• Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental painted carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental painted carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Ornamental carved wood Szekely village farm gate. Transylvania, Romania.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Traditional wooden Székely ( Szekely ) gates in a Szekely village near Cluj, Eastern Transylvania. Carved with folk art & painted the Szekely gate also has dove cotes above the gate.
  • Photo of Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.<br />
<br />
Against a brown art background.
  • Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.  <br />
<br />
Against a white background.
  • Picture & imafe of Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.  <br />
<br />
Against a gray background.
  • Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.  <br />
<br />
Against a black background.
  • Relief of God of War. Limestone, Kings Gate, Hattusa ( Bogazkoy ). 14th - 13th Century BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The warrior depicted in high relief is dressed in a decorated skirt. The relief takes place on the interior part of the King's gate facing city, to the east of the city walls. He carries a crescent-handled short sword in his belt. The relief is identified as god depiction since the horns on the headdress are the indication of a god.<br />
<br />
Against a Grey art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
 A portion of the body and the feet of the Sphinx. Its chest was processed as fish flakes. Parallel lines on its wings draw attention.<br />
<br />
On a black background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Bull-man holding the trunk of the tree. The waist-down part of the figure is in the form of a bull. <br />
<br />
On a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
 A portion of the body and the feet of the Sphinx. Its chest was processed as fish flakes. Parallel lines on its wings draw attention.  <br />
<br />
On a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Bull-man holding the trunk of the tree. The waist-down part of the figure is in the form of a bull. <br />
<br />
On a white background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Bull-man holding the trunk of the tree. The waist-down part of the figure is in the form of a bull. <br />
<br />
On a black background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Bull-man holding the trunk of the tree. The waist-down part of the figure is in the form of a bull. <br />
<br />
On a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Bull-man holding the trunk of the tree. The waist-down part of the figure is in the form of a bull. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of Water Gate. Basalt, 900 - 700 BC. Anatolian Civilisations Museum. Ankara. Turkey.<br />
<br />
Fragment of Two bull men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull like ears and legs have human bodies. <br />
<br />
On a white background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two bull-men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull-like ears and legs have human bodies. <br />
<br />
On a white background.
  • Hittite monumental relief sculpted orthostat stone panel of Water Gate. Basalt, 900 - 700 BC. Anatolian Civilisations Museum. Ankara. Turkey.<br />
<br />
Fragment of Two bull men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull like ears and legs have human bodies. <br />
<br />
On a black background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two bull-men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull-like ears and legs have human bodies. <br />
<br />
On a black background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two bull-men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull-like ears and legs have human bodies. <br />
<br />
On a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a black background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a gray background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a gray background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a black background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a black background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
 A portion of the body and the feet of the Sphinx. Its chest was processed as fish flakes. Parallel lines on its wings draw attention.  <br />
<br />
On a white background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
 A portion of the body and the feet of the Sphinx. Its chest was processed as fish flakes. Parallel lines on its wings draw attention.  <br />
<br />
On a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
 A portion of the body and the feet of the Sphinx. Its chest was processed as fish flakes. Parallel lines on its wings draw attention.  <br />
<br />
On a brown art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Water Gate. Basalt, 900 - 700 BC. Anatolian Civilisations Museum. Ankara. Turkey.<br />
<br />
Fragment of Two bull men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull like ears and legs have human bodies.<br />
<br />
On a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of Water Gate. Basalt, 900 - 700 BC. Anatolian Civilisations Museum. Ankara. Turkey.<br />
<br />
Fragment of Two bull men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull like ears and legs have human bodies. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of Water Gate. Basalt, 900 - 700 BC. Anatolian Civilisations Museum. Ankara. Turkey.<br />
<br />
Fragment of Two bull men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull like ears and legs have human bodies. <br />
<br />
On a grey art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two bull-men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull-like ears and legs have human bodies. <br />
<br />
On a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two bull-men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull-like ears and legs have human bodies. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a white background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a gray background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a white background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a white background.
