• Moulding of 8th Cent. BC late Hittite rock relief . Warpalas, King of Tyana land, praying in front of a plant & storm god Tarhunza. From Ivriz (Konya, Ergeli) Turkey. Istanbul Archaeological Museum Inv. No 7869.
  • Late Hittite (Aramaean)  Basalt relief sculptures  from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Left Deer Buck, Inv no 7712, Middle Winged Lion inv no. 7706, Left Male with Axe Inv No. 7727. Istanbul Archaeological Museum.
  • Late Hittite (Aramaean)  Basalt relief sculpture of an Aslan Lion from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7727.
  • Late Hittite (Aramaean)  Basalt Double Sphinx  sculpture from 9th Cent B.C, excavated from the entrance of Palace III Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7731.
  • Late Hittite Basalt Portal Lion sculpture from 9th Cent B.C, excavated from Palace Building P Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum inv. No 7777.
  • Late Hittite (Aramaean) Basalt funereal Steel with a relief sculpture of a man from 9 - 8th Cent B.C, excavated from Um-Shershuh, Syria.  Istanbul Archaeological Museum Inv. No 7786.
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP  22,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin , Museum Inv No VAS 8852
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 10th - 8th century BC stone Neo-Hittite/ Aramaean Orthostats from the city of Sam'al (Hittite: Yadiya) near Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bull. Pergamon Museum, Berlin
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from  Alacahöyük, Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 3
  • Late Hittite Basalt funereal Steel with a relief sculpture of a warrior from 9 - 8th Cent B.C, excavated from Arslan Tash (Turkish; Arslan Lion, Taş Stone), ancient Hadātu, is an archaeological site in northern Syria 30km east of the Euphrates River and nearby the town of Ain al-Arab. Istanbul Archaeological Museum Inv. No 1981.
  • Neo Hittite Basalt relief sculpture for Carchemish of a Syrian storm god who traditionally wears a horned headdress. 10th century B.C form Carchemish , south-east Anatolia, Turkey. British Museum exhibit no ME 117909 in room 54.
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP 19,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin OP VAS 8854,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No VAS 8841,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA  8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • Relief panels orthostat from northern part of the hall at the Palace of Sam 'al - Zincirli. On the throne sits the Prince Barrakib, before him stands a scribe with his pen with a writing board under his arm. Above their heads each side of a crescent moon  are inscriptions in Aramaic "I am Barrakib, son of Panammuwa" and the inscription "My Lord of the Ba 'al of Harran" with symbols of the moon god.Neo Syro Hittite.  Basalt around 730 BC. Neo Syro Hittite.  Basalt around 730 BC.  Pergamon Museum, Berlin, inv no VA2817
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Sculpture of a Lion Fron the Gate To Aslantepe, Malatya Province Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from Alacahöyük , Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 2
  • Late Hittite (Aramaean) Basalt funereal Steel with a relief sculpture of a man from 9 - 8th Cent B.C, excavated from Um-Shershuh, Syria.  Istanbul Archaeological Museum Inv. No 7786.
  • Late Hittite (Aramaean) Basalt funereal Steel with a relief sculpture of a man from 9 - 8th Cent B.C, excavated from Um-Shershuh, Syria.  Istanbul Archaeological Museum Inv. No 7786.
  • Late Hittite (Aramaean) Basalt funereal Steel with a relief sculpture of a man from 9 - 8th Cent B.C, excavated from Um-Shershuh, Syria.  Istanbul Archaeological Museum Inv. No 7786.
  • Late Hittite Basalt funereal Steel with a relief sculpture of a warrior from 9 - 8th Cent B.C, excavated from Arslan Tash (Turkish; Arslan Lion, Taş Stone), ancient Hadātu, is an archaeological site in northern Syria 30km east of the Euphrates River and nearby the town of Ain al-Arab. Istanbul Archaeological Museum Inv. No 1981.
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin.  Museum Inv No: OP 18, 22, 19, 14, 15, VAS 8854, 8841, 8852
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin Museum Inv No: OP  22,
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin . Museum Inv No: VA  8856
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict mythical animals and figures that have magical properties. Pergamon Museum, Berlin
  • 9th century BC Basalt Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict soldiers fighting. Pergamon Museum, Berlin
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical Bird. Pergamon Museum, Berlin
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from Alacahöyük, Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 4
  • Picture & image of an Imperial Hittite orthostat dshowing a King & Queen before an altar from Alacahöyük,  Alaca Çorum Province,, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 5
  • Late Hittite Basalt Portal Lion sculpture from 9th Cent B.C, excavated from Palace Building P Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum inv. No 7777.
  • Late Hittite Basalt Portal Lion sculpture from 9th Cent B.C, excavated from Palace Building P Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum inv. No 7777.
  • Late Hittite (Aramaean)  Basalt relief sculpture of a Bull from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7709.
  • Late Hittite (Aramaean)  Basalt relief sculptures  from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Left Deer Buck, Inv no 7712, Middle Winged Lion inv no. 7706, Left Male with Axe Inv No. 7727. Istanbul Archaeological Museum.
  • Late Hittite (Aramaean)  Basalt relief sculpture of an Aslan Lion from 9th Cent B.C, excavated from the west side of the citadel gate of Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7727.
  • Late Hittite (Aramaean)  Basalt Double Sphinx  sculpture from 9th Cent B.C, excavated from the entrance of Palace III Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7731.
  • Late Hittite (Aramaean)  Basalt Double Sphinx  sculpture from 9th Cent B.C, excavated from the entrance of Palace III Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum Inv. No 7731.
