• Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian grey ceramic vessel with a strainer and long spout from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta large jug with handles, decorated with animals, from Gordion. Phrygian Collection, 6th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian grey ceramic vessel with a strainer and long spout from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian grey ceramic vessel with a strainer and long spout from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian grey ceramic vessel with a strainer and long spout from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian grey ceramic vessel with a strainer and long spout from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian bronze fibula from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian bronze fibula from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian bronze fibula from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian grey ceramic rhython in the shape of a goat from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian bronze fibula from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian bronze fibula from Gordion. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara Turkey. Against a black background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta amphora decorated with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.  Against a grey background
  • Phrygian terra cotta jug with geometric designs from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian pottery vessel in the shape of a goose decorated with geometric deigns from Gordion. Phrygian Collection, 8th century BC - Ancora Archaeological MuseumMuseum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian terra cotta pottery vessel with a strainer and long pouring lip, decorated with geometric designs and images of animals and birds, from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian terra Cotta vessel with a strainer and a long pouring lip with geometric painted patterns from Gordion. Phrygian Collection, 9th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey.
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against an art background
  • Phrygian decorated  terra cotta pottery  rhyton in the shape of a ram from Gordion. Phrygian Collection, 8th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a grey background
  • Phrygian inlayed Wooden Screen from the Gordion Great Tumulus. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a black background
  • Phrygian inlayed Wooden Screen from the Gordion Great Tumulus. Phrygian Collection, 8th-7th century BC - Museum of Anatolian Civilisations Ankara. Turkey. Against a white background
  • Greek  Hellenistic marble statue of Apollo, God of light, fine arts & prophecy, 2nd cent. B.C.  Istanbul Archaeological museum Inv 383 T.  Cat. Mendel 548
  • Greek  Hellenistic marble statue of Apollo, God of light, fine arts & prophecy, 2nd cent. B.C.  Istanbul Archaeological museum Inv 383 T.  Cat. Mendel 548
  • Greek  Hellenistic marble statue of Apollo, God of light, fine arts & prophecy, 2nd cent. B.C.  Istanbul Archaeological museum Inv 383 T.  Cat. Mendel 548
  • Greek  Hellenistic marble statue of Apollo, God of light, fine arts & prophecy, 2nd cent. B.C.  Istanbul Archaeological museum Inv 383 T.  Cat. Mendel 548
  • Greek Late Hellenistic marble statue of Baeria, from Magnesia AD Maeandrum ( Menderes Manisasi ), temple of Athens, Turkey. Mid 1st cent. B.C .  Istanbul Archaeological museum Inv 605 T.  Cat. Mendel 550
  • Greek Late Hellenistic marble statue of Baeria, from Magnesia AD Maeandrum ( Menderes Manisasi ), temple of Athens, Turkey. Mid 1st cent. B.C .  Istanbul Archaeological museum Inv 605 T.  Cat. Mendel 550
  • Greek Late Hellenistic marble statue of Baeria, from Magnesia AD Maeandrum ( Menderes Manisasi ), temple of Athens, Turkey. Mid 1st cent. B.C .  Istanbul Archaeological museum Inv 605 T.  Cat. Mendel 550
  • Greek Late Hellenistic marble statue of Baeria, from Magnesia AD Maeandrum ( Menderes Manisasi ), temple of Athens, Turkey. Mid 1st cent. B.C .  Istanbul Archaeological museum Inv 605 T.  Cat. Mendel 550
  • Greek marble Statue of Hermaphroditius ( Hermaphrodites) a mythical being that has both male & female characteristics. From Pergamum (Bergama) Turkey. Istanbul Archaeology Museum, Inv 363T Cat. Mendel 624.
  • Greek marble Statue of Hermaphroditius ( Hermaphrodites) a mythical being that has both male & female characteristics. From Pergamum (Bergama) Turkey. Istanbul Archaeology Museum, Inv 363T Cat. Mendel 624.
