• Photo of Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head.  <br />
<br />
Against a brown art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head. <br />
<br />
Against a gray background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Musicians. Two musicians with short arms, wearing long dresses and wide belts; one plays a Saz (a stringed musical instrument) with tassels on the handle while the other plays the flute. The third small figure holds castanets (?) in his hands. The figure on the right wears a short skirt, contrary to the others. She dances over her finger tips with her hands over her head. <br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Musicians. Two musicians with short arms, wearing long dresses and wide belts; one plays a Saz (a stringed musical instrument) with tassels on the handle while the other plays the flute. The third small figure holds castanets (?) in his hands. The figure on the right wears a short skirt, contrary to the others. She dances over her finger tips with her hands over her head. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Musicians. Two musicians with short arms, wearing long dresses and wide belts; one plays a Saz (a stringed musical instrument) with tassels on the handle while the other plays the flute. The third small figure holds castanets (?) in his hands. The figure on the right wears a short skirt, contrary to the others. She dances over her finger tips with her hands over her head.  <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel of Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Musicians. Two musicians with short arms, wearing long dresses and wide belts; one plays a Saz (a stringed musical instrument) with tassels on the handle while the other plays the flute. The third small figure holds castanets (?) in his hands. The figure on the right wears a short skirt, contrary to the others. She dances over her finger tips with her hands over her head.  <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Musicians. Two musicians with short arms, wearing long dresses and wide belts; one plays a Saz (a stringed musical instrument) with tassels on the handle while the other plays the flute. The third small figure holds castanets (?) in his hands. The figure on the right wears a short skirt, contrary to the others. She dances over her finger tips with her hands over her head.<br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey. Two helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands.  <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Military parade. Two helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. <br />
<br />
Against a black background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Military parade. Two helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. <br />
<br />
Against a gray background.
  • Hittite monumental relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Military parade. Two helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands.<br />
<br />
Against a grey art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey. Two helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands.  <br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey. Two helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands.  <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head. <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey. Two helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands.  <br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a white background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a black background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
The queen carries her youngest son. The hieroglyphs located above read; "and this is Tuwarsais; the prince desired by the ruler, whose exclusiveness has been exposed". While the queen carries her son in her lap, she holds the rope of the colt coming behind with her other hand. The muscles of the colt are schematic. <br />
<br />
Against a gray background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings. I held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings. I held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a white background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings. I held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a gray background.
  • Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings.) held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two figures are seen, each with a long dress, a thick belt and curled hair. The figure in front carries a spear in his left hand and a long sword at his waist, and the figure behind carries an axe in his left hand and a quiver on his back.   <br />
<br />
Against a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a gray background.
  • Photo of Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two figures are seen, each with a long dress, a thick belt and curled hair. The figure in front carries a spear in his left hand and a long sword at his waist, and the figure behind carries an axe in his left hand and a quiver on his back.   <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two figures are seen, each with a long dress, a thick belt and curled hair. The figure in front carries a spear in his left hand and a long sword at his waist, and the figure behind carries an axe in his left hand and a quiver on his back.   <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Warrior.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure with a long dress, a thick belt and curly hair has a large egis on his back. The figures carries a spear in his right hand and a long sword at his waist.  <br />
<br />
Against a gray background.
  • Photo of Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Warrior.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure with a long dress, a thick belt and curly hair has a large egis on his back. The figures carries a spear in his right hand and a long sword at his waist.  <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Warrior.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure with a long dress, a thick belt and curly hair has a large egis on his back. The figures carries a spear in his right hand and a long sword at his waist.  <br />
<br />
Against a grey art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two figures lying over the lion. There is a crescent at the head of the winged god at the front. It is thought that the figure at the front is moon god and the one at the rear is sun god.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two helmeted soldiers in short skirt carry shield on their backs and spear in their hands.<br />
<br />
On a White Background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two helmeted soldiers in short skirt carry shield on their backs and spear in their hands.<br />
<br />
On a gray background.