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 10
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 8
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 7
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 6
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 5
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 4
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 3
  • Picture of the double Tetrapylon Gate 2, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints.
  • Picture of the double Tetrapylon Gate 1, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints.
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 9
  • The Heracles Gate at the begining of Curetes Street , showing Heracles wrapped in a Nemea Lion skin. Probably made in the 2nc century A.D. and moved to Ephesus in the 5th century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Arabesque Bab Er Robb gate built by the Almohads in the 12th century, Marrakech, Morocco
  • Memorial plaques at the Shrine to the Virgin Mary in The Stone Gate entrance Kamenita Vrata) to Zagreb's Gornji Grad, Croatia
  • Memorial plaques at the Shrine to the Virgin Mary in The Stone Gate entrance Kamenita Vrata) to Zagreb's Gornji Grad, Croatia
  • Shrine to the Virgin Mary in The Stone Gate entrance Kamenita Vrata) to Zagreb's Gornji Grad, Croatia
  • Shrine to the Virgin Mary in The Stone Gate entrance Kamenita Vrata) to Zagreb's Gornji Grad, Croatia
  • Medieval Gate Tower of the  Bishop's Castle ( P?spökvår ) Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • Medieval Gate Tower of the  Bishop's Castle ( P?spökvår ) Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • War monument infront of the Medieval Gate Tower of the  Bishop's Castle ( P?spökvår ) Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • War monument infront of theMedieval Gate Tower of the  Bishop's Castle ( P?spökvår ) Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • Medieval Gate Tower of the  Bishop's Castle ( P?spökvår ) Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • Medieval Gate Tower of the  Bishop's Castle ( P?spökvår ) Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • Medieval Gate Tower of the  Bishop's Castle ( P?spökvår ) Pecs ( Pécs ) - European Cultural City of The Year 2010 , Hungary
  • St. Guiseppi church and gate tower on  on the Plaza ix Aprile with trees in blossom - Taormina, Sicily
  • Traditional Sicilian cart infront of the gate tower on  on the Plaza ix Aprile with trees in blossom - Taormina, Sicily
  • Roman Odeon Theatre of  Aphrodisias Archaeological site, Turkey
  • Roman Odeon Theatre of  Aphrodisias Archaeological site, Turkey
  • Pillars of the Roman South Agora, Aphrodisias Archaeological site, Turkey
  • The Temple of Aphrodite,  Aphrodisias Archaeological site, Turkey
  • Traditional carved wooden Maramures folk art church gate at Breb, Nr Sighlet, Maramures, Transylvania
  • Traditional carved wooden Maramures folk art church gate at Breb, Nr Sighlet, Maramures, Transylvania
  • Picture of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site Alaca, Corum Province, Turkey,
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey,
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey,
  • Picture of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site Alaca, Corum Province, Turkey,
  • Hittite bas relief sculpture orthostat panels from the Sphinx Gate of Alaca Hoyuk Archaeological site, Turkey.
  • Hittite bas relief sculpture orthostat panels from the Sphinx Gate of Alaca Hoyuk Archaeological site, Turkey.
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • Medieval city wall gates of Kotor - Montenegro
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • 19th century traditional Iza Valley farm house carved  wooden folk art gates, The Village museum near Sighlet, Maramures, Northern Transylvania
  • Medieval city wall gates of Kotor - Montenegro
  • Medieval city wall gates of Kotor - Montenegro
  • Picture of St Philip Gate ruins.  Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
The St. Philip Gate <br />
The gate is situated on the north-eastern side of the defensive walls built under the Emperor Theodosius in the late 4th century. Its importance is indicated by the presence of the two towers that flank the opening The gate was used by pilgrims heading for the summit of the hill on which stood the sanctuary of St. Philip, one of the twelve apostles of Christ. According to tradition the Saint was martyred in Hierapolis.
