• Yellow Nasturtium flower & leaves
  • Cut Fresh Swede
  • Fresh nasturtium flowers.  leaves & seeds
  • Whole wild Cepes mushrooms,
  • Fresh whole dates
  • Fresh Formosa papaya
  • Fresh Formosa papaya
  • Fresh fine beans
  • Fresh whole aubergines
  • Fresh ginger root
  • Fresh mixed whole  mushrooms
  • Fresh mixed whole  mushrooms
  • Marzipan Chicks for Easter or spring
  • Marzipan Chicks for Easter or spring
  • Marzipan Chicks for Easter or spring
  • Whole & cut Granny Smiths apples
  • Fresh whole and cut pink grapefruit
  • Fresh whole blackberries
  • Fresh whole aubergines
  • Fresh whole red leaved mini Cos lettuce
  • Fresh Pomelo citrus  Fruit
  • Whole Cheese and Tomato thin crust pizza
  • Whole prosciutto pizza
  • Whole Cheese and Tomato thin crust pizza
  • Fresh Pak Choi Leaves
  • Cornish vanilla Ice cream in a wafer tub
  • Raspberry ripple Ice cream in a wafer tub
  • Fresh whole and cut pink grapefruit
  • Fresh whole and cut pink grapefruit
  • One coloured egg in a tray of black & white eggs
  • Dried Chanterelle mushrooms
  • Dried Chanterelle mushrooms
  • Whole tamarind Indian spices - stock Photos
  • Whole fresh pines nuts
  • Fresh peas and pea pods
  • Fresh peas and pea pods
  • Fresh peas
  • Fresh mixed whole  mushrooms
  • Fresh mixed whole  mushrooms
  • Dried Maitake mushrooms
  • Whole Cinnamon Sticks
  • Whole fresh aubergines against a while background
  • Wole Nutmegs
  • Whole tamarind Indian spices - stock Photos
  • Whole tamarind Indian spices - stock Photos
  • Whole Star Anise fruits
  • Whole fresh pines nuts
  • Fresh peas and pea pods
  • Fresh peas and pea pods
  • Fresh peas
  • Fresh peas and pea pods
  • Fresh mixed whole  field mushrooms
  • Fresh mixed whole  mushrooms
  • Fresh mixed whole  mushrooms
  • Fresh mixed whole  mushrooms
  • Dried Jumbo Morel mushrooms
  • Fresh whole mini mango
  • Fresh whole mini mango
  • Dried Maitake mushrooms
  • Whole Cinnamon Sticks
  • Dried Chanterelle mushrooms
  • Dried Chanterelle mushrooms
  • Whole fresh aubergines
  • Bread baguettes filled with mozerella & tomatoes, ham & salad, Prcutto ham & rocket.
  • Traditional English scone with clotted cream and jam food photos
  • Traditional raison scone and butter food photos.
  • Salad Nicoise, Tuna, egg, French beans and olives salad recipe
  • Fresh whole ripe green Plantain fruit
  • Whole tamarind Indian spices
  • Whole Cinnamon Sticks
  • Cacao liquor pieces stock photos
  • Olive leaves and green olives photos
  • Fresh whole and cut oranges
  • Whole fresh oranges
  • whole fresh Conference pear
  • Whole and cut fresh oranges
  • Whole and cut fresh oranges
  • Whole and cut fresh oranges
  • Fresh whole and cut oranges
  • Whole fresh oranges
  • Fresh whole and cut oranges
  • Whole fresh oranges
  • Fresh oranges whole and cut halves with leaves
  • Fresh oranges whole and cut halves with leaves
  • Fresh British comice pears
  • Fresh British comice pears whole and cut
  • Fresh  comice pears whole and cut
  • Fresh mandarins fruits with leaves
  • Fresh mandarins fruits with leaves
  • Fresh mandarins fruits with leaves
  • Fresh mandarins fruits with leaves
  • Fresh apricots whole and cut in halves
  • Fresh  comice pears whole and cut
  • Fresh British  conference pears whole and cut
  • Fresh conference pears whole and cut
  • Fresh British conference pears whole
  • Fresh  comice pears whole and cut
  • Dragon Fruit - Pitaya
  • Fresh cape gooseberry against white background
  • Fresh Pomelo grapefruit whole and cut with leaves
  • Fresh whole lemons with leaves
  • Fresh whole and cut lemons with leaves
  • Fresh whole and cut lime fruit with leaves
  • Fresh Kumquats citrus fruit
  • Fresh Kumquats citrus fruit
  • Fresh Kumquats citrus fruit
  • Fresh mandarins fruits with leaves
  • Fresh mandarins fruits with leaves
  • Fresh mandarins fruits with leaves
  • Fresh mandarins fruits with leaves
  • Fresh mandarins fruits with leaves.
