him. Cut Out
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.
  • Photo of Roman releif sculpture of Emperor Claudius About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Naked warrior Claudius id about to deliver the death blow to Britanica.
  • Photo of Roman releif sculpture, an allegory of an athletic contest [ Agon ]  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The pillar with a bearded head on it is Hermes the god of the gymnasium. Nearby is a palm of victiry with a ribbon on a prize table. Two winged baby Eros figures are stuggling over a palm branch acting out the idea of a contest. The youthful figure is Agon himself who holds a palm of victory
  • Photo of Roman releif sculpture, an allegory of an athletic contest [ Agon ]  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The pillar with a bearded head on it is Hermes the god of the gymnasium. Nearby is a palm of victiry with a ribbon on a prize table. Two winged baby Eros figures are stuggling over a palm branch acting out the idea of a contest. The youthful figure is Agon himself who holds a palm of victory
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Aphrodite is crowned by Andreia from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  The drapped goddess figure is thought to be Aphrodite, whilst the female bare breasted warrior in amazonian dress is Roma or Andreia [ Bravery ].  Black
  • Photo of Roman releif sculpture of Emperor Tiberius with captive About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  Emperor Tiberius stands with a barbarian captive depicted half the height of Tiberius.  art
  • Photo of Roman releif sculpture of Aphrodite from the Theater dedicated to Theodorus, second-third century AD, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Cut Out
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Unknown hero holding a sword gazes at an unknown young heroine.
  • Photo of Roman releif sculpture of Aineas Fleeing Troy with his wife & children from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints
  • Photo of Roman releif sculpture of Aphrodite is crowned by Andreia from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  The drapped goddess figure is thought to be Aphrodite, whilst the female bare breasted warrior in amazonian dress is Roma or Andreia [ Bravery ].  Black
  • Photo of Roman releif sculpture of Roma & Ge [ Earth ] from  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  Black
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 10
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 9
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 8
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 7
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 6
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 5
  • Picture of the double Tetrapylon Gate 2, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints.
  • Picture of the double Tetrapylon Gate 1, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints.
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 3
  • Roman mosaics of Dolphins, a Roman good luck symbol from The House of Orpheus. Volubilis Archaeological Site, near Meknes, Morocco
  • The Corintian columns of Capitoline Temple dedicated to the three chief divinities of the Roman state, Jupiter, Juno and Minerva.  Volubilis Archaeological Site, near Meknes, Morocco
  • Roman mosaic of a hunter. Volubilis Archaeological Site, near Meknes, Morocco
  • The Corintian columns of Capitoline Temple dedicated to the three chief divinities of the Roman state, Jupiter, Juno and Minerva.  Volubilis Archaeological Site, near Meknes, Morocco
  • The Corintian columns of Capitoline Temple dedicated to the three chief divinities of the Roman state, Jupiter, Juno and Minerva.  Volubilis Archaeological Site, near Meknes, Morocco
  • Exterior of the Basilica at Volubilis.  Completed during the reign of Macrinus in the early 3rd century, it is one of the finest Roman basilicas in Africa and is probably modelled on the one at Leptis Magna in Libya, Volubilis Archaeological Site, near Meknes, Morocco
  • Latin Inscription on a Roman stone. Volubilis Archaeological Site, near Meknes, Morocco
  • Tiwsted Corintian Roman column and capital. Volubilis Archaeological Site, near Meknes, Morocco
  • The Corintian columns of Capitoline Temple dedicated to the three chief divinities of the Roman state, Jupiter, Juno and Minerva.  Volubilis Archaeological Site, near Meknes, Morocco
  • The Corintian columns of Capitoline Temple dedicated to the three chief divinities of the Roman state, Jupiter, Juno and Minerva.  Volubilis Archaeological Site, near Meknes, Morocco
  • Exterior of the Basilica at Volubilis.  Completed during the reign of Macrinus in the early 3rd century, it is one of the finest Roman basilicas in Africa and is probably modelled on the one at Leptis Magna in Libya, Volubilis Archaeological Site, near Meknes, Morocco
  • Exterior of the Basilica at Volubilis.  Completed during the reign of Macrinus in the early 3rd century, it is one of the finest Roman basilicas in Africa and is probably modelled on the one at Leptis Magna in Libya, Volubilis Archaeological Site, near Meknes, Morocco
  • Exterior of the Basilica at Volubilis.  Completed during the reign of Macrinus in the early 3rd century, it is one of the finest Roman basilicas in Africa and is probably modelled on the one at Leptis Magna in Libya, Volubilis Archaeological Site, near Meknes, Morocco
  • Geometric designed Roman floor mosaic. Volubilis Archaeological Site, near Meknes, Morocco
