• Stone statue of a winged bull. From facade m, door K,  Inv AO 19857 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man. From corridor 10,  Inv AO 19896 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Servant. From the facade of the throne room,  Inv AO 22196 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel fragment of a Genie blessing. Inv AO 19864/19880 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of an archer. Inv AO 19885 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie with poppy seed heads next ro the tree of life.  Inv AO 19869 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie blessing. Gate No 3, Inv AO 19863 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a a bird hunt. Inv AO 19886 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of two functionaries. Room 811. Inv AO 19876 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Saron II and a dignitary. Facade L. Inv AO 19873-4 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and poppy seed pods. Facade N. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Saron II and a dignitary. Facade L. Inv AO 19873-4 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man. From the facade of the throne room,  Inv AO 19917 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From city gate no 3,  Inv AO 19859 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of cedar of Lebanon being transported. From the northern courtyard,  Inv AO 19888 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a Hero holding a lion. From facade M of the palace courtyard ,  Inv AO 19861 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From city gate no 3,  Inv AO 19859 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From city gate no 3,  Inv AO 19859 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man. From corridor 10,  Inv AO 19896 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of tributaries. From corridor 10,  Inv AO 1433/19899/19895 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Dignitary. Inv AO 7374 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Dignitary. Inv AO 7374 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel fragment of a Dignitary. Inv AO 1432 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel fragment of a Genie blessing. Inv AO 19864/19880 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie with poppy seed heads next ro the tree of life.  Inv AO 19869 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of an archer. Inv AO 19885 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie blessing. Gate No 3, Inv AO 19863 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie Blessing. Facade N. Inv AO 19865 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of two functionaries. Room 811. Inv AO 19876 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and poppy seed pods. Facade N. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of two servants. Facade L. Inv AO 19879 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and a poppy flower. Facade L. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and a poppy flower. Facade L. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Royal servant. From the palace of Teglat-phalasar II, Nimrud, third quarter of the 8th century BC. inv 19852  Louvre Museum , Paris
  • Stone relief sculptured panel of tributaries. From corridor 10,  Inv AO 1433/19899/19895 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a Hero holding a lion. From facade M of the palace courtyard ,  Inv AO 19861 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From facade m, door K,  Inv AO 19857 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From facade m, door K,  Inv AO 19857 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man. From corridor 10,  Inv AO 19896 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Dignitary. Inv AO 7374 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie with poppy seed heads next ro the tree of life.  Inv AO 19869 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel fragment of a Dignitary. Inv AO 1432 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel fragment of a Genie blessing. Inv AO 19864/19880 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie with poppy seed heads next ro the tree of life.  Inv AO 19869 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a a bird hunt. Inv AO 19886 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of two functionaries. Room 811. Inv AO 19876 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Royal servant. From the palace of Teglat-phalasar II, Nimrud, third quarter of the 8th century BC. inv 19852  Louvre Museum , Paris
  • Stone statue of a Hero holding a lion. From facade M of the palace courtyard ,  Inv AO 19861 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of cedar of Lebanon being transported. From the northern courtyard,  Inv AO 19888 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a Hero holding a lion. From facade M of the palace courtyard ,  Inv AO 19861 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man. From corridor 10,  Inv AO 19896 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From city gate no 3,  Inv AO 19859 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From city gate no 3,  Inv AO 19859 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From facade m, door K,  Inv AO 19857 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From facade m, door K,  Inv AO 19857 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From facade m, door K,  Inv AO 19857 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Dignitary. Inv AO 7374 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Servant. From the facade of the throne room,  Inv AO 22196 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel fragment of a Dignitary. Inv AO 1432 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of an archer. Inv AO 19885 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and poppy seed pods. Facade N. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and a poppy flower. Facade L. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Royal servant. From the palace of Teglat-phalasar II, Nimrud, third quarter of the 8th century BC. inv 19852  Louvre Museum , Paris