  • Half a kiwi fruit
  • Organic Wineberry [Rubus phoenicolasius] - Japanese fruit
  • Fresh water being poured into a glass
  • Fresh flavoured milk being poured into a glass
  • Fresh flavoured milk being poured into a glass
  • fresh milk being poured into a glass
  • Fresh cut Pomegranite
  • Whole fresh pineapple
  • Goji berries
  • Dandelion clocks seed heads
  • Stock Photos of close up of apple blossom on a white background. Funky stock photos library
  • Stock Photos of close up of apple blossom on a white background. Funky stock photos library
  • Stock Photos of close up of apple blossom on a white background. Funky stock photos library
  • Stock Photos of close up of cherry blossom on a white background. Funky stock photos library
  • Organic Wineberry [Rubus phoenicolasius] - Japanese fruit
  • Organic Wineberry [Rubus phoenicolasius] - Japanese fruit
  • Red wine being poured into a glass
  • Red wine being poured into a glass
  • Fresh water being poured into a glass
  • Fresh water being poured into a glass
  • Fresh water being poured into a glass
  • Fresh flavoured milk being poured into a glass
  • fresh milk being poured into a glass
  • fresh milk being poured into a glass
  • fresh milk being poured into a glass
  • Red wine being poured into a glass
  • Fresh cut Pomegranite
  • Whole fresh pineapple
  • Stock photos of the acai berry the super fruit anti oxident from the Amazon. The acai berry has been associated with helping weight loss.
  • Stock photos & Images of the acai berry the super fruit anti oxident from the Amazon. The acai berry has been associated with helping weight loss.
  • Goji berries
  • Goji berries
  • Goji berries
  • Stock Photos of close up of apple blossom on a white background. Funky stock photos library
  • Stock Photos of close up of apple blossom on a white background. Funky stock photos library
  • Stock Photos of close up of cherry blossom on a white background. Funky stock photos library
  • Stock Photos of close up of cherry blossom on a white background. Funky stock photos library
  • Fresh  plum Tomatoes
  • Raw  fresh organic Hon-Shimeji mushrooms
  • Raw  fresh Yellow Oyster mushrooms
  • Raw  fresh Yellow Oyster mushrooms
  • Fresh Papaya halves
  • Fresh Ocra (Ladies Fingers)
  • Fresh organic Anya  Potatoes
  • Fresh organic Jersey new Potatoes
  • Raw  fresh organic Hon-Shimeji mushrooms
  • Raw  fresh Yellow Oyster mushrooms
  • Raw  fresh organic Hon-Shimeji mushrooms
  • Raw  fresh Yellow Oyster mushrooms
  • Fresh Ocra (Ladies Fingers)
  • Fresh Dates
  • Fresh Cherry
  • Fresh whole Cherry
  • Photos & pictures of the Brazilian acai berries the super fruit anti oxident from the Amazon. Acai berries has been used to help weight loss. Stockfotos & fotos
  • Photos & pictures of the Brazilian acai berries the super fruit anti oxident from the Amazon. Acai berries has been used to help weight loss. Stock fotos
  • Stock photography of the acai berry the super fruit anti oxident from the Amazon. The acai berry has been associated with helping weight loss.
