• Photo of Roman releif sculpture of Aineas Fleeing Troy with his wife & children from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Photo of Roman releif sculpture of Aphrodite is crowned by Andreia from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  The drapped goddess figure is thought to be Aphrodite, whilst the female bare breasted warrior in amazonian dress is Roma or Andreia [ Bravery ].  Black
  • Photo of Roman releif sculpture of Aphrodite from the Theater dedicated to Theodorus, second-third century AD, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. art 2
  • Photo of Roman releif sculpture of Roma & Ge [ Earth ] from  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. art
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Unknown hero holding a sword gazes at an unknown young heroine.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs from the mauseleum of Julius Zoilus.
  • Photo of Roman releif sculpture of Bellerophon, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Bellerophon was a Lykian hero who was claimed to be the founder of Aphrodisias. He holds the winged horse Pegasos. The quality of the carving is poor indicating an apprentice piece.
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Aphrodite is crowned by Andreia from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  The drapped goddess figure is thought to be Aphrodite, whilst the female bare breasted warrior in amazonian dress is Roma or Andreia [ Bravery ].  Black
  • Photo of Roman releif sculpture of Aphrodite from the Theater dedicated to Theodorus, second-third century AD, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Cut Out
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 10
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 8
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 6
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 5
  • Picture of the double Tetrapylon Gate 2, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints.
  • Roman portrait head of a women wearing a priestess crown. Found in Aphrodisias Theatre. First Century AD. Aphrodisias Archaeology Museum Turkey
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 9
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 7
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 3
  • Picture of the double Tetrapylon Gate 1, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints.
  • Roman portrait head of a women wearing a priestess crown. Found in Aphrodisias Theatre. First Century AD. Aphrodisias Archaeology Museum Turkey
  • Roman portrait head of a women wearing a priestess crown. Found in Aphrodisias Theatre. First Century AD. Aphrodisias Archaeology Museum Turkey
  • Photo of Roman releif sculpture of Emperor Claudius About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Naked warrior Claudius id about to deliver the death blow to Britanica.
  • Photo of Roman releif sculpture of Aphrodite from the Theater dedicated to Theodorus, second-third century AD, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.
  • Photo of Roman releif sculpture of Aphrodite from the Theater dedicated to Theodorus, second-third century AD, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Nero supports a slumping naked Armenia. She wears a soft eastern hat.
  • Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Achilles supports the dying Amazon queen Penthesilea whom he has mortally wounded. Her double headed axe slips from her hands. The queen had come to fight against the Greeks in the Trojan war and Achilles fell in love with her.
  • Roman releif sculpture of Aphrodite is crowned by Andreia from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  The drapped goddess figure is thought to be Aphrodite, whilst the female bare breasted warrior in amazonian dress is Roma or Andreia [ Bravery ].
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman releif sculpture of Tree Graces from the South Building, Second storey, Aphrodisias, Turkey, Images of Roman art bas releifs. Aphrodisias Archaological Museum, Turkey
  • Photo of Roman releif sculpture of Aphrodite & Anchises from the Oda first room, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. The trojan shepherd Anchises gazes at a seated Aphrodite, his lover for one night on Mount Ida. She hold a smalkl Eros in her lap : this is an erotic encounter. The head of Seine [ moon ] appears above the mountain in the top left of the scene. Aineas was the result of this union.
  • Roman releif sculpture of Aphrodite is crowned by Andreia from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  The drapped goddess figure is thought to be Aphrodite, whilst the female bare breasted warrior in amazonian dress is Roma or Andreia [ Bravery ].
  • Photo of Roman releif sculpture of Emperor Claudius About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Naked warrior Claudius id about to deliver the death blow to Britanica.
  • Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Nero supports a slumping naked Armenia. She wears a soft eastern hat.