  • Photo of Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Two helmeted soldiers in short skirt carry shield on their backs and spear in their hands.<br />
<br />
On a brown art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two figures lying over the lion. There is a crescent at the head of the winged god at the front. It is thought that the figure at the front is moon god and the one at the rear is sun god.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two figures lying over the lion. There is a crescent at the head of the winged god at the front. It is thought that the figure at the front is moon god and the one at the rear is sun god. <br />
<br />
On a White Background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two figures lying over the lion. There is a crescent at the head of the winged god at the front. It is thought that the figure at the front is moon god and the one at the rear is sun god. <br />
<br />
On a black background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two figures lying over the lion. There is a crescent at the head of the winged god at the front. It is thought that the figure at the front is moon god and the one at the rear is sun god. <br />
<br />
On a grey art background.
  • Hittite relief sculpted orthostat stone panel  of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC. Anatolian Civilisations Museum.<br />
<br />
 The hieroglyphics reads; "I am Win-a-tis, beloved wife of my Lord Suhi, wherever and whenever my husband honours his name, he will honour my name as well with favours". Underneath, there are two goddess figures, one is naked with a horned head, holding her breasts with her hands. Her genitalia is indicated by a triangle.
  • Hittite relief sculpted orthostat stone panel  of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC. Anatolian Civilisations Museum.<br />
<br />
 The hieroglyphics reads; "I am Win-a-tis, beloved wife of my Lord Suhi, wherever and whenever my husband honours his name, he will honour my name as well with favours". Underneath, there are two goddess figures, one is naked with a horned head, holding her breasts with her hands. Her genitalia is indicated by a triangle. <br />
<br />
On a White Background.
  • Picture & image of Hittite relief sculpted orthostat stone panel  of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC. Anatolian Civilisations Museum.<br />
<br />
 The hieroglyphics reads; "I am Win-a-tis, beloved wife of my Lord Suhi, wherever and whenever my husband honours his name, he will honour my name as well with favours". Underneath, there are two goddess figures, one is naked with a horned head, holding her breasts with her hands. Her genitalia is indicated by a triangle. <br />
<br />
On a gray background.
  • Hittite relief sculpted orthostat stone panel  of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC. Anatolian Civilisations Museum.<br />
<br />
 The hieroglyphics reads; "I am Win-a-tis, beloved wife of my Lord Suhi, wherever and whenever my husband honours his name, he will honour my name as well with favours". Underneath, there are two goddess figures, one is naked with a horned head, holding her breasts with her hands. Her genitalia is indicated by a triangle. <br />
<br />
On a black background.
  • Photo of Hittite relief sculpted orthostat stone panel  of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC. Anatolian Civilisations Museum.<br />
<br />
 The hieroglyphics reads; "I am Win-a-tis, beloved wife of my Lord Suhi, wherever and whenever my husband honours his name, he will honour my name as well with favours". Underneath, there are two goddess figures, one is naked with a horned head, holding her breasts with her hands. Her genitalia is indicated by a triangle. <br />
<br />
On a brown art background.
  • Hittite relief sculpted orthostat stone panel  of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC. Anatolian Civilisations Museum.<br />
<br />
 The hieroglyphics reads; "I am Win-a-tis, beloved wife of my Lord Suhi, wherever and whenever my husband honours his name, he will honour my name as well with favours". Underneath, there are two goddess figures, one is naked with a horned head, holding her breasts with her hands. Her genitalia is indicated by a triangle. <br />
<br />
On a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder . <br />
<br />
On a gray background.
  • Photo of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder . <br />
<br />
On a brown art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder . <br />
<br />
On a grey art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a White Background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a gray background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a gray background.
  • Photo of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. The part below the chest of the relief is broken. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder. The text in the hieroglyphics is not understood. The lower part of the relief has been restored. <br />
<br />
On a brown art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The tower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The tower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a gray background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The tower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a grey art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Long Wall. Close up of Chariot. Karkamıs, (Kargamıs), Carchemish (Karkemish). Anatolian Civilisations Museum.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The tower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a grey art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall. Close up of Chariot. Karkamıs, (Kargamıs), Carchemish (Karkemish). Anatolian Civilisations Museum.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The tower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a White Background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The tower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a gray background.