  • Fresh Tomatoes
  • Fresh Tomatoes
  • Fresh Tomatoes
  • Stock Photos of close up of cherry blossom on a white background. Funky stock photos library
  • BBQ spare ribs in an american diner setting
  • Lamb Keema Curry and pilau rice Indian food stock pictures, photos fotos & images
  • Tandoori chicken masala  Indian food stock pictures, photos fotos & images
  • Autumn leaf. Single fall leaf against white. Natural colors and textures.
  • Autumn leaf. Single fall leaf against white. Natural colors and textures.
  • Autumn leaf. Single fall leaf against white. Natural colors and textures.
  • Stock Photos of close up of apple blossom on a white background. Funky stock photos library
  • Stock photography of the acai berry the super fruit anti oxident from the Amazon. The acai berry has been associated with helping weight loss.
  • Stock photography of the acai berry the super fruit anti oxident from the Amazon. The acai berry has been associated with helping weight loss.
  • Stock photography of the acai berry the super fruit anti oxident from the Amazon. The acai berry has been associated with helping weight loss.
  • Stock photography of the acai berry the super fruit anti oxident from the Amazon. The acai berry has been associated with helping weight loss.
  • Stock photography of the acai berry the super fruit anti oxident from the Amazon. The acai berry has been associated with helping weight loss.
  • BBQ chicken wings being cooked on a bbq grill. Funky Stock library chicken wings images of bbq food.
  • BBQ beef burgers being cooked on a bbq grill. Funky Stock library burger images of bbq food.
  • BBQ beef burgers being cooked on a bbq grill. Funky Stock library burger images of bbq food.
  • BBQ Lamb cutlets being cooked on a bbq grill. Funky Stock library images of bbq food.
  • BBQ Lamb cutlets being cooked. Funky Stock library images of bbq food.
  • Stock photos of BBQ beef and a brochette of vegetables. Funky Stock library images of bbq food
  • Photo of classic hamburger in sesame bun with Ketchup & Salad. Funky Stock Photos.
  • Fresh Russet Apples
  • Fresh Braeburn Apple half
  • Fresh Braeburn Apple
  • Fresh Russet Apple half
  • Fresh apples
  • Fresh apples
  • Fresh apples
  • Fresh Braeburn Apple half
  • Fresh Braeburn Apple
  • Coquina Squash whole on a white background
  • Fresh Russet Apple half
  • Harlequin Squash on a white background
  • Sea front houses, lifeboat look out tower  and shingle beach of Aldeburgh - Suffolk - England
  • Sea front houses, lifeboat look out tower  and shingle beach of Aldeburgh - Suffolk - England
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting a stag - Produced in Byzacena -  present day Tunisia. <br />
<br />
The stag is a traditional Christian symbol for Christ, Who tramples and destroys the Devil. In the Medieval bestiaries the stag as an enemy of snakes. It was believed that stags was believed to chase snakes into their holes or rock crevices, driving them out by flooding the hole with the breath or water from its mouth, and eating them. <br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a white background.
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting a stag - Produced in Byzacena -  present day Tunisia. <br />
<br />
The stag is a traditional Christian symbol for Christ, Who tramples and destroys the Devil. In the Medieval bestiaries the stag as an enemy of snakes. It was believed that stags was believed to chase snakes into their holes or rock crevices, driving them out by flooding the hole with the breath or water from its mouth, and eating them. <br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a black background.
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting a stag - Produced in Byzacena -  present day Tunisia. <br />
<br />
The stag is a traditional Christian symbol for Christ, Who tramples and destroys the Devil. In the Medieval bestiaries the stag as an enemy of snakes. It was believed that stags was believed to chase snakes into their holes or rock crevices, driving them out by flooding the hole with the breath or water from its mouth, and eating them. <br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia.   Against a grey background.
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting a stag - Produced in Byzacena -  present day Tunisia. <br />
<br />
The stag is a traditional Christian symbol for Christ, Who tramples and destroys the Devil. In the Medieval bestiaries the stag as an enemy of snakes. It was believed that stags was believed to chase snakes into their holes or rock crevices, driving them out by flooding the hole with the breath or water from its mouth, and eating them. <br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting a stag - Produced in Byzacena -  present day Tunisia. <br />
<br />
The stag is a traditional Christian symbol for Christ, Who tramples and destroys the Devil. In the Medieval bestiaries the stag as an enemy of snakes. It was believed that stags was believed to chase snakes into their holes or rock crevices, driving them out by flooding the hole with the breath or water from its mouth, and eating them. <br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia. Against a grey art background.