  • Photo of Roman releif sculpture of Zeus & Leda, Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Zeus disguised as a swan assaults the Spartan princess Leda. The bird stands on the tips of its outspread wings and presses its webbed feet onto the thigh of the stuggling Leda. The swan is supported by a small Eros. From this encounter came a large egg from which was born Helen and the Dioskouroi twins, Kastor and Polydeukes. Cut Out
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Herakles is preparing to wrestle the Libyan giant Antaios. Herakles (left) is taking off his bow case to hang it on a pillar statue. Antaios (right) is binding up his head with ear protectors, next to him stands an oil basin used in the palaistra (wrestling ground). Antaios was a famous wrestler who challenged and killed all visitors to his country, until he was defeated by Herakles.
  • Sculpture of Roman Emperor being crowned with a barbarian captive. Aphrodisias Archaeological museum, Turkey
  • Roman Odeon Theatre of  Aphrodisias Archaeological site, Turkey
  • Sculpture of Roman Emperor Tiberius and a barbarian captive. Aphrodisias Archaeological museum, Turkey
  • Picture of the double Tetrapylon Gate, Aphrodisias, Turkey. A tetrapylon (Greek: Τετράπυλον, "four gates") is an ancient type of Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. stock photos & photo art prints. 4
  • Sculpture of Roman Emperor Tiberius and a barbarian captive. Aphrodisias Archaeological museum, Turkey
  • Photo of Roman releif sculpture of a Female Captive. Aphrodisias Archaological Museum, Turkey
  • Roman Odeon Theatre of  Aphrodisias Archaeological site, Turkey
  • Pillars of the Roman South Agora, Aphrodisias Archaeological site, Turkey
  • Portrait head sculpture of the Roman emperor Lucius Verus ( AD 161-169). Pentalic marble found in Athens.
  • Sculpture of Roman Emperor being crowned with a barbarian captive. Aphrodisias Archaeological museum, Turkey
  • Sculpture of Roman Emperor being crowned with a barbarian captive. Aphrodisias Archaeological museum, Turkey
  • Sculpture of Roman Emperor being crowned with a barbarian captive. Aphrodisias Archaeological museum, Turkey
  • Photo of Roman releif sculpture of a Female Captive. Aphrodisias Archaological Museum, Turkey
  • Portrait head sculpture of the Roman emperor Lucius Verus ( AD 161-169). Pentalic marble found in Athens.
  • Portrait head sculpture of the Roman emperor Lucius Verus ( AD 161-169). Pentalic marble found in Athens.
  • Portrait head sculpture of the Roman emperor Lucius Verus ( AD 161-169). Pentalic marble found in Athens.
  • Ruins of the Heroon III. Miletus Archaeological Site, Anatilia, Turkey.
  • Picture of The north Byzantine gate forms part of a fortification system built at Hierapolis in late 4th century Theodosian times. Hierapolis archaeological site near Pamukkale in Turkey.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • Pillars of The Basilica, 1st Century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Library of Celsus & the Agora to the right. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Library of Celsus & the Agora to the right. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Statue on  Curetes Street looking towards the Library of Celsus. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Rhodian Peristyle built in the time of Emperor Augustus ( 27 B.C. -A.D. 14) and dedicated to Julius Caesar  and the goddess Roma then Augustus & Artemis. Ephesus Archaeological Site, Anatolia, Turkey.
  • Entrance to the Odeion (Small Thaetre) that was built as a council chamber in 2nd century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The entrance to the Temple of Emperor Domitian ( 81-96 AD) . Ephesus Archaeological Site, Anatolia, Turkey.
  • The entrance to the Temple of Emperor Domitian ( 81-96 AD) . Ephesus Archaeological Site, Anatolia, Turkey.
  • Curetes Street (Priest Street)  that runs through the centre of Ephesus. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Library of Celsus & the Agora to the right. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Library of Celsus & the Agora to the right. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Memmius Monument was built in the 1st century B.C. to honour Mmmius, the grandson of Emperor Sulla and son of Caicus whose sculptures can be seen on the monument. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Rhodian Peristyle built in the time of Emperor Augustus ( 27 B.C. -A.D. 14) and dedicated to Julius Caesar  and the goddess Roma then Augustus & Artemis. Ephesus Archaeological Site, Anatolia, Turkey.
  • The entrance to the Temple of Emperor Domitian ( 81-96 AD) . Ephesus Archaeological Site, Anatolia, Turkey.
