• Plazza Umberto,  Érice, Erice, Sicily stock photos.
  • Courtyard of a house in Érice, Erice, Sicily stock photos.
  • Streets and canals of Burano island - Venice - Italy The traditional colourful houses of Burano Island, Venice Lagoon, Italy
  • Streets and canals of Burano island - Venice - Italy The traditional colourful houses of Burano Island, Venice Lagoon, Italy
  • Cacabepi -  Burano island - Venice - Italy The traditional colourful houses of Burano Island, Venice Lagoon, Italy
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 70
  • Greek Dorik column drums fallen at Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 65 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Fallen column drums of Greek Dorik Temple ruins  Selinunte, Sicily photography, pictures, photos, images & fotos. 62 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 44 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Greek Dorik columns at the  ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 36 Greek Dorik Temple columns of the ruins of the Temple of Hera, Temple E, Selinunte, Sicily
  • Doric column drums - Greek Dorik Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 30
  • Greek Dorik column drums Temple ruins of Temple F at Selinunte, Sicily photography, pictures, photos, images & fotos. 25
  • Greek Dorik column drums Temple ruins of Temple F at Selinunte, Sicily 21
  • Colorful houses, Fondementi Pontinella Destro, Burano Venice Italy The traditional colourful houses of Burano Island, Venice Lagoon, Italy
  • Colorful houses, Fondementi Pontinella Destro, Burano Venice Italy The traditional colourful houses of Burano Island, Venice Lagoon, Italy
  • Detail of Baptistry carving  - Piazza Del Duomo - Parma Italy.
  • Detail of Baptistry Door  - Piazza Del Duomo - Parma Italy.
  • Baptistry and Duomo - Piazza Del Duomo - Parma Italy.
  • Bayeux Tapestry Scene  23 - At  Bayeux Harold,  holding two relics, swears fealty to Duke William
  • Bayeux Tapestry Scene 22 and 23 - Harold and William go to Bayeux where holding two relics Harold swears fealty to Duke William
  • Bayeux Tapestry Scene 22 - Harold and  Duke William return to Bayeux together
  • Bayeux Tapestry Scene 21 - Harold id Knighted by Duke William
  • Bayeux Tapestry Scene 19 - After the Norman attacjk of Dinan the Duke of Brittany surrenders and hands over the city keys to Duke William
  • Bayeux Tapestry Scene 19 - Normans attack Dinan
  • Bayeux Tapestry Scene 18 - Normans attack Dol Rennes
  • Bayeux Tapestry Scene 18 - Normans attack Dol and make the Duke of Brittany flee then they attack Dinan and finaly the Duke of Britany surrenders
  • Bayeux Tapestry Scene 18 - Normans attack Dol and make the Duke of Brittany flee
  • Bayeux Tapestry  Scene 17 - Soldiers get caught in Quicksand near Mont St Michele.
  • Bayeux Tapestry  Scene 16 and 17  - Williams asks Harold to joint him in war against Conan Duke of Britany on the way Soldiers get caught in Quicksand near Mont St Michele.
  • Bayeux Tapestry  Scene 16 - Williams asks Harold to joint him in war against Conan Duke of Britany.
  • Bayeux Tapestry  Scene 15 - Duke Williams daughter is promised in marriage to Harold.
  • Bayeux Tapestry  Scene 15 - Harold and Duke Williams hold negotiations.
  • Bayeux Tapestry  Scene 14 and 15 - Harold arrives at the gates of Duke Williams castle then Harold and Duke Williams hold negotiations.
  • Bayeux Tapestry  Scene 14 - Harold arrives at the gates of Duke Williams castle,
  • Bayeux Tapestry  Scene 13 - Harold is handed over by Guy count of Ponthieu to Duke Williams.
  • Bayeux Tapestry Scene 12 and 13  - Duke William gives orders to messengers  and Harold is handed over by Guy count of Ponthieu to Duke Williams
  • Scene 11-12 of the Bayeux Tapestry  - Armoured soldiers are sent to Beaurain and William gives orders to messengers.
