• Bronze Age pitcher in terra cotta. 3200-1900 BC from Beycesultan. Hierapolis Archaeology Museum, Turkey. Against an art background
  • Bronze Age pitcher in terra cotta. 3200-1900 BC from Beycesultan. Hierapolis Archaeology Museum, Turkey
  • Bronze Age Beak Spout Pitcher in red terra cotta. 1900-1400 BC. Hierapolis Archaeology Museum, Turkey. Against an white background
  • Bronze Age Beak Spout Pitcher in red terra cotta. 1900-1400 BC. Hierapolis Archaeology Museum, Turkey. Against a grey background
  • Bronze Age Beak Spout Pitcher in red terra cotta. 1900-1400 BC. Hierapolis Archaeology Museum, Turkey. Against an art background
  • Bronze Age Beak Spout Pitcher in terra cotta. 3200-1900 BC. Hierapolis Archaeology Museum, Turkey. Against an white background
  • Bronze Age Beak Spout Pitcher in terra cotta. 3200-1900 BC. Hierapolis Archaeology Museum, Turkey
  • Bronze Age Beak Spout Pitcher in terra cotta. 3200-1900 BC. Hierapolis Archaeology Museum, Turkey. Against an art background
  • Terra cotta pot and lid from a Bronze Age Grave H (2500 BC - 2250 BC) -  Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a white background
  • Terra cotta pot and lid from a Bronze Age Grave H (2500 BC - 2250 BC) -  Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey
  • Hittite bronze figure with a mask, Hittite Period. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite bronze figure with a mask, Hittite Period. Adana Archaeology Museum, Turkey. Against a grey background
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Bronze Age pitcher in terra cotta. 3200-1900 BC from Beycesultan. Hierapolis Archaeology Museum, Turkey. Against an white background
  • Bronze Age pitcher in terra cotta. 3200-1900 BC from Beycesultan. Hierapolis Archaeology Museum, Turkey . Against an black background
  • Bronze Age pitcher in terra cotta. 3200-1900 BC from Beycesultan. Hierapolis Archaeology Museum, Turkey. Against a grey background
  • Bronze Age Beak Spout Pitcher in red terra cotta. 1900-1400 BC. Hierapolis Archaeology Museum, Turkey . Against an black background
  • Bronze Age Beak Spout Pitcher in red terra cotta. 1900-1400 BC. Hierapolis Archaeology Museum, Turkey
  • Bronze Age Beak Spout Pitcher in terra cotta. 3200-1900 BC. Hierapolis Archaeology Museum, Turkey . Against an black background
  • Bronze Age Beak Spout Pitcher in terra cotta. 3200-1900 BC. Hierapolis Archaeology Museum, Turkey. Against a grey background
  • Terra cotta pot and lid from a Bronze Age Grave H (2500 BC - 2250 BC) -  Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a black background
  • Terra cotta pot and lid from a Bronze Age Grave H (2500 BC - 2250 BC) -  Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a gray background
  • Terra cotta pot and lid from a Bronze Age Grave H (2500 BC - 2250 BC) -  Alacahoyuk - Museum of Anatolian Civilisations, Ankara, Turkey. Against a warm art background
  • Hittite bronze figure with a mask, Hittite Period. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite bronze figure with a mask, Hittite Period. Adana Archaeology Museum, Turkey.
  • Hittite bronze figure with a mask, Hittite Period. Adana Archaeology Museum, Turkey. Against a grey art background
  • Mycenaean  Bronze sword with inlaid lions from  Grave Circle A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 395. 16th Cent BC. Grey Background
  • Mycenaean  Bronze sword with inlaid lions from  Grave Circle A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 395. 16th Cent BC. White Background.
  • Mycenaean  Bronze dagger with inlaid lion hunt scene from Grave V, Grave Circle A, Mycenae, 16th cent BC. National Archaeological Museum Athens. 16th Cent BC. Cat No 394
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric doorway with false triangular corbel of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC), Abbasanta, Southern Sardinia..
  • Picture and image of the prehistoric p[assageway inside the walls  of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC), Abbasanta, Southern Sardinia.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Mycenaean  Bronze sword with inlaid lions from  Grave Circle A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 395. 16th Cent BC. Black Background
  • Mycenaean  Bronze sword with inlaid lions from  Grave Circle A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 395. 16th Cent BC.