  • The entrance to the Temple of Emperor Domitian ( 81-96 AD) . Ephesus Archaeological Site, Anatolia, Turkey.
  • Curetes Street (Priest Street)  that runs through the centre of Ephesus. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Mazeus Mithridates Gate to the Agora of Ephesus takes its name from the 2 Freed slave of  Emperor Augustus who paid for its contruction. It is dedicated to Emperor Augustus, his wife Livia , his daughter Julia and her husband Agrippa. Built in 4 or 3 B.C. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • Pillars of The Basilica, 1st Century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Curetes Street (Priest Street)  that runs through the centre of Ephesus. Ephesus Archaeological Site, Anatolia, Turkey.
  • Statue on  Curetes Street looking towards the Library of Celsus. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Theatre of Ephesus on the slopes of Panayir Dagi ( mount) was built during the reign of Alexander the Great successor, Lysimachos, between 306 - 281 B.C. The building was altered many times by the time St Paul was famously found guilty of preaching against Artemis & Diana and banished from the city after a 3 year stay.  Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Mazeus Mithridates Gate to the Agora of Ephesus takes its name from the 2 Freed slave of  Emperor Augustus who paid for its contruction. It is dedicated to Emperor Augustus, his wife Livia , his daughter Julia and her husband Agrippa. Built in 4 or 3 B.C. Ephesus Archaeological Site, Anatolia, Turkey.
  • Entrance to the Odeion (Small Thaetre) that was built as a council chamber in 2nd century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Heracles Gate at the begining of Curetes Street , showing Heracles wrapped in a Nemea Lion skin. Probably made in the 2nc century A.D. and moved to Ephesus in the 5th century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Theatre of Ephesus on the slopes of Panayir Dagi ( mount) was built during the reign of Alexander the Great successor, Lysimachos, between 306 - 281 B.C. The building was altered many times by the time St Paul was famously found guilty of preaching against Artemis & Diana and banished from the city after a 3 year stay.  Ephesus Archaeological Site, Anatolia, Turkey.
  • The Memmius Monument was built in the 1st century B.C. to honour Mmmius, the grandson of Emperor Sulla and son of Caicus whose sculptures can be seen on the monument. Ephesus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre Frieze - Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Greek Theatre remodelled in 225-200 BC & again in 175 BC, 68 AD & 299 AD to a width of 139.8 meters to seat 18,500 people. <br />
Miletus Archaeological Site, Anatolia, Turkey.
  • Islamic Prayer Hall. Miletus Archaeological Site, Anatilia, Turkey.
  • The Temple of Emperor Hadrian on Curetes Street ( 117 - 138 A.D ).  Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Statue on  Curetes Street looking towards the Library of Celsus. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Theatre of Ephesus on the slopes of Panayir Dagi ( mount) was built during the reign of Alexander the Great successor, Lysimachos, between 306 - 281 B.C. The building was altered many times by the time St Paul was famously found guilty of preaching against Artemis & Diana and banished from the city after a 3 year stay.  Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan on Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Fountain of Emperor Trajan and  Curetes Street constructed between 102 - 114 A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • The Heracles Gate at the begining of Curetes Street , showing Heracles wrapped in a Nemea Lion skin. Probably made in the 2nc century A.D. and moved to Ephesus in the 5th century A.D. Ephesus Archaeological Site, Anatolia, Turkey.
  • Picture of Tomb North Necropolis  main road . Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Tomb A6  and Sarcophagus of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of  A18 of the Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb A 18 ( 1st century AD) <br />
<br />
The building, one of the most representative and best conserved of the North Necropolis, has the shape of a small temple, built to a square plan with regular walls. The facade is framed by projecting pilasters; the roofing slabs rest on the, two frontons and the lateral cornices.- Beneath the base is a subterranean chamber partially carved into of the rock. The two chambers have sepulchral beds along the walls.
  • Picture of  A18 of the Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb A 18 ( 1st century AD) <br />
<br />
The building, one of the most representative and best conserved of the North Necropolis, has the shape of a small temple, built to a square plan with regular walls. The facade is framed by projecting pilasters; the roofing slabs rest on the, two frontons and the lateral cornices.- Beneath the base is a subterranean chamber partially carved into of the rock. The two chambers have sepulchral beds along the walls.
