• Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827. Against grey<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827. Against grey<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827. against black<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827, Against white, <br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against white, <br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against grey<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against grey<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252. Against black<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • Marble statue of Pan found in Sparta, Pelopenese, 1st Cent AD copy of 4th Cent BC Greek original. Athens Archaeological Museum Cat No 252.<br />
<br />
Pan, the goat footed god wears an animal pelt from which protrude only his jhairy legs. In his left hand he is holding pan pipes. The expression on his bestial featured face is softened by a broad smile.
  • The 'Atalante Hermes' Roman marble statue found at Atalante. 2nd Cemt AD copy of the 4th cent BC Lysippean Greek style. Athens Archaeological Museum, cat no 240. Against white, <br />
<br />
Funserary statue of a youth depicted as Hermes. He is shown nude with his chlamys over his shoulder and wound around his right arm. In his left hand he holds a 'caduceus'.
  • The 'Atalante Hermes' Roman marble statue found at Atalante. 2nd Cemt AD copy of the 4th cent BC Lysippean Greek style. Athens Archaeological Museum, cat no 240. Against grey<br />
<br />
Funserary statue of a youth depicted as Hermes. He is shown nude with his chlamys over his shoulder and wound around his right arm. In his left hand he holds a 'caduceus'.
  • The 'Atalante Hermes' Roman marble statue found at Atalante. 2nd Cemt AD copy of the 4th cent BC Lysippean Greek style. Athens Archaeological Museum, cat no 240. Against black<br />
<br />
Funserary statue of a youth depicted as Hermes. He is shown nude with his chlamys over his shoulder and wound around his right arm. In his left hand he holds a 'caduceus'.
  • The 'Atalante Hermes' Roman marble statue found at Atalante. 2nd Cemt AD copy of the 4th cent BC Lysippean Greek style. Athens Archaeological Museum, cat no 240. Against grey<br />
<br />
Funserary statue of a youth depicted as Hermes. He is shown nude with his chlamys over his shoulder and wound around his right arm. In his left hand he holds a 'caduceus'.
  • The 'Atalante Hermes' Roman marble statue found at Atalante. 2nd Cemt AD copy of the 4th cent BC Lysippean Greek style. Athens Archaeological Museum, cat no 240.<br />
<br />
Funserary statue of a youth depicted as Hermes. He is shown nude with his chlamys over his shoulder and wound around his right arm. In his left hand he holds a 'caduceus'.
  • Roman marble statue of Hermes found at Aigion, Pelopenese. 27 BC - 14 AD. Athens Archaeological Museum Cat No 241.<br />
<br />
Hermes is depicted standing wearing a chalamys that is wound around his lest arm. In his right hand he holds a purse and in his left a 'caduceus'. Augustan Roman period
  • Roman marble statue of Hermes found at Aigion, Pelopenese. 27 BC - 14 AD. Athens Archaeological Museum Cat No 241. Against black<br />
<br />
Hermes is depicted standing wearing a chalamys that is wound around his lest arm. In his right hand he holds a purse and in his left a 'caduceus'. Augustan Roman period
  • Roman marble statue of Hermes found at Aigion, Pelopenese. 27 BC - 14 AD. Athens Archaeological Museum Cat No 241. Against white, <br />
<br />
Hermes is depicted standing wearing a chalamys that is wound around his lest arm. In his right hand he holds a purse and in his left a 'caduceus'. Augustan Roman period
  • Roman marble statue of Hermes found at Aigion, Pelopenese. 27 BC - 14 AD. Athens Archaeological Museum Cat No 241. Against grey<br />
<br />
Hermes is depicted standing wearing a chalamys that is wound around his lest arm. In his right hand he holds a purse and in his left a 'caduceus'. Augustan Roman period
  • Roman marble statue of Hermes found at Aigion, Pelopenese. 27 BC- 14AD. Athens Archaeological Museum Cat No 241. Against grey<br />
<br />
Hermes is depicted standing wearing a chalamys that is wound around his lest arm. In his right hand he holds a purse and in his left a 'caduceus'. Augustan Roman period
  • Statue of Artemis, found at the 'House of Diadoumenos' on Delos. Pariam marble, Circa 100 BC. Athens Archaeological Museum, Cat No 1829. Against white, <br />
<br />
Artemis wears a chiton, a girt and himation. The diagonal strap ocross her breast will have held the quiver full of arrows. The Goddess's beauty is stressed by her elaborate coiffure.
