• Dramatic sky with clouds at sunset North Yorkshire
  • Dramatic sky with clouds at sunset North Yorkshire
  • Dramatic sky with clouds at sunset Orford Suffolk
  • Falling autumn leaves against a sunset cloudy sky. Colorful leaves and natural colors
  • Falling autumn leaves against a sunset cloudy sky. Colorful leaves and natural colors
  • Falling autumn leaves against a sunset cloudy sky. Colorful leaves and natural colors
  • Sculptures on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Cirrus uncinus at sunrise over the Cylades Island of Ios
  • cumulus cloudscape at sunset over the Cyclades Island of Ios, Greece.
  • cumulus cloudscape at sunset over the Cyclades Island of Ios, Greece.
  • cumulus cloudscape at sunset over the Cyclades Island of Ios, Greece.
  • Cirrus uncinus at sunrise over the Cylades Island of Ios
  • Cirrus uncinus at sunrise over the Cylades Island of Ios
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • The Unfinished rock monument of Midas, 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This rock facade was planned but never finished and so little is known about the unfinished Monument. It is also known locally as the Kucuk Yazilikaya ( “little written rock”), since it appears to have been planned as a smaller version of the Midas Monument, also called Yazilikaya. It measures 7m x 10m and faces west, unlike the other monument at Midas whose facades face east. Since it was never completed, it was gives some idea of the construction techniques : first the rock was flattened and then the facade was carved from the top down. The architectural frame and the ornament were carved at the same time. About  2m below the monument are a smaller facade, to the left and a small cut altar to the right.
  • Close up of the inscription dedicated to King Midas on the Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Picture of The north Byzantine gate forms part of a fortification system built at Hierapolis in late 4th century Theodosian times. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the Roman North Gate built by Domitian. Hierapolis archaeological site near Pamukkale in Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Roman Great Harbour Monument opened by the city of Miletus either in honour of the achievements of Pompeius in his war against the pirates (67 BC) or for the victory of Augustus over Mark Antony and Cleopatra in the battle of Actium (31 BC). Miletus Archaeological Site, Anatolia, Turkey.
  • Roman Great Harbour Monument opened by the city of Miletus either in honour of the achievements of Pompeius in his war against the pirates (67 BC) or for the victory of Augustus over Mark Antony and Cleopatra in the battle of Actium (31 BC). Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • The marble crown gate of the Sifaiye Medrese has a very rich decorative appearance, 1217. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • The Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • The marble crown gate of Gök Medrese has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Close up of the richly decorated corner stoes of the  of Gök Medrese , Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. close up of the corner seljuk stone work. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • Royal rock tombs of Pontus including Mithridates I, died 266 BC. Amasya, Turkey
  • Royal rock tombs of Pontus including Mithridates I, died 266 BC. Amasya, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunset, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yesilırmak , below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yesilırmak , below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Close up of the main door with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia and sculpture of the Madonna and Child created by Andrea Pisano in 1347  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted decotative panel on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted decotative twisting pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted decotative twisting pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Bas-relief sculpture panel scene of the Nativity by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Eve giving Adam an apple by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of the Annunciation to the Virgin Mary by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the main door with mosaics created between 1350 and 1390 after designs by artist Cesare Nebbia  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the main door with mosaics created between 1350 and 1390 after designs by artist Cesare Nebbia  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a gable with mosaics depicting the batism of Christ by John the Baptist created between 1350 and 1390 after designs by artist Cesare Nebbia on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • close of the doors and Gothic sculptures of  the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • C.ose up of a gable of the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the "Coronation of the Virgin Mary" osaic  in the topmost gable created between 1350 and 1390 after designs by artist Cesare Nebbia. on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Close up of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Three quarter view of the 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Panorama of the Arcades of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century Romanesque facade of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Upper arcades of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century Romanesque facade and campinale of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Terrace cafe's in the Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Close up of the Arcades of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century facade and campinale of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Buildings surrounding the Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Romaesque Apse exterior of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of a Labyrinth , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting St Mary and the Apostles , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting the Christ Pantocrator above the Apostles , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting the Christ Pantocrator above the Apostles , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures  depicting the life of St Martin and the labours of the year on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for January and Feburary and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for December with an animal being killed and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture of a scene of the life of St Martin on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture of St Martin becoming a monk on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Close up of a13th century Romaesque arcade pillar of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Fresco on the Interior  of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Fresco on the Interior  of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Detail of the Romanesque sculptures of the main entrance of San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the Arcades columns & statues of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Upper arcades and statue of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the Arcades and and columns of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the Arcades and corner of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the statue of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century facade of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century Romanesque facade of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century facade of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • 10th century San Michele in Foro is a Roman Catholic basilica church in Lucca, facade 13h century Romanesque , Tunscany, Italy
  • Interior of Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Terrace cafe's in the Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting Christ giving a blessing with angels on one side and the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes depicting the  Madonna with Chid on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Exterior of Parma Duomo and the  octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Exterior of Parma Duomo and the  octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting Christ giving a blessing with angels on one side and the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical dragon on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West entrance and exterior of the octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West entrance and exterior of the octagonal  Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • door pillaster relief sculptures on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical half human creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • West portal lunette relief sculptures depicting Christ giving a blessing with angels on one side and the Cross on the other on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Detail of relief sculptures of the North Portal of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • door pillaster relief sculptures on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • door pillaster relief sculptures on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • door pillaster relief sculptures on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • door pillaster relief sculptures on the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical bird on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical half man half dragon creature on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical lion on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical half man half dragon creature on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical hunter on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical bird on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical creatures on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Medieval relief sculptures of mythical dragon on the exterior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes depicting the Madonna with Chid on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Frescoes on the interior of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Romanesque frescoes inside the dome of the Romanesque Baptistery of Parma, circa 1196, (Battistero di Parma), Italy
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Exterior of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Exterior of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Interior of the Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Corinthian Capitals of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Facade of the Maison Carrée, a ancient Roman temple built around 4-7 AD and dedicated to Julius Caesar, the best preserved example of a Roman temple,  Nimes, France
  • Bas relief sculpture decoration on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Sculptures on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Sculptures on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Sculpture of the Last Judgement, doom day,  on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Round window  of  the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Round window  of  the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Sculptures on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Sculpture of a man with two cows on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Sculptures on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Sculptures on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums fallen at Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik column drums fallen at Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily

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