  • Picture of Tomb A2 of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Tomb A2 of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of The north  gate forms part of a fortification system built at Hierapolis in late 4th century Theodosian times. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of St Philip Gate road.  Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of St Philip Gate ruins.  Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
The St. Philip Gate <br />
The gate is situated on the north-eastern side of the defensive walls built under the Emperor Theodosius in the late 4th century. Its importance is indicated by the presence of the two towers that flank the opening The gate was used by pilgrims heading for the summit of the hill on which stood the sanctuary of St. Philip, one of the twelve apostles of Christ. According to tradition the Saint was martyred in Hierapolis.
  • Picture of St Philip Gate ruins.  Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
The St. Philip Gate <br />
The gate is situated on the north-eastern side of the defensive walls built under the Emperor Theodosius in the late 4th century. Its importance is indicated by the presence of the two towers that flank the opening The gate was used by pilgrims heading for the summit of the hill on which stood the sanctuary of St. Philip, one of the twelve apostles of Christ. According to tradition the Saint was martyred in Hierapolis.
  • Picture of Tombs on the edge of the white travatines of the  North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of Tomb Tomb 114 "tomb of curses" of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
TOMB 114 (Second half of the 2nd century AD) <br />
<br />
The tomb lies on the left hand side of the road and is enclosed by a perimeter wall; it rests on a base withifiree steps, with a bench piked(1 front of it. Inside are three beds and the ossuary. On the roof, a sarcophagus, broken as result of an <br />
earthquake, bears an inscription mentioning the occupant Aelios Apollinarios and his wife Neratia Apollonis. On the facade is an inscription of great interest which refers to the punishment inflicted on those who violate the sepulchre: as well as the usual fines, it invokes diseases, misfortunes and punishments in the next world. This inscription has led to the building being named the Tomb of the Curses.
  • Picture of Tomb  81 of North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Tomb 81 (2nd - 3rd centuries AD)<br />
The tomb is built on a high platform that compensates for <br />
difference in level of the land behind it. Inside the <br />
chamber are three sepulchre beds, arranged along the walls, an a very deep ossuary. On the roof slabs, which jut out a long way, are two sarcophagi. Two inscriptions beside the door end the inscription on the slab that closed it (now in the museum ) refer to the successive occupants, including Eutyches Pompeios, who left 100 denari to the association of wool washers for the periodic decoration of  <br />
the tomb.
  • Picture of Tombs North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Tomb  North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of The north  gate forms part of a fortification system built at Hierapolis in late 4th century Theodosian times. Hierapolis archaeological site near Pamukkale in Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Theatre colonade of Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Odeon (Concert-hall) seating  around 1700 people. It was used also as the Bouleuterion for the meetings of the Senate and remained in this form until the early fifth century.<br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Odeon (Concert-hall) seating  around 1700 people. It was used also as the Bouleuterion for the meetings of the Senate and remained in this form until the early fifth century.<br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Close up of the pediments of the Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Close up of the pediments of the Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Picture of the ruins of the Byzantine Martyrion of St Philip church and healing centre. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Martyrion of St Philip. This church with an octagonal core was built at the beginning of the 5th century on the summit of the hill. This is probably where, according to tradition, the Apostlie was martyred. The building has an eight-sided central room surmounted by a wooden cupola. From each of the eight sides of the central space there was access to a rectangular room through three arches supported by marble columns with capitals decorated with acanthus leaves The shape of the central room is a reference to the number eight which symbolists eternity. The church is situated inside a square composed of 28 rooms for housing pilgrims which were accessed from the outside. As in other Byzantine sanctuaries associated with heating powers (eg that of Saints Cosmas and Damian in Constantinople), in these rooms incubation rites were practised: during sleep, the Saint cured the sick and made prophecies concerning the future.
