• Names on the MEMORIAL of the Victims of Communism at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureşb
  • Watch tower & names on the MEMORIAL of the Victims of Communism at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • Names on the MEMORIAL of the Victims of Communism at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureşb
  • The Christian Eastern Roman Byzantine memorial funerary mosaic of a father and daughter, the father is sitting at a bankers desk. Thabarca, Tabarks, 5th Century AD, Bardo Museum, Tunis. White background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic of a father and daughter, the father is sitting at a bankers desk. Thabarca, Tabarks, 5th Century AD, Bardo Museum, Tunis. Black background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic of an un-named man described as gentle and depicted with a bushel used to measure grain from the public grain warehouse. On its side is teh Chi Rho symbols used by early Christians to represent Christ.  Thabarca, Tabarks, 5th Century AD, Bardo Museum, Tunis, Tunisia
  • The Christian Eastern Roman Byzantine memorial funerary mosaic of an un-named man described as gentle and depicted with a bushel used to measure grain from the public grain warehouse. On its side is teh Chi Rho symbols used by early Christians to represent Christ.  Thabarca, Tabarks, 5th Century AD, Bardo Museum, Tunis, Tunisia
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Felicitas and Victoria. <br />
<br />
A mosaic depiction of a female decorates the grave of  Felicitas and Victoria which bears their inscription and that they departed in peace. Lit candles representing eturnal life and birds are also depicted on the funerary panel.<br />
<br />
5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia
  • The Christian Eastern Roman Byzantine memorial funerary mosaic of an un-named man described as gentle and depicted with a bushel used to measure grain from the public grain warehouse. On its side is teh Chi Rho symbols used by early Christians to represent Christ.  Thabarca, Tabarks, 5th Century AD, Bardo Museum, Tunis, Tunisia. Grey background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic of an un-named man described as gentle and depicted with a bushel used to measure grain from the public grain warehouse. On its side is teh Chi Rho symbols used by early Christians to represent Christ.  Thabarca, Tabarks, 5th Century AD, Bardo Museum, Tunis, Tunisia
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Felicitas and Victoria. <br />
<br />
A mosaic depiction of a female decorates the grave of  Felicitas and Victoria which bears their inscription and that they departed in peace. Lit candles representing eturnal life and birds are also depicted on the funerary panel.<br />
<br />
5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia. White background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic of an un-named man described as gentle and depicted with a bushel used to measure grain from the public grain warehouse. On its side is teh Chi Rho symbols used by early Christians to represent Christ.  Thabarca, Tabarks, 5th Century AD, Bardo Museum, Tunis, Tunisia. Black background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Felicitas and Victoria. <br />
<br />
A mosaic depiction of a female decorates the grave of  Felicitas and Victoria which bears their inscription and that they departed in peace. Lit candles representing eturnal life and birds are also depicted on the funerary panel.<br />
<br />
5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia. Black background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Crescentia. <br />
Above the funerary portrait of Crescentia are the words: ‘Crescentia, innocent and in Peace’. Crescentia is dressed in a dalmatic, a long wide-sleeved tunic, with a belt around the waiste and a neclace around her neck. Lit candles represent eternal life. 5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Crescentia. <br />
Above the funerary portrait of Crescentia are the words: ‘Crescentia, innocent and in Peace’. Crescentia is dressed in a dalmatic, a long wide-sleeved tunic, with a belt around the waiste and a neclace around her neck. Lit candles represent eternal life. 5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia. White background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Crescentia. <br />