  • Statue of Artemis, found at the 'House of Diadoumenos' on Delos. Pariam marble, Circa 100 BC. Athens Archaeological Museum, Cat No 1829. against black<br />
Artemis wears a chiton, a girt and himation. The diagonal strap ocross her breast will have held the quiver full of arrows. The Goddess's beauty is stressed by her elaborate coiffure.
  • Statue of Artemis, found at the 'House of Diadoumenos' on Delos. Pariam marble, Circa 100 BC. Athens Archaeological Museum, Cat No 1829.<br />
<br />
Artemis wears a chiton, a girt and himation. The diagonal strap ocross her breast will have held the quiver full of arrows. The Goddess's beauty is stressed by her elaborate coiffure.
  • Statue of Artemis, found at the 'House of Diadoumenos' on Delos. Pariam marble, Circa 100 BC. Athens Archaeological Museum, Cat No 1829. Against grey<br />
<br />
Artemis wears a chiton, a girt and himation. The diagonal strap ocross her breast will have held the quiver full of arrows. The Goddess's beauty is stressed by her elaborate coiffure.
  • Statue of Artemis, found at the 'House of Diadoumenos' on Delos. Pariam marble, Circa 100 BC. Athens Archaeological Museum, Cat No 1829.<br />
<br />
Artemis wears a chiton, a girt and himation. The diagonal strap ocross her breast will have held the quiver full of arrows. The Goddess's beauty is stressed by her elaborate coiffure.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble. <br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble.  Against grey<br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble.  Against white, <br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble. Against black<br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble. Against grey<br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Roman funerary statue of a women in the Large Herculaneum style, Found in the cemetery of Stagiou Street, Athens, Athens Archaeological Museum, cat no 32622. Against black<br />
<br />
This statue is the typle known as the Large Herculaneum Wome. She wears a full length chiton and himation that covers her head and entire body. Dating from the 1st cent AD it is a copy of an earlier statue circa 320 BC, probably by Praxiteles
  • Roman funerary statue of a women in the Large Herculaneum style, Found in the cemetery of Stagiou Street, Athens, Athens Archaeological Museum, cat no 32622.<br />
<br />
This statue is the typle known as the Large Herculaneum Wome. She wears a full length chiton and himation that covers her head and entire body. Dating from the 1st cent AD it is a copy of an earlier statue circa 320 BC, probably by Praxiteles
  • Roman funerary statue of a women in the Large Herculaneum style, Found in the cemetery of Stagiou Street, Athens, Athens Archaeological Museum, cat no 32622. Against white, <br />
<br />
This statue is the typle known as the Large Herculaneum Wome. She wears a full length chiton and himation that covers her head and entire body. Dating from the 1st cent AD it is a copy of an earlier statue circa 320 BC, probably by Praxiteles
  • Roman funerary statue of a women in the Large Herculaneum style, Found in the cemetery of Stagiou Street, Athens, Athens Archaeological Museum, cat no 32622.  against grey<br />
<br />
This statue is the typle known as the Large Herculaneum Wome. She wears a full length chiton and himation that covers her head and entire body. Dating from the 1st cent AD it is a copy of an earlier statue circa 320 BC, probably by Praxiteles
  • Roman funerary statue of a women in the Large Herculaneum style, Found in the cemetery of Stagiou Street, Athens, Athens Archaeological Museum, cat no 32622.  against grey<br />
<br />
This statue is the typle known as the Large Herculaneum Wome. She wears a full length chiton and himation that covers her head and entire body. Dating from the 1st cent AD it is a copy of an earlier statue circa 320 BC, probably by Praxiteles
  • Crouching Aphrodite (Venus). 2nd Century  Roman Marble Statue from Marmol. Cordoba Archaeological Museum, Spain.
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right as if looking at somebody and, in most versions, reaches her right arm over to her left shoulder to cover her breasts.
  • Crouching Aphrodite (Venus). 2nd Century  Roman Marble Statue from Marmol. Cordoba Archaeological Museum, Spain.
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right as if looking at somebody and, in most versions, reaches her right arm over to her left shoulder to cover her breasts.
  • Crouching Aphrodite (Venus). 2nd Century  Roman Marble Statue from Marmol. Cordoba Archaeological Museum, Spain.
