• Picture of a Roman mosaics design depicting a Satyr persuing Bacchante, from the ancient Roman city of Thysdrus. End of 2nd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting a Satyr persuing Bacchante, from the ancient Roman city of Thysdrus. End of 2nd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a Satyr persuing Bacchante, from the ancient Roman city of Thysdrus. End of 2nd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background
  • Picture of a Roman mosaics design depicting a Satyr persuing Bacchante, from the ancient Roman city of Thysdrus. End of 2nd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting scenes from mythology, from the ancient Roman city of Thysdrus. End of 2nd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
This Roman mosaic depicts Aurore enticing Cephane, Apollo enticing Cyrene and Apollo persuing Daphne
  • Picture of a Roman mosaics design depicting Orpheus, god of museic surrounded by animals charmed by his music, from the ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Dionysiac Roman mosaics design depicting a lioness and a panther in front of a wine crater, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting animals killing people in an ampitheatre, from the ancient Roman city of Thysdrus. End of 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting animals killing people in an ampitheatre, from the ancient Roman city of Thysdrus. End of 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting animals killing people in an ampitheatre, from the ancient Roman city of Thysdrus. End of 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background
  • Picture of a Roman mosaics design depicting the Abduction of Ganymede, from the ancient Roman city of Thysdrus. End od 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Abduction of Ganymede, from the ancient Roman city of Thysdrus. End od 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Abduction of Ganymede, from the ancient Roman city of Thysdrus. End od 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Abduction of Ganymede, from the ancient Roman city of Thysdrus. End od 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Abduction of Ganymede, from the ancient Roman city of Thysdrus. End od 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Abduction of Ganymede, from the ancient Roman city of Thysdrus. End od 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background
  • Picture of a Roman mosaics design depicting the Abduction of Ganymede, from the ancient Roman city of Thysdrus. End od 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Close up picture of a Roman mosaics design depicting a Nymph lying on a sea horse , from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a Nymph lying on a sea horse, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a Nymph lying on a sea horse with two dolphins, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a Nymph lying on a sea horse with two dolphins, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting a Nymph lying on a sea horse with two dolphins, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a Nymph lying on a sea horse with two dolphins, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a Nymph lying on a sea horse with two dolphins, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting a figure, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting the Four Seasons, from the Maison de la Procession Dionysiaque, ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting the Four Seasons, from the Maison de la Procession Dionysiaque, ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a bird, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting one of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting one of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting one of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting one of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Sileuns and two of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Sileuns and two of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Sileuns and two of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting Sileuns and two of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background
  • Picture of a Roman mosaics design depicting cupids picking grapes, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting cupids picking grapes, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting cupids picking grapes and panthers, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a geometric Roman mosaics design using dolphins and swans designs, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a geometric Roman mosaics design using dolphins and swans designs, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a geometric Roman mosaics design using dolphins and swans designs, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background
  • Picture of a Roman mosaics design depicting an owl, symbol of victory over envy. On either side of the Owl are symbols of Telegenii an North African Roman association. From the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting an owl, symbol of victory over envy. On either side of the Owl are symbols of Telegenii an North African Roman association. From the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background
  • Picture of a Roman mosaics design depicting an owl, symbol of victory over envy. On either side of the Owl are symbols of Telegenii an North African Roman association. From the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Silenus and fishing cupids, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background
  • Picture of a Roman Dionysiac mosaics design depicting masks and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a lion attacking two onagers or Asiatic wild ass, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a lion attacking two onagers or Asiatic wild ass, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Dionysus riding a lion; from the ancient Roman city of Thysdrus. 2nd century AD House of the Dionysus Proccession. El Djem Archaeological Museum; El Djem; Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting Silenus riding a camel, from the ancient Roman city of Thysdrus. 2nd century AD, House of the Dionysus Proccession. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Dionysus riding a lion, from the ancient Roman city of Thysdrus. 2nd century AD House of the Dionysus Proccession. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Dionysus riding a lion; from the ancient Roman city of Thysdrus. 2nd century AD House of the Dionysus Proccession. El Djem Archaeological Museum; El Djem; Tunisia.
  • Picture of a Roman mosaics design depicting Dionysus riding a lion; from the ancient Roman city of Thysdrus. 2nd century AD House of the Dionysus Proccession. El Djem Archaeological Museum; El Djem; Tunisia.