  • Stone relief sculptured panel of a man. From the facade of the throne room,  Inv AO 19917 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a Hero holding a lion. From facade M of the palace courtyard ,  Inv AO 19861 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of cedar of Lebanon being transported. From the northern courtyard,  Inv AO 19888 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From city gate no 3,  Inv AO 19859 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From city gate no 3,  Inv AO 19859 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From city gate no 3,  Inv AO 19859 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. From city gate no 3,  Inv AO 19859 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of tributaries. From corridor 10,  Inv AO 1433/19899/19895 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man. From corridor 10,  Inv AO 19896 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Servant. From the facade of the throne room,  Inv AO 22196 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie with poppy seed heads next ro the tree of life.  Inv AO 19869 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel fragment of a Dignitary. Inv AO 1432 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie with poppy seed heads next ro the tree of life.  Inv AO 19869 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Genie blessing. Gate No 3, Inv AO 19863 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of an archer. Inv AO 19885 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • . Room 4 - Ancient Meopotania 713-706 BC, Assyria, Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad.  Louvre Museum, Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of soldiers carrying a war chariot . Facade L. Inv AO 19884 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Horse Driver. Facade L. Inv AO 19883 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of two functionaries. Room 811. Inv AO 19876 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of Soldier. Room 8. Inv AO 19877 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding poppy seed pods. Facade N. Inv AO 19870 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a man holding an Ibex and poppy seed pods. Facade N. Inv AO 19872 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone statue of a winged bull. Reproduction from the facade of the throne room,  Inv AO 30043 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Hero holding a lion. From the facade of the throne room,  Inv AO 19862 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • Stone relief sculptured panel of a Servant. From the facade of the throne room,  Inv AO 22196 from Dur Sharrukin the palace of Assyrian king Sargon II at Khorsabad, 713-706 BC.  Louvre Museum Room 4 , Paris
  • A tiger hunting from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • A bird from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • A bird from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Hunting scene with a hare and dog from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Hunting scene with a hare and dog from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Geometric Roman mosaics, Eastern Mediterranean, 4th century AD. The Louvre Museum, Paris
  • Roman mosaic of a Church with Towers, Eastern Mediterranean, 5th century AD. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The mosaic shows the architecture of early Roman Chriatian Basilicas. Inv 3676, The Louvre Museum, Paris
  • Roman mosaic of a Church with Towers, Eastern Mediterranean, 5th century AD. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The mosaic shows the architecture of early Roman Chriatian Basilicas. Inv 3676, The Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of an early Christian church floor from Qabr Hiram, Lebanon, 575 AD. Marble blocks and glass paste cubes. This mosaic was designed to follow the layout of the church which had three naves. It depicts God through images of his creation: rural activities, fruit, animals with representations of the months, seasons and winds. The inscription indicates that the basilica was dedicated to St. Christopher and was built in 575 AD.. Inv 32230-2236, Louvre Museum, Paris
  • Roman mosaic of an early Christian Basilica from the Eastern Mediterranean, late 5th century AD. Marble blocks, limestone, sandstone and terracotta. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The side wall is deliberately open to make the interior visible . Inv 3677, Louvre Museum, Paris
  • Roman mosaic of a Young boy playing with snakes, possibly an early Christian mosaic. Syria or Lebanon, 5th century AD. Cubes of marble and limestone. Dressed in a long tunic, the child playing with two snakes could be illustrating a passage from the Book of Isai (11.6 to 8). This fragmented mosaic panel once continued in upper part, as indicated by the animal hoofs, and to the right of the mosaic are remains of a Greek inscription. inv 5094. Louvre Museum, Paris