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right as if looking at somebody and, in most versions, reaches her right arm over to her left shoulder to cover her breasts.
  • Venus de Milo ( Aphrodite of Milos ) A 203 cm (6 ft 8 in)  marble statue from the Greek Island of Milos sculpted in 130 and 100 BC thought to be the work of Alexandros of Antioch;. Louvre Museum, Paris. <br />
The Aphrodite of Milos was discovered on 8 April 1820 by a peasant named Yorgos Kentrotas, inside a buried niche within the ancient city ruins of Milos, the current village of Tripiti, on the island of Milos  in the Aegean, which was then a part of the Ottoman Empire. The statue was purchase by the French ambassador to Turkey and it was shipped to France. Legend has it that the statues arms were broken off during transport but this story however proved to be a fabrication – Voutier's drawings of the statue when it was first discovered show that its arms were already missing.<br />
<br />
In 1815, France had returned the Medici Venus,  to the Italians after it had been looted from Italy by Napoleon Bonaparte. The Medici Venus, regarded as one of the finest Classical sculptures in existence, caused the French to promote the Venus de Milo as a greater treasure than that which they recently had lost. The de Milo statue was praised dutifully by many artists and critics as the epitome of graceful female beauty. However, Pierre-Auguste Renoir was among its detractors, labeling it a "big gendarme".
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Sleeping Hermaphroditus.  A Life size ancient 2nd century AD Roman statue sculpted in Greek Marble and found in the grounds of Santa Maria della Vittoria, near the Baths of Diocletian, Rome. It was added to the Borghese Collection by Cardinal Scipione Borghese, in the 17th century and was named the "Borghese Hermaphroditus”. It was later sold to the occupying French and was removed it to The Louvre. Hermaphrodite, son of Hermes and Aphrodite had repels the advances of the nymph Salmacis. However, she got Zeus as their two bodies are united in a bisexual being. The Sleeping Hermaphroditus has been described as a good early Imperial Roman copy of a bronze original by the later of the two Hellenistic sculptors named Polycles (150 BC) the original bronze was mentioned in Pliny's Natural History. In 1619  Bernini sculpted the mattress on which the ancient marble of Hermaphrodite lies. Louvre Museum, Paris
  • The Three Graces (  Les Trois Grâces ) A 1.19 metres high 2nd century Imperial Roman copy of a circa 330 BC Hellanistic Greek statue.  Found in the Villa Cornovaglia in Rome. Louvre Museum, Paris. Catalogue Number: Louvre Ma 287.<br />
The Three Graces are three nude females that in classic Hellanistic art they are depicted with two facing forward and the middle one facing away. The Three Graces, or Three Charities, of Greek mythology were Aglaia, Euphrosyne, and Thalia. They were the goddesses who symbolised joy, pleasure, grace, beauty, festivity, adornment, dance, and song. Daughters of Zeus and the sea-nymph Eurynome, they were also the attendants, or handmaidens, of Aphrodite and Hera and protectors of vegetation.

  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Lely’s Venus (Aphrodite) Greek goddess of love, 1st 2nd century Roman Copy of a lost Greek original. This style of Aphrodite statue is known as the Crouching or bathing Aphrodite. Her arms stretch across in front of her and her right hand gently touches her right shoulder hiding her breasts. she looks to one side in surprise as if disturbed whilst bathing. Walking around the statue reveals 4 distinct viewpoints that tantalise the viewer and reveal nothing of Aphrodites nakedness. This statue is a  2nd century Roman copy of a lost Greek. Hellanistic original of the mid 3rd century BC Bronze attributed to the Greek sculptor Doldalsas of Bethynia. British Museum, London.
  • Lely’s Venus (Aphrodite) Greek goddess of love, 1st 2nd century Roman Copy of a lost Greek original. This style of Aphrodite statue is known as the Crouching or bathing Aphrodite. Her arms stretch across in front of her and her right hand gently touches her right shoulder hiding her breasts. she looks to one side in surprise as if disturbed whilst bathing. Walking around the statue reveals 4 distinct viewpoints that tantalise the viewer and reveal nothing of Aphrodites nakedness. This statue is a  2nd century Roman copy of a lost Greek. Hellanistic original of the mid 3rd century BC Bronze attributed to the Greek sculptor Doldalsas of Bethynia. British Museum, London.
