• Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior main aisle and apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior main aisle and apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior cupola fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the 17th century ciborium under which the robe of Jesus is said to have been buried. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior Iconostasis screen and icons.  The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior Iconostasis screen and icons.  The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior Iconostasis screen and icons.  The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the gate house and bell tower of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the gate house and bell tower of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of Jvari Monastery, a 6th century Georgian Orthodox monastery near Mtskheta, eastern Georgia. A UNESCO World Heritage Site.<br />
<br />
The Jvari church is an early example of a four apse church with four niches domed tetraconch. The Jvari church had a great impact on the further development of Georgian architecture and served as a model for many other churches.<br />
<br />
The Historical Monuments of Jvari Monastery Mtskheta is located in the cultural landscape overlooking the confluence of the Aragvi and Mtkvari Rivers, in Central-Eastern Georgia, some 20km northwest of Tbilisi.
  • Pictures & images of the interior medieval frescoes depicting the Asumption of the Virgin. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior medieval frescoes depicting the Asumption of the Virgin. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior fresco depicting 13th-century depiction of the "Beast of the Apocalypse" and figures of the Zodiac. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the 14th-century copy of the aedicule shrine of the Church of the Holy Sepulchre. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the 14th-century copy of the aedicule shrine of the Church of the Holy Sepulchre. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior main aisle and apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior cupola fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior cupola fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior cupola fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the 17th century ciborium under which the robe of Jesus is said to have been buried. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior Iconostasis screen and icons.  The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior Iconostasis screen and icons.  The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior Iconostasis screen and icons.  The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior apse fresco depicting Christ Pantocrator. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior and wall around the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior and wall around the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior and wall around the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior and wall around the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior and wall around the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior and wall around the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior and wall around the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior and wall around the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Close up picture & image of the exterior and cupola of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Close up picture & image of the exterior and cupola of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Close up picture & image of the exterior and cupola of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Close up picture & image of the exterior and cupola of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the exterior of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Close up picture & image of the exterior and cupola of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Close up picture & image of the exterior and cupola of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Close up picture & image of the exterior and cupola of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Close up picture & image of the exterior and cupola of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Close up picture & image of the exterior and cupola of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Close up picture & image of the exterior and cupola of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the gate house and bell tower of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the gate house and bell tower of the Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Eastern Roman Byzantine walk in baptismal font from the 6th century AD Parish Church of Demna near Kalibia, Cape Bon, Tunisia. <br />
<br />
The baptismal font was removed from the church and restored in the Bardo Museum Tunis in 1955. <br />
<br />
The mosaic iconographic decorations represent the salvation of the neophyte, newcomer, who by being baptised is admitted into the Church of Christ whilst being illuminated by faith, represented the mosaic lit candle illustrations.<br />