  • Picture of a Roman mosaics design depicting Dionysus riding a lion; from the ancient Roman city of Thysdrus. 2nd century AD House of the Dionysus Proccession. El Djem Archaeological Museum; El Djem; Tunisia. Against a grey background
  • Picture of a Roman mosaics design depicting Lions eating a boar, from the ancient Roman city of Thysdrus. 2nd century AD, House of the Dionysus Proccession. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background
  • Picture of a Roman mosaics design depicting Lions eating a boar, from the ancient Roman city of Thysdrus. 2nd century AD, House of the Dionysus Proccession. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Lions eating a boar, from the ancient Roman city of Thysdrus. 2nd century AD, House of the Dionysus Proccession. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background
  • Picture of a Roman mosaics design depicting Lions eating a boar, from the ancient Roman city of Thysdrus. 2nd century AD, House of the Dionysus Proccession. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting in the centre Aion, god of eternity, with Artemis and Apollo to his left and right and the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Four Seasons; from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum; El Djem; Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting the Four Seasons; from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum; El Djem; Tunisia. Against a black background
  • Picture of a Roman mosaics design depicting the Four Seasons; from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum; El Djem; Tunisia.
  • Picture of a Roman mosaics design depicting the Four Seasons; from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum; El Djem; Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting the Four Seasons; from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum; El Djem; Tunisia. Against a grey background
  • Picture of a Roman mosaics design depicting shells and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Selinus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting shells and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Selinus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting shells and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Selinus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting shells and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Selinus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting shells and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Selinus. El Djem Archaeological Museum, El Djem, Tunisia. Against a balck background
  • Picture of a Roman mosaics design depicting shells and birds, from the ancient Roman city of Thysdrus. 3rd century AD, House of Selinus. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background
  • Picture of a Roman mosaics design depicting Dionysus, God of wine, surrounded by women's busts representing the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a blackbackground
  • Picture of a Roman mosaics design depicting Dionysus, God of wine, surrounded by women's busts representing the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a geometric Roman mosaics design depicting lions hunting animals, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a geometric Roman mosaics design depicting lions hunting animals, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a geometric Roman mosaics design depicting lions hunting animals, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a geometric Roman mosaics design depicting lions hunting animals, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a geometric Roman mosaics design depicting lions hunting animals, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Muses inside medallions, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Muses inside medallions, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Muses inside medallions, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background
  • Picture of a Roman mosaics design depicting wreaths running around medallions of birds and fishes, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Detail of a Roman mosaics design depicting Silenus and Cupids showing Pan and a goat, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Detail of a Roman mosaics design depicting Silenus and Cupids showing Pan and a goat, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Detail of a Roman mosaics design depicting Silenus and Cupids showing cupids amongst vines, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Picture of a Roman mosaics design depicting a geometric tendril designs from a Dionysus mosaic. The ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a geometric tendril designs from a Dionysus mosaic. The ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a geometric tendril designs from a Dionysus mosaic. The ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a geometric tendril designs from a Dionysus mosaic. The ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Detail picture of the corner medalion with a lion from the Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a balck background<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art  background<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background<br />
<br />
The Roman mosaic depicts Dionysus riding a Panther spilling a glass of wine he is holding. Behind him, a satyr wearing a panther skin plays a flute. In front of Dionysus a Bacchante is praying to Priapus,  a minor god of fertility. Surrounding the scene is a wreath designs with a medallion in each corner containing a wild boar, a panther, and lions.
  • Pictures of the geometric border  Roman mosaic using 3d blocks and a swastica design from a Four Seasons mosaic, from the Maison de la Procession Dionysiaque, ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting the Four Seasons, from the Maison de la Procession Dionysiaque, ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting the Four Seasons, from the Maison de la Procession Dionysiaque, ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Detail picture of a Roman mosaics design depicting the Four Seasons, from the Maison de la Procession Dionysiaque, ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting the Four Seasons, from the Maison de la Procession Dionysiaque, ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Detail of a Roman mosaics design depicting the nine muses, from the Maison du Mois, ancient Roman city of Thysdrus. 2nd half of 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Roman mosaic depicts the nine muses and their attributes: Clio the muse of history ; Uranie the muse of Astronomy; Melpomene, tragedy; Thalie, comedy; Terpsichore, dancing; Calliope, epic poetry; Erato, love poetry; Polymnie, religious songs and rhetoric; Euterpe, lyrical poetry and music
  • Detail of a  Roman mosaics design depicting the nine muses, from the Maison du Mois, ancient Roman city of Thysdrus. 2nd half of 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Roman mosaic depicts the nine muses and their attributes: Clio the muse of history ; Uranie the muse of Astronomy; Melpomene, tragedy; Thalie, comedy; Terpsichore, dancing; Calliope, epic poetry; Erato, love poetry; Polymnie, religious songs and rhetoric; Euterpe, lyrical poetry and music
  • Detail of a  Roman mosaics design depicting the nine muses, from the Maison du Mois, ancient Roman city of Thysdrus. 2nd half of 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