  • Eastern Mediterranean Roman mosaics of Animals, late 5th - 6th century. Marble cubes, and limestone. Three animals are in the race, a dog, a lion and a pheasant. They belonged perhaps to a hunting scene which was a popular floor decoration in houses or they may illustrate the biblical theme of 'Peace of animals', found on the floors of the churches of the Eastern Roman provinces. inv 3672, Louvre Museum, Paris
  • Eastern Mediterranean Roman mosaics of Animals, late 5th - 6th century. Marble cubes, and limestone. Three animals are in the race, a dog, a lion and a pheasant. They belonged perhaps to a hunting scene which was a popular floor decoration in houses or they may illustrate the biblical theme of 'Peace of animals', found on the floors of the churches of the Eastern Roman provinces. inv 3672, Louvre Museum, Paris
  • Female Portrait (Antioch, Antakya, Turkey), 1st half of 3rd century AD. Marble cubes, limestone and glass. The mosaic bust of a female with a billowing sail that surrounds her head that it could represent the wind. The mosaic decorated the entrance of a dining room and was once flanked it with now lost representations of the marine deities Thalassa and Okeanosinv 3460, Louvre Museum, Paris
  • 1st -2nd century AD gold death mask from the Roman levant.  Jerusalem, Israel. British Museum no 139535
  • 1st -2nd century AD gold death mask from the Roman levant.  Jerusalem, Israel. British Museum no 139535
  • 1st -2nd century AD gold death mask from the Roman levant.  Jerusalem, Israel. British Museum no 139535
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish eating a serpant from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Roman mosaic of a Church with Towers, Eastern Mediterranean, 5th century AD. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The mosaic shows the architecture of early Roman Chriatian Basilicas. Inv 3676, The Louvre Museum, Paris
  • Roman mosaic of a Church with Towers, Eastern Mediterranean, 5th century AD. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The mosaic shows the architecture of early Roman Chriatian Basilicas. Inv 3676, The Louvre Museum, Paris
  • Roman mosaic of an Amazon on horseback fighting, From Daphne, a suburb of Antioch, Antakya, Turkey, 4th century AD. Marble blocks and glass paste cubes. The mosaic depicts the legendary woman warriors known as the Amazons, who fought with one breast showing, fighting a soldier with armour. inv 3463, The Louvre Museum, Paris
  • Roman mosaic of two Gazelles facing inwards either side of a vase, Eastern Mediterranean, the beginning of the 6th century AD. The mosaic design is typical of  church  floors in front of the choir. The choice of gazelles is rare though and indicates a local flavour to the content. Inv 3673, The Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of an early Christian Basilica from the Eastern Mediterranean, late 5th century AD. Marble blocks, limestone, sandstone and terracotta. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The side wall is deliberately open to make the interior visible . Inv 3677, Louvre Museum, Paris
  • Roman mosaic of an early Christian Basilica from the Eastern Mediterranean, late 5th century AD. Marble blocks, limestone, sandstone and terracotta. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The side wall is deliberately open to make the interior visible . Inv 3677, Louvre Museum, Paris
  • Roman mosaic of an early Christian Basilica from the Eastern Mediterranean, late 5th century AD. Marble blocks, limestone, sandstone and terracotta. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The side wall is deliberately open to make the interior visible . Inv 3677, Louvre Museum, Paris
  • Roman mosaic of a Young boy playing with snakes, possibly an early Christian mosaic. Syria or Lebanon, 5th century AD. Cubes of marble and limestone. Dressed in a long tunic, the child playing with two snakes could be illustrating a passage from the Book of Isai (11.6 to 8). This fragmented mosaic panel once continued in upper part, as indicated by the animal hoofs, and to the right of the mosaic are remains of a Greek inscription. inv 5094. Louvre Museum, Paris
  • Eastern Mediterranean Roman mosaics of Animals, late 5th - 6th century. Marble cubes, and limestone. Three animals are in the race, a dog, a lion and a pheasant. They belonged perhaps to a hunting scene which was a popular floor decoration in houses or they may illustrate the biblical theme of 'Peace of animals', found on the floors of the churches of the Eastern Roman provinces. inv 3672, Louvre Museum, Paris
  • Female Portrait (Antioch, Antakya, Turkey), 1st half of 3rd century AD. Marble cubes, limestone and glass. The mosaic bust of a female with a billowing sail that surrounds her head that it could represent the wind. The mosaic decorated the entrance of a dining room and was once flanked it with now lost representations of the marine deities Thalassa and Okeanosinv 3460, Louvre Museum, Paris
  • Female Portrait (Antioch, Antakya, Turkey), 1st half of 3rd century AD. Marble cubes, limestone and glass. The mosaic bust of a female with a billowing sail that surrounds her head that it could represent the wind. The mosaic decorated the entrance of a dining room and was once flanked it with now lost representations of the marine deities Thalassa and Okeanosinv 3460, Louvre Museum, Paris
  • Female Portrait (Antioch, Antakya, Turkey), 1st half of 3rd century AD. Marble cubes, limestone and glass. The mosaic bust of a female with a billowing sail that surrounds her head that it could represent the wind. The mosaic decorated the entrance of a dining room and was once flanked it with now lost representations of the marine deities Thalassa and Okeanosinv 3460, Louvre Museum, Paris
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Roman Byzantine floor Mosaics of the early Christian Church of St. Christopher, Qabar Hiram, Lebanon, AD 575. Louvre Museum Paris inv 2230-2235