Above the funerary portrait of Crescentia are the words: ‘Crescentia, innocent and in Peace’. Crescentia is dressed in a dalmatic, a long wide-sleeved tunic, with a belt around the waiste and a neclace around her neck. Lit candles represent eternal life. 5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia. Grey background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Crescentia. <br />
Above the funerary portrait of Crescentia are the words: ‘Crescentia, innocent and in Peace’. Crescentia is dressed in a dalmatic, a long wide-sleeved tunic, with a belt around the waiste and a neclace around her neck. Lit candles represent eternal life. 5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia. Black background
  • The Christian memorial funerary mosaic for Natalica the inscription reading: ‘(our) beloved daughter Natalica lived 10 years 8 months 21 days, rested the 8th Ides of October (23rd) ’.<br />
<br />
The panel is decorated with a crescent laurel leaves against a black background and a cross encircling the head of a depiction of Natalica. She is wearing earnings and is dressed in a dalmatic, a long wide-sleeved tunic, which is decorated with black clavi, stripes, and embroidered sleeves. A belt and buckle with cabochons, shaped and polished gem stones, hold the tunic tight at the waste.  Either side of t Natalica are two lit candles, the symbols of eternity.<br />
<br />
5th century Eastern Byzantine Roman mosaic from the funerary enclosure which is in the Northwest enclosure of the Acholla site, Tunisia. Bardo Museum, Tunis, Tunisia. White background
  • The Christian memorial funerary mosaic for Natalica the inscription reading: ‘(our) beloved daughter Natalica lived 10 years 8 months 21 days, rested the 8th Ides of October (23rd) ’.<br />
<br />
The panel is decorated with a crescent laurel leaves against a black background and a cross encircling the head of a depiction of Natalica. She is wearing earnings and is dressed in a dalmatic, a long wide-sleeved tunic, which is decorated with black clavi, stripes, and embroidered sleeves. A belt and buckle with cabochons, shaped and polished gem stones, hold the tunic tight at the waste.  Either side of t Natalica are two lit candles, the symbols of eternity.<br />
<br />
5th century Eastern Byzantine Roman mosaic from the funerary enclosure which is in the Northwest enclosure of the Acholla site, Tunisia. Bardo Museum, Tunis, Tunisia. Grey background
  • The Christian memorial funerary mosaic for Natalica the inscription reading: ‘(our) beloved daughter Natalica lived 10 years 8 months 21 days, rested the 8th Ides of October (23rd) ’.<br />
<br />
The panel is decorated with a crescent laurel leaves against a black background and a cross encircling the head of a depiction of Natalica. She is wearing earnings and is dressed in a dalmatic, a long wide-sleeved tunic, which is decorated with black clavi, stripes, and embroidered sleeves. A belt and buckle with cabochons, shaped and polished gem stones, hold the tunic tight at the waste.  Either side of t Natalica are two lit candles, the symbols of eternity.<br />
<br />
5th century Eastern Byzantine Roman mosaic from the funerary enclosure which is in the Northwest enclosure of the Acholla site, Tunisia. Bardo Museum, Tunis, Tunisia. Black background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic of a father and daughter, the father is sitting at a bankers desk. Thabarca, Tabarks, 5th Century AD, Bardo Museum, Tunis.
  • The Christian Eastern Roman Byzantine memorial funerary mosaic of a father and daughter, the father is sitting at a bankers desk. Thabarca, Tabarks, 5th Century AD, Bardo Museum, Tunis. Grey background
  • The Christian Eastern Roman Byzantine memorial funerary mosaic for Felicitas and Victoria. <br />
<br />
A mosaic depiction of a female decorates the grave of  Felicitas and Victoria which bears their inscription and that they departed in peace. Lit candles representing eturnal life and birds are also depicted on the funerary panel.<br />
<br />
5th century AD from the western necropolis of Thabraca, Tabarka, Tunisia, Bardo Museum, Tunis, Tunisia
  • The Christian memorial funerary mosaic for Natalica the inscription reading: ‘(our) beloved daughter Natalica lived 10 years 8 months 21 days, rested the 8th Ides of October (23rd) ’.<br />
<br />
The panel is decorated with a crescent laurel leaves against a black background and a cross encircling the head of a depiction of Natalica. She is wearing earnings and is dressed in a dalmatic, a long wide-sleeved tunic, which is decorated with black clavi, stripes, and embroidered sleeves. A belt and buckle with cabochons, shaped and polished gem stones, hold the tunic tight at the waste.  Either side of t Natalica are two lit candles, the symbols of eternity.<br />