  • Greek marble Statue of Hermaphroditius ( Hermaphrodites) a mythical being that has both male & female characteristics. From Pergamum (Bergama) Turkey. Istanbul Archaeology Museum, Inv 363T Cat. Mendel 624.
  • Greek marble Statue of Hermaphroditius ( Hermaphrodites) a mythical being that has both male & female characteristics. From Pergamum (Bergama) Turkey. Istanbul Archaeology Museum, Inv 363T Cat. Mendel 624.
  • Late  Greek Archaic relief sculpture in Proconnesian Marble of a charioteer ( Last quarter 6th Cent. B.C) From Cyzicus, ( Erdek formerly Artàke, Αρτάκη in Greek) on the southern shore of the sea of Marmara, Turkey. Istanbul Archaeological Museum Inv. 2813T Cat. Bursa M.1.
  • Late  Greek Archaic relief sculpture in Proconnesian Marble of a charioteer ( Last quarter 6th Cent. B.C) From Cyzicus, ( Erdek formerly Artàke, Αρτάκη in Greek) on the southern shore of the sea of Marmara, Turkey. Istanbul Archaeological Museum Inv. 2813T Cat. Bursa M.1.
  • Late  Greek Archaic relief sculpture in Proconnesian Marble of a charioteer ( Last quarter 6th Cent. B.C) From Cyzicus, ( Erdek formerly Artàke, Αρτάκη in Greek) on the southern shore of the sea of Marmara, Turkey. Istanbul Archaeological Museum Inv. 2813T Cat. Bursa M.1.
  • Late  Greek Archaic relief sculpture in Proconnesian Marble of a charioteer ( Last quarter 6th Cent. B.C) From Cyzicus, ( Erdek formerly Artàke, Αρτάκη in Greek) on the southern shore of the sea of Marmara, Turkey. Istanbul Archaeological Museum Inv. 2813T Cat. Bursa M.1.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum Assyrian  Archaeological exhibit.
  • Lely's Venus (Aphrodite). 1st or 2nd cent. AD Roman copy of a Greek original. The goddess Venus id surprised whilst bathing and she nervously turns. Her hair is in the style typical of the time and her pose has been designed to be unrevealing from any angle.  British Museum exhibit, London.<br />
<br />
This sculpture  is a variation on the Classic Hellanistic 3rd to Ist century BC style of Aphrodite crouching to bathe. Aphrodite crouches with her right knee close to the ground, turns her head to the right and, in most versions, reaches her right arm over to her left shoulder to cover her breasts. The sculpture here changes the pattern by raising the right arm to the neck, rather than making her arm cross her chest, this flattens the composition.
  • Church of Santa Maria Dell'Ammiraglo, Palermo, Sicily
  • Church of Santa Maria Dell'Ammiraglo, Palermo, Sicily
  • Church of Santa Maria Dell'Ammiraglo, Palermo, Sicily
  • Church of Santa Maria Dell'Ammiraglo, Palermo, Sicily
  • Church of Santa Maria Dell'Ammiraglo, Palermo, Sicily
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows scenes from the life of Achilles and bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, TurkeyRoman relief sculpted sarcophagus of Achilles from Attica. This side shows two griffin and  bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey. Against a black background
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Roman statue of an African Acrobat from early Imperial period excavated from the Villa Patrizi, via Nomentana, Rome, Italy. A young African performs an acrobatic trick very similar to those performed by tribal members from an area of the Nile, the Tentyitae (described by Pliny in Naturalis Historia), where skilled divers dive into the water from the backs of crocodiles. The work is based on a hellenistic original and here has beed adapted for the Roman period as a fountain decoration. The hole in the acrobats mouth is a water spout.  Inv 40009, The National Roman Museum, Rome, Italy  The National Roman Museum, Rome, Italy
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey<br />
<br />
During the iconoclastic period (725-842) it was forbidden to depict any religious figures in the Orthodox Church so interiors were decorated with simple red and white geometric patterns and crosses.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Pictures & images of interior cave rooms of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey
  • Pictures & images of the extreior of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey
  • Pictures & images of the extreior of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows two griffin and  bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey.
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows two griffin and  bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey.