  • Mycenaean  Bronze dagger with inlaid lion hunt scene from Grave V, Grave Circle A, Mycenae, 16th cent BC. National Archaeological Museum Athens. 16th Cent BC. Cat No 394.  Black Background
  • Mycenaean  Bronze sword with inlaid lions from  Grave Circle A, Mycenae, 16th cent BC. National Archaeological Museum Athens. Cat No 395. 16th Cent BC. Grey art Background
  • Mycenaean  Bronze dagger with inlaid lion hunt scene from Grave V, Grave Circle A, Mycenae, 16th cent BC. National Archaeological Museum Athens. 16th Cent BC. Cat No 394,  White Background.
  • Mycenaean  Bronze dagger with inlaid lion hunt scene from Grave V, Grave Circle A, Mycenae, 16th cent BC. National Archaeological Museum Athens. 16th Cent BC. Cat No 394.  Grey Background
  • Mycenaean  Bronze dagger with inlaid lion hunt scene from Grave V, Grave Circle A, Mycenae, 16th cent BC. National Archaeological Museum Athens. 16th Cent BC. Cat No 394
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric triangular shaped magalith ruins of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC),  Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric p[assageway inside the walls  of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC), Abbasanta, Southern Sardinia.
  • Picture and image of the prehistoric tholos shaped interior of Nuraghe Losa, archaeological site, Bronze age (14 -9 th century BC), Abbasanta, Southern Sardinia..
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • Roman Bronze sculpture of a Dancing Women from the square peristyle of the Villa of the Papyri in Herculaneum, Museum of Archaeology, Italy
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • Minoan Fresco wall painting of " Boxing Youths"  from Minoan Bronze Age settlement  of Akrotiri on the Greek island of Thira, Santorini, Greece. . Athens Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • The Four original  bronze horse statues of St Marks Cathedral in the St Marks Museum, Venice, Italy
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Minoan Fresco wall painting of " Spring "  from Minoan Bronze Age settlement  of Akrotiri on the Greek island of Thira, Santorini, Greece.  Athens Archaeological Museum.
  • Minoan Fresco wall painting of " Spring "  from Minoan Bronze Age settlement  of Akrotiri on the Greek island of Thira, Santorini, Greece.  Athens Archaeological Museum.
  • Minoan Fresco wall painting of " Boxing Youths"  from Minoan Bronze Age settlement  of Akrotiri on the Greek island of Thira, Santorini, Greece. . Athens Archaeological Museum.
  • Minoan Fresco wall painting of goats from Minoan Bronze Age settlement  of Akrotiri on the Greek island of Thira, Santorini, Greece.. Athens Archaeological Museum.
  • "Charioteer of Delphi" 470 BC. The "Charioteer of Delphi" is one of the best known ancient Greek statues, and one of the best preserved examples of classical bronze casts. It is considered a fine example of the "Severe" style. Delphi Archaeological Museum.
  • Greek Classical Period Bronze Statue of Zeus or Poseidon found in the sea of Cape Artemision of the north Eastern Euboea Island, Greece.  The God is shown in a great stride about to throw either a trident of a thunderbolt that is now missing from his right hand. The statue is one of the only preserved statues of the preserved style with exquisite rendering of motion & anatomy. The identity of the statue is controversial and is probably more likely to be Zeus rather than Poseidon. 460 BC Ref No X15161 Athens Archaeological Museum
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • The early renaissance clock tower of Torre dell' Orologio, San Marco district, Venice, UNESCO World Heritage Site, Venetia, Italy, Europe
  • Cycladic rounded alabastron top with 'marine style' decoration.   Cycladic (15th cent BC BC) , Phylakopi I-IV, Melos. National Archaeological Museum Athens.  Cat no 5777.
  • Cycladic ritual kernos with painted motif  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 822-833.  Gray background.<br />
<br />
<br />
A complec ritual vessel with multiple pithos for offerings.
  • Cycladic ceramic krater with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat No 5188
  • Cycladic spouted cup with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5755.   Gray background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic beaked nippled jug with monstrous creature decoration.   Cycladic (18th-17th cent BC BC) , Phylakopi I-IV, Melos. National Archaeological Museum Athens.  Cat no 5777.   Grey background.