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting a stag - Produced in Byzacena -  present day Tunisia. <br />
<br />
The stag is a traditional Christian symbol for Christ, Who tramples and destroys the Devil. In the Medieval bestiaries the stag as an enemy of snakes. It was believed that stags was believed to chase snakes into their holes or rock crevices, driving them out by flooding the hole with the breath or water from its mouth, and eating them. <br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a white background.
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting a stag - Produced in Byzacena -  present day Tunisia. <br />
<br />
The stag is a traditional Christian symbol for Christ, Who tramples and destroys the Devil. In the Medieval bestiaries the stag as an enemy of snakes. It was believed that stags was believed to chase snakes into their holes or rock crevices, driving them out by flooding the hole with the breath or water from its mouth, and eating them. <br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia.  Against a black background.
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting a stag - Produced in Byzacena -  present day Tunisia. <br />
<br />
The stag is a traditional Christian symbol for Christ, Who tramples and destroys the Devil. In the Medieval bestiaries the stag as an enemy of snakes. It was believed that stags was believed to chase snakes into their holes or rock crevices, driving them out by flooding the hole with the breath or water from its mouth, and eating them. <br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia.   Against a grey background.
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting a stag - Produced in Byzacena -  present day Tunisia. <br />
<br />
The stag is a traditional Christian symbol for Christ, Who tramples and destroys the Devil. In the Medieval bestiaries the stag as an enemy of snakes. It was believed that stags was believed to chase snakes into their holes or rock crevices, driving them out by flooding the hole with the breath or water from its mouth, and eating them. <br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia
  • 6th-7th Century Eastern Roman Byzantine  Christian Terracotta tiles depicting a stag - Produced in Byzacena -  present day Tunisia. <br />
<br />
The stag is a traditional Christian symbol for Christ, Who tramples and destroys the Devil. In the Medieval bestiaries the stag as an enemy of snakes. It was believed that stags was believed to chase snakes into their holes or rock crevices, driving them out by flooding the hole with the breath or water from its mouth, and eating them. <br />
<br />
These early Christian terracotta tiles were mass produced thanks to moulds. Their quadrangular, square or rectangular shape as well as the standardised sizes in use in the different regions were determined by their architectonic function and were designed to facilitate their assembly according to various combinations to decorate large flat surfaces of walls or ceilings. <br />
<br />
Byzacena stood out for its use of biblical and hagiographic themes and a richer variety of animals, birds and roses. Some deer and lions were obviously inspired from Zeugitana prototypes attesting to the pre-existence of this province's production with respect to that of Byzacena. The rules governing this art are similar to those that applied to late Roman and Christian art with, in the case of Byzacena, an obvious popular connotation. Its distinguishing features are flatness, a predilection for symmetrical compositions, frontal and lateral representations, the absence of tridimensional attitudes and the naivety of some details (large eyes, pointed chins). Mass production enabled this type of decoration to be widely used at little cost and it played a role as ideograms and for teaching catechism through pictures. Painting, now often faded, enhanced motifs in relief or enriched them with additional details to break their repetitive monotony.<br />
<br />
The Bardo National Museum Tunis, Tunisia. Against a grey art background.