  • Picture of the ruins of the Byzantine Martyrion of St Philip church and healing centre. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Martyrion of St Philip. This church with an octagonal core was built at the beginning of the 5th century on the summit of the hill. This is probably where, according to tradition, the Apostlie was martyred. The building has an eight-sided central room surmounted by a wooden cupola. From each of the eight sides of the central space there was access to a rectangular room through three arches supported by marble columns with capitals decorated with acanthus leaves The shape of the central room is a reference to the number eight which symbolists eternity. The church is situated inside a square composed of 28 rooms for housing pilgrims which were accessed from the outside. As in other Byzantine sanctuaries associated with heating powers (eg that of Saints Cosmas and Damian in Constantinople), in these rooms incubation rites were practised: during sleep, the Saint cured the sick and made prophecies concerning the future.
  • Picture of the ruins of the Byzantine Martyrion of St Philip church and healing centre. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Martyrion of St Philip. This church with an octagonal core was built at the beginning of the 5th century on the summit of the hill. This is probably where, according to tradition, the Apostlie was martyred. The building has an eight-sided central room surmounted by a wooden cupola. From each of the eight sides of the central space there was access to a rectangular room through three arches supported by marble columns with capitals decorated with acanthus leaves The shape of the central room is a reference to the number eight which symbolists eternity. The church is situated inside a square composed of 28 rooms for housing pilgrims which were accessed from the outside. As in other Byzantine sanctuaries associated with heating powers (eg that of Saints Cosmas and Damian in Constantinople), in these rooms incubation rites were practised: during sleep, the Saint cured the sick and made prophecies concerning the future.
  • Picture of the ruins of the Byzantine Martyrion of St Philip church and healing centre. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Martyrion of St Philip. This church with an octagonal core was built at the beginning of the 5th century on the summit of the hill. This is probably where, according to tradition, the Apostlie was martyred. The building has an eight-sided central room surmounted by a wooden cupola. From each of the eight sides of the central space there was access to a rectangular room through three arches supported by marble columns with capitals decorated with acanthus leaves The shape of the central room is a reference to the number eight which symbolists eternity. The church is situated inside a square composed of 28 rooms for housing pilgrims which were accessed from the outside. As in other Byzantine sanctuaries associated with heating powers (eg that of Saints Cosmas and Damian in Constantinople), in these rooms incubation rites were practised: during sleep, the Saint cured the sick and made prophecies concerning the future.
  • Picture of the ruins Hieropolis walls. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the ruins of a gate to Hieropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the ruins of the Byzantine Martyrion of St Philip church and healing centre. Hierapolis archaeological site near Pamukkale in Turkey.<br />
<br />
Martyrion of St Philip. This church with an octagonal core was built at the beginning of the 5th century on the summit of the hill. This is probably where, according to tradition, the Apostlie was martyred. The building has an eight-sided central room surmounted by a wooden cupola. From each of the eight sides of the central space there was access to a rectangular room through three arches supported by marble columns with capitals decorated with acanthus leaves The shape of the central room is a reference to the number eight which symbolists eternity. The church is situated inside a square composed of 28 rooms for housing pilgrims which were accessed from the outside. As in other Byzantine sanctuaries associated with heating powers (eg that of Saints Cosmas and Damian in Constantinople), in these rooms incubation rites were practised: during sleep, the Saint cured the sick and made prophecies concerning the future.
  • Picture of the Nymphaeum Fountain located inside the sacred area in front of the Apollo temple on the main colonnaded road. Dated from the 2nd century AD and repaired in the 5th century during the Byzantine era. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of the Nymphaeum located inside the sacred area in front of the Apollo temple on the main colonnaded road. Dated from the 2nd century AD and repaired in the 5th century during the Byzantine era. Hierapolis archaeological site near Pamukkale in Turkey.