  • Photo ofHittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The tower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a brown art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. C<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The tower part of the orthostat is decorated with braiding motifs.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 -700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a White Background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs. . <br />
<br />
On a White Background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 -700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 -700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a gray background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 -700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet. It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a grey art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs.<br />
<br />
On a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs. <br />
<br />
On a gray background.
  • Photo of Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs. <br />
<br />
On a brown art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Chariot. One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs. <br />
<br />
On a grey art background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Chariot. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs. . <br />
<br />
On a black background.
  • Hittite sculpted Orthostats panel from the  Long Wall.  Limestone, Kargarmis, Gaziantep, 900 - 700 BC,  Hieroglyph. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the epigraph with hieroglyph, he narrates that the gods were provoked against him, the account of the cities conquered and the spoils of war; that he allocated a share for the gods, and that he instigated the mighty king Tarhunza and the other gods. In the other lines, he demands that people should present offerings to statues but should evil-intentioned people be among them, such person individuals be punished by the gods.  <br />
<br />
On a black background.
  • Photo of Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Chariot. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
One of the two figures in the chariot holds the horse's headstall while the other throws arrows. There is a naked enemy with an arrow in his hip lying face down under the horse's feet It is thought that this figure is depicted smaller than the other figures since it is an enemy soldier. The lower part of the orthostat is decorated with braiding motifs. <br />
<br />
On a brown art background.
  • Hittite sculpted Orthostats panel from the  Long Wall.  Limestone, Kargarmis, Gaziantep, 900 - 700 BC,  Hieroglyph. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the epigraph with hieroglyph, he narrates that the gods were provoked against him, the account of the cities conquered and the spoils of war; that he allocated a share for the gods, and that he instigated the mighty king Tarhunza and the other gods. In the other lines, he demands that people should present offerings to statues but should evil-intentioned people be among them, such person individuals be punished by the gods. <br />
<br />
On a White Background.
  • Picture & image of Hittite sculpted Orthostats panel from the  Long Wall.  Limestone, Kargarmis, Gaziantep, 900 - 700 BC,  Hieroglyph. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the epigraph with hieroglyph, he narrates that the gods were provoked against him, the account of the cities conquered and the spoils of war; that he allocated a share for the gods, and that he instigated the mighty king Tarhunza and the other gods. In the other lines, he demands that people should present offerings to statues but should evil-intentioned people be among them, such person individuals be punished by the gods.  <br />
<br />
On a gray background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilizations Museum, Ankara, Turkey. The short-skirted figure with a dagger at the waist holds the gazelle from its hind legs.<br />
<br />
On a White Background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade with soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two helmeted soldiers marching soldiers in short skirts carry the shield on their backs and the spears in their hands.  <br />
<br />
Against a white background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade with soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two helmeted soldiers marching soldiers in short skirts carry the shield on their backs and the spears in their hands.  <br />
<br />
Against a black background.
  • Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade with soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two helmeted soldiers marching soldiers in short skirts carry the shield on their backs and the spears in their hands.
