• Religious murals depicting the Life of St Antonio Abate by Dionisio Baschenis ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals depicting the Life of St Antonio Abate by Dionisio Baschenis ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals depicting the Life of St Antonio Abate by Dionisio Baschenis ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals of Madonna with Child attributed to Antonio Baschenis (C. 1474 -1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals depicting the Crucifiction painted by the  Baschenis family ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious mural of St Christopher with Christ on his shoulders by Dionislo Baschenis, dated 1493, on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious mural of St Christopher with Christ on his shoulders by Dionislo Baschenis, dated 1493, on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals depicting the Life of St Antonio Abate by Dionisio Baschenis ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals by Baschenis family ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals by Baschenis family ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals by Baschenis family ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals by Baschenis family ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals by Baschenis family ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals by Baschenis family ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals by Baschenis family ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals by Baschenis family ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious mural of St Christopher with Christ on his shoulders by Dionislo Baschenis, dated 1493, on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals depicting the Life of St Antonio Abate by Dionisio Baschenis ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals depicting the Life of St Antonio Abate by Dionisio Baschenis ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals depicting the Life of St Antonio Abate by Dionisio Baschenis ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Religious murals depicting the Life of St Antonio Abate by Dionisio Baschenis ( circa 1493) on the exterior of the Gothic Church of San Antonio Abate,  Pelugo, Province of Trento, Italy
  • Fresco of Jesus Christ and the Cross on the church of San Vigilio in Pinzolo, Trentino, Italy
  • Sidamara Sarcophagus,  a 2nd century marble Roman sarcophagus from  Turkey. Istanbul Archaeology Museum.
  • Sidamara Sarcophagus,  a 2nd century marble Roman sarcophagus from  Turkey. Istanbul Archaeology Museum.
  • Sidamara Sarcophagus,  a 2nd century marble Roman sarcophagus from  Turkey. Istanbul Archaeology Museum.
  • Sidamara Sarcophagus,  a 2nd century marble Roman sarcophagus from  Turkey. Istanbul Archaeology Museum.
  • Sidamara Sarcophagus,  a 2nd century marble Roman sarcophagus from Ambararasi (Konya) Turkey. Istanbul Archaeology Museum, Inv 1179T Cat. Mendel 112.
  • Sidamara Sarcophagus,  a 2nd century marble Roman sarcophagus from Ambararasi (Konya) Turkey. Istanbul Archaeology Museum, Inv 1179T Cat. Mendel 112.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Greek relief sculptures of a battle on Alexander The Great ( Alexander III of Macedon )4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Greek relief sculptures on Alexander The Great ( Alexander III of Macedon ) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Greek relief sculptures of a battle on Alexander The Great ( Alexander III of Macedon )4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Greek relief sculpture of a hunt  on Alexander The Great ( Alexander III of Macedon )4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Greek relief sculptures of a battle on Alexander The Great ( Alexander III of Macedon )4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Sarcophagus of The Mourning Women, 4th cent. B.C Greek from the Royal Necropolis of Sidon , Chamber no I, Lebanon, Istanbul Archaeological Museum Inv. 386T  Cat. Mendel 10.
  • Alexander The Great ( Alexander III of Macedon) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Greek relief sculptures on Alexander The Great ( Alexander III of Macedon ) 4th Cent BC. Sarcophagus calved from Pentelic Marble from the Royal Necropolis of Sidon, Chamber no.III, Lebanon. Istanbul Archaeological Museum Inv. 370T Cat. Mendel 68
  • Paris France - Pere La Chaise - cemetry
  • Paris France - Pere La Chaise - Grave of Paris Georges Enesco  (Enescu)
  • Paris France - Pere La Chaise - cemetry
  • Paris France - Pere La Chaise - cemetry
  • Paris France - Pere La Chaise - cemetry
  • Paris France - Pere Lachaise - cemetery
  • Paris France - Pere Lachaise - cemetery
  • Paris France - Pere Lachaise - cemetery
  • Roman marble bust of Commodus as Hercules. Circa191-192 AD found in an underground chamber in the Horti Lamiani area of Rome. The son of Marcus Aurelus is shown with the features of Hercules and is characterised by Greek hero’s attributes: the lion’s skin, the club, the apples of Hesperides. The character is accompanied by fantastic sea creatures in a composition symbolising his apotheosis. The work can be dated to the final period of the life of Commodus, between 191-192 AD. Commodus was one of Rome’s bad crazy Emperors being sadistic and debauched with a harem of 300 concubines to choose from. His favourite role playing character was that of Hercules and Commodus ordered many statues to be made showing him dressed as Hercules with a lion's hide and a club. He thought of himself as the reincarnation of Hercules, frequently emulating the legendary hero's feats by appearing in the arena to fight a variety of wild animals. Commodus raised the ire of many military officials in Rome for his Hercules persona in the arena. Often, wounded soldiers and amputees would be placed in the arena for Commodus to slay with a sword. Commodus's eccentric behaviour would not stop there. Citizens of Rome missing their feet through accident or illness were taken to the arena, where they were tethered together for Commodus to club to death while pretending they were giants.[17] These acts may have contributed to his assassination. Such ruthless antics probably led to the violent death of Commodus when a wrestler assassinated him by strangling him to death. MC.1120 Capitoline Museums, Rome