<br />
5th century Eastern Byzantine Roman mosaic from the funerary enclosure which is in the Northwest enclosure of the Acholla site, Tunisia. Bardo Museum, Tunis, Tunisia
  • The interior of the Gulag,  Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • The interior of the Gulag,  Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • The interior of the Gulag,  Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • Sculpture group "Parade of the Sacrificied" by Aurel Vlad,  at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • The interior of the Gulag,  Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • Sculpture group "Parade of the Sacrificied" by Aurel Vlad,  at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • Sculpture group "Parade of the Sacrificied" by Aurel Vlad,  at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • Sculpture group "Parade of the Sacrificied" by Aurel Vlad,  at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • Sculpture group "Parade of the Sacrificied" by Aurel Vlad,  at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • Sculpture group "Parade of the Sacrificied" by Aurel Vlad,  at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • Sculpture group "Parade of the Sacrificied" by Aurel Vlad,  at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • Sculpture group "Parade of the Sacrificied" by Aurel Vlad,  at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • Watch tower & Sculpture group "Parade of the Sacrificied" by Aurel Vlad,  at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • Sculpture group "Parade of the Sacrificied" by Aurel Vlad,  at the Gulag Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • The interior of the Gulag,  Sighet prison which housed high ranking political & religious prisoners held by the Romanian communist regime. Now the  Sighet Memorial Museum in memory of the victims of communism.  Sighetu Marmaţiei, Maramureş
  • The Christian memorial funerary mosaic of Matziceus, a Libyan, with the inscription reading: ‘the faithful Matziceus lived in peace for 42 years, rested (died) on the fifteenth of the calends of June’.<br />
<br />
The panel is decorated with vines which grow out of a cantharus, a Greek style drinking cup, which represents the fountain of life.<br />
<br />
5th century Eastern Byzantine Roman mosaic from the Parish church of Demna, left AisleBardo Museum, Tunis, Tunisia. White background
  • The Viking Raiders Stone depicting men holding swords and axes above their heads. The shape of the axes suggest they are Viking raiders. Anglo Saxon probably carved as a memorial of the first Viking Raind on Lindisfarne Island in 793. Lindisfarne Abbey Museum, Northumbria, England
  • The Viking Raiders Stone depicting men holding swords and axes above their heads. The shape of the axes suggest they are Viking raiders. Anglo Saxon probably carved as a memorial of the first Viking Raind on Lindisfarne Island in 793. Lindisfarne Abbey Museum, Northumbria, England
  • The Viking Raiders Stone with a central cross, a sun and a moon, two hands and two figures praying. Anglo Saxon probably carved as a memorial of the first Viking Raind on Lindisfarne Island in 793. Lindisfarne Abbey Museum, Northumbria, England
  • Frescos of St Istvan by Vilmos Aba-Novák (1937). Hero Gate First  World War Memorial  - Szeged, Hungary
  • Frescos by Vilmos Aba-Novák (1937). Hero Gate First  World War Memorial  - Szeged, Hungary
  • Frescos by Vilmos Aba-Novák (1937). Hero Gate First  World War Memorial  - Szeged, Hungary
  • Frescos of Miklós Horthy  by Vilmos Aba-Novák (1937). Hero Gate First  World War Memorial  - Szeged, Hungary
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Battle of Mohacs 1526 memorial park in the snow ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Workers Movement Memorial - Memento Sculpture Park ( Szobaopark ) Budapest, Hungary
  • Memorial at the executuion place next to the Danube - Budapest - Hungary
  • The Christian memorial funerary mosaic of Matziceus, a Libyan, with the inscription reading: ‘the faithful Matziceus lived in peace for 42 years, rested (died) on the fifteenth of the calends of June’.<br />
<br />
The panel is decorated with vines which grow out of a cantharus, a Greek style drinking cup, which represents the fountain of life.<br />
<br />
5th century Eastern Byzantine Roman mosaic from the Parish church of Demna, left AisleBardo Museum, Tunis, Tunisia. Grey background