  • Cycladic ceramic jug with linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 5147.  Black background.
  • Cycladic askos with hatched painted decoration.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat no 5826.  Black background.<br />
<br />
<br />
Decorated pottery is rare during this Ccladic period. This Cycladic askos has vertical handle on top with a spout. It has painted decoration of hatched bands and a lozenge pattern
  • Cycladic footed necked jar with impressed decration.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6168.  White background.<br />
<br />
<br />
During this period pottery was often monochrome with polised slip finishes sometimes with incised or impressed decorations.
  • Cycladic footed necked jar with impressed decration.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6168. Black background.<br />
<br />
<br />
During this period pottery was often monochrome with polised slip finishes sometimes with incised or impressed decorations.
  • Cycladic monachrome polished slip 'sauce boat' from Syros.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 55, 5159.  Grey background.<br />
<br />
<br />
These so called 'sauce boats' were a new shape and style that appeared during this period.
  • Spherical jug spiral and floral decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5818.  Gray background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery.
  • Bridge spouted jug bird decorated. Early Cycladic I (1650-1550 BC); Phylakopi; Melos. National Archaeological Museum Athens. Cat No 5768.  Gray background.<br />
<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using bird patterns.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5153.  Grey background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied linear decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5012.  Gray background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5058.  Grey background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5058.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens,  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5053.  White background.<br />
<br />
<br />
The incisions depict a boat below spiral patternes. <br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 4974.   Grey background.<br />
<br />
<br />
Yje incised decorations depict a boat amongst spiral formed waves. The boats is of a Ctcladic design  found throughout the Aegean.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Stavros cemetery, Amorgos, grave 5, Cat No 4719. National Archaeological Museum, Athens. <br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • Marble female Cycladic statue figurine with folded arms. Early Cycladic Period II (2800-2300 BC) from Chalandriani, Syros. National Archaeological Museum, Athens.   Gray background.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens. Black background.<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-3200) from Naxos, Cat No 20934. National Archaeological Museum, Athens. Black background.<br />
<br />
One of the largest known Cycladic statues at 89CM tall this figurine still has traces of a colour on the hair and eyes.
  • Head of a Cycladic statue with remnants of painted eyes and right cheek, Parian Marble, Amorgos, Early Cycladic II period (2800-3200BC). National Archaeological Museum, Athens. Black background.
  • 9th century BC Giants of Mont'e Prama  Nuragic stone statue of a boxer, Mont'e Prama archaeological site, Cabras. 2014 excavation. Civico Museo Archeologico Giovanni Marongiu - Cabras, Sardinia. Art grey background
  • 9th century BC Giants of Mont'e Prama  Nuragic stone statue of a boxer, Mont'e Prama archaeological site, Cabras. 2014 excavation. Civico Museo Archeologico Giovanni Marongiu - Cabras, Sardinia
  • 9th century BC Giants of Mont'e Prama  Nuragic stone statue of a boxer, Mont'e Prama archaeological site, Cabras. 2014 excavation. Civico Museo Archeologico Giovanni Marongiu - Cabras, Sardinia. Grey background
  • 9th century BC Giants of Mont'e Prama  Nuragic model of a cetral tower of a Nuraghe with 4 towers around its base, Mont'e Prama archaeological site, Cabras. 2014 excavation. Civico Museo Archeologico Giovanni Marongiu - Cabras, Sardinia
  • 9th century BC Giants of Mont'e Prama  Nuragic stone statue of a boxer, Mont'e Prama archaeological site, Cabras. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Black Background
  • 9th century BC Giants of Mont'e Prama  Nuragic stone statue of a boxer, Mont'e Prama archaeological site, Cabras. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Background
  • 9th century BC Giants of Mont'e Prama  Nuragic stone statue of a boxer, Mont'e Prama archaeological site, Cabras. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Grey Art Background
  • 9th century BC Giants of Mont'e Prama  Nuragic stone shield, Mont'e Prama archaeological site, Cabras. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)
  • 9th century BC Giants of Mont'e Prama  Nuragic stone statue of a boxer, Mont'e Prama archaeological site, Cabras. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Black Background
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Ballowall Barrow prehistoric chambered tomb, Carn Gluze, Ballowall Common, near St Just in Cornwall, England,
  • Gold Death Mask Known as the "mask of Agamemnon"  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold & shows a man with a beard. 16th century BC. Cat No 624 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 254 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 254 Athens Archaeological Museum.