  • Picture of St Philip Gate ruins.  Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
The St. Philip Gate <br />
The gate is situated on the north-eastern side of the defensive walls built under the Emperor Theodosius in the late 4th century. Its importance is indicated by the presence of the two towers that flank the opening The gate was used by pilgrims heading for the summit of the hill on which stood the sanctuary of St. Philip, one of the twelve apostles of Christ. According to tradition the Saint was martyred in Hierapolis.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. <br />
<br />
The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
 Anatolian Civilizations Museum, Ankara, Turkey
  • Picture of the ruins of a gate to Hieropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of The north  gate forms part of a fortification system built at Hierapolis in late 4th century Theodosian times. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of The north  gate forms part of a fortification system built at Hierapolis in late 4th century Theodosian times. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of The north Byzantine gate forms part of a fortification system built at Hierapolis in late 4th century Theodosian times. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the Roman North Gate built by Domitian. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of St Philip Gate road.  Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the Roman North Gate built by Domitian. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the Roman North Gate built by Domitian. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite ramparts of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite ramparts of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the tunnel under the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the tunnel under the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of Hittite Sphinx sculpture of the Sphinx Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite. Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Right Panel - Three figures with short skirts have their right arms positioned ahead. They each carry a sceptre in their left hand, which they lean against their shoulder. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone pane of Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.  <br />
<br />
Against a grey art background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
 Against a white background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a brown gray background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a black background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a brown art background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller.<br />
<br />
Against a black background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a brown art background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a brown gray background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.  <br />
<br />
Against a white background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.  <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
Right Panel - Bull. It is the sacred animal of the Storm God. It is over a pedestal which is split from top to bottom. It is stocky and short-legged. With a huge horn, the bull has schematic muscles. In the orthostats on the left side, there is a procession moving towards this bull. <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
Right Panel - Bull. It is the sacred animal of the Storm God. It is over a pedestal which is split from top to bottom. It is stocky and short-legged. With a huge horn, the bull has schematic muscles. In the orthostats on the left side, there is a procession moving towards this bull. <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
Right Panel - Bull. It is the sacred animal of the Storm God. It is over a pedestal which is split from top to bottom. It is stocky and short-legged. With a huge horn, the bull has schematic muscles. In the orthostats on the left side, there is a procession moving towards this bull.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
Right Panel - Bull. It is the sacred animal of the Storm God. It is over a pedestal which is split from top to bottom. It is stocky and short-legged. With a huge horn, the bull has schematic muscles. In the orthostats on the left side, there is a procession moving towards this bull. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Left Panel - The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
Right Panel - Bull. It is the sacred animal of the Storm God. It is over a pedestal which is split from top to bottom. It is stocky and short-legged. With a huge horn, the bull has schematic muscles. In the orthostats on the left side, there is a procession moving towards this bull. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar.  Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar.  Anatolian Civilizations Museum, Ankara, Turkey<br />
.<br />
<br />
The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
 <br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. <br />
<br />
The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
 Anatolian Civilizations Museum, Ankara, Turkey
  • Dragon relief on glazed bricks from the Ishtar Gate, Babylon, Iraq constructed in about 575 BC by order of King Nebuchadnezzar II on the north side of the city. Dedicated to the Babylonian goddess Ishtar, the monumental gate joined the inner & outer walls of Babylon it was one of the Seven Wonders of the ancient world. Istanbul Archaeological Museum.
  • Aurochs relief pictures on glazed bricks from the Ishtar Gate, Babylon, Iraq constructed in about 575 BC by order of King Nebuchadnezzar II on the north side of the city. Dedicated to the Babylonian goddess Ishtar, the monumental gate joined the inner & outer walls of Babylon it was one of the Seven Wonders of the ancient world. Istanbul Archaeological Museum.
  • Aurochs relief pictures on glazed bricks from the Ishtar Gate, Babylon, Iraq constructed in about 575 BC by order of King Nebuchadnezzar II on the north side of the city. Dedicated to the Babylonian goddess Ishtar, the monumental gate joined the inner & outer walls of Babylon it was one of the Seven Wonders of the ancient world. Istanbul Archaeological Museum.