<br />
The P with a cross through it is the Chi Rho, a Christian symbol which represent the first two letters of Jesus Christ's name in Greek. The Christogram also has the Greek letters Alpha and Omega which represent the passage from the book of revelations: “I am the Alpha and Omega" Chapter 1 verse 8, which is clarified by "the beginning and the end" (Revelation 21:6, 22:13). <br />
<br />
In these type of baptismal fonts those being baptised would have been fully immersed in water as John the Baptist immersed Jesus. <br />
<br />
The font was paid for by donation by Iuliana and Aquinius who dedicated the font to St Cyprian, the martyed Bishop of Carthage, circa 258,  and the author of a treatise on baptism rites<br />
<br />
The Bardo Museum Tunis
  • Eastern Roman Byzantine walk in baptismal font from the 6th century AD Parish Church of Demna near Kalibia, Cape Bon, Tunisia. <br />
<br />
The baptismal font was removed from the church and restored in the Bardo Museum Tunis in 1955. <br />
<br />
The mosaic iconographic decorations represent the salvation of the neophyte, newcomer, who by being baptised is admitted into the Church of Christ whilst being illuminated by faith, represented the mosaic lit candle illustrations.<br />
<br />
The P with a cross through it is the Chi Rho, a Christian symbol which represent the first two letters of Jesus Christ's name in Greek. The Christogram also has the Greek letters Alpha and Omega which represent the passage from the book of revelations: “I am the Alpha and Omega" Chapter 1 verse 8, which is clarified by "the beginning and the end" (Revelation 21:6, 22:13). <br />
<br />
In these type of baptismal fonts those being baptised would have been fully immersed in water as John the Baptist immersed Jesus. <br />
<br />
The font was paid for by donation by Iuliana and Aquinius who dedicated the font to St Cyprian, the martyed Bishop of Carthage, circa 258,  and the author of a treatise on baptism rites<br />
<br />
The Bardo Museum Tunis
  • Eastern Roman Byzantine walk in baptismal font from the 6th century AD Parish Church of Demna near Kalibia, Cape Bon, Tunisia. <br />
<br />
The baptismal font was removed from the church and restored in the Bardo Museum Tunis in 1955. <br />
<br />
The mosaic iconographic decorations represent the salvation of the neophyte, newcomer, who by being baptised is admitted into the Church of Christ whilst being illuminated by faith, represented the mosaic lit candle illustrations.<br />
<br />
The P with a cross through it is the Chi Rho, a Christian symbol which represent the first two letters of Jesus Christ's name in Greek. The Christogram also has the Greek letters Alpha and Omega which represent the passage from the book of revelations: “I am the Alpha and Omega" Chapter 1 verse 8, which is clarified by "the beginning and the end" (Revelation 21:6, 22:13). <br />
<br />
In these type of baptismal fonts those being baptised would have been fully immersed in water as John the Baptist immersed Jesus. <br />
<br />
The font was paid for by donation by Iuliana and Aquinius who dedicated the font to St Cyprian, the martyed Bishop of Carthage, circa 258,  and the author of a treatise on baptism rites<br />
<br />
The Bardo Museum Tunis
  • Eastern Roman Byzantine walk in baptismal font from the 6th century AD Parish Church of Demna near Kalibia, Cape Bon, Tunisia. <br />
<br />
The baptismal font was removed from the church and restored in the Bardo Museum Tunis in 1955. <br />
<br />
The mosaic iconographic decorations represent the salvation of the neophyte, newcomer, who by being baptised is admitted into the Church of Christ whilst being illuminated by faith, represented the mosaic lit candle illustrations.<br />
<br />
The P with a cross through it is the Chi Rho, a Christian symbol which represent the first two letters of Jesus Christ's name in Greek. The Christogram also has the Greek letters Alpha and Omega which represent the passage from the book of revelations: “I am the Alpha and Omega" Chapter 1 verse 8, which is clarified by "the beginning and the end" (Revelation 21:6, 22:13). <br />
<br />
In these type of baptismal fonts those being baptised would have been fully immersed in water as John the Baptist immersed Jesus. <br />
<br />
The font was paid for by donation by Iuliana and Aquinius who dedicated the font to St Cyprian, the martyed Bishop of Carthage, circa 258,  and the author of a treatise on baptism rites<br />
<br />
The Bardo Museum Tunis
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the interior medieval frescoes. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the interior medieval frescoes. The Eastern Orthodox Georgian Svetitskhoveli Cathedral (Cathedral of the Living Pillar) , Mtskheta, Georgia (country). A UNESCO World Heritage Site.<br />
<br />
Currently the second largest church building in Georgia, Svetitskhoveli Cathedral is a masterpiece of Early Medieval architecture completed in 1029 by Georgian architect Arsukisdze on an earlier site dating back toi the 4th century.
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Georgian cemetry of  Ikalto monastery . Near Telavi, Kakheti, Eastern Georgia (Country).