  • Hittite monumental relief sculpted orthostat stone panel from the Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade with soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Two helmeted soldiers marching soldiers in short skirts carry the shield on their backs and the spears in their hands. <br />
<br />
Against a brown art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a black background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand. <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a white background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a brown art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Bird-headed, winged figures of human body. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
These figures are called as "Winged Griffin Demons". Embossing is constructed symmetrically. Their hands are on their heads. It is assumed that they carry the heavens.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A pair of kneeling bull on either side of the tree of life, one each foot is on the tree, the other feet are bend towards the abdomen.  <br />
<br />
Against a brown art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A pair of kneeling bull on either side of the tree of life, one each foot is on the tree, the other feet are bend towards the abdomen.  <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A pair of kneeling bull on either side of the tree of life, one each foot is on the tree, the other feet are bend towards the abdomen.  <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Chimera. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three-headed sphinxes. Winged lion, with a bird of prey's head on the end of its tail, also has a human head with hair in plaits and a conical headdress. The details in his feet are very distinct.  <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Chimera. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three-headed sphinxes. Winged lion, with a bird of prey's head on the end of its tail, also has a human head with hair in plaits and a conical headdress. The details in his feet are very distinct.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Chimera. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three-headed sphinxes. Winged lion, with a bird of prey's head on the end of its tail, also has a human head with hair in plaits and a conical headdress. The details in his feet are very distinct.  <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Chimera. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three-headed sphinxes. Winged lion, with a bird of prey's head on the end of its tail, also has a human head with hair in plaits and a conical headdress. The details in his feet are very distinct.  <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Chimera. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three-headed sphinxes. Winged lion, with a bird of prey's head on the end of its tail, also has a human head with hair in plaits and a conical headdress. The details in his feet are very distinct.  <br />
<br />
Against a grey art background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Protective mixed creatures. One each hand of the lion-headed men is in the form of a fist. The mace on the left is over the head of the weapon on the right. The two bull-men in the middle carry one spear each in their hands. Bull-man is known as Kusarikku, and the lion-man is known as Ugallu. <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two sphinxes standing on their hind legs on both sides attack to the winged horse standing on its hind legs in the middle.  <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two sphinxes standing on their hind legs on both sides attack to the winged horse standing on its hind legs in the middle.  <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two sphinxes standing on their hind legs on both sides attack to the winged horse standing on its hind legs in the middle.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two sphinxes standing on their hind legs on both sides attack to the winged horse standing on its hind legs in the middle.  <br />
<br />
Against a grey art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This relief tells the story the killing of Humbaba, protective deity of the cedar forests, by Gilgamesh and Enkidu. The figures standing on both sides hold, with one hand, the arms of the figure in the middle transversally while they stab the dagger on the head of the figure.  <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This relief tells the story the killing of Humbaba, protective deity of the cedar forests, by Gilgamesh and Enkidu. The figures standing on both sides hold, with one hand, the arms of the figure in the middle transversally while they stab the dagger on the head of the figure.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This relief tells the story the killing of Humbaba, protective deity of the cedar forests, by Gilgamesh and Enkidu. The figures standing on both sides hold, with one hand, the arms of the figure in the middle transversally while they stab the dagger on the head of the figure.  <br />
<br />
Against a black background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the left is a winged mixed creature with a human head and body who has a scorpion tail and bird legs; on the right is a human-like god. The figures fight with a winged bull standing on its hind legs. The scorpion-man is known as Girtablull.<br />
<br />
Against a white background.
  • Photo of Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the left is a winged mixed creature with a human head and body who has a scorpion tail and bird legs; on the right is a human-like god. The figures fight with a winged bull standing on its hind legs. The scorpion-man is known as Girtablull. <br />
<br />
Against a black background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the left is a winged mixed creature with a human head and body who has a scorpion tail and bird legs; on the right is a human-like god. The figures fight with a winged bull standing on its hind legs. The scorpion-man is known as Girtablull. <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the left is a winged mixed creature with a human head and body who has a scorpion tail and bird legs; on the right is a human-like god. The figures fight with a winged bull standing on its hind legs. The scorpion-man is known as Girtablull. <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Scene of king's offering drink and sacrifice to the god. The god is on the deer, with the bow attached to his shoulder and with a triple bundle of lightning in his hand. The king looks at the god, and makes the libation to the god while carrying a scepter with a curled end - lituus. Behind the king is a servant holding a goat for sacrifice to the god. Hieroglyphs read; "God Parata, Strong King... ". <br />
<br />
Against a grey art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a brown art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a grey art background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a black background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a black background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a white background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a gray background.
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking .<br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
Depiction of a horse walking
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey. Depiction of a horse walking.<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a grey art background.
  • Aslantepe Monumental Hittite relief sculpted orthostat stone panel.  Limestone, Aslantepe, Malatya, 1200-700 B.C. <br />
<br />
Scene of the king's offering drink and sacrifice to the gods. The king offers to the winged god of the moon who stands across and holds a lightning bundle in his hand. Behind the king is the queen, who also offers to goddess of the sun holding a sceptre in his hand. King's left hand is in a position to worship. <br />
<br />
Against a gray background.
