• small cake - Chocolate truffle
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Thatched cottage in Buckingham, Bucks
  • Thatched cottage in Buckingham, Bucks
  • Thatched cottage in Buckingham, Bucks
  • Thatched cottage in Buckingham, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Thatched cottage in Buckingham, Bucks
  • Griddled whole padron chillis
  • Griddled whole padron chillis
  • A modern square chocolate cake filled with chocolate truffle and topped with fresh raspberries
  • A modern fruit cake with redcurrants, wild strawberries, blacberry and creme patisserie in a light sponge case in a designer dish.
  • Whole griddled Padron peppers snack with sea salt
  • Whole griddled Padron peppers snack with sea salt
  • Whole griddled Padron peppers snack with sea salt
  • Fresh Padron peppers
  • Whole griddled Padron peppers snack with sea salt
  • Whole griddled Padron peppers snack with sea salt
  • Topless female lying in bed
  • Topless female
  • Topless female
  • Topless female holding towel
  • Topless female holding towel
  • Topless female
  • Topless female
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Town cottages with wisteria growing on them. Buckingham High Street, Bucks
  • Fresh Padron peppers
  • Whole griddled Padron peppers snack with sea salt
  • Topless female lying in bed
  • Topless female lying in bed
  • Topless female lying in bed
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by geese in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by pigeons in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Wide picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Wide picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • wide shot of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by birds in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Close up picture of the Roman mosaics of the room of the Small Circus depicting Roman boys riding small chariots pulled by geese in a small circus, The Vestibule of The Smnall Circus, room no 41  at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Roman mosaic know as the Small Circus at the Villa Romana del Casale depicts a scene of a chariot race from the Circus Maximus in Rome. Two wheeled chariots, driven by children,  are racing around a central Pina (barrier) being drawn by fowl and web footed birds. The four chariots represent the four factions that raced against each other at the Circus and the tunics of the cild charioteers and the birds pulling their chariots are distinguished by the four different colours used by each faction.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting hunters with a dead boar and hunters making an offering at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting deer being caught in a net trap, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting boys hunting a song bird in a tree, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting a dead boar being carried by hunters, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting dogs chasing a fox, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting offerings being made at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting offerings being made at an altar, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting a hare about to be speared,  room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt depicting food being cooked, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Close up detail picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Wide picture of the Roman mosaics of Circus Maximus from the Palaestra depicting a chariot race at the Circus Maximus, room no 15 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Small Hunt room was used as a living room for guests of the Villa Romana del Casale. The Small hunt mosaic design has 4 registers running across the mosaic depicting hunting scenes. In the first register two servants are handling hunting dogs. In the second register figures are depicted burning incense at an altar to Diana, the goddess of hunting, before the hunt starts. The offering is being made by Constantius Clorus , the Caesar of Emperor Maximianus who owned the Villa Romana del Casale. Behind him is his son the future Emperor Constantine. To the right of the altar is a figure holding the reins of a horse dressed in a clavi decorated with ivy leaves indicating that he belongs to the family of Maximianus.
  • Hunters making a sacrifice to the goddess Diana from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter after a wild boar hunt from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making a sacrifice to the goddess Diana after a hunt from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter on horseback  about to spear a crouching hare From the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a hare from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters looking for birds in a tree from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a wild boar slung in a net from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters after the hunt from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples Museum of Archaeology, Italy
  • Entrance to the Odeion (Small Thaetre) that was built as a council chamber in 2nd century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Close up detail picture of the Roman mosaics of the small hunt, room no 24 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Entrance to the Odeion (Small Thaetre) that was built as a council chamber in 2nd century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827. against black<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827. Against grey<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827, Against white, <br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Ancient Greek funerary statue of a women, type Small Herculaneum Woman style. From Delos circa 2nd Cent BC. Athens National Archaeological Museum. Cat No 1827. Against grey<br />
<br />
This marble statue from Delos shopws a women wearing a full length chiton and a himation that covers her entire body and arms. This style of statue is known os 'Small Herculaneum Woman' and is a copy of a famous original dating from 300 BC.
  • Photo of Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a brown art background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a White Background.
  • Picture & image of Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a gray background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a black background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a grey art background.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble. Against grey<br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble. <br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble.  Against grey<br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813.  White background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813.<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813.  Gray background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  White Background.
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  Black Background
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  White Background.