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows two griffin and  bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey.
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows scenes from the life of Achilles and bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows scenes from the life of Achilles and bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey. Against a warm art background
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows scenes from the life of Achilles and bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey
  • Neo Hittite Period Hieroglyphic inscription on a stone orthostat - Anatolian Civilisations Museum, Ankara, Turkey. Against a black background.
  • Neo Hittite Period Hieroglyphic inscription on a stone orthostat - Anatolian Civilisations Museum, Ankara, Turkey.
  • Hittite bronze figure with a mask, Hittite Period. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite bronze figure with a mask, Hittite Period. Adana Archaeology Museum, Turkey.
  • Painted colour verion of 2nd century AD Roman marble sculpture of Harmodius  from the Tyrannicide group,  a Roman copy of an early classical period Geek original, inv 6009, Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculpture of Harmodius  from the Tyrannicide group,  a Roman copy of an early classical period Geek original, inv 6009, Naples Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculpture of Harmodius  from the Tyrannicide group,  a Roman copy of an early classical period Geek original, inv 6009, Museum of Archaeology, Italy
  • Second century AD Roman statue of Urania holding, the muse of atronomy holding  a globe, the statue was restored from two separte staues of the period, inv 293, Vatican Museum Rome, Italy,  grey background
  • Second century AD Roman statue of Urania holding, the muse of atronomy holding  a globe, the statue was restored from two separte staues of the period, inv 293, Vatican Museum Rome, Italy,  grey art background
  • 1st century AD Roman statue of Silenus pouring wine from a jug. The head is from the Flavian period and the body 1st century. A copy of an earlier Hwellenistic sculpture by the school of Lysippus, inv 323, Vatican Museum Rome, Italy,  art background
  • 1st century AD Roman statue of Silenus pouring wine from a jug. The head is from the Flavian period and the body 1st century. A copy of an earlier Hwellenistic sculpture by the school of Lysippus, inv 323, Vatican Museum Rome, Italy,  grey art background
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, from a house in the Insula Occidentalis at Pompeii , inv 9058 , Naples National Archaeological Museum , grey background
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, from a house in the Insula Occidentalis at Pompeii , inv 9058 , Naples National Archaeological Museum , white background
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, from a house in the Insula Occidentalis at Pompeii , inv 9058 , Naples National Archaeological Museum
  • Egyptian funerary Stele from the New Kingdom Period, 1550-1070 B.C, from Thebes (Luxor). The stele is from a carpenters grave a shows at the top left sitting with his wife Amon-Mose holding a chisel between 2 wheat heads. Opposite them their son Honsu is offering a present to both. On the right Neferonpet is making an offering to his parents. At the bottom a sitting couple are offered presents by their sons & daughters. Istanbul Archaeological Museum Inv. no 10865
  • Roman copy of a Greek  Hellenistic period statue of the poetess Sappho, from Symrna ( Izmir ), Turkey.. Sappho wrote about love with both sexes and her name led to the phrase "Sapphic love" which became synonmymous with lesbianism in the 20th century. Sappho was also from the island of Lesbos.  Istanbul Archaeological museum Inv 358 T. Cat Mendell 626.
