• Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster columns and capitals in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber  Mocarabe Honeycomb work plaster and Zellige decorative tiles of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work on the ceiling of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber  Mocarabe Honeycomb work plaster and Zellige decorative tiles of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work on the ceiling of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work ceiling and Mocarabe Honeycomb work plaster columns and capitals of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work on the ceiling of the inner courtyard of  the Kashah of Telouet, Morocco
  • Berber Mocarabe Honeycomb work plaster decorations in the Riad of the Kasbah of Telouet, Atlas Mountains, Morocco
  • Berber Muqarnas Arabesque stalactite plaster work on the ceiling of the inner courtyard of  the Kashah of Telouet, Morocco
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Döğer, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Close up of 2 standing lions of the Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Döğer, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • close up of the facade and relief sculptures of the Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Doger, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Close up of two sphinxes relief scul[ptures of the Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Doger, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Close up of two sphinxes relief scul[ptures of the Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Doger, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Döğer, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Doger, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Doger, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Doger, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Döğer, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Döğer, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Döğer, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • close up of the facade and relief sculptures of the Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Döğer, Turkey.<br />
<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Döğer, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Doger, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Dogerr, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Döğer, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Berber Zellige decorative tiles inside the Riad of the Kasbah Telouet, Atlas Mountains, Morocco.
  • Dining Room  of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Tomb of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Entrance to the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Entrance to the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • Mosque next to the  the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • Ancient hill fort next to the  the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Ancient hill fort next to the  the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Dining Room  of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Entrance to the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • Tomb of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Sunset over the Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey at sunset. Built from 1609 to 1616 during the rule of Ahmed I.
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey. Built from 1609 to 1616 during the rule of Ahmed I.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • Ancient hill fort next to the  the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Cycladic pithos with geometric designs.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5831.  White background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic pithos with geometric designs.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5831. Black background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic pithos with geometric designs.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5831.  Gray background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic pithos with geometric designs.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5831.  Grey background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic pithos with geometric designs.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5831.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Minoan decorated conical rhython geometric design , Konssos  'Unexplored Mansion" 1450-1370 BC;  Heraklion Archaeological  Museum, grey background
  • Minoan decorated two handled Ephyraean goblet  with geometric design , Konssos  Temple Tomb 1400-1250 BC; 1400-1250 BC; Heraklion Archaeological Museum, black background
  • Minoan decorated two handled Ephyraean goblet  with geometric design , Konssos  Temple Tomb 1400-1250 BC; 1400-1250 BC; Heraklion Archaeological Museum.
  • Minoan decorated jug with geometric design , Zafer Papoura 1400-1250 BC; Heraklion Archaeological Museum, grey background
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Grey background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Phrygian bronze trefoil jug with a beated geometric design. From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • The Minoan decorated clay alabastron burial vessels with geometric design , Kamilari 1500-1300  BC; Heraklion Archaeological  Museum, black background
  • The Minoan decorated clay alabastron burial vessels with geometric design , Kamilari 1500-1300  BC; Heraklion Archaeological  Museum, grey background
  • Minoan decorated conical rhython geometric design , Konssos  'Unexplored Mansion" 1450-1370 BC;  Heraklion Archaeological  Museum, white background
  • Minoan decorated conical rhython geometric design , Konssos  'Unexplored Mansion" 1450-1370 BC;  Heraklion Archaeological  Museum, black background
  • Minoan decorated conical rhython geometric design , Konssos  'Unexplored Mansion" 1450-1370 BC;  Heraklion Archaeological  Museum
  • Minoan decorated two handled Ephyraean goblet  with geometric design , Konssos  Temple Tomb 1400-1250 BC; 1400-1250 BC; Heraklion Archaeological Museum, white background
  • Minoan decorated jug with geometric design , Zafer Papoura 1400-1250 BC; Heraklion Archaeological Museum, black background
  • Minoan decorated jug with geometric design , Zafer Papoura 1400-1250 BC; Heraklion Archaeological Museum, grey background
  • Minoan decorated jug with geometric design , Zafer Papoura 1400-1250 BC; Heraklion Archaeological Museum.