The Roman mosaic depicts the nine muses and their attributes: Clio the muse of history ; Uranie the muse of Astronomy; Melpomene, tragedy; Thalie, comedy; Terpsichore, dancing; Calliope, epic poetry; Erato, love poetry; Polymnie, religious songs and rhetoric; Euterpe, lyrical poetry and music
  • Detail of a  Roman mosaics design depicting the nine muses, from the Maison du Mois, ancient Roman city of Thysdrus. 2nd half of 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
The Roman mosaic depicts the nine muses and their attributes: Clio the muse of history ; Uranie the muse of Astronomy; Melpomene, tragedy; Thalie, comedy; Terpsichore, dancing; Calliope, epic poetry; Erato, love poetry; Polymnie, religious songs and rhetoric; Euterpe, lyrical poetry and music
  • Pictures of an apse Roman mosaics design depicting a peacock spreading its tail feathers between two winged angels or cupids holding long candle sticks, from the Maison du Paon in the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric crosses Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric crosses Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric crosses Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric crosses Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric crosses Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric crosses Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric crosses Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric  Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric  Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric  Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric  Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a Roman mosaics with medallions containing mosaic birds, fishes and fruit, from the ancient Roman city of Thysdrus, house in the M'Barek R'Haiem area. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background
  • Pictures of a Roman mosaics with medallions containing mosaic birds, fishes and fruit, from the ancient Roman city of Thysdrus, house in the M'Barek R'Haiem area. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a geometric Roman mosaics with a hexagon at its centre in the middle of which is a cruciform of flowers, from the ancient Roman city of Thysdrus, house in the M'Barek R'Haiem area. Begining of 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background
  • Picture of a Roman mosaics design depicting Endymion sleeping while Selene, the moon goddess, admires him, from the ancient Roman city of Thysdrus House in Jilani Guirat area. End of 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a black and white geometric Roman mosaics , from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Dionysus drunk being transported on a chariot pulled by a centaur, they are followed by a Bacchante, follower of Bacchus, and a Satyr, from the ancient Roman city of Thysdrus. 3rd century AD House of Tertulla. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design, from the ancient Roman city of Thysdrus, Bir Zid area. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a fish in a medallion, from the ancient Roman city of Thysdrus. 3rd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a geometric plant design, from the ancient Roman city of Thysdrus. 3rd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting scenes from mythology, from the ancient Roman city of Thysdrus. End of 2nd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background<br />
<br />
This Roman mosaic depicts Aurore enticing Cephane, Apollo enticing Cyrene and Apollo persuing Daphne
  • Picture of a Roman mosaics design depicting scenes from mythology, from the ancient Roman city of Thysdrus. End of 2nd century AD, House in Jiliani Guirat area. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background<br />
<br />
This Roman mosaic depicts Aurore enticing Cephane, Apollo enticing Cyrene and Apollo persuing Daphne
  • Picture of a Roman mosaics design depicting the Abduction of Ganymede, from the ancient Roman city of Thysdrus. End od 2nd century AD, Sollertiana Domus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting a Nymph lying on a sea horse with two dolphins, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting one of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Sileuns and two of the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background
  • Picture of a geometric Roman mosaics design using dolphins and swans designs, from the ancient Roman city of Thysdrus. 3rd century AD, House of Dolphins. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Silenus and fishing cupids, from the ancient Roman city of Thysdrus. 3rd century AD, House of Silenus. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Lions eating a boar, from the ancient Roman city of Thysdrus. 2nd century AD, House of the Dionysus Proccession. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Picture of a Roman mosaics design depicting the Four Seasons, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Muses inside medallions, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting the Muses inside medallions, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Detail of a Roman mosaics design depicting Silenus and Cupids showing a lion, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background
  • Detail picture of the border of a  Roman mosaics design depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a satyr wearing a panther skin playing a flute from a Roman mosaic depicting Dionysus Riding a Panther, from Abdel Jelil. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting the Four Seasons, from the Maison de la Procession Dionysiaque, ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a Roman mosaics design depicting the Four Seasons, from the Maison de la Procession Dionysiaque, ancient Roman city of Thysdrus. 2nd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Detail of a  Roman mosaics design depicting the nine muses, from the Maison du Mois, ancient Roman city of Thysdrus. 2nd half of 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
The Roman mosaic depicts the nine muses and their attributes: Clio the muse of history ; Uranie the muse of Astronomy; Melpomene, tragedy; Thalie, comedy; Terpsichore, dancing; Calliope, epic poetry; Erato, love poetry; Polymnie, religious songs and rhetoric; Euterpe, lyrical poetry and music
  • Pictures of an apse Roman mosaics design depicting a peacock spreading its tail feathers between two winged angels or cupids holding long candle sticks, from the Maison du Paon in the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric crosses Roman mosaics design, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric  Roman mosaics design depicting peacock tail feathers, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric  Roman mosaics design depicting peacock tail feathers, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Roman Sebasteion relief  sculpture of the Emperor and Roman People, Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
The emperor is a naked warrior and is crowned by a personification of the Roman People or the Senate wearing a toga, the stately civilian dress of a Roman Citizen. The crown is an oak wreath, the corona civica or “civic crown” awarded for saving citizens lives. The emperor is setting up a battlefield trophy beneath which kneels an anguished barbarian women captive
  • Detail of a Roman Sebasteion relief  sculpture of Emperor Nero , Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
Naked warrior emperor Nero holds the orb of world rule in one hand and crowns the military trophy with the other. Between the trophy and the emperor stands a bound captive boy. He wears long barbarian trousers and looks up at Nero.