  • Roman mosaic of a fish. Volubilis Archaeological Site, near Meknes, Morocco
  • Roman Mosaics of Bacchus encountering the sleeping Ariadne from the House of the Ephebe.  Volubilis Archaeological Site, near Meknes, Morocco
  • Roman mosaic from The House of Orpheus showing Orpheus playing a lute in the centre with wild African animals surrounding him. From the triclinium or the dining room of the villa. Volubilis Archaeological Site, near Meknes, Morocco
  • Roman mosaic from The House of Orpheus showing Orpheus playing a lute in the centre with wild African animals surrounding him. From the triclinium or the dining room of the villa. Volubilis Archaeological Site, near Meknes, Morocco
  • Roman mosaic from The House of Orpheus showing Orpheus playing a lute in the centre with wild African animals surrounding him. From the triclinium or the dining room of the villa. Volubilis Archaeological Site, near Meknes, Morocco
  • Latin Inscription on a Roman stone. Volubilis Archaeological Site, near Meknes, Morocco
  • The Corintian columns of Capitoline Temple dedicated to the three chief divinities of the Roman state, Jupiter, Juno and Minerva.  Volubilis Archaeological Site, near Meknes, Morocco
  • Exterior of the Basilica at Volubilis.  Completed during the reign of Macrinus in the early 3rd century, it is one of the finest Roman basilicas in Africa and is probably modelled on the one at Leptis Magna in Libya, Volubilis Archaeological Site, near Meknes, Morocco
  • The Corintian columns of Capitoline Temple dedicated to the three chief divinities of the Roman state, Jupiter, Juno and Minerva.  Volubilis Archaeological Site, near Meknes, Morocco
  • Latin Inscription on a Roman stone. Volubilis Archaeological Site, near Meknes, Morocco
  • The Corintian columns of Capitoline Temple dedicated to the three chief divinities of the Roman state, Jupiter, Juno and Minerva.  Volubilis Archaeological Site, near Meknes, Morocco
  • The Corintian columns of Capitoline Temple dedicated to the three chief divinities of the Roman state, Jupiter, Juno and Minerva.  Volubilis Archaeological Site, near Meknes, Morocco
  • Exterior of the Basilica at Volubilis.  Completed during the reign of Macrinus in the early 3rd century, it is one of the finest Roman basilicas in Africa and is probably modelled on the one at Leptis Magna in Libya, Volubilis Archaeological Site, near Meknes, Morocco
  • Exterior of the Basilica at Volubilis.  Completed during the reign of Macrinus in the early 3rd century, it is one of the finest Roman basilicas in Africa and is probably modelled on the one at Leptis Magna in Libya, Volubilis Archaeological Site, near Meknes, Morocco
  • Roman Mosaics of Bacchus encountering the sleeping Ariadne from the House of the Ephebe.  Volubilis Archaeological Site, near Meknes, Morocco
  • Roman mosaic in the House of the Athlete or Desultor, located near the forum, contains a humorous mosaic of an athlete or acrobat riding a donkey back to front while holding a cup in his outstretched hand. It may possibly represent Silenus also known as the wine God Dionysus or Bacchus. Volubilis Archaeological Site, near Meknes, Morocco
  • Roman mosaic from The House of Orpheus showing Orpheus playing a lute in the centre with wild African animals surrounding him. From the triclinium or the dining room of the villa. Volubilis Archaeological Site, near Meknes, Morocco
  • The Arch of Caracalla, built in 217 by the city's governor, Marcus Aurelius Sebastenus, to honour the emperor Caracalla and his mother Julia Domna.Volubilis Archaeological Site, near Meknes, Morocco
  • The Arch of Caracalla, built in 217 by the city's governor, Marcus Aurelius Sebastenus, to honour the emperor Caracalla and his mother Julia Domna.Volubilis Archaeological Site, near Meknes, Morocco
  • The Arch of Caracalla, built in 217 by the city's governor, Marcus Aurelius Sebastenus, to honour the emperor Caracalla and his mother Julia Domna.Volubilis Archaeological Site, near Meknes, Morocco
  • Roman Odeon Theatre of  Aphrodisias Archaeological site, Turkey
  • Pillars of the Roman South Agora, Aphrodisias Archaeological site, Turkey
  • Roman Odeon Theatre of  Aphrodisias Archaeological site, Turkey
  • Sculpture of Roman Emperor being crowned with a barbarian captive. Aphrodisias Archaeological museum, Turkey
  • Sculpture of Roman Emperor being crowned with a barbarian captive. Aphrodisias Archaeological museum, Turkey
  • Sculpture of Roman Emperor Tiberius and a barbarian captive. Aphrodisias Archaeological museum, Turkey
  • Sculpture of Roman Emperor being crowned with a barbarian captive. Aphrodisias Archaeological museum, Turkey
  • The Temple of Aphrodite,  Aphrodisias Archaeological site, Turkey
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Aphrodite from the Theater dedicated to Theodorus, second-third century AD, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Herakles is preparing to wrestle the Libyan giant Antaios. Herakles (left) is taking off his bow case to hang it on a pillar statue. Antaios (right) is binding up his head with ear protectors, next to him stands an oil basin used in the palaistra (wrestling ground). Antaios was a famous wrestler who challenged and killed all visitors to his country, until he was defeated by Herakles.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Roman releif sculpture of Aphrodite is crowned by Andreia from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  The drapped goddess figure is thought to be Aphrodite, whilst the female bare breasted warrior in amazonian dress is Roma or Andreia [ Bravery ].