  • Roman marble bust of Commodus as Hercules. Circa191-192 AD found in an underground chamber in the Horti Lamiani area of Rome. The son of Marcus Aurelus is shown with the features of Hercules and is characterised by Greek hero’s attributes: the lion’s skin, the club, the apples of Hesperides. The character is accompanied by fantastic sea creatures in a composition symbolising his apotheosis. The work can be dated to the final period of the life of Commodus, between 191-192 AD. Commodus was one of Rome’s bad crazy Emperors being sadistic and debauched with a harem of 300 concubines to choose from. His favourite role playing character was that of Hercules and Commodus ordered many statues to be made showing him dressed as Hercules with a lion's hide and a club. He thought of himself as the reincarnation of Hercules, frequently emulating the legendary hero's feats by appearing in the arena to fight a variety of wild animals. Commodus raised the ire of many military officials in Rome for his Hercules persona in the arena. Often, wounded soldiers and amputees would be placed in the arena for Commodus to slay with a sword. Commodus's eccentric behaviour would not stop there. Citizens of Rome missing their feet through accident or illness were taken to the arena, where they were tethered together for Commodus to club to death while pretending they were giants.[17] These acts may have contributed to his assassination. Such ruthless antics probably led to the violent death of Commodus when a wrestler assassinated him by strangling him to death.. MC.1120 Capitoline Museums, Rome
  • Roman marble bust of Commodus as Hercules. Circa191-192 AD found in an underground chamber in the Horti Lamiani area of Rome. The son of Marcus Aurelus is shown with the features of Hercules and is characterised by Greek hero’s attributes: the lion’s skin, the club, the apples of Hesperides. The character is accompanied by fantastic sea creatures in a composition symbolising his apotheosis. The work can be dated to the final period of the life of Commodus, between 191-192 AD. Commodus was one of Rome’s bad crazy Emperors being sadistic and debauched with a harem of 300 concubines to choose from. His favourite role playing character was that of Hercules and Commodus ordered many statues to be made showing him dressed as Hercules with a lion's hide and a club. He thought of himself as the reincarnation of Hercules, frequently emulating the legendary hero's feats by appearing in the arena to fight a variety of wild animals. Commodus raised the ire of many military officials in Rome for his Hercules persona in the arena. Often, wounded soldiers and amputees would be placed in the arena for Commodus to slay with a sword. Commodus's eccentric behaviour would not stop there. Citizens of Rome missing their feet through accident or illness were taken to the arena, where they were tethered together for Commodus to club to death while pretending they were giants.[17] These acts may have contributed to his assassination. Such ruthless antics probably led to the violent death of Commodus when a wrestler assassinated him by strangling him to death.. MC.1120 Capitoline Museums, Rome
  • Roman marble bust of Commodus as Hercules. Circa191-192 AD found in an underground chamber in the Horti Lamiani area of Rome. The son of Marcus Aurelus is shown with the features of Hercules and is characterised by Greek hero’s attributes: the lion’s skin, the club, the apples of Hesperides. The character is accompanied by fantastic sea creatures in a composition symbolising his apotheosis. The work can be dated to the final period of the life of Commodus, between 191-192 AD. Commodus was one of Rome’s bad crazy Emperors being sadistic and debauched with a harem of 300 concubines to choose from. His favourite role playing character was that of Hercules and Commodus ordered many statues to be made showing him dressed as Hercules with a lion's hide and a club. He thought of himself as the reincarnation of Hercules, frequently emulating the legendary hero's feats by appearing in the arena to fight a variety of wild animals. Commodus raised the ire of many military officials in Rome for his Hercules persona in the arena. Often, wounded soldiers and amputees would be placed in the arena for Commodus to slay with a sword. Commodus's eccentric behaviour would not stop there. Citizens of Rome missing their feet through accident or illness were taken to the arena, where they were tethered together for Commodus to club to death while pretending they were giants.[17] These acts may have contributed to his assassination. Such ruthless antics probably led to the violent death of Commodus when a wrestler assassinated him by strangling him to death. MC.1120 Capitoline Museums, Rome
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St Sylvester.  Bottom left - The young Sylvester presented by his mother to the priest Cyrinus, bottom right - Sylvester welcoming St Timothy to his house. Bottom side panels right - above right - Execution of St Timothy , side panel left - Death of the prefect Tarquin, who chokes on a fish bone. Two centre panels, left- Funeral of St Timothy, right - Sylvester refusing the prefect's orders to worship an idol. Top central oval panel - Sylvester released from prison by Pope Melchiades. Above left - People beg Sylvester (holding book) to become a deacon, above right - Sylvester is ordained by Melchiades as deacon. Top side panel , right - After the death of Melchiades Sylvester installed as Pope, left - Emperor Constantine falls ill (note doctor with urine flask). Top two panels - left -  Constantine orders sacrifices to an idol, right - Pope Sylvester and his followers flee persecution. Top central oval panel - Soldiers about to prepare a bath with the blood of 3000 children. A UNESCO World Heritage Site.