  • The Christian memorial funerary mosaic of Matziceus, a Libyan, with the inscription reading: ‘the faithful Matziceus lived in peace for 42 years, rested (died) on the fifteenth of the calends of June’.<br />
<br />
The panel is decorated with vines which grow out of a cantharus, a Greek style drinking cup, which represents the fountain of life.<br />
<br />
5th century Eastern Byzantine Roman mosaic from the Parish church of Demna, left AisleBardo Museum, Tunis, Tunisia
  • The Christian memorial funerary mosaic of Matziceus, a Libyan, with the inscription reading: ‘the faithful Matziceus lived in peace for 42 years, rested (died) on the fifteenth of the calends of June’.<br />
<br />
The panel is decorated with vines which grow out of a cantharus, a Greek style drinking cup, which represents the fountain of life.<br />
<br />
5th century Eastern Byzantine Roman mosaic from the Parish church of Demna, left AisleBardo Museum, Tunis, Tunisia. Black background
  • The Viking Raiders Stone depicting men holding swords and axes above their heads. The shape of the axes suggest they are Viking raiders. Anglo Saxon probably carved as a memorial of the first Viking Raind on Lindisfarne Island in 793. Lindisfarne Abbey Museum, Northumbria, England
  • The Viking Raiders Stone depicting men holding swords and axes above their heads. The shape of the axes suggest they are Viking raiders. Anglo Saxon probably carved as a memorial of the first Viking Raind on Lindisfarne Island in 793. Lindisfarne Abbey Museum, Northumbria, England
  • The Viking Raiders Stone with a central cross, a sun and a moon, two hands and two figures praying. Anglo Saxon probably carved as a memorial of the first Viking Raind on Lindisfarne Island in 793. Lindisfarne Abbey Museum, Northumbria, England
  • The Viking Raiders Stone with a central cross, a sun and a moon, two hands and two figures praying. Anglo Saxon probably carved as a memorial of the first Viking Raind on Lindisfarne Island in 793. Lindisfarne Abbey Museum, Northumbria, England
  • The Viking Raiders Stone with a central cross, a sun and a moon, two hands and two figures praying. Anglo Saxon probably carved as a memorial of the first Viking Raind on Lindisfarne Island in 793. Lindisfarne Abbey Museum, Northumbria, England
  • Frescos by Vilmos Aba-Novák (1937). Hero Gate First  World War Memorial  - Szeged, Hungary
  • Frescos by Vilmos Aba-Novák (1937). Hero Gate First  World War Memorial  - Szeged, Hungary
  • Frescos by Vilmos Aba-Novák (1937). Hero Gate First  World War Memorial  - Szeged, Hungary
  • Frescos of St George by Vilmos Aba-Novák (1937). Hero Gate First  World War Memorial  - Szeged, Hungary
  • Frescos by Vilmos Aba-Novák (1937). Hero Gate First  World War Memorial  - Szeged, Hungary
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War. Dohány Street  or Great Synagogue, Budapest, Hungary
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Battle of Mohacs 1526 memorial in Mohacs Town Square ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial in Mohacs Town Square ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Battle of Mohacs 1526 memorial park in the snow - Mohácsi Történelmi Emlékhely ,  Hungary - Stock photos
  • Workers Movement Memorial - Memento Sculpture Park ( Szobaopark ) Budapest, Hungary
  • Memorial at the executuion place next to the Danube - Budapest - Hungary
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • Anglo Saxon Medieval stone gargoyle from Lindisfarne Abbey, Holy Island, England
  • Anglo Saxon Medieval stone mythical animal head from Lindisfarne Abbey, Holy Island, England
  • Anglo Saxon Medieval stone mythical animal head from Lindisfarne Abbey, Holy Island, England
  • Anglo Saxon cross shaft fragment - 800-899. The sculptures in the sandstone cross are geomentric patterns known as interlace or knot-work. Lindisfarne Abbey Museum, Holy Island, Northumberland, England
  • A typical Anglo Saxon grave cover raised cross fragment decporated with raised interlaced patterns from 800-899. Lindisfarne Abbey Museum, Northumbria, England
  • Anglo Saxon sandstone cross shaft fragment, 775-840. The complicated pattern depicts ribbon shaped animals with long thin bodies and legs. An animals face can be seen in the bottom right in profile with one eye and a mouth .Lindisfarne Abbey Museum, Northumbria, England
  • Small Alabaster Statue head grave stone from the Yemen, 1st cent. B.C . Istanbul Archaeological Museum, Inv. 7670.