  • Photo of Roman releif sculpture of Emperor Claudius About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Naked warrior Claudius id about to deliver the death blow to Britanica.
  • Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Nero supports a slumping naked Armenia. She wears a soft eastern hat.
  • Photo of Roman releif sculpture of a Female Captive. Aphrodisias Archaological Museum, Turkey
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 4
  • Kounos ampitheatre which could sit 5000 people. The theatre has hellanistic & Roman features . Kounos (Counos) Archaeological Site, Dalyan, Turkey
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.
  • The Thermopolium of Lucius Vetutius Placidus on the Via del Abbondante, with the serving counter with holes that contained amphora of food for sale. The Thermopolium was an eating & drinking house. The painting depicts at the centre the God of the patron and on either side are the lars or protectors of the house, Mercury , God of Commerce & Dionysus, God of wine.
  • Stone dying baths of the Fullery of Stephanus on the Via del Abbondante, Pompeii. Fulleries were an important business in ancient Pompeii.  Fullers processed, dyed, and washed cloth. 
  • The Arch of Tiberius at the entrance to the Forum of Pompeii.
  • Fullery of Stephanus on the Via del Abbondante, Pompeii. Fulleries were an important business in ancient Pompeii.  Fullers processed, dyed, and washed cloth. 
  • The Arch of Tiberius at the entrance to the Forum of Pompeii.
  • The Arch of Tiberius at the entrance to the Forum of Pompeii.
  • Graffitti on buildings along the Via del Abbondante, Pompeii.
  • Graffitti on buildings along the Via del Abbondante, Pompeii.
  • Graffitti on buildings along the Via del Abbondante, Pompeii.
  • Ruins of the Heroon III. Miletus Archaeological Site, Anatilia, Turkey.
  • Picture of the Roman North Gate built by Domitian. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the Roman North Gate built by Domitian. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the Roman North Gate built by Domitian. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of The north Byzantine gate forms part of a fortification system built at Hierapolis in late 4th century Theodosian times. Hierapolis archaeological site near Pamukkale in Turkey.
  • Roman Mosaic portrait of a women from Pompei Archaeological Site. Naples Archaeological Museum inv 124666
  • Roman Mosaic portrait of a Cockerall Fight  from Pompei Archaeological Site. Naples Archaeological Museum
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman theatre of Aphrodisias dedicated to Aphrodite and the people of the city by Julius Zoilos in the  2nd half of 1st century BC. Seats over 8000 people. Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman ruins of the circus stadium of Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman ruins of the circus stadium of Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman ruins of the circus stadium of Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Close up of the pediments of the Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Theatre colonade of Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Odeon (Concert-hall) seating  around 1700 people. It was used also as the Bouleuterion for the meetings of the Senate and remained in this form until the early fifth century.<br />
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Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Odeon (Concert-hall) seating  around 1700 people. It was used also as the Bouleuterion for the meetings of the Senate and remained in this form until the early fifth century.<br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Close up of the pediments of the Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman gates & fortifications of Perge, 3rd cent with the older towers of the Hellenistic gates inside. AD. Perge (Perga) archaeological site, Turkey
  • Roman gates & fortifications of Perge, 3rd cent with the older towers of the Hellenistic gates inside. AD. Perge (Perga) archaeological site, Turkey

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