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Venus, 1st 2nd century Roman. This Roman sculpture retains elements of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. In this version Venus no longer hides her modesty and stands with an arm raised revealing her breasts. British Museum, London.
  • Statue of Aphrodite, a 1st century Roman Copy with a portrait head. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Statue of Aphrodite, a 2nd century Roman Copy. This sculpture depicts Aphrodite in the typical pose known as the Modest Aphrodite style or Dresden-Capitoline type and is a copy of a lost 4th century BC Aphrodite of Cnidos sculpture by Athenian sculpture Praxiteles. Naples National Archaeological Museum, Italy
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161, White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161, White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Grey background.<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. White background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Early classical ancient Greek bronze statue of Zeus or Poseidon, circa 450 BC. Athens National Arcjaeological Museum, cat no X15161. Black background<br />
<br />
This bronze statue was found in the sea off Cape Artemision in northern Euobea. Zeus or Poseidon is shown making a great stride. His lefy arm is extended forward and his righy arm extends back which would have held a thunderbolt, if Zeus, or a trident if Poseidon. The identification of the statue is controversial though it ios more likely Zeus. <br />
<br />
It is one of the few preserved original statues of Severe Style, notable for the exuisite rendering of motion and anatomy. Iy is certainly the work of a great sculptor of the early ancient Greek Classical period
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.  Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.  Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum. <br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.  Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against black<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.  Against white.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Severe Style Ancient Greek bronze sculpture of a charioteer, 480-460 BC, Delphi National Archaeological Museum.   Against grey.<br />
<br />
The Charioteer is a rare example of Severe Style bronze statue that only servived ancient looters  because it was buried by an earthquake. Plain and austere it mirrors the preveiling aestheics expected from ancient greek atheletes. The statue was probably sculpted following the teachings of Pythagoras of Samos due to its exact symetrical proportions
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against black<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against white.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against black<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against white.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against black<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Archaic Ancient Greek marble statue of 2 Kouros Known as the Twins of Argos sculpted in Argos circa 580 BC, Delphi National Archaeological Museum.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.  Against white.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against grey.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335. Against white.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.  Against white.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of 2 Kouros Known as the Twins of Argos sculpted in Argos circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of 2 Kouros Known as the Twins of Argos sculpted in Argos circa 580 BC, Delphi National Archaeological Museum.   Against black
  • Archaic Ancient Greek marble statue of 2 Kouros Known as the Twins of Argos sculpted in Argos circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.  Against white.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against black
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.  Against white.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against black
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against black
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.
  • Hellenstic marble statue group of Aphrodite (Venus) with Pan and Eros, Circa 100 BC, House of Poseidonaistai of Beryttos, Delos, Athens National Archaeological Museum.  Cat no 3335.<br />
<br />
The nude goddess Aphrodite (Venus) attempte to fend off goat footed Pan who make erotic advances towards her. Aphrodite holds a sandal in her right hand threatening Pan while the winged god Eros comes to her aid. According to an inscription on the statues base it was dedicated to Dionysus of Beryttos (Beirut) to hai ancestral gods.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.  Against white.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against black
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against black
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.
  • Archaic Ancient Greek marble statue of 2 Kouros Known as the Twins of Argos sculpted in Argos circa 580 BC, Delphi National Archaeological Museum.  Against white.
  • Archaic Ancient Greek marble statue of 2 Kouros Known as the Twins of Argos sculpted in Argos circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of 2 Kouros Known as the Twins of Argos sculpted in Argos circa 580 BC, Delphi National Archaeological Museum.  Against white.
  • Archaic Ancient Greek marble statue of 2 Kouros Known as the Twins of Argos sculpted in Argos circa 580 BC, Delphi National Archaeological Museum.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against black
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.  Against white.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against black
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.  Against white.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.  Against grey.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • Archaic Ancient Greek marble statue of a Kouros, one of the Twins of Argos sculpted in the Argos archaic workshop circa 580 BC, Delphi National Archaeological Museum.