  • Tourists one in a wheelchair in the Jardin des Tuileries -Arch - Paris - France
  • The cenotaph and memoria;l column in H?sök tere, ( Heroes Square ), Budapest, Hungary
  • Statue of Saint Istvan ( Stephan) , King. H?sök tere, ( Heroes Square ) Budapest Hungary
  • Archangel Gabrial hold the crown of St Stephan  (Istvan)  and two barred apostolic cross,in H?sök tere, ( Heroes Square )
  • The cenotaph and memoria;l column in H?sök tere, ( Heroes Square ), Budapest, Hungary
  • "the Brave Men' scupture in the sand at Omaha D Day landing beach, Normandy, France.
  • American second world war cemetry at Omaha beach. Normandy, France.
  • American second world war cemetry at Omaha beach. Normandy, France.
  • Marble Anatolian Persian Funerary Stele, 5th cent. B.C, from Dascyleium ( Ergili, Manyas ) Turkey.  Istanbul Archaeological museum Inv 5763 T.
  • Marble Anatolian Persian Funerary Stele, 5th cent. B.C, from Dascyleium ( Ergili, Manyas ) Turkey.  Istanbul Archaeological museum Inv 5763 T.
  • Marble Anatolian Persian Funerary Stele, 5th cent. B.C, from Dascyleium ( Ergili, Manyas ) Turkey.  Istanbul Archaeological museum Inv 5763 T.
  • Marble Anatolian Persian Funerary Stele, 5th cent. B.C, from Dascyleium ( Ergili, Manyas ) Turkey.  Istanbul Archaeological museum Inv 5763 T.
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • The Italian Chapel constructed of 2 nissen huts in 1942 at Italian prisoner of war Camp 60 next to Sapa Flow. The Italian inmates under the direction of their priests Father Giacobazzi and Domenico Chiocchetti decorated the interior with Trompe-l’œil stonework and murals to resemble the interior of a Roman Catholic painted church. Lamb Holm, Orkney, Scotland
  • Anglo Saxon Medieval stone gargoyle from Lindisfarne Abbey, Holy Island, England
  • Anglo Saxon Medieval stone gargoyle from Lindisfarne Abbey, Holy Island, England
  • Anglo Saxon Medieval stone gargoyle from Lindisfarne Abbey, Holy Island, England
  • Anglo Saxon Medieval stone mythical animal head from Lindisfarne Abbey, Holy Island, England
  • Anglo Saxon Medieval stone mythical animal head from Lindisfarne Abbey, Holy Island, England
  • Anglo Saxon cross shaft fragment - 800-899. The sculptures in the sandstone cross are geomentric patterns known as interlace or knot-work. Lindisfarne Abbey Museum, Holy Island, Northumberland, England
  • Anglo Saxon cross shaft fragment - 800-899. The sculptures in the sandstone cross are geomentric patterns known as interlace or knot-work. Lindisfarne Abbey Museum, Holy Island, Northumberland, England
  • Anglo Saxon cross shaft fragment - 800-899. The sculptures in the sandstone cross are geomentric patterns known as interlace or knot-work. Lindisfarne Abbey Museum, Holy Island, Northumberland, England
  • Anglo Saxon cross shaft fragment, 875-999. The cross depicts Christ seated in a halo with two figures above blowing trumpets and two figures below with a horn or a scroll, possibly a last judgement scene. Below are sculpted interlaced patterns. Lindisfarne Abbey Museum, Holy Island, Northumberland, England
  • Anglo Saxon cross shaft fragment, 875-999. The cross depicts Christ seated in a halo with two figures above blowing trumpets and two figures below with a horn or a scroll, possibly a last judgement scene. Below are sculpted interlaced patterns. Lindisfarne Abbey Museum, Holy Island, Northumberland, England
  • Anglo Saxon cross shaft fragment, 875-999. The cross depicts Christ seated in a halo with two figures above blowing trumpets and two figures below with a horn or a scroll, possibly a last judgement scene. Below are sculpted interlaced patterns. Lindisfarne Abbey Museum, Holy Island, Northumberland, England