  • Gold Death Mask Known from Grave IV, Grave Circle A, Mycenae. 16th Century BC. The mask is made of a thin sheet of beaten gold . 16th century BC. Cat No 253 Athens Archaeological Museum.
  • Gold Death Mask  from Grave V, Grave Circle A, Mycenae. The mask is made of a thin sheet of beaten gold and is the only mask from grave circle A with eyes open. 16th century BC. Cat No 259 Athens Archaeological Museum.
  • Mycenaean Fresco wall painting  from the Mycenae , Greece. 14th - 13th Century BC. Athens Archaeological Museum.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Copper statuettes of warriors with a short loincloth which originally held weapons in their hands, as well as representation of a woman. These acquired in the art trade figures were probably made ​​in the mountains of Lebanon. They are characterised by the rigid body shapes and rough running faces, whose eyes were inserted once. 3rd century BC , Pergamon Museum, Berlin
  • A unique plaster head of a women, possibly a goddess of sphinx, one of the few examples of Mycenaean plaster art. The severe expression is excentualted by red and black paint and the small hair curls fall from below a polos 9 a cylindrical cap). From one of the cult areas of the acropolis of  Mycenae, Greece. 13th century BC, cat no: 4575,  National Archaeological Museum, Athens.
  • Ancient corbel arch tunnel under the acropolis of Tiryns (  or ) Mycenaean city archaeological site,  Peloponnesos, Greece. A UNESCO World Heritage Site
  • Ancient corbel arch tunnel under the acropolis of Tiryns (  or ) Mycenaean city archaeological site,  Peloponnesos, Greece. A UNESCO World Heritage Site
  • Ancient corbel arch gate in the walls of Tiryns (  or ) Mycenaean city archaeological site,  Peloponnesos, Greece. A UNESCO World Heritage Site
  • Tiryns (  or ) Mycenaean city archaeological site,  Peloponnesos, Greece. A UNESCO World Heritage Site
  • "Gigantic" stone wall & gate to Tiryns (  or ) Mycenaean city archaeological site,  Peloponnesos, Greece. A UNESCO World Heritage Site
  • Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • The North Postern (Gate) of Mycenae ( 1250 B.C). Made from four Monolithic blocks of "Almond Stone" in a typical form of two upright jams, A lintel over the top and threshold. Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Interior of the Treasury of Atreus is an impressive "tholos" beehive shaped tomb on the Panagitsa Hill at Mycenae. Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Entrance to the Treasury of Atreus is an impressive "tholos" beehive shaped tomb on the Panagitsa Hill at Mycenae. The entrance has the typical square 2 upright jams covered with a lintel that weigts around 100 tons. Above the door is a trangular "False" or corbel arch.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Entrance to Mycenae water cisterns for underground water storage. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Entrance to Mycenae water cisterns for underground water storage. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Mycenae Lion Gate & citadel walls built in 1350 B.C and known as cyclopean style walls due to the vast size of the blocks it was assumed by visitors in ancientb times that only giant Cycopse could have built them. Excavated by the archaeologist Heinrich Schliemann in 1876.  Mycenae UNESCO World Heritage  Archaeological Site, Peloponnese, Greece
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Dancing girls fresco  at Knossos. Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos of the  South Propylaeum of Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos of the  South Propylaeum of Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Blue Monkey Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos of the  South Propylaeum of Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the South Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of A Bull relief fresco  of the Nouth Propylaeum,  Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • Paris - France - Pont Alexadre 111 - Column
  • Ponte Vecchio over the River Arno, Florence, Italy.
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  White background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8. Black background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Grey background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic animal shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Gray background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  White background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8. Black background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Grey background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Burnished monochrome Cycladic ring shaped wase with geometric incissions.  Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5697-8.  Gray background.<br />
<br />
<br />
Pottery from this Cycladic era was predominatly monochrome and burnished with linear motifs. Flower and bird designs were rare .