  • Roman copy of a Greek  Hellenistic period statue of the poetess Sappho, from Symrna ( Izmir ), Turkey.. Sappho wrote about love with both sexes and her name led to the phrase "Sapphic love" which became synonmymous with lesbianism in the 20th century. Sappho was also from the island of Lesbos.  Istanbul Archaeological museum Inv 358 T. Cat Mendell 626.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • Main hall of the late Roman period Jewish synagogue of Sardis, over 50 m long and large enough for 1000 worshipers, with 4th cent. AD mosaic floors & walls. The Greco Roman Bath Gymnasium stands behind.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • Main hall of the late Roman period Jewish synagogue of Sardis, over 50 m long and large enough for 1000 worshipers, with 4th cent. AD mosaic floors & walls. The Greco Roman Bath Gymnasium stands behind.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • Roman statue of a young Satyr from the Hadranic period circa 117-138 AD excavated from an area near the via XX Settembre and Via Firenza, Rome, Italy. A young Satyr, wearing a panther’s skin tied on the right shoulder, plays the tibia oblique (flute) whist reclining next to a tree trunk. The statue is based on a Greek prototype from the school of Greek sculptor Praxiteles created around 300 BC.  Inv 551, The National Roman Museum, Rome, Italy
  • Roman statue of a young Satyr from the Hadranic period circa 117-138 AD excavated from an area near the via XX Settembre and Via Firenza, Rome, Italy. A young Satyr, wearing a panther’s skin tied on the right shoulder, plays the tibia oblique (flute) whist reclining next to a tree trunk. The statue is based on a Greek prototype from the school of Greek sculptor Praxiteles created around 300 BC.  Inv 551, The National Roman Museum, Rome, Italy
  • Roman marble sculpture bust of an unkown women, Late Trajan period 110-117 AD , inv 6074 Farnese Collection, Naples Museum of Archaeology, Italy
  • Roman marble sculpture bust of an unkown women, Late Trajan period 110-117 AD , inv 6074 Farnese Collection, Naples  Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Harmodius  from the Tyrannicide group,  a Roman copy of an early classical period Geek original, inv 6009, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Harmodius  from the Tyrannicide group,  a Roman copy of an early classical period Geek original, inv 6009, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Harmodius (inv 6009) and Aristogeiton (inv 6010) known as the Tyrannicide group, inv 6307, a Roman copy of an early classical period Geek original, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Harmodius (inv 6009) and Aristogeiton (inv 6010) known as the Tyrannicide group, inv 6307, a Roman copy of an early classical period Geek original, Naples Museum of Archaeology, Italy
  • 2nd century AD Roman marble sculpture of Aristogeiton  from the Tyrannicide group,  a Roman copy of an early classical period Geek original, inv 6307, Naples Museum of Archaeology, Italy
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Enamelled terracotta panel depicting Saint Anne, the Virgin Mary and Child with Saint Anthony made in the 2nd half of the 16th century by Santi Bugloni of Florence. This is a typical Tuscan theme of the period. Saint Anne was particularly venerated during the expulsion of the tyrant Gaultier de Brienne, Duke of Athens. .  Inv Camp 38,  The Louvre Museum, Paris.
  • Lanyon Quoit is a megalithic burial dolmen from the Neolithic period, circa 4000 to 3000 BC, near Morvah on the Penwith peninsula, Cornwall, England
  • Carreg Coetan Quoit is a megalithic burial dolmen from the Neolithic period, circa 3000 BC, near Newport, North Pembrokeshire, Wales
  • Carreg Coetan Quoit is a megalithic burial dolmen from the Neolithic period, circa 3000 BC, near Newport, North Pembrokeshire, Wales
  • Carreg Coetan Quoit is a megalithic burial dolmen from the Neolithic period, circa 3000 BC, near Newport, North Pembrokeshire, Wales
  • Roman statue of a young Satyr from the Hadranic period circa 117-138 AD excavated from an area near the via XX Settembre and Via Firenza, Rome, Italy. A young Satyr, wearing a panther’s skin tied on the right shoulder, plays the tibia oblique (flute) whist reclining next to a tree trunk. The statue is based on a Greek prototype from the school of Greek sculptor Praxiteles created around 300 BC.  Inv 551, The National Roman Museum, Rome, Italy
  • Roman statue of a young Satyr from the Hadranic period circa 117-138 AD excavated from an area near the via XX Settembre and Via Firenza, Rome, Italy. A young Satyr, wearing a panther’s skin tied on the right shoulder, plays the tibia oblique (flute) whist reclining next to a tree trunk. The statue is based on a Greek prototype from the school of Greek sculptor Praxiteles created around 300 BC.  Inv 551, The National Roman Museum, Rome, Italy