  • Anglo Saxon cross shaft fragment, 875-999. The cross depicts Christ seated in a halo with two figures above blowing trumpets and two figures below with a horn or a scroll, possibly a last judgement scene. Below are sculpted interlaced patterns. Lindisfarne Abbey Museum, Holy Island, Northumberland, England
  • A typical Anglo Saxon grave cover raised cross fragment decporated with raised interlaced patterns from 800-899. Lindisfarne Abbey Museum, Northumbria, England
  • A typical Anglo Saxon grave cover raised cross fragment decporated with raised interlaced patterns from 800-899. Lindisfarne Abbey Museum, Northumbria, England
  • A typical Anglo Saxon grave cover raised cross fragment decporated with raised interlaced patterns from 800-899. Lindisfarne Abbey Museum, Northumbria, England
  • Anglo Saxon sandstone cross shaft fragment, 775-840. The complicated pattern depicts ribbon shaped animals with long thin bodies and legs. An animals face can be seen in the bottom right in profile with one eye and a mouth .Lindisfarne Abbey Museum, Northumbria, England
  • Anglo Saxon sandstone cross shaft fragment, 775-840. The complicated pattern depicts ribbon shaped animals with long thin bodies and legs. An animals face can be seen in the bottom right in profile with one eye and a mouth .Lindisfarne Abbey Museum, Northumbria, England
  • Anglo Saxon sandstone cross shaft fragment, 775-840. The complicated pattern depicts ribbon shaped animals with long thin bodies and legs. An animals face can be seen in the bottom right in profile with one eye and a mouth .Lindisfarne Abbey Museum, Northumbria, England
  • Small Alabaster Statue head grave stone from the Yemen, 1st cent. B.C . Istanbul Archaeological Museum, Inv. 7670.
  • Small Alabaster Statue head grave stone from the Yemen, 1st cent. B.C . Istanbul Archaeological Museum, Inv. 7670.
  • Tourists one in a wheelchair in the Jardin des Tuileries -Arch - Paris - France
  • Paris - France -Jardin des Tuileries -Arch
  • Statue of Saint Istvan ( Stephan) , King. H?sök tere, ( Heroes Square ) Budapest Hungary
  • Lajos Kossuth monument, Kossuth Square, Budapest, Hungary
  • Statue of King Andras 2nd - H?sök tere, ( Heroes Square ) Budapest Hungary
  • Statue of King Bela 4th - H?sök tere, ( Heroes Square ) Budapest Hungary
  • Statue of King Matyas - H?sök tere, ( Heroes Square ) Budapest Hungary
  • Statue of Hunyadi Lajos (1466 - 1452) H?sök tere, ( Heroes Square ) Budapest Hungary
  • One of the Hungarian Chieftans - H?sök tere, ( Heroes Square ) Budapest Hungary
  • One of the Hungarian Chieftans - H?sök tere, ( Heroes Square ) Budapest Hungary
  • The cenotaph and memoria;l column in H?sök tere, ( Heroes Square ), Budapest, Hungary
  • The cenotaph and memoria;l column in H?sök tere, ( Heroes Square ), Budapest, Hungary
  • Statue of King Nagy Lajos (1466 - 1452) H?sök tere, ( Heroes Square ) Budapest Hungary
  • Statue of King Robert - H?sök tere, ( Heroes Square ) Budapest Hungary
  • "the Brave Men' scupture in the sand at Omaha D Day landing beach, Normandy, France.
  • "the Brave Men' scupture in the sand at Omaha D Day landing beach, Normandy, France.
  • "the Brave Men' scupture in the sand at Omaha D Day landing beach, Normandy, France.
  • "the Brave Men' scupture in the sand at Omaha D Day landing beach, Normandy, France.
  • American second world war cemetry at Omaha beach. Normandy, France.
  • American second world war cemetry at Omaha beach. Normandy, France.
  • American second world war cemetry at Omaha beach. Normandy, France.
  • American second world war cemetry at Omaha beach. Normandy, France.
  • American second world war cemetry at Omaha beach. Normandy, France.