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & images of the Eastern Orthodox Georgian Samtavro Transfiguration Church and Nunnery of St. Nino in Mtskheta, Georgia. A UNESCO World Heritage Site.<br />
<br />
The small domed church of the Samtavro Monastery was originally built in the 4th century. The first Georgian Christian monarchs,  King Mirian and Qween Nana are buried here.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of (left) the ruins of the refectory of the Academy of Ikalto and (right) the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Close up pictures & imagse of the cupola of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Close up pictures & imagse of the cupola of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Pictures & imagse of Timotesubani medieval Orthodox monastery Church of the Holy Dormition (Assumption), dedcated to the Virgin Mary, 1184-1213, Samtskhe-Javakheti region, Georgia (country).<br />
<br />
Built during the reigh of Queen Tamar during the “Golden Age of Georgia”, Timotesubani Church of the Holy Dormition is one of the most important examples of medieval Georgian architecture and art. <br />
<br />
Built of pinkish Georgian brick to a cruciform floor plan. The eastern end of the church has 3 apses. Above the centre of the church is a high Georgian style cupola supported on 2 columns.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Picture & images of the interior of the Church of the Transfiguration,  Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures of church of Kvelatsminda, Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • close up ictures & image of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of (left) the ruins of the refectory of the Academy of Ikalto and (right) the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Pictures & images of the Church of the Transfiguration of Ikalto monastery was founded by Saint Zenon, one of the 13 Syrian Fathers, in the late 6th century. Near Telavi, Kakheti, Eastern Georgia (Country).<br />
<br />
The Ikalto Monastery is famous for the Academy of Ikalto founded in the reign of King David the Builder by Arsen Ikaltoeli. The Academy of Ikalto trained its students in classical diciplins of rhetoric, astronomy, philosophy, geography, geometry as well as learning the skills of chantings, pottery and poetry. In the 12th century the Georgian poet Shota Rustaveli studied here.
  • Medieval Byzantine mosaics of Christian scene with Christ and the angels, Monreale Cathedral, Sicily
  • Medieval Byzantine mosaics of Christian scene with Christ and the angels, Monreale Cathedral, Sicily
  • Sixth century Eastern Roman Byzantine  Christian walk in Baptismal font made from marble. The Bardo National Museum, Tunis, Tunisia
  • Sixth century Eastern Roman Byzantine  Christian walk in Baptismal font made from marble. The Bardo National Museum, Tunis, Tunisia
  • The exterior of the 6th century Byzantine (Eastern Roman) Hagia Sophia ( Ayasofya ) built by Emperor Justinian. The size of the dome was un-surpassed until the 16th century, Istanbul, Turkey
  • The exterior of the 6th century Byzantine (Eastern Roman) Hagia Sophia ( Ayasofya ) built by Emperor Justinian. The size of the dome was un-surpassed until the 16th century, Istanbul, Turkey
  • The exterior of the 6th century Byzantine (Eastern Roman) Hagia Sophia ( Ayasofya ) built by Emperor Justinian. The size of the dome was un-surpassed until the 16th century, Istanbul, Turkey
  • The exterior of the 6th century Byzantine (Eastern Roman) Hagia Sophia ( Ayasofya ) built by Emperor Justinian. The size of the dome was un-surpassed until the 16th century, Istanbul, Turkey
  • The exterior of the 6th century Byzantine (Eastern Roman) Hagia Sophia ( Ayasofya ) at sunset, built by Emperor Justinian. The size of the dome was un-surpassed until the 16th century, Istanbul, Turkey
  • Norman Romanesque exterior corbel no 39  -  sculpture of.an Angus Dei, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is place in the centre of the Eastern Apse, symbolically the most important part of the church. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • The exterior of the 6th century Byzantine (Eastern Roman) Hagia Sophia ( Ayasofya ) built by Emperor Justinian. The size of the dome was un-surpassed until the 16th century, Istanbul, Turkey
  • The exterior of the 6th century Byzantine (Eastern Roman) Hagia Sophia ( Ayasofya ) built by Emperor Justinian. The size of the dome was un-surpassed until the 16th century, Istanbul, Turkey
  • The exterior of the 6th century Byzantine (Eastern Roman) Hagia Sophia ( Ayasofya ) built by Emperor Justinian. The size of the dome was un-surpassed until the 16th century, Istanbul, Turkey
  • The exterior of the 6th century Byzantine (Eastern Roman) Hagia Sophia ( Ayasofya ) built by Emperor Justinian. The size of the dome was un-surpassed until the 16th century, Istanbul, Turkey
  • The exterior of the 6th century Byzantine (Eastern Roman) Hagia Sophia ( Ayasofya ) at sunset, built by Emperor Justinian. The size of the dome was un-surpassed until the 16th century, Istanbul, Turkey