  • Roman marble bust of Commodus as Hercules. Circa191-192 AD found in an underground chamber in the Horti Lamiani area of Rome. The son of Marcus Aurelus is shown with the features of Hercules and is characterised by Greek hero’s attributes: the lion’s skin, the club, the apples of Hesperides. The character is accompanied by fantastic sea creatures in a composition symbolising his apotheosis. The work can be dated to the final period of the life of Commodus, between 191-192 AD.Commodus was one of Rome’s bad crazy Emperors being sadistic and debauched with a harem of 300 concubines to choose from. His favourite role playing character was that of Hercules and Commodus ordered many statues to be made showing him dressed as Hercules with a lion's hide and a club. He thought of himself as the reincarnation of Hercules, frequently emulating the legendary hero's feats by appearing in the arena to fight a variety of wild animals. Commodus raised the ire of many military officials in Rome for his Hercules persona in the arena. Often, wounded soldiers and amputees would be placed in the arena for Commodus to slay with a sword. Commodus's eccentric behaviour would not stop there. Citizens of Rome missing their feet through accident or illness were taken to the arena, where they were tethered together for Commodus to club to death while pretending they were giants.[17] These acts may have contributed to his assassination. Such ruthless antics probably led to the violent death of Commodus when a wrestler assassinated him by strangling him to death. MC.1120 Capitoline Museums, Rome
  • Roman Portrait bust of Roman Emperor Commodus, circa 180 AD excavated from Albano Laziale. Roman Emperor from 180 to 192 AD. Commodus also ruled as co-emperor with his father Marcus Aurelius from 177 until his father's death in 180 AD.. The National Roman Museum, Rome, Italy
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • 11th Century Medieval Bayeux Tapestry - Scene 52 - Death of Harold brothers, Lewine and Gyrd. Battle of Hastings 1066
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the right wall is a scene with protraits of the dead buried in the tomb followed by a female demon of death carrying a torch to light the way to the after life. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the right wall is a scene with protraits of the dead buried in the tomb followed by a female demon of death carrying a torch to light the way to the after life. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Detail of the Roman fresco wall painting of all the characters in the story of Admetus who, aided by Apollo made the Fates agree not to take Admetus on his 'death day' if he could find someone else to replace him, his wife, Alcestis, dies instead of Admetus but as she decends into the Underworld he discovers that he no longer wants to live without her, Pompeii House of the Tragic Poet , inv 9026, Naples National Archaeological Museum, white background
  • Detail of the Roman fresco wall painting of all the characters in the story of Admetus who, aided by Apollo made the Fates agree not to take Admetus on his 'death day' if he could find someone else to replace him, his wife, Alcestis, dies instead of Admetus but as she decends into the Underworld he discovers that he no longer wants to live without her, Pompeii House of the Tragic Poet, inv 9026, Naples National Archaeological Museum, grey background
  • Detail of the Roman fresco wall painting of all the characters in the story of Admetus who, aided by Apollo made the Fates agree not to take Admetus on his 'death day' if he could find someone else to replace him, his wife, Alcestis, dies instead of Admetus but as she decends into the Underworld he discovers that he no longer wants to live without her, Pompeii House of the Tragic Poet, inv 9026, Naples National Archaeological Museum, black background
  • Detail of the Roman fresco wall painting of all the characters in the story of Admetus who, aided by Apollo made the Fates agree not to take Admetus on his 'death day' if he could find someone else to replace him, his wife, Alcestis, dies instead of Admetus but as she decends into the Underworld he discovers that he no longer wants to live without her, Pompeii House of the Tragic Poet, inv 9026, Naples National Archaeological Museum, grey art background
  • Medieval Gothic gold leaf funerary mask, end of 13th century made in Limoges. AD. From the Priory of Papillaye, Maine et Loire, the death mask came from the tomb of Herbert Lasnier who died in 1290. inv 6485, The Louvre Museum, Paris.