  • Detail of a Roman Sebasteion relief  sculpture of Emperor Nero , Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
Naked warrior emperor Nero holds the orb of world rule in one hand and crowns the military trophy with the other. Between the trophy and the emperor stands a bound captive boy. He wears long barbarian trousers and looks up at Nero.
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Close up of a Roman Sebasteion relief  sculpture of Anchises and Aphrodite Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The Trojan shepherd Anchises gazes at the seated Aphrodite, his lover for one night on mount Ida. She hold a small Eros on her lap: this is an erotic encounter. The head of Selene (Moon) appears above the mountain rocks: she indicates night time. It was from this union that Aineas was born
  • Detail of a Roman Sebasteion relief  sculpture of Aineas’ flight from Troy, Aphrodisias Museum, Aphrodisias, Turkey.  <br />
<br />
Aineas in armour carries his aged farther Anchises on his shoulders and leads his young son Lulus by his hand. They are fleeing from the sack of Troy. The figure floating behind is Aphrodite, Aineas’ mother: she is helping their escape. Old Anchises carries a round box that held images of Troy’s ancestral gods.
  • Detail of a Roman Sebasteion relief  sculpture of Aineas’ flight from Troy, Aphrodisias Museum, Aphrodisias, Turkey.  <br />
<br />
Aineas in armour carries his aged farther Anchises on his shoulders and leads his young son Lulus by his hand. They are fleeing from the sack of Troy. The figure floating behind is Aphrodite, Aineas’ mother: she is helping their escape. Old Anchises carries a round box that held images of Troy’s ancestral gods.
  • Detail of a Roman Sebasteion relief  sculpture of Aineas’ flight from Troy, Aphrodisias Museum, Aphrodisias, Turkey.  <br />
<br />
Aineas in armour carries his aged farther Anchises on his shoulders and leads his young son Lulus by his hand. They are fleeing from the sack of Troy. The figure floating behind is Aphrodite, Aineas’ mother: she is helping their escape. Old Anchises carries a round box that held images of Troy’s ancestral gods.
  • Detail of a Roman Sebasteion relief  sculpture of Aineas’ flight from Troy, Aphrodisias Museum, Aphrodisias, Turkey.  <br />
<br />
Aineas in armour carries his aged farther Anchises on his shoulders and leads his young son Lulus by his hand. They are fleeing from the sack of Troy. The figure floating behind is Aphrodite, Aineas’ mother: she is helping their escape. Old Anchises carries a round box that held images of Troy’s ancestral gods.
  • Close up of a Roman Sebasteion relief  sculpture of the Three Graces, Aphrodisias Museum, Aphrodisias, Turkey.  <br />
<br />
The Three Graces stand in their familiar hellenistic composition. They were handmaids of Aphrodite and appeared in this form on the decoration of her cult statue at Aphrodisias. Their names evoked their character: Euphrosyne (joy), Aglaia (Splendour) and Thaleia (Bloom).
  • Close up of a Roman Sebasteion relief  sculpture of the Three Graces, Aphrodisias Museum, Aphrodisias, Turkey.  <br />
<br />
The Three Graces stand in their familiar hellenistic composition. They were handmaids of Aphrodite and appeared in this form on the decoration of her cult statue at Aphrodisias. Their names evoked their character: Euphrosyne (joy), Aglaia (Splendour) and Thaleia (Bloom).
  • Detail of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Detail of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Detail of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey.  <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Detail of a Roman Sebasteion relief  sculpture of Agon Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The scene is an allegory of the athletic contest (or agon). The pillar was a beareded head of Hermes the god of the Gymnasium. Nearby is a palm of victory and a prize table with victory ribbon on it. Two winged baby Eros figures are struggling over a palm branch ( mostly broken): they act out the idea of contest, which is personified in the youthful figure behind. He hold another palm of victory: he is Agon himself.