  • Fresh picked edible yellow or golden oyster mushrooms (Pleurotus citrinopileatus) against a white background for cut out
  • Fresh picked edible yellow or golden oyster mushrooms (Pleurotus citrinopileatus) against a white background for cut out
  • Fresh picked edible yellow or golden oyster mushrooms (Pleurotus citrinopileatus) against a white background for cut out
  • Fresh picked edible yellow or golden oyster mushrooms (Pleurotus citrinopileatus) against a white background for cut out
  • Fresh picked edible yellow or golden oyster mushrooms (Pleurotus citrinopileatus) against a white background for cut out
  • Fresh picked edible yellow or golden oyster mushrooms (Pleurotus citrinopileatus) against a white background for cut out
  • Fresh picked edible yellow or golden oyster mushrooms (Pleurotus citrinopileatus) against a white background for cut out
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Prometheus is screaming in pain. Zeus had given him a terrible punishment for giving fire to man: he was tied to the Caucasus mountains and had his liver picked out daily by an eagle. Herakles shot the eagle and is undoing the first manacle. He wears his trade mark lion-skin and thrown his club to one side. A small mountain nymph, holding a throwing stick appears amongst the rocks.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Prometheus is screaming in pain. Zeus had given him a terrible punishment for giving fire to man: he was tied to the Caucasus mountains and had his liver picked out daily by an eagle. Herakles shot the eagle and is undoing the first manacle. He wears his trade mark lion-skin and thrown his club to one side. A small mountain nymph, holding a throwing stick appears amongst the rocks.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Prometheus is screaming in pain. Zeus had given him a terrible punishment for giving fire to man: he was tied to the Caucasus mountains and had his liver picked out daily by an eagle. Herakles shot the eagle and is undoing the first manacle. He wears his trade mark lion-skin and thrown his club to one side. A small mountain nymph, holding a throwing stick appears amongst the rocks.
  • Photo of Roman releif sculpture of Emperor Tiberius with captive About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  Emperor Tiberius stands with a barbarian captive depicted half the height of Tiberius. Cut Out
  • Satatue known as the Sitting captive - a Roman sculpture of the 1st or 2nd century SAD made out of  Green Breche stone from the Wadi Hammamat, Egypt. The head and hands do not belong to the statue. The head is wearing a hat Phyrigian hat and recalls the same style as the famous Farnese Prisoners statues who were defeated Dacians from the Forum of Trajan (98-117 AD). The body can be dated  to the 1st century AD and is probably from the near east. The recomposed statue , named the defeated barbarian king, was the centre piece of a room in the Villa Albani (1692-1779) in Rome.  The Albani Collection, Inv No. LL 17 or Ma 1383, Louvre Museum, Paris.
  • Satatue known as the Sitting captive - a Roman sculpture of the 1st or 2nd century SAD made out of  Green Breche stone from the Wadi Hammamat, Egypt. The head and hands do not belong to the statue. The head is wearing a hat Phyrigian hat and recalls the same style as the famous Farnese Prisoners statues who were defeated Dacians from the Forum of Trajan (98-117 AD). The body can be dated  to the 1st century AD and is probably from the near east. The recomposed statue , named the defeated barbarian king, was the centre piece of a room in the Villa Albani (1692-1779) in Rome.  The Albani Collection, Inv No. LL 17 or Ma 1383, Louvre Museum, Paris.
  • Satatue known as the Sitting captive - a Roman sculpture of the 1st or 2nd century SAD made out of  Green Breche stone from the Wadi Hammamat, Egypt. The head and hands do not belong to the statue. The head is wearing a hat Phyrigian hat and recalls the same style as the famous Farnese Prisoners statues who were defeated Dacians from the Forum of Trajan (98-117 AD). The body can be dated  to the 1st century AD and is probably from the near east. The recomposed statue , named the defeated barbarian king, was the centre piece of a room in the Villa Albani (1692-1779) in Rome.  The Albani Collection, Inv No. LL 17 or Ma 1383, Louvre Museum, Paris.
  • Satatue known as the Sitting captive - a Roman sculpture of the 1st or 2nd century SAD made out of  Green Breche stone from the Wadi Hammamat, Egypt. The head and hands do not belong to the statue. The head is wearing a hat Phyrigian hat and recalls the same style as the famous Farnese Prisoners statues who were defeated Dacians from the Forum of Trajan (98-117 AD). The body can be dated  to the 1st century AD and is probably from the near east. The recomposed statue , named the defeated barbarian king, was the centre piece of a room in the Villa Albani (1692-1779) in Rome.  The Albani Collection, Inv No. LL 17 or Ma 1383, Louvre Museum, Paris.