  • The marble crown gate of the Sifaiye Medrese has a very rich decorative appearance, 1217. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • The Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • The Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • The marble crown gate of Gök Medrese has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • The marble crown gate of Gök Medrese has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • Close up of the richly decorated corner stoes of the  of Gök Medrese , Sivas, Turkey
  • Close up of the richly decorated corner stoes of the  of Gök Medrese , Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. close up of the corner seljuk stone work. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. close up of the corner seljuk stone work. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • Royal rock tombs of Pontus including Mithridates I, died 266 BC. Amasya, Turkey
  • Royal rock tombs of Pontus including Mithridates I, died 266 BC. Amasya, Turkey
  • Royal rock tombs of Pontus including Mithridates I, died 266 BC. Amasya, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunset, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yesilırmak , below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yesilırmak , below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yesilırmak k, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel at sunrise, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yesilırmak , below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Neolithic Standing Stones of Stenness, Isle of Orkney, Scotland
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Arena of Nemes, a Roman Ampitheatre built around 70 AD during the reign of Emperor Augustus, Nimes, France
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Close up of the main door with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia and sculpture of the Madonna and Child created by Andrea Pisano in 1347  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani , Umbria, Italy
  • Bas-relief sculpture panel scene of Eve giving Adam an apple by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Close up of the main door with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Collegiate Church of Saint Andrew, Piazza della Repubblica, Orvieto, Umbria, Italy
  • Close up of a medieval sculpted decotative panel on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted decotative twisting pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted decotative twisting pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Bas-relief sculpture panel scene of the Nativity by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Eve and Adam being driven out of the Garden of Eden made by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Christ being presented at the Temple by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Eve giving Adam an apple by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of Eve and Adam 's fall being discovered by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of the Annunciation to the Virgin Mary by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene of the Tree Kings bringing gifts to the baby Christ by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel with scenes from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel scene from the Last Judgment by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel with scenes from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel with scenes from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel with scenes from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Close up of the main door sculptures made in 1970 by the Sicilian sculptor Emilio Greco (1913–1995) depicting mercies from the life of Christ, 14th century Gothic facade of the Cathedral of Orvieto, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Medieval sculpted decorative columns on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Bas-relief sculpture panel with scenes of the life of the Virgin Mary made by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bas-relief sculpture panel fo the Last Judgement made by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Bronze statue of an eagle  representing the the Evangelist John created by Maitani and collaborators between 1325 and 1330 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Bronze statue of a winged ox representing the the Evangelist Luke created by Maitani and collaborators between 1325 and 1330 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the main door with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia and sculpture of the Madonna and Child created by Andrea Pisano in 1347  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Bronze statue of a lion representing the the Evangelist Mark created by Maitani and collaborators between 1325 and 1330 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the main door with mosaics created between 1350 and 1390 after designs by artist Cesare Nebbia  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the main door with mosaics created between 1350 and 1390 after designs by artist Cesare Nebbia  on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the main door with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a gable with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a gable with mosaics depicting the batism of Christ by John the Baptist created between 1350 and 1390 after designs by artist Cesare Nebbia on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a gable with mosaics depicting the batism of Christ by John the Baptist created between 1350 and 1390 after designs by artist Cesare Nebbia on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a gable with mosaic created between 1350 and 1390 after designs by artist Cesare Nebbia on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a gable with mosaics depicting the life of Mary  created between 1350 and 1390 after designs by artist Cesare Nebbia on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Detail of the door with mosaics depicting the life of Mary  created between 1350 and 1390 after designs by artist Cesare Nebbia on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • close of the doors and Gothic sculptures of  the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Detail of the facade of the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • C.ose up of a gable of the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Facade close up of the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the "Coronation of the Virgin Mary" osaic  in the topmost gable created between 1350 and 1390 after designs by artist Cesare Nebbia. on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Detail of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • The Gothic rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the doorway column sculptures on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the doorway sculptures and mosaics on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Sunset picture of the 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Three quarter view of the 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto at sunset, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto at sunset, designed by Maitani, Umbria, Italy
  • Panorama of the Arcades of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Upper arcades and statue of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the Arcades and corner of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century Romanesque facade of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Upper arcades of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century Romanesque facade and campinale of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Outdoor cafe's in the Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Interior of Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Buildings surrounding the Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Terrace cafe's in the Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • 13th century Romanesque facade & Campinale of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Close up of the Arcades columns & statues of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century Romanesque facade of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Close up of the Arcades of St Michele of the 13th century Romanesque facade of the San Michele in Foro,  a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • 13th century facade and campinale of the San Michele in Foro is a Roman Catholic basilica church in Lucca, Tunscany, Italy
  • Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Buildings surrounding the Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Terrace cafe's in the Piazza dell'Anfiteatro inside the ancinet Roman ampitheatre of Lucca, Tunscany, Italy
  • Romaesque Apse exterior of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Romaesque Apse exterior of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of a Lombard style column, the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of a Labyrinth , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting St Mary and the Apostles , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting the Christ Pantocrator above the Apostles , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures of the typanuim of the main door depicting the Christ Pantocrator above the Apostles , the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures  depicting the life of St Martin and the labours of the year on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval inlay sculpture depicting a Griffin killing a mythical animal on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculptures around the main door depicting the life of St Martin and the seasonal labours of the year on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for January and Feburary and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for June and May and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for August and July and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting the labours for October and september and astrological signs on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture of St Martin expelling an evil demon from a robber on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture of St Martin becoming a monk on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Late medieval relief sculpture depicting St Martin giving his sacred literny on the Facade of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Close up of a13th century Romaesque sculpture of a Lion of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Close up of a13th century Romaesque arcade pillar of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Close up of a13th century Romaesque arcade pillar of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Close up of a13th century Romaesque arcade pillar of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Detail of the 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Painted vaulted ceiling of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • 13th century Romaesque arcade pillars, sculptures and inlaid depictions of animals of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Painted vaulted ceiling of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Fresco on the Interior  of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy
  • Painted vaulted ceiling of the Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy,
  • Medieval Fresco of The Baptism of Christ in Santi Giovanni e Reparata, Lucca, Tunscany, Italy
  • Fresco on the Interior  of the Romanesque Cattedrale di San Martino,  Duomo of Lucca, Tunscany, Italy

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