  • Close up of a Roman Sebasteion relief  sculpture of Orestes At Delphi Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Orestes who has sought sanctuary at Delphi after murdering his mother, leaves Apollo’s shrine on his way to stand trial in Athens, The hero steps gingerly over sleeping Fury; he brandishes a sword and still hold onto Apollo’s tripod. The Fury has a snake and a burning torch with which she torments male factors. A small local nymph sits above on a rocky outcrop of Delphi’s Mt Parnossos
  • Close up of a Roman Sebasteion relief  sculpture of Orestes At Delphi Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Orestes who has sought sanctuary at Delphi after murdering his mother, leaves Apollo’s shrine on his way to stand trial in Athens, The hero steps gingerly over sleeping Fury; he brandishes a sword and still hold onto Apollo’s tripod. The Fury has a snake and a burning torch with which she torments male factors. A small local nymph sits above on a rocky outcrop of Delphi’s Mt Parnossos
  • Close up of a Roman Sebasteion relief  sculpture of Orestes At Delphi Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Orestes who has sought sanctuary at Delphi after murdering his mother, leaves Apollo’s shrine on his way to stand trial in Athens, The hero steps gingerly over sleeping Fury; he brandishes a sword and still hold onto Apollo’s tripod. The Fury has a snake and a burning torch with which she torments male factors. A small local nymph sits above on a rocky outcrop of Delphi’s Mt Parnossos
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.    <br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.    <br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Close up of a Roman Sebasteion relief  sculpture of  Bellerophon Aphrodisias Museum, Aphrodisias, Turkey.    <br />
<br />
Bellerophon was a Lykian hero and was claimed as a founder of Aphrodisias. He holds his winged horse Pegasos. The deign was modelled on another relief panel in the series “Royal hero with Dod Hunting”. The carving is poor and the sculptor may have been a novice.modelled
  • Detail of a Roman Sebasteion relief sculpture of Zeus and Prometheus, Aphrodisias Museum, Aphrodisias, Turkey.    <br />
<br />
Prometheus is screaming in pain. Zeus had given him a terrible punishment for giving fire to man: he was tied to the Caucasus mountains and had his liver picked out daily by an eagle. Herakles shot the eagle and is undoing the first manacle. He wears his trade mark lion-skin and thrown his club to one side. A small mountain nymph, holding a throwing stick appears amongst the rocks.
  • Detail of a Roman Sebasteion relief sculpture of Zeus and Prometheus, Aphrodisias Museum, Aphrodisias, Turkey.    <br />
<br />
Prometheus is screaming in pain. Zeus had given him a terrible punishment for giving fire to man: he was tied to the Caucasus mountains and had his liver picked out daily by an eagle. Herakles shot the eagle and is undoing the first manacle. He wears his trade mark lion-skin and thrown his club to one side. A small mountain nymph, holding a throwing stick appears amongst the rocks.
  • Interior of Aphrodisias Museum, showing Roman Sebastian relief sculptures,   Aphrodisias, Turkey.
  • Roman Sebasteion relief sculpture of Krete Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
The classical hairstyle, dress and pose characterises the figure of civilised and free,
  • Roman Sebasteion relief sculpture of Krete Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
The classical hairstyle, dress and pose characterises the figure of civilised and free,
  • Roman Sebasteion relief sculpture of Krete Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
The classical hairstyle, dress and pose characterises the figure of civilised and free,
  • Roman Sebasteion relief sculpture of Ethnos of the Dacians Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
The Dacians are shown as a captive Barbarian woman. Her arms are crossed in submission, her thick dress slips off the shoulder slightly partly revealing her breast. The forepart of a small bull stands in profile behind. Dacia (modern Romania) was claimed by Augustus as a conquest in 1BC to 4AD
  • Roman Sebasteion relief sculpture of Ethnos of the Dacians Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
The Dacians are shown as a captive Barbarian woman. Her arms are crossed in submission, her thick dress slips off the shoulder slightly partly revealing her breast. The forepart of a small bull stands in profile behind. Dacia (modern Romania) was claimed by Augustus as a conquest in 1BC to 4AD
  • Roman Sebasteion relief sculpture personifing a Balkan Warrior  Aphrodisias Museum, Aphrodisias, Turkey.  Against a white background.<br />
<br />
The relief figure personifies a Balkan Warrior tribe defeated by Tiberius in AD 6-8 before he became emperor. She wears a classical dress, cloak and helmet and carries a small shield and probably once a spear. A builder’s inscription, “Pirouston”, written above the shield, ensured the relief was put on the right base
  • Roman Sebasteion relief sculpture personifing a Balkan Warrior  Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
The relief figure personifies a Balkan Warrior tribe defeated by Tiberius in AD 6-8 before he became emperor. She wears a classical dress, cloak and helmet and carries a small shield and probably once a spear. A builder’s inscription, “Pirouston”, written above the shield, ensured the relief was put on the right base