  • Roman statue of Athena (Roman Minerva) Sitting - from the Augustan period circa 63-43 BC the statue is a copy of a  5th century BC Greek  original, found in a palace on the Via Marmorato off the piazza dell’Emporio, Rome. The statue represents the goddess Minerva, dressed in chiton and himation which covers her head. The face and neck, now lost, have been substituted by a plaster cast of the Athena Carpegna. The aegis with the gorge emblem on her breast have enabled the goddess to be identified as Athena, the Roman Minerva, genially depicted in the guise of a helmeted female warrior. Its remarkable size suggests that this was a cult image, although a hypothesis remains linking it to the temple of Minerva on the Aventine. The sculpture bears the hallmark of a second of the 5th century BC Hellenistic Greek statue  made by Phidias. but uses different materials from the original which would have been in gold and ivory .National Roman Museum, Rome, Italy
  • Roman statue of Athena (Roman Minerva) Sitting - from the Augustan period circa 63-43 BC the statue is a copy of a  5th century BC Greek  original, found in a palace on the Via Marmorato off the piazza dell’Emporio, Rome. The statue represents the goddess Minerva, dressed in chiton and himation which covers her head. The face and neck, now lost, have been substituted by a plaster cast of the Athena Carpegna. The aegis with the gorge emblem on her breast have enabled the goddess to be identified as Athena, the Roman Minerva, genially depicted in the guise of a helmeted female warrior. Its remarkable size suggests that this was a cult image, although a hypothesis remains linking it to the temple of Minerva on the Aventine. The sculpture bears the hallmark of a second of the 5th century BC Hellenistic Greek statue  made by Phidias. but uses different materials from the original which would have been in gold and ivory .National Roman Museum, Rome, Italy
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Roman Bust of Antinous - late Hadrianic period circa 130-138AD. Antinous was the young Bithynian favoured by the emperor Hadrian who was deified after drowning under mysterious circumstances in the waters of the Nile circa 130AD. Thanks to the promotion of the cult Antinous portraits can be found throughout the Empire in the places most frequented by Hadrian. National Roman Museum, Rome, Italy
  • Walls and remains of buildings of Troy, from Troia VI-Late/VIIa citadel  & Troia IX period 14th/13th cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Walls and remains of buildings of the sanctuary of Troy, from Troia VIII & Troia IX period 700B.C to Hellenistic Ilium of 1st cent. B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • Part of the Schliemann Trench excavated from 1871 with remains of the original walls and Bronze age house walls of Troy from the Early Troia I Period, c. 2920 B.C. Troy archaeological site, A UNESCO World Heritage Site, Turkey
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • Forecourt of the late Roman period Jewish synagogue of Sardis, over 50 m long and large enough for 1000 worshipers, with 4th cent. AD mosaic floors & walls.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • 4th cent. AD geometric floor mosaics of the late Roman period Jewish synagogue of Sardis.  Sardis archaeological site, Hermus valley, Turkey. Discovered in 1962 as part of an on going  Harvard Art Museum excavation project.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Kouros Statues of the Archaic Period. Early 6th c. B.C. (circa 580 B.C.)  Known as Kleovis and Biton, the two boys who heroically pulled their mother on her chariot to the sanctuary where she was to worship. They pulled the chariot for a distance of about 8km. They died the same night peacefully in their sleep according to Herodotus. Delphi Archaeological Museum.
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, Naples National Archaeological Museum, from a house in the Insula Occidentalis at Pompeii , inv 9058 ,
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, Naples National Archaeological Museum, from a house in the Insula Occidentalis at Pompeii , inv 9058 ,
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Pictures & images of Aynali Kilise (Church) cave church interior frescoes, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey
  • Pictures & images of interior cave rooms of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey
  • Pictures & images of interior cave rooms of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey.<br />
<br />
The picture shows rooms in cave gallery above the church below. The small niches in the walls wre cut after the monastery closed for pigeons to nest in. On the back wall is a small low tunnel which leads to an inner room which would have been the final defensive retreat from the maonatery monks in times of danger.
  • Pictures & images of interior cave rooms of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey.<br />
<br />
The picture shows rooms in cave gallery above the church below. The small niches in the walls wre cut after the monastery closed for pigeons to nest in. On the back wall is a small low tunnel which leads to an inner room which would have been the final defensive retreat from the maonatery monks in times of danger.