  • The Islamic decoration on the domes of the interior of Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • The Islamic decoration on the domes of the interior of Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • The Islamic decoration on the domes of the interior of Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • The Islamic decoration on the domes of the interior of Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • The Islamic decoration on the domes of the interior of Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • The Virgin Mary between Emperor  Justinian to the left presenting a model of the Hagia Sophia and Emperor Constantine presenting a model of Constantinople.  Hagia Sophia, Istanbul, Turkey
  • The Virgin Mary between Emperor  Justinian to the left presenting a model of the Hagia Sophia and Emperor Constantine presenting a model of Constantinople.  Hagia Sophia, Istanbul, Turkey
  • Byzantine mosaic of the Virgin and Child was the first of the post-iconoclastic mosaics inaugurated on 29 March 867 by Patriarch Photius and the emperors Michael III and Basil I.  Hagia Sophia, Istanbul, Turkey
  • Byzantine mosaic of the Virgin and Child was the first of the post-iconoclastic mosaics inaugurated on 29 March 867 by Patriarch Photius and the emperors Michael III and Basil I.  Hagia Sophia, Istanbul, Turkey
  • Byzantine mosaic of the Virgin and Child was the first of the post-iconoclastic mosaics inaugurated on 29 March 867 by Patriarch Photius and the emperors Michael III and Basil I.  Hagia Sophia, Istanbul, Turkey
  • Byzantine mosaic of the Virgin and Child was the first of the post-iconoclastic mosaics inaugurated on 29 March 867 by Patriarch Photius and the emperors Michael III and Basil I.  Hagia Sophia, Istanbul, Turkey
  • 12th Century Byzantine mosaic of  The Madonna & Child,  Hagia Sophia, Istanbul, Turkey
  • The Islamic decoration on the domes of the interior of Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • 12th Century Byzantine mosaic of  Empress Irene  (Eirene) making an offering as symbolised by the scroll. Hagia Sophia, Istanbul, Turkey
  • 11th Century Byzantine mosaic of Christ Pantocrator with (left) Emperor Constantine IX Monmachus making an offering of money and (right) Empress Zoe. Hagia Sophia, Istanbul, Turkey
  • 11th Century Byzantine mosaic of  Emperor Constantine IX Monmachus making an offering of money . Hagia Sophia, Istanbul, Turkey
  • Byzantine Mosaic of an Angel, Hagia, Sophia, Istanbul, Turkey
  • Byzantine Mosaic of an Angel, Hagia, Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which John The Virgin Mary shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which John The Virgin Mary shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which John The Baptist,  both shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which the Virgin Mary & John The Baptist,  both shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Ornate Byzantine column capital in the Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • Ornate Byzantine column capital in the Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • Ornate Byzantine column capital in the Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • Islamic writings in the Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • Islamic writings in the Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • Islamic writings in the Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • Islamic writings in the Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • The 19th century Mihrap (Mihrab), the niche in a mosque that indicated the direction of Mecca, Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • The 19th century minbar (mimbar or mimber)  pulpit  where the imam  stood to deliver sermons or in the Hussainia where the speaker sits and lectures the congregation. Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • The 19th century minbar (mimbar or mimber)  pulpit  where the imam  stood to deliver sermons or in the Hussainia where the speaker sits and lectures the congregation. Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • The Islamic decoration on the domes of the interior of Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • The Islamic decoration on the domes of the interior of Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • The Islamic decoration on the domes of the interior of Hagia Sophia ( Ayasofya ) , Istanbul, Turkey
  • Trajans Market  . Rome
  • Trajan's forum and market . Rome
  • Trajans Column . Rome
  • Emperors Trajan's Market ( Mercati Trajanei) . Rome
  • Emperors Trajan's Market ( Mercati Trajanei) . Rome
  • Columns of Emperors Trajan's Forum and Trajans Column . Rome
  • Columns of Emperors Trajan's Forum and Trajans Column . Rome
  • Columns of Emperors Trajan's Forum and Trajans Column . Rome
  • Columns of Emperors Trajan's Forum and Trajans Column . Rome
  • Columns of Emperors Trajan's Forum and Trajans Column . Rome
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters Hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wild Boar being hunted. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Wild Boar being hunted. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters looking for birds. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters looking for birds. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters carrying a dead wild boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting a boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting a boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Deer being hunted. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunter with dogs. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters with a wild boar. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up of a chariot racing at the Circus Maximus Chariot racing at the Circus Maximus from the Palaestra room no 15.. Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Close up of a chariot racing at the Circus Maximus Chariot racing at the Circus Maximus from the Palaestra room no 15.. Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Hunters hunting. Roman mosaic floor of the Room of The Small Hunt, no 25 - Roman mosaics at the Villa Romana del Casale ,  circa the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.

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