  • Aslantepe Monumental Hittite relief sculpted orthostat stone panel.  Limestone, Aslantepe, Malatya, 1200-700 B.C. <br />
<br />
Scene of the king's offering drink and sacrifice to the gods. The king offers to the winged god of the moon who stands across and holds a lightning bundle in his hand. Behind the king is the queen, who also offers to goddess of the sun holding a sceptre in his hand. King's left hand is in a position to worship. <br />
<br />
Against a white background.
  • Aslantepe Monumental Hittite relief sculpted orthostat stone panel.  Limestone, Aslantepe, Malatya, 1200-700 B.C. <br />
<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. The king offers to the winged god of the moon who stands across and holds a lightning bundle in his hand. Behind the king is the queen, who also offers to goddess of the sun holding a sceptre in his hand. King's left hand is in a position to worship. <br />
<br />
Against a black background.
  • Aslantepe Monumental Hittite relief sculpted orthostat stone panel.  Limestone, Aslantepe, Malatya, 1200-700 B.C. <br />
Scene of the king's offering drink and sacrifice to the gods. The king offers to the winged god of the moon who stands across and holds a lightning bundle in his hand. Behind the king is the queen, who also offers to goddess of the sun holding a sceptre in his hand. King's left hand is in a position to worship. <br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel Limestone, Aslantepe, Malatya, 1200-700 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
A short-dressed and winged demon (mixed creature), and on the third face is the Storm God. The Storm God holds a triple lightning bundle in his left hand and a hammer in his right hand. His both arms are in an upright position. <br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey. Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a black background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a brown art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand. <br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel of Lion Men. Limestone, 1399-1301 BC. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
There are two lion-men with a sword at their waists on both sides of the tree of life. The figure on the right holds a sickle in his left hand resting on his shoulder and a symbol his right hand. The figure on the left carries a double-faced ax in his right hand. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy. <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy. <br />
<br />
Against a white background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy. <br />
<br />
Against a black background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a white background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a black background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The rightmost figure wears a long coat and tailed dress. With both hands, he holds a sceptre with a ring in the middle. This item is thought to be a cult object in Assyria reliefs. The pointed and twisted tips of his shoes also show that he is in a high rank.  <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Goddess. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Sitting in a chair without a backrest, the head and the face of the figure are completely destroyed. She has a long veil on her head, a long dress hanging down to her ankles, and the shoes with the curved ends. The stool under her feet indicates that she is an important person. She drinks something from the vessel in her right hand and she keeps the handled goblet in her hand a little higher.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted.<br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 BC. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The figure playing a musical instrument similar to a guitar is followed by another figure carrying an animal. The stem of the musical instrument is fringed. The left side of the Orthostat is uncompleted.  <br />
<br />
Against a brown art background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
 Against a white background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a black background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller.  <br />
<br />
Against a white background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller.<br />
<br />
Against a black background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a brown art background.
  • Landscape picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a grey art background.
  • Upright picture of Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Jugglers and acrobats.  Anatolian Civilizations Museum, Ankara, Turkey<br />
<br />
The juggler facing towards left, with long hair and a short dress, swallows a dagger; the smaller acrobats behind go up the stairs without holding on. All the figures have horned headdresses and earrings with a huge ring on their ears. It is thought that the acrobats are of different nationality, which is the reason why they are depicted smaller. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.  <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a brown gray background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. A figure bringing sacrificial animals.  Anatolian Civilizations Museum, Ankara. Turkey<br />
<br />
The figure wearing a long-tailed cloak holds, with the right hand, the horn of the goat coming from behind.  <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
<br />
Against a black background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar.  Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
<br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, corum, 1399 - 1301 B.C.  King and queen in front of the altar. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
The king carries the kingdom sceptre - lituus in his right hand, and extends his left hand forward for worship. The queen wears a fancy dress hanging down to the floor; both figures wear earrings with a large ring.<br />
 <br />
Against a brown art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a grey art background.