  • Minoan Kamares Ware sup with bold geometric polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware sup with bold geometric polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  White background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Phrygian two handled amphora vessel decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian two handled amphora vessel decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian bronze trefoil jug with a beated geometric design. From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian bronze trefoil jug with a beated geometric design. From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze trefoil jug with a beated geometric design. From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • The Minoan decorated clay alabastron burial vessels with geometric design , Kamilari 1500-1300  BC; Heraklion Archaeological  Museum, white background
  • The Minoan decorated clay alabastron burial vessels with geometric design , Kamilari 1500-1300  BC; Heraklion Archaeological  Museum, grey background
  • The Minoan decorated clay alabastron burial vessels with geometric design , Kamilari 1500-1300  BC; Heraklion Archaeological  Museum.
  • Minoan decorated conical rhython geometric design , Konssos  'Unexplored Mansion" 1450-1370 BC;  Heraklion Archaeological  Museum, grey background
  • Minoan decorated two handled Ephyraean goblet  with geometric design , Konssos  Temple Tomb 1400-1250 BC; 1400-1250 BC; Heraklion Archaeological Museum, grey background
  • Minoan decorated two handled Ephyraean goblet  with geometric design , Konssos  Temple Tomb 1400-1250 BC; 1400-1250 BC; Heraklion Archaeological Museum, grey background
  • Minoan decorated jug with geometric design , Zafer Papoura 1400-1250 BC; Heraklion Archaeological Museum, white background
  • Minoan Kamares Ware sup with bold geometric polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware sup with bold geometric polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware sup with bold geometric polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  White background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8. Black background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Gray background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8. Black background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Grey background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Gray background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • picture & image of geometric stone work around a window of Samtavisi Georgian Orthodox Cathedral, 11th century, Shida Karti Region, Georgia (country)<br />
<br />
Built during the so called 10-11th century “Georgian Golden Era” Samtavisi cathedral is a built in classical Georgian style of the period. Layout on a cruciform ground plan with a high central cylindrical central cupola.
  • Pictures & images of the Church of the Assumption exterior close up of bas relief Georgian stone work,1689, Ananuri castle complex & Georgian Orthodox churches, 17th century, Georgia (country).<br />
<br />
Ananuri castle is situated next to the Military Road overlooking the Aragvi River in Georgia, about 45 miles (72 kilometres) from Tbilisi. It was the castle of the eristavis (Dukes) of Aragvi from the 13th century and was the scene of numerous battles. In 2007 Ananuri castle was enscribed on the   UNESCO World Heritage Site tentative list. <br />
<br />
The exterior of The Church of the Assumption is highly decorated with Georgian bas relief sculpture. It main portal has intricate geometric Georgian relief stone work
  • Pictures & images of the Church of the Assumption exterior close up of bas relief Georgian stone work,1689, Ananuri castle complex & Georgian Orthodox churches, 17th century, Georgia (country).<br />
<br />
Ananuri castle is situated next to the Military Road overlooking the Aragvi River in Georgia, about 45 miles (72 kilometres) from Tbilisi. It was the castle of the eristavis (Dukes) of Aragvi from the 13th century and was the scene of numerous battles. In 2007 Ananuri castle was enscribed on the   UNESCO World Heritage Site tentative list. <br />
<br />
The exterior of The Church of the Assumption is highly decorated with Georgian bas relief sculpture. It main portal has intricate geometric Georgian relief stone work
  • Close up picture & image of the geometric stone bas reliefs on the exterior of the Gelati Georgian Orthodox Church St George, 13th century.  The medieval Gelati monastic complex near Kutaisi in the Imereti region of western Georgia (country). A UNESCO World Heritage Site.
  • Close up picture & image of the geometric stone bas reliefs on the exterior of the Gelati Georgian Orthodox Church St George, 13th century.  The medieval Gelati monastic complex near Kutaisi in the Imereti region of western Georgia (country). A UNESCO World Heritage Site.