  • Medieval Gothic gold leaf funerary mask, end of 13th century made in Limoges. AD. From the Priory of Papillaye, Maine et Loire, the death mask came from the tomb of Herbert Lasnier who died in 1290. inv 6485, The Louvre Museum, Paris.
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman Portrait bust of Roman Emperor Commodus, circa 180 AD excavated from the ancient market, Rome. Roman Emperor from 180 to 192 AD. Commodus also ruled as co-emperor with his father Marcus Aurelius from 177 until his father's death in 180 AD.. The National Roman Museum, Rome, Italy
  • Roman Portrait bust of Roman Emperor Commodus, circa 180 AD excavated from the ancient market, Rome. Roman Emperor from 180 to 192 AD. Commodus also ruled as co-emperor with his father Marcus Aurelius from 177 until his father's death in 180 AD.. The National Roman Museum, Rome, Italy
  • Roman Portrait bust of Roman Emperor Commodus, circa 180 AD excavated from Albano Laziale. Roman Emperor from 180 to 192 AD. Commodus also ruled as co-emperor with his father Marcus Aurelius from 177 until his father's death in 180 AD.. The National Roman Museum, Rome, Italy
  • Roman Portrait bust of Roman Emperor Commodus, circa 180 AD excavated from Albano Laziale. Roman Emperor from 180 to 192 AD. Commodus also ruled as co-emperor with his father Marcus Aurelius from 177 until his father's death in 180 AD.. The National Roman Museum, Rome, Italy
  • Roman Portrait bust of Roman Emperor Commodus, circa 180 AD excavated from Albano Laziale. Roman Emperor from 180 to 192 AD. Commodus also ruled as co-emperor with his father Marcus Aurelius from 177 until his father's death in 180 AD.. The National Roman Museum, Rome, Italy
  • Lucanian fresco tomb painting of the deceased on her death bed ( porthesis). Paestrum, Andriuolo. Tomb 86 ( 330-320 BC )
  • Photo of Roman releif sculpture of Emperor Claudius About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Naked warrior Claudius id about to deliver the death blow to Britanica.
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • 11th Century Medieval Bayeux Tapestry - Scene 52 - Death of Harold brothers, Lewine and Gyrd. Battle of Hastings 1066
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family arounf the death bed of an old man sculpted in Borgeoise Realistic style by A Rivalta in 1872.  The Raggio family tomb, Scection D no 10, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family arounf the death bed of an old man sculpted in Borgeoise Realistic style by A Rivalta in 1872.  The Raggio family tomb, Scection D no 10, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel guarding the pyramid shaped tomb with some Egyptian symbols of death which increases the sense of mystery. Tomb Gorlero sculptor E. Sclavi 1892. Section A, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel guarding the pyramid shaped tomb with some Egyptian symbols of death which increases the sense of mystery. Tomb Gorlero sculptor E. Sclavi 1892. Section A, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • 11the Century Medieval Bayeux Tapestry - Scene 52 - Death of Harold brothers, Lewine and Gyrd.
  • Underground Etruscan tomb no 5636 made about 1second half of the 3rd century BC. This tomb has a flat roof and stone benches on each side. On the right wall is a scene with protraits of the dead buried in the tomb followed by a female demon of death carrying a torch to light the way to the after life. Excavated 1969 , Etruscan Necropolis of Monterozzi, Monte del Calvario, Tarquinia, Italy. A UNESCO World Heritage Site.
  • Detail of the Roman fresco wall painting of all the characters in the story of Admetus who, aided by Apollo made the Fates agree not to take Admetus on his 'death day' if he could find someone else to replace him, his wife, Alcestis, dies instead of Admetus but as she decends into the Underworld he discovers that he no longer wants to live without her, Pompeii House of the Tragic Poet, inv 9026, Naples National Archaeological Museum, art background
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman Portrait bust of Roman Emperor Commodus, circa 180 AD excavated from the ancient market, Rome. Roman Emperor from 180 to 192 AD. Commodus also ruled as co-emperor with his father Marcus Aurelius from 177 until his father's death in 180 AD.. The National Roman Museum, Rome, Italy
  • Roman Portrait bust of Roman Emperor Commodus, circa 180 AD excavated from the ancient market, Rome. Roman Emperor from 180 to 192 AD. Commodus also ruled as co-emperor with his father Marcus Aurelius from 177 until his father's death in 180 AD.. The National Roman Museum, Rome, Italy
  • Roman Portrait bust of Roman Emperor Commodus, circa 180 AD excavated from the ancient market, Rome. Roman Emperor from 180 to 192 AD. Commodus also ruled as co-emperor with his father Marcus Aurelius from 177 until his father's death in 180 AD.. The National Roman Museum, Rome, Italy
  • Roman Portrait bust of Roman Emperor Commodus, circa 180 AD excavated from Albano Laziale. Roman Emperor from 180 to 192 AD. Commodus also ruled as co-emperor with his father Marcus Aurelius from 177 until his father's death in 180 AD.. The National Roman Museum, Rome, Italy
  • Lucanian fresco tomb painting of the deceased on her death bed ( porthesis). Paestrum, Andriuolo. Tomb 86 ( 330-320 BC )
  • Lucanian fresco tomb painting of the deceased on her death bed ( porthesis). Paestrum, Andriuolo. Tomb 86 ( 330-320 BC )
  • Photo of Roman releif sculpture of Emperor Claudius About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Naked warrior Claudius id about to deliver the death blow to Britanica.