  • Pictures & Images Hittite relief sculpted orthostat panels of the Sphinx Gate. Left panel depicts a procession following (right) a man leading goats to be sacrificed.  Alaca Hoyuk (Alacahoyuk) Hittite archaeological site  Alaca, Çorum Province, Turkey, Also known as Alacahüyük, Aladja-Hoyuk, Euyuk, or Evuk
  • Hittite bas relief sculpture orthostat panels from the Sphinx Gate of Alaca Hoyuk Archaeological site, Turkey.
  • Phrygian relief sculpted orthostat stone panel Andesite, Atateirk Orman ciftligi, Ankara, 12OO-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged griffin with a bird's head and a lion's body. There is a bird's head at the end of its tail. The chest was processed like fish scales. Its wing extends along the body. Muscles in its legs are schematic. <br />
<br />
Against a white background.
  • Phrygian relief sculpted orthostat stone panel Andesite, Kalaba Village, Ankara, , 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure of a roaring lion. The cross mark on his chest draws attention. The muscles in his legs are schematic. <br />
<br />
Against a white background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Bull-man holding the trunk of the tree. The waist-down part of the figure is in the form of a bull. <br />
<br />
On a gray background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two bull-men holding the trunk of the tree in the middle. The faces of the figures, having tufts in both temples over the chain, have been depicted from the front direction. The horned figures with bull-like ears and legs have human bodies. <br />
<br />
On a white background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 BC.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The figure sitting on a stool to the left of the table holds a goblet in his right hand which he raised upwards. Behind, there is a servant with a fan in his hand. On the other side of the table is another servant waits with a vessel in the hands. The rightmost figure plays a Saz (a stringed musical instrument) with the tassel on the handle. <br />
<br />
On a black background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a black background.
  • Hittite monumental relief sculpted orthostat stone panel from Water Gate Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish). 900-700 BC . Stag. Anatolian Civilisations Museum, Ankara, Turkey. With his large and many branched antler, he walks towards the right. <br />
<br />
On a grey art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel Orthostats of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 700 BC. Griffin. Anatolian Civilisations Museum. Ankara. Bird - headed lions standing opposite on their hind legs (griffin). It is symmetric. <br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel Orthostats of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 700 BC. Griffin. Anatolian Civilisations Museum. Ankara. Bird - headed lions standing opposite on their hind legs (griffin). It is symmetric. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Anatolian Civilisations Museum, Ankara, Turkey. Young male servants of Kubaba while carrying sacrificial animals on their shoulders. <br />
<br />
Against a grey art background.
  • Hittite monumental relief sculpted orthostat stone panel of a Procession. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Marching female figures. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress at their head. These women are considered to be the nuns of the Goddess Kubaba. They have a bunch of Spica in their right hand, and objects similar to a sceptre in their left hand. <br />
<br />
Against a white background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of a Procession. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
It is a depiction of three marching female figures in long dress with a high headdress (photos) at their head. These women are considered to be the nuns of the Goddess Kubaba. The figure in the front has a small animal in her right hand while the figure in the middle has a glass in his right hand. The object which the figures carry in their left is not understood.  <br />
<br />
Against a brown art background.
  • Picture & image of Hittite monumental relief sculpted orthostat stone panel of a Procession Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900 - 700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Goddess Kubaba. End of pannels. The godess is saeted on a chair which is on a lion. she hold a mirror in her right hand and a pomegranate in her left.<br />
<br />
Against a gray background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Hunting carriage.  Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two human figures; one handling the carriage, the other throwing arrows. Both figures are wearing a headdress shaped like a skullcap. The dagger at the waist of the figure throwing arrow draws attention. There is an animal between the legs of the horse having an aigrette over its head. <br />
<br />
Against a brown art background.
  • Hittite monumental relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Military parade. Two helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. <br />
<br />
Against a white background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey. Military parade. Two helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. <br />
<br />
Against a brown art background.