  • 1st -2nd century AD gold death mask from the Roman levant.  Jerusalem, Israel. British Museum no 139535
  • 1st -2nd century AD gold death mask from the Roman levant.  Jerusalem, Israel. British Museum no 139535
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Roman portrait bust of a young charioteer from the age of Domitian, 81-96AD. This statue of a young charioteer, with Oriental eastern Mediterranean features, is wearing a tunic stopped on the right shoulder by a flattened circular fibula (clasp). The hairstyle, with its ’S’ shaped curls, was made artificially with an iron (calamistrum). This style was inspired by official portrayts of a young Domitian, who emulated Neronian style during the last years of his reign. The bust was rounded to be inserted onto a modern pillar. . Inv 276, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young charioteer from the age of Domitian, 81-96AD. This statue of a young charioteer, with Oriental eastern Mediterranean features, is wearing a tunic stopped on the right shoulder by a flattened circular fibula (clasp). The hairstyle, with its ’S’ shaped curls, was made artificially with an iron (calamistrum). This style was inspired by official portrayts of a young Domitian, who emulated Neronian style during the last years of his reign. The bust was rounded to be inserted onto a modern pillar. . Inv 276, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young charioteer from the age of Domitian, 81-96AD. This statue of a young charioteer, with Oriental eastern Mediterranean features, is wearing a tunic stopped on the right shoulder by a flattened circular fibula (clasp). The hairstyle, with its ’S’ shaped curls, was made artificially with an iron (calamistrum). This style was inspired by official portrayts of a young Domitian, who emulated Neronian style during the last years of his reign. The bust was rounded to be inserted onto a modern pillar. . Inv 276, The National Roman Museum, Rome, Italy
  • Roman portrait bust of a young charioteer from the age of Domitian, 81-96AD. This statue of a young charioteer, with Oriental eastern Mediterranean features, is wearing a tunic stopped on the right shoulder by a flattened circular fibula (clasp). The hairstyle, with its ’S’ shaped curls, was made artificially with an iron (calamistrum). This style was inspired by official portrayts of a young Domitian, who emulated Neronian style during the last years of his reign. The bust was rounded to be inserted onto a modern pillar. . Inv 276, The National Roman Museum, Rome, Italy
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Gothic Catalan altarpiece of, left to right, the martydom of St Bartholomew, Calvaty and the deat of St Mary Magdelene, by Jaume Huguet, Barcelona circa 11465-1480, tempera and gold leaf on for wood, from the church of San Marti de Petegas de san Seloni, Valle Oriental, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   24365. Against a light grey background.
  • Gothic Catalan altarpiece of, left to right, the martydom of St Bartholomew, Calvaty and the deat of St Mary Magdelene, by Jaume Huguet, Barcelona circa 11465-1480, tempera and gold leaf on for wood, from the church of San Marti de Petegas de san Seloni, Valle Oriental, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   24365.
  • Gothic Altarpiece of, left to right, the martydom of St Bartholomew, Calvaty and the deat of St Mary Magdelene, by Jaume Huguet, Barcelona circa 11465-1480, tempera and gold leaf on for wood, from the church of San Marti de Petegas de san Seloni, Valle Oriental, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   24365.
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Roman portrait bust of a young charioteer from the age of Domitian, 81-96AD. This statue of a young charioteer, with Oriental eastern Mediterranean features, is wearing a tunic stopped on the right shoulder by a flattened circular fibula (clasp). The hairstyle, with its ’S’ shaped curls, was made artificially with an iron (calamistrum). This style was inspired by official portrayts of a young Domitian, who emulated Neronian style during the last years of his reign. The bust was rounded to be inserted onto a modern pillar. . Inv 276, The National Roman Museum, Rome, Italy
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Medieval Oriental style Sculptures from the facade of St Mark's Basilica, Venice
  • Medieval Oriental style Sculptures from the facade of St Mark's Basilica, Venice
  • Medieval Oriental Byzantine Bas Reliefs on th Facade of St Mark's Basilica, Venice. Looted from Constantinople after the Fourth Crusade (1202-1204)
  • Medieval Oriental Byzantine Bas Reliefs of two peackocks on th Facade of St Mark's Basilica, Venice. Looted from Constantinople after the Fourth Crusade (1202-1204)
  • Aziziye Camii (Mosque) with oriental style minarets and windows that are larger than the doors. Konya, Turkey
  • Aziziye Camii (Mosque) with oriental style minarets and windows that are larger than the doors. Konya, Turkey
  • Aziziye Camii (Mosque) with oriental style minarets and windows that are larger than the doors. Konya, Turkey
  • Aziziye Camii (Mosque) with oriental style minarets and windows that are larger than the doors. Konya, Turkey
  • oriental party buffet food with chicken satay
  • Gothic Catalan altarpiece of, left to right, the martydom of St Bartholomew, Calvaty and the deat of St Mary Magdelene, by Jaume Huguet, Barcelona circa 11465-1480, tempera and gold leaf on for wood, from the church of San Marti de Petegas de san Seloni, Valle Oriental, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   24365.