  • Detail from the  Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Corinthian capital from the Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . Pergamon (Bergama) Archaeological Site, Turkey
  • Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Pillars of the Greco - Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Guardian Sphinxes, part lion & part sphinx from the gable end of a vaulted Lycian sarcophagus from the Heros of the Acropolis (Building H Xanthos). The sphinx was linked to death and above each sphinx is a lion, a guardian of the dead.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-24-25 sculpture B 290.
  • Photo of Roman releif sculpture of Emperor Claudius About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Naked warrior Claudius id about to deliver the death blow to Britanica.   From The South Building, Rooms 1-3, Mythological Releifs.
  • Photo of Roman releif sculpture of Emperor Claudius About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Naked warrior Claudius id about to deliver the death blow to Britanica.   From The South Building, Rooms 1-3, Mythological Releifs.
  • Guardian Sphinxes, part lion & part sphinx from the gable end of a vaulted Lycian sarcophagus from the Heros of the Acropolis (Building H Xanthos). The sphinx was linked to death and above each sphinx is a lion, a guardian of the dead.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-24-25 sculpture B 290.
  • Guardian Sphinxes, part lion & part sphinx from the gable end of a vaulted Lycian sarcophagus from the Heros of the Acropolis (Building H Xanthos). The sphinx was linked to death and above each sphinx is a lion, a guardian of the dead.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-24-25 sculpture B 290.
  • Guardian Sphinxes, part lion & part sphinx from the gable end of a vaulted Lycian sarcophagus from the Heros of the Acropolis (Building H Xanthos). The sphinx was linked to death and above each sphinx is a lion, a guardian of the dead.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-24-25 sculpture B 290.
  • Guardian Sphinxes, part lion & part sphinx from the gable end of a vaulted Lycian sarcophagus from the Heros of the Acropolis (Building H Xanthos). The sphinx was linked to death and above each sphinx is a lion, a guardian of the dead.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-24-25 sculpture B 290.
  • Photo of Roman releif sculpture of Emperor Claudius About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints. Naked warrior Claudius id about to deliver the death blow to Britanica.   From The South Building, Rooms 1-3, Mythological Releifs.
  • Guardian Sphinxes, part lion & part sphinx from the gable end of a vaulted Lycian sarcophagus from the Heros of the Acropolis (Building H Xanthos). The sphinx was linked to death and above each sphinx is a lion, a guardian of the dead.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-24-25 sculpture B 290.
  • Guardian Sphinxes, part lion & part sphinx from the gable end of a vaulted Lycian sarcophagus from the Heros of the Acropolis (Building H Xanthos). The sphinx was linked to death and above each sphinx is a lion, a guardian of the dead.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-24-25 sculpture B 290.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic  over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Roman Sebasteion relief  sculpture of emperor Claudius and Britannia, Aphrodisias Museum, Aphrodisias, Turkey.   Against a white background.<br />
<br />
Naked warrior emperor Claudius is about to deliver a death blow to the slumped Britannia. He wears a helmet, cloak and sword belt with a scabbard. Britannia wears a tunic with one breast exposed like the Amazon figures she was modelled on. The inscription reads: Tiberios Klaudios Kaiser - Bretannia.
  • Roman Sebasteion relief  sculpture of emperor Claudius and Britannia, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
Naked warrior emperor Claudius is about to deliver a death blow to the slumped Britannia. He wears a helmet, cloak and sword belt with a scabbard. Britannia wears a tunic with one breast exposed like the Amazon figures she was modelled on. The inscription reads: Tiberios Klaudios Kaiser - Bretannia.