  • Pictures & images of interior cave rooms of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey
  • Pictures & images of the extreior of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey
  • Pictures & images of the extreior of Aynali Kilise (Church) a cave church complex, iconoclastic period (725-842), near Goreme, Cappadocia, Nevsehir, Turkey
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows two griffin and  bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey.. Against a white background
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows two griffin and  bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey. Against a black background
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows scenes from the life of Achilles and bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey. Against a white background
  • Roman relief sculpted sarcophagus of Achilles from Attica. This side shows scenes from the life of Achilles and bears characteristics of the Late Antonines Period of the Roman Imperial Period between 170-190 AD. Adana Archaeology Museum, Turkey
  • Neo Hittite Period Hieroglyphic inscription on a stone orthostat - Anatolian Civilisations Museum, Ankara, Turkey. Against a white background.
  • Neo Hittite Period Hieroglyphic inscription on a stone orthostat - Anatolian Civilisations Museum, Ankara, Turkey. Against a gray background.
  • Neo Hittite Period Hieroglyphic inscription on a stone orthostat - Anatolian Civilisations Museum, Ankara, Turkey. Against a gray art background.
  • Hittite bronze figure with a mask, Hittite Period. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite bronze figure with a mask, Hittite Period. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite bronze figure with a mask, Hittite Period. Adana Archaeology Museum, Turkey. Against a grey art background
  • Painted colour verion of 2nd century AD Roman marble sculpture of Harmodius  from the Tyrannicide group,  a Roman copy of an early classical period Geek original, inv 6009, Museum of Archaeology, Italy
  • Painted colour verion of 2nd century AD Roman marble sculpture of Harmodius  from the Tyrannicide group,  a Roman copy of an early classical period Geek original, inv 6009, Museum of Archaeology, Italy
  • Second century AD Roman statue of Urania holding, the muse of atronomy holding  a globe, the statue was restored from two separte staues of the period, inv 293, Vatican Museum Rome, Italy,  white background
  • Second century AD Roman statue of Urania holding, the muse of atronomy holding  a globe, the statue was restored from two separte staues of the period, inv 293, Vatican Museum Rome, Italy,  black background
  • Second century AD Roman statue of Urania holding, the muse of atronomy holding  a globe, the statue was restored from two separte staues of the period, inv 293, Vatican Museum Rome, Italy,  art background
  • 1st century AD Roman statue of Silenus pouring wine from a jug. The head is from the Flavian period and the body 1st century. A copy of an earlier Hwellenistic sculpture by the school of Lysippus, inv 323, Vatican Museum Rome, Italy,  black background
  • 1st century AD Roman statue of Silenus pouring wine from a jug. The head is from the Flavian period and the body 1st century. A copy of an earlier Hwellenistic sculpture by the school of Lysippus, inv 323, Vatican Museum Rome, Italy,  white background
  • 1st century AD Roman statue of Silenus pouring wine from a jug. The head is from the Flavian period and the body 1st century. A copy of an earlier Hwellenistic sculpture by the school of Lysippus, inv 323, Vatican Museum Rome, Italy,  grey background
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, from a house in the Insula Occidentalis at Pompeii , inv 9058 , Naples National Archaeological Museum , black background
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, from a house in the Insula Occidentalis at Pompeii , inv 9058 , Naples National Archaeological Museum
  • Roman Nero Period fresco wall painting of Perseus and Andromeda, from a house in the Insula Occidentalis at Pompeii , inv 9058 , Naples National Archaeological Museum
  • Egyptian funerary Stele from the New Kingdom Period, 1550-1070 B.C, from Thebes (Luxor). The stele is from a carpenters grave a shows at the top left sitting with his wife Amon-Mose holding a chisel between 2 wheat heads. Opposite them their son Honsu is offering a present to both. On the right Neferonpet is making an offering to his parents. At the bottom a sitting couple are offered presents by their sons & daughters. Istanbul Archaeological Museum Inv. no 10865

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