  • Archaic Ancient Greek marble statue of 2 Kouros Known as the Twins of Argos sculpted in Argos circa 580 BC, Delphi National Archaeological Museum.   Against grey.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177, Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177, Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177, Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • Torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this period. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177, Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177. Against grey<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • Full length tree quarter view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Upper torso of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length face on view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length side view of the Riace bronze Greek statue B cast about 460 - 450 BC. statue B was probably sculpted by Phidias. There is a sense of movement in the statues their legs being bent as if they are about to take a step. Their heads are turned which accentuates a sense of anticipation as if they are looking for something. The anatomical detail is extraordinary which gives a startling realism to the statue and demonstarte the high level of skill of the Greek sculptors of this peiod. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177, Against white, <br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • 'Jockey of Artrmision' a Hellenistic bronze statue of a boy riding a horse. National Archaeological Museum Athens. Circa 140 BC. Cat No X 15177<br />
<br />
Retrieved in pieces from a shipwreck of Cape Artemision in Euboea. The young jockey holds a rein in his left hand and a whip in his right. His face has a passionate expression with furrowas on his face. The pieces of the Bronze sculpture were reassembled in 1971.
  • low full length view of the  Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso face on view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Full length view of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Torso three quarter of the Riace bronze Greek statue A cast about 460 BC. statue A was probably sculpted by Myron. The style of the Riace statues straddles the archaic period and heralds the start of the classical period. Both statues depict strong young naked warriors who stand calmly but exuding great power. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • Bronze statue of Roman empress Julia Aquilia Severa found at Sparta. circa 221-222 AD.  Athens National Archaeological Museum, Cat No X23321. Against grey.<br />
<br />
The women in the Bronze statue wears a Chiton and himation and would have had a crwon on her head. The hair style is typical of the Severan dynisty. Julia Aquilia was the last wife of emperor Elagobalus (218-222 AD) and the damage to the statue is due to a building collapsing on it after a fire circa 221-222 AD
  • Bronze statue of Roman empress Julia Aquilia Severa found at Sparta. circa 221-222 AD.  Athens National Archaeological Museum, Cat No X23321.<br />
<br />
The women in the Bronze statue wears a Chiton and himation and would have had a crwon on her head. The hair style is typical of the Severan dynisty. Julia Aquilia was the last wife of emperor Elagobalus (218-222 AD) and the damage to the statue is due to a building collapsing on it after a fire circa 221-222 AD
  • Bronze statue of Roman empress Julia Aquilia Severa found at Sparta. circa 221-222 AD.  Athens National Archaeological Museum, Cat No X23321. Against white.<br />
<br />
The women in the Bronze statue wears a Chiton and himation and would have had a crwon on her head. The hair style is typical of the Severan dynisty. Julia Aquilia was the last wife of emperor Elagobalus (218-222 AD) and the damage to the statue is due to a building collapsing on it after a fire circa 221-222 AD
  • Bronze statue of Roman empress Julia Aquilia Severa found at Sparta. circa 221-222 AD.  Athens National Archaeological Museum, Cat No X23321. Against black<br />
<br />
The women in the Bronze statue wears a Chiton and himation and would have had a crwon on her head. The hair style is typical of the Severan dynisty. Julia Aquilia was the last wife of emperor Elagobalus (218-222 AD) and the damage to the statue is due to a building collapsing on it after a fire circa 221-222 AD
  • Bronze statue of Roman empress Julia Aquilia Severa found at Sparta. circa 221-222 AD.  Athens National Archaeological Museum, Cat No X23321. Against grey.<br />
<br />
The women in the Bronze statue wears a Chiton and himation and would have had a crwon on her head. The hair style is typical of the Severan dynisty. Julia Aquilia was the last wife of emperor Elagobalus (218-222 AD) and the damage to the statue is due to a building collapsing on it after a fire circa 221-222 AD
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against grey.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against grey.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against black<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against white.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against black<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against grey.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against white.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against grey.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against grey.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against black<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against white.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • Roman bronze statue fragment of emperor Augustus, Circa 12-10 BC,  found in the Agean sea of  the Island of Euboea, Athens National Archaeological Museum. cat no X 23322. Against grey.<br />
<br />
The emperor Augustus is depicted in mature age mounting a horse. He wears a tunica with verivle purple stripes (clavus purpurea) fringed with a meander pattern. Icongraphic features of bthe Prima Porta and Actuim type of statue are incorporated in this brnze statue. The right hand is raised in a gesture of offical greeting and the left hand held the horses reigns. A ring on the finger gears has engraved the symbol of Pontifles Maximus assumed by Augustus in 12 BC
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue head cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.
  • The Riace bronze Greek statue A cast about 460 BC. Museo Nazionale della Magna Grecia,  Reggio Calabria, Italy.

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