  • Aurochs relief pictures on glazed bricks from the Ishtar Gate, Babylon, Iraq constructed in about 575 BC by order of King Nebuchadnezzar II on the north side of the city. Dedicated to the Babylonian goddess Ishtar, the monumental gate joined the inner & outer walls of Babylon it was one of the Seven Wonders of the ancient world. Istanbul Archaeological Museum.
  • Lion relief on glazed bricks from the Ishtar Gate, Babylon, Iraq constructed in about 575 BC by order of King Nebuchadnezzar II on the north side of the city. Dedicated to the Babylonian goddess Ishtar, the monumental gate joined the inner & outer walls of Babylon it was one of the Seven Wonders of the ancient world. Istanbul Archaeological Museum.
  • Lion relief on glazed bricks from the Ishtar Gate, Babylon, Iraq constructed in about 575 BC by order of King Nebuchadnezzar II on the north side of the city. Dedicated to the Babylonian goddess Ishtar, the monumental gate joined the inner & outer walls of Babylon it was one of the Seven Wonders of the ancient world. Istanbul Archaeological Museum.
  • Lion relief on glazed bricks from the Ishtar Gate, Babylon, Iraq constructed in about 575 BC by order of King Nebuchadnezzar II on the north side of the city. Dedicated to the Babylonian goddess Ishtar, the monumental gate joined the inner & outer walls of Babylon it was one of the Seven Wonders of the ancient world. Istanbul Archaeological Museum.
  • Lion relief on glazed bricks from the Ishtar Gate, Babylon, Iraq constructed in about 575 BC by order of King Nebuchadnezzar II on the north side of the city. Dedicated to the Babylonian goddess Ishtar, the monumental gate joined the inner & outer walls of Babylon it was one of the Seven Wonders of the ancient world. Istanbul Archaeological Museum.
  • Lion relief on glazed bricks from the Ishtar Gate, Babylon, Iraq constructed in about 575 BC by order of King Nebuchadnezzar II on the north side of the city. Dedicated to the Babylonian goddess Ishtar, the monumental gate joined the inner & outer walls of Babylon it was one of the Seven Wonders of the ancient world. Istanbul Archaeological Museum.
  • Lion relief on glazed bricks from the Ishtar Gate, Babylon, Iraq constructed in about 575 BC by order of King Nebuchadnezzar II on the north side of the city. Dedicated to the Babylonian goddess Ishtar, the monumental gate joined the inner & outer walls of Babylon it was one of the Seven Wonders of the ancient world. Istanbul Archaeological Museum.
  • Ramp and entrance of the Scaean Gate Troy II 2600 - 2250 B.C, excavated by Schleimann and described by him  as the entrance to sacred site of Ilios described by Homer . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Pictures & Images of the Sphinx gate Hittite sculpture, Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted.<br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted.  <br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted.<br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted.  <br />
<br />
Against a brown art background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller.  <br />
<br />
Against a white background.
  • Ramp and entrance of the Scaean Gate Troy II 2600 - 2250 B.C, excavated by Schleimann and described by him  as the entrance to sacred site of Ilios described by Homer . Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Gate house  of the the medieval Wells Cathedral built in the Early English Gothic style in 1175, Wells Somerset, England
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • The North Postern (Gate) of Mycenae ( 1250 B.C). Made from four Monolithic blocks of "Almond Stone" in a typical form of two upright jams, A lintel over the top and threshold. Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • The North Postern (Gate) of Mycenae ( 1250 B.C). Made from four Monolithic blocks of "Almond Stone" in a typical form of two upright jams, A lintel over the top and threshold. Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • The North Postern (Gate) of Mycenae ( 1250 B.C). Made from four Monolithic blocks of "Almond Stone" in a typical form of two upright jams, A lintel over the top and threshold. Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Medieval clock tower & gate of Sighisoara Saxon fortified medieval citadel, Transylvania, Romania

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