  • The exterior of the 6th century Byzantine (Eastern Roman) Hagia Sophia ( Ayasofya ) built by Emperor Justinian. The size of the dome was un-surpassed until the 16th century, Istanbul, Turkey
  • Norman Romanesque exterior corbel no 39  -  sculpture of.an Angus Dei, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is place in the centre of the Eastern Apse, symbolically the most important part of the church. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 39  -  sculpture of.an Angus Dei, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is place in the centre of the Eastern Apse, symbolically the most important part of the church. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting the Virgin Mary in the style of “Our Lady of the Way”. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • Norman Romanesque exterior corbel no 39  -  sculpture of.an Angus Dei, the symbol of Jesus Christ as the Lamb of God. Strangely the creature holding the cross is a horse not a sheep. The sculpture is place in the centre of the Eastern Apse, symbolically the most important part of the church. The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting the Virgin Mary in the style of “Our Lady of the Way”. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting the Virgin Mary in the style of “Our Lady of the Way”. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Medieval mosaics of the ceiling of The Baptistry of Florence Duomo ( Battistero di San Giovanni ), showing Christ between angels. This panel is strongly influenced by Byxantine style probably through the Venetian craftsmen who made them. The angels are made to a typical Byzantine style and Christ is making the Orthododox blessing of the Eastern church with his hand.  Started in 1225 by Venetian craftsmen in a Byzantine style and completed in the 14th century. Florence Italy
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Storage Rooms of Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Storage Rooms of Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • Tympanum of the south door of the 12the century  church of St Peter & St Paul depicting Chirst in Majest, Pantocrator, with flying angels each side holding up the Mandorla or aureol he is sitting in. This is very typical of Eastern Roman or Byzantine art and the geometric designs suggest this is Norman art of the 12th century rebuilding  of Malmesbury Abbey, Wiltshire, England
  • Tympanum of the south door of the 12the century  church of St Peter & St Paul depicting Chirst in Majest, Pantocrator, with flying angels each side holding up the Mandorla or aureol he is sitting in. This is very typical of Eastern Roman or Byzantine art and the geometric designs suggest this is Norman art of the 12th century rebuilding  of Malmesbury Abbey, Wiltshire, England
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Avia<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Santa Maria d'Avia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15784<br />
<br />
<br />
The altar front of Byzantine art d'Avia depicting scenes from the life of the Virgin Mary and the nativity. The artistic style of the Altar front relies heavily of Byzantine influences. The intensity and variety of colors and the systematic application of appliqué are typical of eastern Mediterranean and Byzantine art . This can also be seen in the style and hand positions of the Virgin Mary and child, at the centre of the altar piece, which copies a style known as “Our Lady of the Way” which in turn minics the orthodox icon “the Virgin Hodegetria”.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • The Romanesque Altar Front of Baltarga<br />
<br />
Around 1200, Tempera on wood with metalic ornamention from the church of Saint Andreu (Andrew) of Baltarga, Catalonia, Spain.<br />
<br />
National Art Museum of Catalonia, Barcelona. MNAC 15804<br />
<br />
The Romanesque paintings depict scenes from the life and the martyrdom of St. Andrew. At its centre is a theophany with Christ Pantocrator (Majesty) surrounded by a Mandorla around which is a tetramorph with the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle.. Eastern influences are especially evident in this magnificent altar frontal, which has an elegant palette of colours, with sophisticated soft flesh tones. The work seems most  likely to have come from the workshop of  highly skilled Greek painters,  which was installed in the vicinity of the monastery of Sant Marti Canigo and signed at least one of their works (now defunct) as Magister Alexander.
  • Storage Rooms of Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • Storage Rooms of Prejmer ( German: Tartlau) Fortified Church, one of the best preserved of its kind in Eastern Europe was built by the Teutonic Knights in 12 12. Brasov, Transylvania. UNESCO World Heritage Site
  • North wall mosaics depicting scenes from the Bible in the Norman-Byzantine medieval cathedral  of Monreale,  province of Palermo, Sicily, Italy.

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