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 16 - sculpture of a rams head that symbolise the Apostles of the church. Apostles are like rams because they have strong foreheads which toss = evil out of the way. .  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 16 - sculpture of a rams head that symbolise the Apostles of the church. Apostles are like rams because they have strong foreheads which toss = evil out of the way. .  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Norman Romanesque exterior corbel no 30 - sculpture of of a muzzled bears head with two humans in its mouth, their heads poking out either side of its head.  The Norman Romanesque Church of St Mary and St David, Kilpeck Herefordshire, England. Built around 1140
  • Satatue known as the Sitting captive - a Roman sculpture of the 1st or 2nd century SAD made out of  Green Breche stone from the Wadi Hammamat, Egypt. The head and hands do not belong to the statue. The head is wearing a hat Phyrigian hat and recalls the same style as the famous Farnese Prisoners statues who were defeated Dacians from the Forum of Trajan (98-117 AD). The body can be dated  to the 1st century AD and is probably from the near east. The recomposed statue , named the defeated barbarian king, was the centre piece of a room in the Villa Albani (1692-1779) in Rome.  The Albani Collection, Inv No. LL 17 or Ma 1383, Louvre Museum, Paris.
  • Satatue known as the Sitting captive - a Roman sculpture of the 1st or 2nd century SAD made out of  Green Breche stone from the Wadi Hammamat, Egypt. The head and hands do not belong to the statue. The head is wearing a hat Phyrigian hat and recalls the same style as the famous Farnese Prisoners statues who were defeated Dacians from the Forum of Trajan (98-117 AD). The body can be dated  to the 1st century AD and is probably from the near east. The recomposed statue , named the defeated barbarian king, was the centre piece of a room in the Villa Albani (1692-1779) in Rome.  The Albani Collection, Inv No. LL 17 or Ma 1383, Louvre Museum, Paris.
  • Satatue known as the Sitting captive - a Roman sculpture of the 1st or 2nd century SAD made out of  Green Breche stone from the Wadi Hammamat, Egypt. The head and hands do not belong to the statue. The head is wearing a hat Phyrigian hat and recalls the same style as the famous Farnese Prisoners statues who were defeated Dacians from the Forum of Trajan (98-117 AD). The body can be dated  to the 1st century AD and is probably from the near east. The recomposed statue , named the defeated barbarian king, was the centre piece of a room in the Villa Albani (1692-1779) in Rome.  The Albani Collection, Inv No. LL 17 or Ma 1383, Louvre Museum, Paris.
  • Satatue known as the Sitting captive - a Roman sculpture of the 1st or 2nd century SAD made out of  Green Breche stone from the Wadi Hammamat, Egypt. The head and hands do not belong to the statue. The head is wearing a hat Phyrigian hat and recalls the same style as the famous Farnese Prisoners statues who were defeated Dacians from the Forum of Trajan (98-117 AD). The body can be dated  to the 1st century AD and is probably from the near east. The recomposed statue , named the defeated barbarian king, was the centre piece of a room in the Villa Albani (1692-1779) in Rome.  The Albani Collection, Inv No. LL 17 or Ma 1383, Louvre Museum, Paris.
  • North Porch, Central Portal, Right Archivolts c. 1194-1230. Cathedral of Chartres, France. The Jesse Tree shows the genealogy of Christ, based on the words of Isaiah's prophecy (Isaiah 11:1 " And there shall come forth a rod out of the root of Jesse, and a flower shall rise up out of his root.") The Innermost archivolt contains angels. The second and fifth archivolts from the centre contains Old Testament prophets, many nimbed and holding scrolls. The third and fourth archivolts contain seated figures of the royal ancestors of Christ, surrounded by foliage of the Jesse Tree. A UNESCO World Heritage Site. .