  • Cycladic rounded alabastron top with 'marine style' decoration.   Cycladic (15th cent BC BC) , Phylakopi I-IV, Melos. National Archaeological Museum Athens.  Cat no 5777.   White background.
  • Cycladic rounded alabastron top with 'marine style' decoration.   Cycladic (15th cent BC BC) , Phylakopi I-IV, Melos. National Archaeological Museum Athens.  Cat no 5777.  Black background.
  • Cycladic rounded alabastron top with 'marine style' decoration.   Cycladic (15th cent BC BC) , Phylakopi I-IV, Melos. National Archaeological Museum Athens.  Cat no 5777.
  • Cycladic rounded alabastron top with 'marine style' decoration.   Cycladic (15th cent BC BC) , Phylakopi I-IV, Melos. National Archaeological Museum Athens.  Cat no 5777.   Gray background.
  • Cycladic ceramic spherical pyxis with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens.   White background.
  • Cycladic ceramic spherical pyxis with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens.  Black background.
  • Cycladic ceramic spherical pyxis with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens.
  • Cycladic ceramic spherical pyxis with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens.   Grey background.
  • Cycladic ceramic spherical pyxis with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens.   Gray background.
  • Cycladic ceramic kernos with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 6185. Black background.<br />
<br />
<br />
Composed of 8 small pyxides with painted linear decoration, this complex vessel was probably for ritual use.
  • Cycladic ceramic kernos with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 6185.  White background.<br />
<br />
<br />
Composed of 8 small pyxides with painted linear decoration, this complex vessel was probably for ritual use.
  • Cycladic ceramic kernos with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 6185.  Grey background.<br />
<br />
<br />
Composed of 8 small pyxides with painted linear decoration, this complex vessel was probably for ritual use.
  • Cycladic ceramic kernos with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 6185.<br />
<br />
Composed of 8 small pyxides with painted linear decoration, this complex vessel was probably for ritual use.
  • Cycladic ceramic kernos with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 6185.  Gray background.<br />
<br />
<br />
Composed of 8 small pyxides with painted linear decoration, this complex vessel was probably for ritual use.
  • Cycladic ceramic spherical pyxis with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 5170.   White background.
  • Cycladic ceramic spherical pyxis with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 5170.  Black background.
  • Cycladic ceramic spherical pyxis with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 5170.   Grey background.
  • Cycladic ceramic spherical pyxis with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 5170
  • Cycladic ceramic spherical pyxis with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 5170.   Gray background.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3. Black background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.  White background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic 'Kastri Group' tea pot.  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 6104 1-3.  Gray background.<br />
<br />
<br />
The 'Kastri Group' from Syros (2500-2300 BC) coincides with the introdution of anatolian shpes of table ware and with the use of the ceramic wheel. The pottery is dark burnished with incised motifs<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.  White background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829. Black background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.  Grey background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.  Gray background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.  White background.<br />
<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.  Grey background.<br />
<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic cylindrical vase illustrated with a fisherman (1600 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat No 5782.  Gray background.<br />
<br />
<br />
The vase has a procession of 4 fishermen illustrated on iy running all the way round it.
  • Cycladic ritual kernos with painted motif  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 822-833. Black background.<br />
<br />
<br />
A complec ritual vessel with multiple pithos for offerings.
  • Cycladic ritual kernos with painted motif  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 822-833.  Grey background.<br />
<br />
<br />
A complec ritual vessel with multiple pithos for offerings.
  • Cycladic ritual kernos with painted motif  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 822-833.  White background.<br />
<br />
A complec ritual vessel with multiple pithos for offerings.
  • Cycladic ritual kernos with painted motif  Early Cycladic III (2300-2000 BC) , Phylakopi I, Melos. National Archaeological Museum Athens. Cat No 822-833.<br />
<br />
A complec ritual vessel with multiple pithos for offerings.
  • Cycladic ceramic krater with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat No 5258.  Black background.
  • Cycladic ceramic krater with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat No 5258.   White background.
  • Cycladic ceramic krater with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat No 5258.   Grey background.
  • Cycladic ceramic krater with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat No 5258.   Gray background.

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