  • Roman Sebasteion relief  sculpture of emperor Claudius and Britannia, Aphrodisias Museum, Aphrodisias, Turkey.  Against an art background.<br />
<br />
Naked warrior emperor Claudius is about to deliver a death blow to the slumped Britannia. He wears a helmet, cloak and sword belt with a scabbard. Britannia wears a tunic with one breast exposed like the Amazon figures she was modelled on. The inscription reads: Tiberios Klaudios Kaiser - Bretannia.
  • Roman Sebasteion relief sculpture of emperor Claudius and Britannia, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
Naked warrior emperor Claudius is about to deliver a death blow to the slumped Britannia. He wears a helmet, cloak and sword belt with a scabbard. Britannia wears a tunic with one breast exposed like the Amazon figures she was modelled on. The inscription reads: Tiberios Klaudios Kaiser - Bretannia.
  • Picture and image of the stone sculpture commissioned by Luigi Parpaglioni, a rich trader coming from the Lombardy, because of his daughter’s death. The funery monument depicts  flying angel going before the soul who is rising up to the sky.  This romantic style is typical of the pre raphilites and although realistic the style is a little stilted. The Papaglioni tomb became popular and was copied by sculptors in many other countries.  Tomb Parpaglioni sculptor F. Fabiani 1884. Section A, no 35, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Painted colour verion of a Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Roman Temple of Trajan, started by Trajan but after his death Emperor Hadrian (117-138) . A Corinthian order temple on a terrace with dimensions of 68 × 58 m (223.10 ft × 190.29 ft). Pergamon (Bergama) Archaeological Site, Turkey
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman marble portrait bust of Matidia circa119 AD from Via Giolitti, Rome. Matidia was Sabina’s mother and Hadrian’s wife. The high level of idealisation of the portrait suggests that it was made after her death. Capitoline Museums, Rome
  • Roman bust of Socrates, 1st cent AD from the construction site of the monument to Vitorio Emanuel II,  Rome, Italy. This portrait of Socrates is similar to the Herm of Socrates from the Naples National Museum. In xenophon’s Symposium socrates is described as ‘Short body with wide shoulders, prominent belly, aquiline nose, thick wide mouth and head almost completely bold. In 399 BC the famous Athenian philosopher was condemned to death for impiety and corruption. Inv 1236, National Roman Museum, Rome.
  • Roman bust of Socrates, 1st cent AD from the construction site of the monument to Vitorio Emanuel II,  Rome, Italy. This portrait of Socrates is similar to the Herm of Socrates from the Naples National Museum. In xenophon’s Symposium socrates is described as ‘Short body with wide shoulders, prominent belly, aquiline nose, thick wide mouth and head almost completely bold. In 399 BC the famous Athenian philosopher was condemned to death for impiety and corruption. Inv 1236, National Roman Museum, Rome.
  • Roman bust of Socrates, 1st cent AD from the construction site of the monument to Vitorio Emanuel II,  Rome, Italy. This portrait of Socrates is similar to the Herm of Socrates from the Naples National Museum. In xenophon’s Symposium socrates is described as ‘Short body with wide shoulders, prominent belly, aquiline nose, thick wide mouth and head almost completely bold. In 399 BC the famous Athenian philosopher was condemned to death for impiety and corruption. Inv 1236, National Roman Museum, Rome.
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman sculpture bust of Publius Septimius Antoninus Geta better known as Geta brother of Caracalla, made between 209 and 212 AD and excavated from the via XX Septembre, Rome. Geta was the younger son of Septimius Severus by his second wife Julia Domna. Geta  was a Roman emperor who ruled with his father Septimius Severus and his older brother Caracalla from 209 until his death, when he was murdered on Caracalla's orders.  The National Roman Museum, Rome, Italy
  • Roman sculpture bust of Marcus Aurelius Severus Antoninus Augustus better known as Caracalla, made between 210 and 213 AD and excavated from the via Cassia, Rome. The realism of this  sculpture of Caracalla captures cruelty of the most notorious and unpleasant of emperors because of the massacres and persecutions he authorized and instigated throughout the Roman Empire. The eldest son of Septimius Severus, he reigned jointly with his father from 198 until Severus' death in 211. For a short time he then ruled jointly with his younger brother Geta until he had him murdered later in 211. Caracalla's reign was also notable for the Constitutio Antoniniana  granting Roman citizenship to all freemen throughout the Roman Empire. While travelling from Edessa to continue the war with Parthia, he was assassinated while urinating at a roadside near Carrhae on 8 April 217, by Julius Martialis, an officer of his personal bodyguard who was possibly resentful at not being promoted to the rank of centurion.  The National Roman Museum, Rome, Italy
  • Roman Portrait bust of Roman Emperor Commodus, circa 180 AD excavated from Albano Laziale. Roman Emperor from 180 to 192 AD. Commodus also ruled as co-emperor with his father Marcus Aurelius from 177 until his father's death in 180 AD.. The National Roman Museum, Rome, Italy