  • Close up of Roman Sebasteion relief sculpture personifing a Balkan Warrior  Aphrodisias Museum, Aphrodisias, Turkey.  Against a black background.<br />
<br />
The relief figure personifies a Balkan Warrior tribe defeated by Tiberius in AD 6-8 before he became emperor. She wears a classical dress, cloak and helmet and carries a small shield and probably once a spear. A builder’s inscription, “Pirouston”, written above the shield, ensured the relief was put on the right base
  • Close up of Roman Sebasteion relief sculpture personifing a Balkan Warrior  Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
The relief figure personifies a Balkan Warrior tribe defeated by Tiberius in AD 6-8 before he became emperor. She wears a classical dress, cloak and helmet and carries a small shield and probably once a spear. A builder’s inscription, “Pirouston”, written above the shield, ensured the relief was put on the right base
  • Roman Sebasteion relief sculpture personifing a Balkan Warrior  Aphrodisias Museum, Aphrodisias, Turkey.  Against a white background.<br />
<br />
The relief figure personifies a Balkan Warrior tribe defeated by Tiberius in AD 6-8 before he became emperor. She wears a classical dress, cloak and helmet and carries a small shield and probably once a spear. A builder’s inscription, “Pirouston”, written above the shield, ensured the relief was put on the right base
  • Roman Sebasteion relief sculpture of Ethnos with belted peplos, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
The matronly figure wears a belted classical dress (peplos) and held her long cloak up behind. The square hole above her shoulder with a corresponding hole in the back, was for lifting the finished relief into the ancient building by crane.
  • Roman Sebasteion relief sculpture of Ethnos with belted peplos, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
The matronly figure wears a belted classical dress (peplos) and held her long cloak up behind. The square hole above her shoulder with a corresponding hole in the back, was for lifting the finished relief into the ancient building by crane.
  • Roman Sebasteion relief sculpture of the god Okeanos (Ocean), Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
The bearded of Okeanos makes an epiphany, controlling his cloak which billows around his head. Ocean would be paired with Earth: together they represented empire without end, over land and sea
  • Roman Sebasteion relief sculpture of the god Okeanos (Ocean), Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The bearded of Okeanos makes an epiphany, controlling his cloak which billows around his head. Ocean would be paired with Earth: together they represented empire without end, over land and sea
  • Roman SSebasteion relief sculpture of the goddess Herma (day), Aphrodisias Museum, Aphrodisias, Turkey.  Against a black background.<br />
<br />
Goddess  Herma or Day steadies a dramatically billowing cloak that frames her head. The motif , also visible on the Okeanos relief, indicates flying, floating and divine epiphany - the appearance of gods to mortals. Day would be paired with night : together they signify the eternity of the Roman imperial order.
  • Roman Sebasteion relief sculpture of the goddess Herma (day), Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
Goddess  Herma or Day steadies a dramatically billowing cloak that frames her head. The motif , also visible on the Okeanos relief, indicates flying, floating and divine epiphany - the appearance of gods to mortals. Day would be paired with night : together they signify the eternity of the Roman imperial order.
  • Close up of Roman Sebasteion relief  sculpture of Nero being crowned emperor by Agrippina, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
Agrippina crowns her young son Nero with a laurel wreath. She carries a cornucopia, a symbol of Fortune and Plenty, and he wears the armour and cloak of a Roman commander, with a helmet on the ground near his feet. The scene refers to Nero’s accession as emperor in AD 54, and belongs before AD 59 when Nero had Agrippina murdered.
  • Close up of Roman Sebasteion relief  sculpture of Nero being crowned emperor by Agrippina, Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
Agrippina crowns her young son Nero with a laurel wreath. She carries a cornucopia, a symbol of Fortune and Plenty, and he wears the armour and cloak of a Roman commander, with a helmet on the ground near his feet. The scene refers to Nero’s accession as emperor in AD 54, and belongs before AD 59 when Nero had Agrippina murdered.
  • Close up of Roman Sebasteion relief  sculpture of Nero being crowned emperor by Agrippina, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
Agrippina crowns her young son Nero with a laurel wreath. She carries a cornucopia, a symbol of Fortune and Plenty, and he wears the armour and cloak of a Roman commander, with a helmet on the ground near his feet. The scene refers to Nero’s accession as emperor in AD 54, and belongs before AD 59 when Nero had Agrippina murdered.
  • Roman Sebasteion relief  sculpture of Nero being crowned emperor by Agrippina, Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
Agrippina crowns her young son Nero with a laurel wreath. She carries a cornucopia, a symbol of Fortune and Plenty, and he wears the armour and cloak of a Roman commander, with a helmet on the ground near his feet. The scene refers to Nero’s accession as emperor in AD 54, and belongs before AD 59 when Nero had Agrippina murdered.
