• Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • The marble crown gate of Gök Medrese has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • The marble crown gate of Gök Medrese has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Beaumaris Castle, looking towards Snowdonia,  built in 1284 by Edward 1st, considered to be one of the finest example of 13th century military architecture by UNESCO. A Unesco World Heritage Site. Beaumaris, Anglesey Island, Wales.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Architectural details of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish stalactite or morcabe architecture  of the Palacios Nazaries, Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish stalactite or morcabe architecture  of the Palacios Nazaries, Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of the Mexuar administrative rooms in the Palacios Nazaries. Alhambra, Granada, Andalusia, Spain.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a women on the tomb of ship builder Giovanni Battista Piaggio by  Sculptor G. Benetti 1873. Giovanni Battista Piaggio, who is buried here, was a rich ship-owner, whose important role in society is expressed by the professional symbols -the anchor, the ropes, the sand-glass, the globe, the chart that the sculptor Giuseppe Benetti put on the sides of the deceased's bust hosted in the lunette, which surmounts the architecture in Renaissance style of the monument. As a representative of the upper middle class he couldn't die without leaving memories of his social role: Benetti, in order to meet this requirement, represented the widow coming out of the chapel with a prayer-book in her hand. Bringing the mourning in an everyday-life dimension Benetti created a work in accordance with the dictates of the Realism bourgeois. Section A, no 47, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture and pond of the  Court of the Myrtles  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish stalactite or morcabe architecture  of the Palacios Nazaries, Alhambra. Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of the Mexuar administrative rooms in the Palacios Nazaries. Alhambra, Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of the Mexuar administrative rooms in the Palacios Nazaries. Alhambra, Granada, Andalusia, Spain.
  • Arabesque Moorish architecture of the Mexuar administrative rooms in the Palacios Nazaries. Alhambra, Granada, Andalusia, Spain.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey..
  • Dining Room  of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Dining Room  of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Tomb of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Tomb of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Entrance to the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Entrance to the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Entrance to the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Moorish architecture of an inner courtyard  of the Palacios Nazaries,  Alhambra. Granada, Andalusia, Spain.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • The arabesque architecture the tomb of al-Mansur's son in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • Ottoman Neo-Clasical Eski Hükümet Kona (old government building) of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Byzantine Mosaics of the Virgin Mary and Child above the altar of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • Geometric relief decoration around the south proch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Geometric relief decoration around the south proch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • Medieval sculptures of the south porch of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The south side of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • Berber arabesque architecture of  the Petite Court, Bahia Palace, Marrakesh, Morroco
  • The arabesque architecture  in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture  in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture the tomb of al-Mansur's son in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture the tomb of al-Mansur's son in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture  in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture the tomb of al-Mansur's son in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture the tomb of al-Mansur's son in the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • The arabesque zelige tiles and architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Byzantine Mosaics of Christ Pantocrator above the side chapel  of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • Byzantine Mosaics of the Virgin Mary and Child above the altar of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • Byzantine Mosaics of Christ Pantocrator above the side chapel  of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • Byzantine Mosaics of the Virgin Mary and Child above the altar of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • Byzantine Mosaics of the Virgin Mary and Child above the altar of the Cathedral of Santa Maria Assunta (Cattedrale di Santa Maria Assunta) is a basilica church on the island of Torcello, Venice, northern Italy. It is a notable example of Venetian-Byzantine architecture, one of the most ancient religious edifices in the Veneto.
  • The Ottoman architecture of the Enderûn Library, or Library of Sultan Ahmed III and its fountain built in 1719, built in the inner courtyard of the  Topkapi Palace Istanbul
  • Ottoman Neo-Clasical Eski Hükümet Kona (old government building) of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • Tiled room and Ottoman architecture of the Harem. Topkapi Palace, Istanbul, Turkey
  • The Aranyhomok Hotel ( Socialist architecture) , Kecskemét , Hungary
  • The Aranyhomok Hotel ( Socialist architecture) , Kecskemét , Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Door statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Door statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • The Aisle of the 12the century early transitional Norman architecture of the parish church of St Peter & St Paul part of Malmesbury Abbey, Wiltshire, England
  • The arabesque architecture of the Museum of Arts and Traditions in America square, Seville Spain
  • The arabesque architecture of the Saadian Tombs the 16th century mausoleum of the Saadian rulers, Marrakech, Morroco
  • Facade with Gothic architecture and Romanesque domes of St Mark's Basilica, Venice
  • Close up of the Renaissance statues and architecture of the Florence Duomo, Italy
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • The Ottoman architecture of the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • The Ottoman architecture of the fountain in the Privy Chamber of Sultan Murad III decorated with 16th century Iznk tiles. Topkapi Palace, Istanbul, Turkey
  • Tiled room and Ottoman architecture of the Harem. Topkapi Palace, Istanbul, Turkey
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Statues on The two Moors House (Két mór ház).  Rustic Baroque architecture - Sopron, Hungary
  • Ottoman style houses of Safranbolu, Turkey.  Safranbolu's architecture influenced urban development throughout much of the Ottoman Empire and was a major centre of the saffron Trade. UNESCO World Heritage Site.
  • Picture & image of Vardzia medieval relief carved architectural panels from the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval relief carved architectural panels from the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval relief carved architectural panels from the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval relief carved architectural panels from the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Picture & image of Vardzia medieval relief carved architectural panels from the cave city and monastery of Vardzia, Erusheti Mountain, southern Georgia (country)<br />
<br />
Inhabited from the 5th century BC, the first identifiable phase of building took place at  Vardzia in the reign of Giorgi III (1156-1184) to be continued by his successor, Queen Tamar 1186, when the Church of the Dormition was carved out of the rock and decorated with frescoes
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy
  • Late Gothic sculptures and architectural additions to the facade of the 12th century Romanesque Ferrara Duomo, Italy

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