  • The Kilamuwa Stela a stele of King Kilamuwa, from the Kingdom of Sam'al. The stele is a 16-line text in Phoenician. King Kilamuwa is shown standing on the upper left and addressing four Canaanite god-insignias with his right arm and finger. His left hand is draped at his left side holding a wilted lotus flower, a symbol of a king's death. He is dressed in king's regalia with hat, and his figure stands at the beginning of the first nine lines of the text.. Basalt  9th-century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.  The text reads "I am Kilamuwa, the son of King Haya'. King Gabar reigned over Ya'diya-(Sam'al) but achieved nothing.<br />
Then came Bamah, and he achieved nothing.<br />
My own father, Haya', did nothing with his reign.<br />
My brother, Sha'il, also did nothing.<br />
It was I, Kilamuwa...who managed to do what none of my ancestors had.<br />
My father's kingdom was beset by powerful, predatory kings, all holding out their hands, demanding to be fed.<br />
But I raged amongst them like a fire, burning their beards and consuming their outstretched hands.<br />
Only the Danunian kings overmastered me; I had to call on the King of Assyria to assist me...<br />
I, Kilamuwa, the son of Haya', ascended my father's throne.<br />
Under their previous kings, the [people] had howled like dogs.<br />
But I was a father, a mother and a brother to them.<br />
I gave gold, silver and cattle to men who had never so much as seen the face of a sheep before.<br />
Those who had never even seen linen all their lives I clothed in byssus-cloth from head to foot.<br />
I took the [people] by the hand and in their souls they looked to me just as the orphan looks to his mother."<br />
"Whoever of my sons comes after me and interferes with this inscription, may he be dishonoured among the people...<br />
And if anyone should damage this inscription,<br />
Let Gabar's god Ba'al-Samad destroy his head,<br />
And let Bamah's god Ba'al Hamon destroy his head..."<br />
Together with Reχub-ʾEl, the Lord of the Palace
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Roman bust of Socrates, 1st cent AD from the construction site of the monument to Vitorio Emanuel II,  Rome, Italy. This portrait of Socrates is similar to the Herm of Socrates from the Naples National Museum. In xenophon’s Symposium socrates is described as ‘Short body with wide shoulders, prominent belly, aquiline nose, thick wide mouth and head almost completely bold. In 399 BC the famous Athenian philosopher was condemned to death for impiety and corruption. Inv 1236, National Roman Museum, Rome.
  • Roman statue in the nude hero style of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman portrait bust of Emperor Antoninus Pius, 138-161 AD. Titus Fulvius Aelius Hadrianus Antoninus Augustus Pius, also known as Antoninus, was Roman Emperor from 138 to 161. He was a member of the Nerva–Antonine dynasty and the Aurelii.[3]<br />
He acquired the name Pius after his accession to the throne, either because he compelled the Senate to deify his adoptive father Hadrian, or because he had saved senators sentenced to death by Hadrian in his later years. The National Roman Museum, Rome, Italy
  • Roman sculpture bust of Publius Septimius Antoninus Geta better known as Geta brother of Caracalla, made between 209 and 212 AD and excavated from the via XX Septembre, Rome. Geta was the younger son of Septimius Severus by his second wife Julia Domna. Geta  was a Roman emperor who ruled with his father Septimius Severus and his older brother Caracalla from 209 until his death, when he was murdered on Caracalla's orders.  The National Roman Museum, Rome, Italy
  • Roman sculpture bust of Marcus Aurelius Severus Antoninus Augustus better known as Caracalla, made between 210 and 213 AD and excavated from the via Cassia, Rome. The realism of this  sculpture of Caracalla captures cruelty of the most notorious and unpleasant of emperors because of the massacres and persecutions he authorized and instigated throughout the Roman Empire. The eldest son of Septimius Severus, he reigned jointly with his father from 198 until Severus' death in 211. For a short time he then ruled jointly with his younger brother Geta until he had him murdered later in 211. Caracalla's reign was also notable for the Constitutio Antoniniana  granting Roman citizenship to all freemen throughout the Roman Empire. While travelling from Edessa to continue the war with Parthia, he was assassinated while urinating at a roadside near Carrhae on 8 April 217, by Julius Martialis, an officer of his personal bodyguard who was possibly resentful at not being promoted to the rank of centurion.  The National Roman Museum, Rome, Italy