  • Photo of Hittite monumental relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
King Araras holds his son Kamanis from the wrist. King carries a sceptre in his hand and a sword at his waist while the prince leans on a stick and carries a sword on his shoulder. <br />
<br />
Hieroglyphs reads; "This is Kamanis and his siblings. I held his hand and despite the fact that he is a child, I located him on the temple. This is Yariris' image".  <br />
<br />
Against a brown art background.
  • Picture & image of Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Two figures are seen, each with a long dress, a thick belt and curled hair. The figure in front carries a spear in his left hand and a long sword at his waist, and the figure behind carries an axe in his left hand and a quiver on his back.   <br />
<br />
Against a gray background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress. Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C.  Warrior.  Anatolian Civilisations Museum, Ankara, Turkey<br />
The figure with a long dress, a thick belt and curly hair has a large egis on his back. The figures carries a spear in his right hand and a long sword at his waist.  Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Royal Buttress Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Warriors. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three figures each with a long dress, a thick belt and curly hair. The figure in front holds a spear with a broken tip in his left hand and a leafy branch in his right hand. The figure in the middle made his left hand a fist, and he carries a tool with his right hand at the level of his head. They are followed with a figure holding a sceptre in his left hand. All three have each a long sword at their waist. <br />
<br />
Against a white background.
  • Hittite relief sculpted orthostat stone panel of Long Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Goddess Kubaba. Goddess is depicted from the profile. She holds a pomegranate in her hands on her chest. She carries a one-horned headdress on her head. Her braided hair hangs down to her shoulder . <br />
<br />
On a black background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a White Background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a black background.
  • Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a grey art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Military parade. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Three helmeted soldiers in short skirts carry the shield on their backs and the spears in their hands. The bottom right part of the relief was left untreated since the pedestal stood in front of it. <br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
In the middle is a kneeling bearded figure holding the bull's horn with his left hand and the lion's hind leg with his right hand. Below this lion is another lion whose chest and the head are missing, and below this second lion is another small lion. A deer stands behind his head. It is thought that this relief depicts Gilgamesh, the master of animals. <br />
<br />
Against a grey art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Basalt, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the right is a bearded human figure with a short skirt; with the dagger in his right hand, he is stabbing the lion standing on his front legs while holding the lion's tail with his left hand. On the left is a bearded god figure with a horned-headdress, who grasps the lion's hind leg while holding the ax over his head with his right hand.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
A pair of kneeling bull on either side of the tree of life, one each foot is on the tree, the other feet are bend towards the abdomen.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
This relief tells the story the killing of Humbaba, protective deity of the cedar forests, by Gilgamesh and Enkidu. The figures standing on both sides hold, with one hand, the arms of the figure in the middle transversally while they stab the dagger on the head of the figure.<br />
<br />
Against a brown art background.
  • Hittite relief sculpted orthostat stone panel of Herald's Wall. Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
On the left is a winged mixed creature with a human head and body who has a scorpion tail and bird legs; on the right is a human-like god. The figures fight with a winged bull standing on its hind legs. The scorpion-man is known as Girtablull.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilizations Museum, Ankara, Turkey. Scene of two Gods walking one carrying a spear, dressed in tunics.<br />
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Anatolian Civilizations Museum, Ankara, Turkey
  • Hittite relief sculpted stone panel. Lion. Aslantepe Gate Limestone, Aslantepe, Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
The lion on the left of the two lions at the gate of the palace. His head and his front part were processed as high embossing and his body as regular embossing. The signs behind the lion and over his tail read; "Halposulupis, Mighty (?) King".<br />
<br />
Against a white background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
Depiction of a horse walking
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
Depiction of a horse walking <br />
<br />
Against a grey art background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe, Malatya, 1200-700 B.C. . Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Scene of the king's offering drink and sacrifice to the gods. King pours from the pitcher to the vessel (libation); behind the king is a servant bringing a sacrifice. Storm God across the king holds Teshup, a triple lightning bundle - sickle, and a spear-mace set in the other orthostat; the goddess Ishtar holds weapon in both. All six figures have shoes with the curled ends. <br />
<br />
Against a gray background.