  • Phrygian two handled amphora vessel decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian two handled amphora vessel decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian two handled amphora vessel decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs . 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian terracotta trefoil jug decorated with geometric designs. 8th-7th century BC . Çorum Archaeological Museum, Corum, Turkey
  • Phrygian bronze trefoil jug with a beated geometric design. From Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara Turkey. Against a black background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.  Against a grey background
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.  White background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813.  Gray background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5153.  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5153.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied linear decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5012.  Gray background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5058.  Grey background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5053.  White background.<br />
<br />
<br />
The incisions depict a boat below spiral patternes. <br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Picture & image of the exterior geometric reief sculpture architectural details of Betania (Bethania ) Monastery of the Nativity of the Mother of God Georgian Orthodox complex, Georgia.<br />
<br />
Betania (Bethania ) Monastery of the Nativity of the Mother of God is a 11th century church with a cruciform ground plan and dome in the style of Georgian Orthodox church  architecture of the "Golden Age" of the Kingdom of Georgia.
  • Pictures & images of the Church of the Assumption exterior bas relief Georgian stone work of a crucifix and angel figures,1689, Ananuri castle complex & Georgian Orthodox churches, 17th century, Georgia (country).<br />
<br />
Ananuri castle is situated next to the Military Road overlooking the Aragvi River in Georgia, about 45 miles (72 kilometres) from Tbilisi. It was the castle of the eristavis (Dukes) of Aragvi from the 13th century and was the scene of numerous battles. In 2007 Ananuri castle was enscribed on the   UNESCO World Heritage Site tentative list.<br />
<br />
The exterior of The Church of the Assumption is highly decorated with Georgian bas relief sculpture. Above the main door is a geometric stone relief of a crucifix which is the whole height of the facade. Either side of the crucifix are reliefs of the tree of life below which are reliefs of naive style angels.
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3. Black background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.  White background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.  Gray background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.  Grey background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.  Gray background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic beak spouted jug.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5726. Black background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic beak spouted jug.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5726.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic beak spouted jug.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5726.  Grey background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic beak spouted jug.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5726.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic beak spouted jug.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5726.  Gray background.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813.  White background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813. Black background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic terracotta 'frying pan' with incied decoration from  Syros. Early found  at Phylakopi, Melos. Cycladic period III 2300-2000 BC), National Archaeological Museum Athens, Cat No 6172.  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied decoration from  Syros. Early found  at Phylakopi, Melos. Cycladic period III 2300-2000 BC), National Archaeological Museum Athens, Cat No 6172. Black background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied decoration from  Syros. Early found  at Phylakopi, Melos. Cycladic period III 2300-2000 BC), National Archaeological Museum Athens, Cat No 6172.  Grey background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied decoration from  Syros. Early found  at Phylakopi, Melos. Cycladic period III 2300-2000 BC), National Archaeological Museum Athens, Cat No 6172.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied decoration from  Syros. Early found  at Phylakopi, Melos. Cycladic period III 2300-2000 BC), National Archaeological Museum Athens, Cat No 6172.  Gray background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5153. Black background.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5153.  Gray background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5164.  White background.<br />
<br />
<br />
In the middle of the decoration is a disc surrounded by a triangle motif. Above the handle is incised a pubic triangle.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5164.  Grey background.<br />
<br />
<br />
In the middle of the decoration is a disc surrounded by a triangle motif. Above the handle is incised a pubic triangle.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5164. Black background.<br />
<br />
<br />
In the middle of the decoration is a disc surrounded by a triangle motif. Above the handle is incised a pubic triangle.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied linear decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5012.  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied linear decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5012. Black background.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5164.  Gray background.<br />
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<br />
In the middle of the decoration is a disc surrounded by a triangle motif. Above the handle is incised a pubic triangle.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied linear decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5012.  Grey background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied linear decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5012.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5058. Black background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5058.  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5058.  Gray background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

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