  • Roman sculpture bust of Marcus Aurelius Severus Antoninus Augustus better known as Caracalla, made between 210 and 213 AD and excavated from the via Cassia, Rome. The realism of this  sculpture of Caracalla captures cruelty of the most notorious and unpleasant of emperors because of the massacres and persecutions he authorized and instigated throughout the Roman Empire. The eldest son of Septimius Severus, he reigned jointly with his father from 198 until Severus' death in 211. For a short time he then ruled jointly with his younger brother Geta until he had him murdered later in 211. Caracalla's reign was also notable for the Constitutio Antoniniana  granting Roman citizenship to all freemen throughout the Roman Empire. While travelling from Edessa to continue the war with Parthia, he was assassinated while urinating at a roadside near Carrhae on 8 April 217, by Julius Martialis, an officer of his personal bodyguard who was possibly resentful at not being promoted to the rank of centurion.  The National Roman Museum, Rome, Italy
  • Roman sculpture bust of Marcus Aurelius Severus Antoninus Augustus better known as Caracalla, made between 210 and 213 AD and excavated from the via Cassia, Rome. The realism of this  sculpture of Caracalla captures cruelty of the most notorious and unpleasant of emperors because of the massacres and persecutions he authorized and instigated throughout the Roman Empire. The eldest son of Septimius Severus, he reigned jointly with his father from 198 until Severus' death in 211. For a short time he then ruled jointly with his younger brother Geta until he had him murdered later in 211. Caracalla's reign was also notable for the Constitutio Antoniniana  granting Roman citizenship to all freemen throughout the Roman Empire. While travelling from Edessa to continue the war with Parthia, he was assassinated while urinating at a roadside near Carrhae on 8 April 217, by Julius Martialis, an officer of his personal bodyguard who was possibly resentful at not being promoted to the rank of centurion.  The National Roman Museum, Rome, Italy
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Nymph with a shell ( Nymphe a la coquille ) a 1st century marble statue from Italy which was part of the Borghese collection . Louvre Museum, Paris Cat No MR 309. <br />
The Nymph with a shell statue was much admired in the 17th century and influenced such art its as Velasquez. The statue symbolises a carefree childhood and the fact that terracotta versions have been found in tombs suggests that the statue was associated with the injustice of death or of a rebirth.
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St John The Evangelist. Bottom panel - Flight into Egypt . Above left - Armourers making shields and saddles, above right - Armourers making stirrups. Central panel - Death of Satheus, above left - John's journey into exile on Patmos, above right - St John on Patmos. A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to St John The Evangelist. Bottom left - Armourers making shields and saddles, above right - Armourers making stirrups. Central bottom panel - Death of Satheus, above left - John's journey into exile on Patmos, above right - St John on Patmos. Central top panel - St John confronting Aristodemus, above left and right - The raising of Drusiana . A UNESCO World Heritage Site..
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Life of St Mary Magdalen. Central panel - bottom left - Mary washing Christ's feet in the house of Simon the Pharisee, bottom right - Death of Lazarus, top left - Their neighbours try to console Mary and Martha, top right - Funeral of Lazarus.  A UNESCO World Heritage Site..
  • Guardian Sphinxes, part lion & part sphinx from the gable end of a vaulted Lycian sarcophagus from the Heros of the Acropolis (Building H Xanthos). The sphinx was linked to death and above each sphinx is a lion, a guardian of the dead.  From Xanthos, UNESCO World Heritage site, south west Turkey. A British Museum exhibit GR 1848-10-20-24-25 sculpture B 290.
  • Panoramic view of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic view of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic view of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic of the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Roman Sebasteion relief  sculpture of emperor Claudius and Britannia, Aphrodisias Museum, Aphrodisias, Turkey. <br />
<br />
Naked warrior emperor Claudius is about to deliver a death blow to the slumped Britannia. He wears a helmet, cloak and sword belt with a scabbard. Britannia wears a tunic with one breast exposed like the Amazon figures she was modelled on. The inscription reads: Tiberios Klaudios Kaiser - Bretannia.
  • Roman Sebasteion relief  sculpture of emperor Claudius and Britannia, Aphrodisias Museum, Aphrodisias, Turkey.  Against a grey background.<br />
<br />
Naked warrior emperor Claudius is about to deliver a death blow to the slumped Britannia. He wears a helmet, cloak and sword belt with a scabbard. Britannia wears a tunic with one breast exposed like the Amazon figures she was modelled on. The inscription reads: Tiberios Klaudios Kaiser - Bretannia.
  • Roman Sebasteion relief  sculpture of emperor Claudius and Britannia, Aphrodisias Museum, Aphrodisias, Turkey.   Against a black background.<br />
<br />
Naked warrior emperor Claudius is about to deliver a death blow to the slumped Britannia. He wears a helmet, cloak and sword belt with a scabbard. Britannia wears a tunic with one breast exposed like the Amazon figures she was modelled on. The inscription reads: Tiberios Klaudios Kaiser - Bretannia.

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