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192,  Grey art Background
  • Pictures & images of interior cave rooms of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey.<br />
<br />
The picture shows rooms in cave gallery above the church below. The small niches in the walls wre cut after the monastery closed for pigeons to nest in. On the back wall is a small low tunnel which leads to an inner room which would have been the final defensive retreat from the maonatery monks in times of danger.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the apse, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the apse, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the apse, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Ambulatory of the Great Hunt Roman mosaic, small boat, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Ambulatory of the Great Hunt Roman mosaic, small boat, room no 28, at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The Great Hunt ambulatory is around 60 meters long (200 Roman feet) and connects the master’s northern apartments with the triclinium in the south. The door in the centre of the the Great Hunt ambulatory leads to audience hall. <br />
<br />
The Great Hunt Roman mosaic depicts African animals being hunted and put onto ships to be taken to the Colosseum.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting a boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Deer being hunted. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters Hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making an offering at an altar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wild Boar being hunted. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wild Boar being hunted. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters looking for birds. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters looking for birds. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a hare. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters carrying a dead wild boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - White Background
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Background
  • Hunter with a hare from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter about to spear a hare From the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter driving deer into a net from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • 2nd century AD Roman marble sculpture known as ‘The Small Women’ the so called Flora, copied from a 4th century BC  Hellanistic Greek original,  inv 6404, Naples  Museum of Archaeology, Italy
  • Small Alabaster Statue head grave stone from the Yemen, 1st cent. B.C . Istanbul Archaeological Museum, Inv. 7670.
  • Small Alabaster Statue head grave stone from the Yemen, 1st cent. B.C . Istanbul Archaeological Museum, Inv. 7670.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Minoan small luxury rock crystal rhython with a handle of crstal deads and guilded ivory, Zakros Centural Sanctuary Complex  1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum, white background.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble.  Against white, <br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Statue of a female inj the Small Herculaneum Style, Athens Archaeological Museum, Cat no 242. Pentelic marble. Against black<br />
<br />
Copy of earlier famous Greek statue dated 300 BC. The women is depicted wearing a full length chiton and a himation that covers her entire body.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813. Black background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  Grey Background
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  Grey art Background
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  Grey Background
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  Black Background
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192
  • Pictures & images of interior cave rooms of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey.<br />
<br />
The picture shows rooms in cave gallery above the church below. The small niches in the walls wre cut after the monastery closed for pigeons to nest in. On the back wall is a small low tunnel which leads to an inner room which would have been the final defensive retreat from the maonatery monks in times of danger.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the apse, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the apse, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior relief stone carvings of the south door, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Pictures & Images of the Archangel Georgian Orthodox Church Georgian style exterior, 10th - 11th century, Upper Krikhi, Krikhi, Georgia (country).<br />
<br />
For a small church Krikhi Archangel Church is extremely well decorated on the outside with Georgian style bas relief stonework. The south door has intricate carvings along its pillars and in the architraves above the door. The churches small windows are highly decorated with stone tracery around them.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Picture and image of the prehistoric nuragic conical stone betyls representing female fertility with 2 small carved breasts, probably nuragic sacred stones, The Prehistoric Nuragic Complex of Tamuli, Macomer, Sardinia.
  • Hunters hunting a boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters with a wild boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters Hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters making an offering at an altar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with a hare. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters carrying a dead wild boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)  - Black Background
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)  - Grey Background
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Grey Background
  • Hunters making a sacrifice to the goddess Diana from the Room of The Small Nunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Mosaics of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters about to spear a hare an spearing a wild boar from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter about to spearing a wild boar from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Injured hunters with one about to speara wild boar from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Deer being hunted from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter awith dogs chasing a fox from the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world, circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Small Alabaster Statue head grave stone from the Yemen, 1st cent. B.C . Istanbul Archaeological Museum, Inv. 7670.
  • Minoan clay model shrine depicting a priestess playing the part of a goddess in a small single roomed house, Galatas 1700-1650 BC; Heraklion Archaeological  Museum, black background.
  • Minoan clay model shrine depicting a priestess playing the part of a goddess in a small single roomed house, Galatas 1700-1650 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan clay model shrine depicting a priestess playing the part of a goddess in a small single roomed house, Galatas 1700-1650 BC; Heraklion Archaeological  Museum, grey background.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Post canonical ancient Greek Cycladic warrior or hunter figurine, Late Ccladic prioc II to Cycladic period II (2500-2000 BC)Museum of Cycladic Art Athens, cat no 308. Against white.<br />
<br />
The relif of a baldric crossing the body left to righ suggest the figure was of a warrior or hunter. A small triangular dagger is incised as if hanging from the baldric.