  • Grindelwald First Lake- Picnic- Bernese Alps - Switzerland
  • Grindelwald First- Walkers - Bernese Alps - Switzerland
  • Grindelwald First Lake-  Bernese Alps - Switzerland
  • Grindelwald First Lake- Picnic- Bernese Alps - Switzerland
  • Grindelwald First Lake- Picnic- Bernese Alps - Switzerland
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • 6th century Eastern Roman Byzantine  Christian mosaic of the mosaic of the Most Holy Sepulchre and the memorial of Golgotha in Jerusalem .<br />
<br />
In the foreground is the dome of Golgotha, erected at the site of the crucifixion ofJesus Christ, from where  the four rivers of Paradise flow: the Geon = Gihon, the Fison = Pishon, the Tigris and Euphrates, symbolically referring to the Word (the four gospels). Sheep, representing the faithfuls, are drinking from the rivers. In the background are depictions of the the Holy Sepulchre with its door ajar, and two other buildings, symbolising Bethlehem and Jerusalem. <br />
<br />
From the threshold of the martyrdom erected in honour of Jesus Christ at the church of Iunca - Younga (in present the day region of Mahres in Tunisia). The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.   Against a grey background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia. Against a grey art background.
  • Yves Sant Lauren memorial in the Majorelle Garden botanical garden designed by French artist Jacques Majorelle in the 1920s and 1930s, Marrakech, Morocco
  • The narrow Beggars bridge (1620) built by Alderman Thomas Ferris as a memorial to his wife Agnes .  North Yorks National Park, North Yorkshire, England
  • The narrow Beggars bridge (1620) built by Alderman Thomas Ferris as a memorial to his wife Agnes .  North Yorks National Park, North Yorkshire, England
  • The narrow Beggars bridge (1620) built by Alderman Thomas Ferris as a memorial to his wife Agnes .  North Yorks National Park, North Yorkshire, England
  • Memorial plaques at the Shrine to the Virgin Mary in The Stone Gate entrance Kamenita Vrata) to Zagreb's Gornji Grad, Croatia
  • Memorial to Ayios (Saint) Nektarios who died on Aegina in 1921. Greek Saronic Islands
  • Memorial to Ayios (Saint) Nektarios who died on Aegina in 1921. Greek Saronic Islands
  • Szamuely Tibor memorial - Memento Sculpture Park ( Szobaopark ) Budapest, Hungary
  • Kun Bela Memorial - founder of the Hungarian Soviet Repulic (1919 March 21st to August) - Memento Sculpture Park ( Szobaopark ) Budapest, Hungary
  • Kun Bela Memorial - founder of the Hungarian Soviet Repulic (1919 March 21st to August) - Memento Sculpture Park ( Szobaopark ) Budapest, Hungary
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.  Against a white background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.  Against a black background.
  • Fifth Century Christian Eastern Roman Byzantine  funerary mosaic from Mezghani Christian necropolis mounds in the Roman province of Africa Proconsularis , (Tunisian Sfax) dedicated to Priscianus. Above the memorial text is the Constantinian monogram depicting the Christian Chi-Rho symbol used by the Roman emperor Constantine I as part of his military standard (vexillum). The layout of the mosaic is typical of those excavated in the Sfax region from this period.<br />
<br />
The Bardo National Museum, Tunis, Tunisia.
  • The narrow Beggars bridge (1620) built by Alderman Thomas Ferris as a memorial to his wife Agnes .  North Yorks National Park, North Yorkshire, England
  • Memorial plaques at the Shrine to the Virgin Mary in The Stone Gate entrance Kamenita Vrata) to Zagreb's Gornji Grad, Croatia
  • Memorial to Ayios (Saint) Nektarios who died on Aegina in 1921. Greek Saronic Islands
  • Statue of The Dead Soldier by Éva L?te - Hero Gate First  World War Memorial  - Szeged, Hungary
  • Statue of the Living Soldiers by Éva L?te - Hero Gate First  World War Memorial  - Szeged, Hungary
  • "Les Braves" Second World War D-Day landing Memorial on Omaha Beach, Normandy France
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Imre Varga's "Memorial of the Hungarian Jewish Martyrs" with leaves with the names of Jews murdered in the second world War.