  • Close up of Roman Sebasteion relief sculpture of emperor Augustus and Goddess Victory, Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
The naked emperor Augustus stands in majesty with the winged goddess Victory(Nike). He carried a spear and has an eagle, the bird representing Zeus, at his feet. Victory is crowning a military trophy - a rough post with enemy armour attached to it. Beneath the trophy is a barbarian captive, his hands tied behind his back.
  • Close up of Roman Sebasteion relief sculpture of emperor Augustus and Goddess Victory, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The naked emperor Augustus stands in majesty with the winged goddess Victory(Nike). He carried a spear and has an eagle, the bird representing Zeus, at his feet. Victory is crowning a military trophy - a rough post with enemy armour attached to it. Beneath the trophy is a barbarian captive, his hands tied behind his back.
  • Roman Sebasteion relief sculpture of emperor Augustus and Goddess Victory, Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
The naked emperor Augustus stands in majesty with the winged goddess Victory(Nike). He carried a spear and has an eagle, the bird representing Zeus, at his feet. Victory is crowning a military trophy - a rough post with enemy armour attached to it. Beneath the trophy is a barbarian captive, his hands tied behind his back.
  • Roman Sebasteion relief sculpture of emperor Augustus and Goddess Victory, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
The naked emperor Augustus stands in majesty with the winged goddess Victory(Nike). He carried a spear and has an eagle, the bird representing Zeus, at his feet. Victory is crowning a military trophy - a rough post with enemy armour attached to it. Beneath the trophy is a barbarian captive, his hands tied behind his back.
  • Roman Sebasteion relief sculpture of emperor Augustus and Goddess Victory, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The naked emperor Augustus stands in majesty with the winged goddess Victory(Nike). He carried a spear and has an eagle, the bird representing Zeus, at his feet. Victory is crowning a military trophy - a rough post with enemy armour attached to it. Beneath the trophy is a barbarian captive, his hands tied behind his back.
  • Roman Sebasteion relief sculpture of emperor Claudius and Agrippina, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
Claudius in heroic nudity and military cloak shakes hands with his wife Agrippina and is crowned by the Roman people or the Senate wearing a toga. The subject is imperial concord with the traditional Roman state. Agrippina holds ears of wheat: like Demeter goddess of fertility. The emperor is crowned with an oak wreath, the Corona civica or “citizen crow”, awarded to Roman leaders for saving citizens lives: the emperor id therefore represented as saviour of the people.
  • Roman Sebasteion relief sculpture of emperor Claudius and Agrippina, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
Claudius in heroic nudity and military cloak shakes hands with his wife Agrippina and is crowned by the Roman people or the Senate wearing a toga. The subject is imperial concord with the traditional Roman state. Agrippina holds ears of wheat: like Demeter goddess of fertility. The emperor is crowned with an oak wreath, the Corona civica or “citizen crow”, awarded to Roman leaders for saving citizens lives: the emperor id therefore represented as saviour of the people.
  • Roman Sebasteion relief sculpture of emperor Claudius and Agrippina, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
Claudius in heroic nudity and military cloak shakes hands with his wife Agrippina and is crowned by the Roman people or the Senate wearing a toga. The subject is imperial concord with the traditional Roman state. Agrippina holds ears of wheat: like Demeter goddess of fertility. The emperor is crowned with an oak wreath, the Corona civica or “citizen crow”, awarded to Roman leaders for saving citizens lives: the emperor id therefore represented as saviour of the people.
  • Roman Sebasteion releif sculpture of emperor Claudius and Agrippina, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
Claudius in heroic nudity and military cloak shakes hands with his wife Agrippina and is crowned by the Roman people or the Senate wearing a toga. The subject is imperial concord with the traditional Roman state. Agrippina holds ears of wheat: like Demeter goddess of fertility. The emperor is crowned with an oak wreath, the Corona civica or “citizen crow”, awarded to Roman leaders for saving citizens lives: the emperor id therefore represented as saviour of the people.
  • Roman Sebasteion relief sculpture of  an Imperial prince as Diokouros, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
An imperial youth wearing a military cloak and cuirass of a commander holds the reins of hios horse. This panel is next to a Claudius panel so is probably of Britanicus or Nero the emperors son and intended successor
  • Roman Sebasteion relief  sculpture of the goddess Roma and Ge (Earth),  Aphrodisias Museum, Aphrodisias, Turkey.  Against a black background. <br />
<br />
The goddess Roma holds a spear and wears a crown in the form of a city wall. Earth reclines half naked leaning on a pile of fruit. She holds a cornucopia full of more fruit. A baby child (now damaged) climbs up the horn she holds. The relief represents Earths fertility and abundance overseen by Rome.