  • Gothic Catalan altarpiece of, left to right, the martydom of St Bartholomew, Calvaty and the deat of St Mary Magdelene, by Jaume Huguet, Barcelona circa 11465-1480, tempera and gold leaf on for wood, from the church of San Marti de Petegas de san Seloni, Valle Oriental, Spain.  National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC   24365. Against a black background.
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gypsum, schist, shells and lapis lazuli statue of Ebih-Il, early Dynastic; Shakkanakku (military governor) of the ancient city-state of Mari in present day eastern Syria, dating from circa 2340 BC or from the Akkadian period of rule Circa 2250 BC.. The statue carries a cuneiform inscription in Akkadian. Excavated from; the temple of Ishtar at Mari by André Parrot in 1934-1935 the statue measures; 52.5 cm (20.7 in) high; 20.6 cm (8.1 in) wide and 30 cm (11.8 in) deep. Department of Oriental Antiquities; Richelieu; ground floor; room 1b; inv AO 17551; Louvre Museum; Paris
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Medieval Oriental style Sculptures from the facade of St Mark's Basilica, Venice
  • Detail of sixth Century Pillars From Acre with oriental bas releif geometric designs. St Mark's Basilica, Venice. Looted from Constantinople after the Fourth Crusade (1202-1204)
  • Detail of sixth Century Pillars From Acre with oriental bas releif geometric designs. St Mark's Basilica, Venice. Looted from Constantinople after the Fourth Crusade (1202-1204)
  • oriental party buffet food with chicken satay
  • Greek Fresco on the inside of Tomb of  the Diver  [La Tomba del Truffatore]. The tomb is painted with the true fresco technique and its importance lies in being "the only example of Greek painting with figured scenes dating from the Orientalizing, Archaic, or Classical periods to survive in its entirety. This panel from the short side of the tomb shows a man with a wreathed wine crater . Paestrum, Andriuolo.  (480-470 BC  )
  • Calanais Standing Stones  central stone circle erected between 2900-2600BC measuring 11 metres wide. At the centre of the ring stands a huge monolith stone 4.8 metres high weighing about 7 tonnes, which is perfectly orientated so that its widest sides face due north south. Calanais Neolithic Standing Stone (Tursachan Chalanais) , Isle of Lewis, Outer Hebrides, Scotland.
  • Panorama of Calanais Standing Stones  central stone circle erected between 2900-2600BC measuring 11 metres wide. At the centre of the ring stands a huge monolith stone 4.8 metres high weighing about 7 tonnes, which is perfectly orientated so that its widest sides face due north south. Calanais Neolithic Standing Stone (Tursachan Chalanais) , Isle of Lewis, Outer Hebrides, Scotland.
  • Calanais Standing Stones central stone circle erected between 2900-2600BC measuring 11 metres wide. At the centre of the ring stands a huge monolith stone 4.8 metres high weighing about 7 tonnes, which is perfectly orientated so that its widest sides face due north south. Calanais Neolithic Standing Stone (Tursachan Chalanais) , Isle of Lewis, Outer Hebrides, Scotland.
  • Panorama of Calanais Standing Stones  central stone circle erected between 2900-2600BC measuring 11 metres wide. At the centre of the ring stands a huge monolith stone 4.8 metres high weighing about 7 tonnes, which is perfectly orientated so that its widest sides face due north south. Calanais Neolithic Standing Stone (Tursachan Chalanais) , Isle of Lewis, Outer Hebrides, Scotland.
  • Panorama of Calanais Standing Stones  central stone circle erected between 2900-2600BC measuring 11 metres wide. At the centre of the ring stands a huge monolith stone 4.8 metres high weighing about 7 tonnes, which is perfectly orientated so that its widest sides face due north south. Calanais Neolithic Standing Stone (Tursachan Chalanais) , Isle of Lewis, Outer Hebrides, Scotland.

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