  • Post canonical ancient Greek Cycladic warrior or hunter figurine, Late Ccladic prioc II to Cycladic period II (2500-2000 BC)Museum of Cycladic Art Athens, cat no 308.  Against black<br />
<br />
The relif of a baldric crossing the body left to righ suggest the figure was of a warrior or hunter. A small triangular dagger is incised as if hanging from the baldric.
  • Post canonical ancient Greek Cycladic warrior or hunter figurine, Late Ccladic prioc II to Cycladic period II (2500-2000 BC)Museum of Cycladic Art Athens, cat no 308. Against Grey Background. <br />
<br />
The relif of a baldric crossing the body left to righ suggest the figure was of a warrior or hunter. A small triangular dagger is incised as if hanging from the baldric.
  • Post canonical ancient Greek Cycladic warrior or hunter figurine, Late Ccladic prioc II to Cycladic period II (2500-2000 BC)Museum of Cycladic Art Athens, cat no 308.<br />
<br />
The relif of a baldric crossing the body left to righ suggest the figure was of a warrior or hunter. A small triangular dagger is incised as if hanging from the baldric.
  • Post canonical ancient Greek Cycladic warrior or hunter figurine, Late Ccladic prioc II to Cycladic period II (2500-2000 BC)Museum of Cycladic Art Athens, cat no 308. Against Grey Background. <br />
<br />
The relif of a baldric crossing the body left to righ suggest the figure was of a warrior or hunter. A small triangular dagger is incised as if hanging from the baldric.
  • Minoan clay lion's head rhython, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
Created in a naturalistic style, this lions head rhython has a small pouring hole in its muzzle and would have been used during ceremonies
  • Minoan clay lion's head rhython, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
Created in a naturalistic style, this lions head rhython has a small pouring hole in its muzzle and would have been used during ceremonies
  • Minoan clay lion's head rhython, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
Created in a naturalistic style, this lions head rhython has a small pouring hole in its muzzle and would have been used during ceremonies
  • Cycladic ceramic kernos with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 6185. Black background.<br />
<br />
<br />
Composed of 8 small pyxides with painted linear decoration, this complex vessel was probably for ritual use.
  • Cycladic ceramic kernos with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 6185.  White background.<br />
<br />
<br />
Composed of 8 small pyxides with painted linear decoration, this complex vessel was probably for ritual use.
  • Cycladic ceramic kernos with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 6185.  Grey background.<br />
<br />
<br />
Composed of 8 small pyxides with painted linear decoration, this complex vessel was probably for ritual use.
  • Cycladic ceramic kernos with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 6185.<br />
<br />
Composed of 8 small pyxides with painted linear decoration, this complex vessel was probably for ritual use.
  • Cycladic ceramic kernos with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 6185.  Gray background.<br />
<br />
<br />
Composed of 8 small pyxides with painted linear decoration, this complex vessel was probably for ritual use.
  • Alaca Hoyuk - Hittite lion sculpture corner Stone . Andesite. Alacahoyuk, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Corner stone with sculpted lion, bull and winged sun disk. It was discovered at the right side of the Alacahoyuk sphinx door. The lion puts his front legs on a small bull. There is a Hittite winged sun disk on the abdomen of the lion, which can be seen from a lower location. The position of the sun course indicates that the stone is situated in a high place.<br />
<br />
Against a brown gray background.
  • Pictures & images of cave room with a defensive entrance , Aynali Kilise cave church, 11th century, near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
It can be seen that the inner room is enterd via a very small tunnel. The tunnel has a groove cut into it and the round rock rolls into this sealing the tunnel and stopping any attackers from entering the inner room. Stairs can be seen to the right of the door leading up to the upper gallery rooms of the monastery.
  • Pictures & images of cave room with a defensive entrance , Aynali Kilise cave church, 11th century, near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
It can be seen that the inner room is enterd via a very small tunnel. The tunnel has a groove cut into it and the round rock rolls into this sealing the tunnel and stopping any attackers from entering the inner room. Stairs can be seen to the right of the door leading up to the upper gallery rooms of the monastery.
  • Picture & image of the track leading to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country). 25 km (15 miles) from Gardabani<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The 24 plus monasteries of David Gareja are spread out over a huge area of the arid Mount Gareja ridge, with small cells and chapels cut into cliff faces.
  • Picture & image of Georgian orthodox cross in the brickwork of  David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of a Georgian inscription on the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.
  • Close up picture & image of bas reliefs of the main entrance to David Gareja Georgian Orthodox monastery, Mount Gareja, Kakheti Region, Georgia (country)<br />
<br />
Founded in the 6th century by David (St. David Garejeli), one of the  thirteen Assyrian monks who built monasteries throughout Georgia. The monastery is spread out over a huge area of the arid Mount Gareja, with small cells and chapels cut into cliff faces.

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