  • North Porch, Central Portal, left Archivolts c. 1194-1230. Cathedral of Chartres, France. The Jesse Tree shows the genealogy of Christ, based on the words of Isaiah's prophecy (Isaiah 11:1 " And there shall come forth a rod out of the root of Jesse, and a flower shall rise up out of his root.") The Innermost archivolt contains angels. The second and fifth archivolts from the centre contains Old Testament prophets, many nimbed and holding scrolls. The third and fourth archivolts contain seated figures of the royal ancestors of Christ, surrounded by foliage of the Jesse Tree. A UNESCO World Heritage Site.
  • North Porch, Central Portal, Right Archivolts c. 1194-1230. Cathedral of Chartres, France. The Jesse Tree shows the genealogy of Christ, based on the words of Isaiah's prophecy (Isaiah 11:1 " And there shall come forth a rod out of the root of Jesse, and a flower shall rise up out of his root.") The Innermost archivolt contains angels. The second and fifth archivolts from the centre contains Old Testament prophets, many nimbed and holding scrolls. The third and fourth archivolts contain seated figures of the royal ancestors of Christ, surrounded by foliage of the Jesse Tree. A UNESCO World Heritage Site. .
  • Medieval stained glass Window of the Gothic Cathedral of Chartres, France - dedicated to the Good Samaritan .  Bottom central panel shows Adam dwelling in Paradise, below - At the inn, the Samaritan nurses the injured man back to health, left - God breathing life into Adam, above - God warning Adam and Eve not to eat from the tree of knowledge, right - God creates Eve out of Adam's rib . Small central oval panel - Tempted by the serpent, Eve tastes the forbidden fruit , left side panel - Adam and Eve conversing beneath the tree of knowledge, right side panel -  God finds Adam and Eve hiding their nakedness. Top centre panel - God instructing Adam and Eve how to live in the wilderness, below - An angel casts Adam and Eve out of Paradise , left - Labouring in the wilderness; Adam digs and Eve spins, right -  Cain murdering his brother Abel with a sickle, above -  Christ in Majesty, seated on the rainbow. A UNESCO World Heritage Site.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Prometheus is screaming in pain. Zeus had given him a terrible punishment for giving fire to man: he was tied to the Caucasus mountains and had his liver picked out daily by an eagle. Herakles shot the eagle and is undoing the first manacle. He wears his trade mark lion-skin and thrown his club to one side. A small mountain nymph, holding a throwing stick appears amongst the rocks.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Prometheus is screaming in pain. Zeus had given him a terrible punishment for giving fire to man: he was tied to the Caucasus mountains and had his liver picked out daily by an eagle. Herakles shot the eagle and is undoing the first manacle. He wears his trade mark lion-skin and thrown his club to one side. A small mountain nymph, holding a throwing stick appears amongst the rocks.
  • Photo of Roman relief sculpture, Aphrodisias, Turkey, Images of Roman art bas reliefs.  Prometheus is screaming in pain. Zeus had given him a terrible punishment for giving fire to man: he was tied to the Caucasus mountains and had his liver picked out daily by an eagle. Herakles shot the eagle and is undoing the first manacle. He wears his trade mark lion-skin and thrown his club to one side. A small mountain nymph, holding a throwing stick appears amongst the rocks.
  • Photo of Roman releif sculpture of Emperor Tiberius with captive About to vanquish Britanica from Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  Emperor Tiberius stands with a barbarian captive depicted half the height of Tiberius. Cut Out
  • Photo of Roman releif sculpture of Roma & Ge [ Earth ] from  Aphrodisias, Turkey, Images of Roman art bas releifs. Buy as stock or photo art prints.  Cut Out
  • Pictures & images of Komurlu Church interior fresco of a Maltese Cross,  9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
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Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church interior, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.
  • Pictures & images of Kalburlu (St. Epthemios) church decorative sculptures, 9th century, the Vadisi Monastery Valley, "Manastır Vadisi”,  of the Ihlara Valley, Guzelyurt , Aksaray Province, Turkey.<br />
<br />
Kalburlu (St. Epthemios) church dates back to the 9th or 10th century. It is carved out of a single rock massive with rock columns holding up the roof of its church . The arches of Kalburlu (St. Epthemios) church have rich architectural decorated relif sculptures. The naves are connected by rounded arches & there is a baptismal font to the east of the main entrance.

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