  • Buso's laying flowers at the Anki Krsic memorial on the Monady of  the Busojaras Spring  festival 2010 Mohacs Hungary - Stock photos
  • G8 2009 memorial plaque, Maniace castle, Siracuse, Sicily
  • Memorial for the soldiers of the Hungarian Spanish Civil War Brigade -  Memento Sculpture Park ( Szobaopark ) Budapest, Hungary
  • Memorial for the soldiers of the Hungarian Spanish Civil War Brigade -  Memento Sculpture Park ( Szobaopark ) Budapest, Hungary
  • Kun Bela Memorial - founder of the Hungarian Soviet Repulic (1919 March 21st to August) - Memento Sculpture Park ( Szobaopark ) Budapest, Hungary
  • Landler Jenc memorial - Memento Sculpture Park ( Szobaopark ) Budapest, Hungary
  • Memorial to a soldier, Velem Hungary
  • Memorial to a soldier, Velem Hungary
  • Rauch Andras memorial -  Fo Square (F? Ter), Sopron, Hungary
  • Picture and image of the stone sculptures of angels and a Sister of Charity. in memory of the surgeon Luigi Pastorini, the sculptor Navone has conceived a complex allegory, in which a feminine winged figure, representing the Medicine, distributes some wealth to a Sister of Charity who holds an ill baby. She is helped by another winged figure, the Munificence, whose regard is turned towards the deceased. The “Cappellone” Sisters – they are so named because of their large head covering – were so committed to provide aid to the poor that they have become the symbol of the assistance to the needy. Navone has succeeded in harmonizing the Medicine allegory and its delicacy with the raw representation of the poor people: in fact, as from the middle years of the bourgeois realism, the poor were portrayed in a very realistic way, without any idealization. Sculpted by G. Navone 1902. Section A, no 28,  The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculptures of angels and a Sister of Charity. in memory of the surgeon Luigi Pastorini, the sculptor Navone has conceived a complex allegory, in which a feminine winged figure, representing the Medicine, distributes some wealth to a Sister of Charity who holds an ill baby. She is helped by another winged figure, the Munificence, whose regard is turned towards the deceased. The “Cappellone” Sisters – they are so named because of their large head covering – were so committed to provide aid to the poor that they have become the symbol of the assistance to the needy. Navone has succeeded in harmonizing the Medicine allegory and its delicacy with the raw representation of the poor people: in fact, as from the middle years of the bourgeois realism, the poor were portrayed in a very realistic way, without any idealization. Sculpted by G. Navone 1902. Section A, no 28,  The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculptures of angels and a Sister of Charity. in memory of the surgeon Luigi Pastorini, the sculptor Navone has conceived a complex allegory, in which a feminine winged figure, representing the Medicine, distributes some wealth to a Sister of Charity who holds an ill baby. She is helped by another winged figure, the Munificence, whose regard is turned towards the deceased. The “Cappellone” Sisters – they are so named because of their large head covering – were so committed to provide aid to the poor that they have become the symbol of the assistance to the needy. Navone has succeeded in harmonizing the Medicine allegory and its delicacy with the raw representation of the poor people: in fact, as from the middle years of the bourgeois realism, the poor were portrayed in a very realistic way, without any idealization. Sculpted by G. Navone 1902. Section A, no 28,  The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Realistic blind man stone funary monument sculpture commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Realistic blind man stone funary monument sculpture commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of a son and his dying father, In memory of a Portuguese patrician Battista Noli Da Costa. Sculpted in a realistic style by Risorgimento sculptor S Saccomanno in 1887, Section A, no 3, Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of a son and his dying father, In memory of a Portuguese patrician Battista Noli Da Costa. Sculpted in a realistic style by Risorgimento sculptor S Saccomanno in 1887, Section A, no 3, Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental tomb erected in memory of the Marquis Gio.Carlo Di Negro, one of the most famous personalities of nineteenth-century Genoa, refined man of the world, friend and protector of writers and artists, cosmopolitan intellectual and poet. On the sarcophagus, decorated with the emblem and emblems of intellectual and poetic activity (zither, books, laurel crowns), a bas-relief depicts a biblical episode of Genesis, the welcome offered by Abraham to the three angels, probable allusion to the virtue of hospitality, practiced in life by the deceased. Sculptor Carlo Rubatto 1861. Section A, no 5, The Staglieno Monumental Cemetery, Genoa, Italy
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy
  • Temple built to the memory of Giulia Farnese by her husband Pier Francesco Orsini, Duke of Babarzo c. 1513-84, The Renaissance Mannerist style Park of Monsters or The Sacred Wood of Bamarzo, Italy

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Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

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Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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