  • Aslantepe Hittite relief sculpted orthostat stone panel. Limestone, Aslantepe Malatya, 1200-700 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Winged protective god holds a branch with fruits. in his left hand, and a fruit in his right hand.<br />
<br />
Against a gray background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy. <br />
<br />
Against a brown art background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399-1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Four deer figures are depicted in various positions with a flower in the lower right corner and a tree in the upper left corner. A faded human figure and an animal figure in the upper section are noteworthy. <br />
<br />
Against a grey art background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Three figures moving towards the altar behind the sacrifices. The figures wearing a long-tailed cloak hold objects in their left hand, which resembles to a sceptre with a twisted end.  <br />
<br />
Against a white background.
  • Alaca Hoyuk Sphinx Gate Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilisations Museum, Ankara, Turkey.<br />
<br />
Figure with a sharp and horned headdress (probably a god) sitting on a stool with a short backrest, with a figure (probably the figure of a king) worshipping to it. Both figures wear a large and ring-shaped earring. Among them is a hieroglyph, the symbol of divinity.<br />
<br />
Against a brown gray background.
  • Fragment of a relief panels orthostat with a representation and inscription of Prince Barrakib by Sam 'al /Zincirli. At the top of the panel are symbols of various God's. Neo Syro Hittite.  Basalt around 730 BC. Pergamon Museum, Berlin. Inv S6581
  • Fragment of a relief panels orthostat with a representation and inscription of Prince Barrakib by Sam 'al /Zincirli. At the top of the panel are symbols of various God's. Neo Syro Hittite.  Basalt around 730 BC. Pergamon Museum, Berlin. Inv S6581
  • Hittite bas relief sculpture orthostat panels from the Sphinx Gate of Alaca Hoyuk Archaeological site, Turkey.
  • Photo of Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a brown art background.
  • Picture & image of Hittite sculpted Orthostats panel of Long Wall Limestone, Karkamıs, (Kargamıs), Carchemish (Karkemish), 900-700 B.C. Soldiers. Anatolian Civilisations Museum, Ankara, Turkey<br />
<br />
Figure of two helmeted warriors. They have their shield in their back and their spear in their hand. The prisoner in their front is depicted small. A human head is depicted in the left hand of the warrior in the front. The warrior at the rear holds the prisoners sitting on his lap from his hair. Below this figure, which was described small, lies yet another small human figure. <br />
<br />
On a gray background.
  • Alaca Hoyuk Hittite monumental relief sculpted orthostat stone panel. Andesite, Alaca, Corum, 1399 - 1301 B.C. Anatolian Civilizations Museum, Ankara, Turkey.<br />
<br />
Hunters - A human figure with a spear in his hands attacking to a lion with two dogs helping him. The lion is on the defensive. One of the dogs has climbed on the back of the lion and bites it while the other attacks towards the lion's belly. The lion steps over the dog with its left hind foot.  <br />
<br />
Against a grey art background.
  • Fragment of a relief panels orthostat with a representation and inscription of Prince Barrakib by Sam 'al /Zincirli. At the top of the panel are symbols of various God's. Neo Syro Hittite.  Basalt around 730 BC. Pergamon Museum, Berlin. Inv S6581
  • Fragment of a relief panels orthostat with a representation and inscription of Prince Barrakib by Sam 'al /Zincirli. At the top of the panel are symbols of various God's. Neo Syro Hittite.  Basalt around 730 BC. Pergamon Museum, Berlin. Inv S6581
  • Christ Pantocrator  Wooden Panel from the Church of St. Martin de Tost, Circa 1220<br />
<br />
Tempera with stucco metallic leaf reliefs and on a wood panel.<br />
Church of St. Martin de Tost. Robera of Urgellet, Alt Urgell, Spain<br />
<br />
National Art Museum of Catalonia, Barcelona. Ref: 3905 MNAC<br />
<br />
The wood panel comes from altar of St. Martin de Tost and shows Christ Pantocrator surrounded by the symbols of the four evangelists, St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. The Tost panel is typical of the Catalan Romanesque painting.

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