  • Roman Sebasteion relief  sculpture of the goddess Roma and Ge (Earth),  Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The goddess Roma holds a spear and wears a crown in the form of a city wall. Earth reclines half naked leaning on a pile of fruit. She holds a cornucopia full of more fruit. A baby child (now damaged) climbs up the horn she holds. The relief represents Earths fertility and abundance overseen by Rome.
  • Close up of Roman Sebasteion relief  sculpture of Nero conquering Armenia depicting a fallen female representing Armenia,  Aphrodisias Museum, Aphrodisias, Turkey.   <br />
<br />
Nero, wearing only a cloak and sword strap, supports a slumped naked Armenia by her upper arms. She wears a soft eastern hat, and her bow and quiver are next to her. The heroic composition likens them to Achilles and the Amazon Queen Penthesilea. The inscription reads: Armenia - (Neron) Klaudios Drousos Kaisar Sebastos Germanikos.
  • Close up of Roman Sebasteion relief  sculpture of Nero conquering Armenia depicting a fallen female representing Armenia,  Aphrodisias Museum, Aphrodisias, Turkey.    Against a black background.<br />
<br />
Nero, wearing only a cloak and sword strap, supports a slumped naked Armenia by her upper arms. She wears a soft eastern hat, and her bow and quiver are next to her. The heroic composition likens them to Achilles and the Amazon Queen Penthesilea. The inscription reads: Armenia - (Neron) Klaudios Drousos Kaisar Sebastos Germanikos.
  • Close up of Roman Sebasteion relief  sculpture of Nero conquering Armenia depicting a fallen female representing Armenia,  Aphrodisias Museum, Aphrodisias, Turkey.   Against an art background.<br />
<br />
Nero, wearing only a cloak and sword strap, supports a slumped naked Armenia by her upper arms. She wears a soft eastern hat, and her bow and quiver are next to her. The heroic composition likens them to Achilles and the Amazon Queen Penthesilea. The inscription reads: Armenia - (Neron) Klaudios Drousos Kaisar Sebastos Germanikos.
  • Roman Sebasteion relief  sculpture of Victory of the Emperors, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
The inscription identifies the subject of the relief panel as the “Victory of the Emperors” (Neike Sebaston), and refers to the conquest of Armenia and Britannica in its adjacent relief panels. A half naked Victory flies diagonally across the panel, carrying a military trophy over her shoulder. A small winged Eros, now damaged was clinging to the end of the trophy pole. Victory was a key imperial attribute
  • Roman Sebasteion relief  sculpture of emperor Claudius and Britannia, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
Naked warrior emperor Claudius is about to deliver a death blow to the slumped Britannia. He wears a helmet, cloak and sword belt with a scabbard. Britannia wears a tunic with one breast exposed like the Amazon figures she was modelled on. The inscription reads: Tiberios Klaudios Kaiser - Bretannia.
  • Roman Sebasteion relief  sculpture of emperor Claudius and Britannia, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
Naked warrior emperor Claudius is about to deliver a death blow to the slumped Britannia. He wears a helmet, cloak and sword belt with a scabbard. Britannia wears a tunic with one breast exposed like the Amazon figures she was modelled on. The inscription reads: Tiberios Klaudios Kaiser - Bretannia.
  • Roman Sebasteion relief  sculpture of emperor Claudius and Britannia, Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
Naked warrior emperor Claudius is about to deliver a death blow to the slumped Britannia. He wears a helmet, cloak and sword belt with a scabbard. Britannia wears a tunic with one breast exposed like the Amazon figures she was modelled on. The inscription reads: Tiberios Klaudios Kaiser - Bretannia.
  • Roman Sebasteion relief sculpture of emperor Claudius and Britannia, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
Naked warrior emperor Claudius is about to deliver a death blow to the slumped Britannia. He wears a helmet, cloak and sword belt with a scabbard. Britannia wears a tunic with one breast exposed like the Amazon figures she was modelled on. The inscription reads: Tiberios Klaudios Kaiser - Bretannia.
  • Roman Sebasteion relief  sculpture of emperor Tiberius with a captive Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
The naked emperor Tiberius stands frontally holding a spear and shield wearing a cloak and a sword strap. Besides him stands a barbarian
  • Roman Sebasteion relief  sculpture of emperor Tiberius with a captive Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
The naked emperor Tiberius stands frontally holding a spear and shield wearing a cloak and a sword strap. Besides him stands a barbarian
  • Close up of a Roman Sebasteion relief  sculpture of Aphrodite crowned by Andreia, Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
A draped goddess is crowned by a female warrior figure. The goddess is probably Aphrodite, while the warrior has a bare breated Amazonian dress and equipment (spear, sword strap and shield) worn by Roma or Andreia (Bravery)

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....