  • Late Hittite Basalt Portal Lion sculpture from 9th Cent B.C, excavated from Palace Building P Sam'al (Hittite: Yadiya) located at Zincirli Höyük in the Anti-Taurus Mountains of modern Turkey's Gaziantep Province. Istanbul Archaeological Museum inv. No 7777.
  • Neo Hittite Basalt relief sculpture for Carchemish of a Syrian storm god who traditionally wears a horned headdress. 10th century B.C form Carchemish , south-east Anatolia, Turkey. British Museum exhibit no ME 117909 in room 54.
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • Relief panels orthostat from Sam 'al /Zincirli. Neo Syro Hittite.  Basalt around 730 BC. Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Fragment of a relief panels orthostat with a representation and inscription of Prince Barrakib by Sam 'al /Zincirli. At the top of the panel are symbols of various God's. Neo Syro Hittite.  Basalt around 730 BC. Pergamon Museum, Berlin. Inv S6581
  • Lion sculptures from the city gate of  Sam'al - Zincirli. Neo Syro Hittite. Basalt 8th century BC. Pergamon Museum Berlin.
  • Hittite bas relief sculpture orthostat panels from the Sphinx Gate of Alaca Hoyuk Archaeological site, Turkey.
  • 9th Cent BC Neo- Hittite basalt slabs with Hieroglyphic Inscriptions about the activities of King Urhilina & his son. from Hama, Syria. Istanbul Archaeological Museum.
  • Neo Hittite Basalt relief sculpture for Carchemish of a Syrian storm god who traditionally wears a horned headdress. 10th century B.C form Carchemish , south-east Anatolia, Turkey. British Museum exhibit no ME 117909 in room 54.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Hittite Monument with Heiroglyphics  from Sultanhani near Kayseri, Turkey. Ereceted by the town ruler Wassume to the God Tarhui to ask for a good harvest from the vineyards & Orchards. At the end is a warning of damnation for anyone who damages the monument. Museum of Anatolian Civilisations, Ankara.
  • Hittite bas relief sculpture orthostat panels from the Sphinx Gate of Alaca Hoyuk Archaeological site, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • End relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey . Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Detail of end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.. Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Close up of end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.. Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • End relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey. Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Photo of the Hittite releif sculpture on the Lion gate to the Hittite capital Hattusa 14
  • Photo of the Hittite releif sculpture on the Lion gate to the Hittite capital Hattusa 4
  • Photo of the Hittite releif sculpture on the Lion gate to the Hittite capital Hattusa 6
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Photo of the Hittite  Palace Walls to the Hittite capital Hattusa 1
  • Photo of the Hittite releif sculpture on the Kings gate to the Hittite capital Hattusa 6
  • Photo of the Hittite releif sculpture on the Lion gate to the Hittite capital Hattusa 5
  • Sculpture of the twelve gods of the underworld from the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber B, Hattusa, Bogazale, Turkey. Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Photo of the Hittite releif sculpture on the Kings gate to the Hittite capital Hattusa 12
  • Photo of the Hittite releif sculpture on the Lion gate to the Hittite capital Hattusa 2
  • Photo of the Hittite releif sculpture on the Lion gate to the Hittite capital Hattusa 7
  • Photo of the Hittite releif sculpture on the Lion gate to the Hittite capital Hattusa 8
  • Photo of the Hittite releif sculpture on the Lion gate to the Hittite capital Hattusa 3
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Photo of the Hittite releif sculpture on the Kings gate to the Hittite capital Hattusa.1
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Photo of the Hittite releif sculpture on the Sphinx  gate to the Hittite capital Hattusa
  • Photo of the Hittite the Hittite capital Hattusa
  • Photo of the Hittite releif sculpture on the Lion gate to the Hittite capital Hattusa 2
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Photo of the  gates which led to tunnels under the walls of the Hittite capital Hattusa 4
  • Photo of  the  Palace Walls to the Hittite capital Hattusa 3
  • Photo of  the  Palace Walls to the Hittite capital Hattusa 2
  • Procession of male gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Procession of male gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Photo of  the  Palace Walls to the Hittite capital Hattusa 5
  • Photo of the a building chamber of the Hittite capital Hattusa 3
  • Hattusa city walls & towers reconstruction. Pictures of Hattusa Hittite Archaeological Site, Turkey
  • Photo of the rconstruction to the Hittite capital Hattusa  4
  • Hittite relief sculptures of Gods at the Yazilikaya Sancutary [ i.e written riock ], Hattusa, Turkey.  The largest known Hittite sanctuary. 12th - 13th century BC made in the reign of Tudhaliya 1V . Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • End relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A,  Hattusa, Bogazale, Turkey. Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Photo of the Hittite releif sculpture on the Kings gate to the Hittite capital Hattusa 11
  • Photo of the Hittite releif sculpture on the Kings gate to the Hittite capital Hattusa 6
  • Photo of the Hittite releif sculpture on the Kings gate to the Hittite capital Hattusa 14
  • Photo of the Hittite releif sculpture on the Lion gate to the Hittite capital Hattusa
  • Photo of  the  Palace Walls to the Hittite capital Hattusa 4
  • Photo of the rconstruction to the Hittite capital Hattusa 3
  • Procession of male gods in the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Hittite relief sculptures of Gods at the Yazilikaya Sancutary [ i.e written riock ], Hattusa, Turkey.  The largest known Hittite sanctuary. 12th - 13th century BC made in the reign of Tudhaliya 1V . Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Hittite relief sculptures of Gods at the Yazilikaya Sancutary [ i.e written riock ], Hattusa, Turkey.  The largest known Hittite sanctuary. 12th - 13th century BC made in the reign of Tudhaliya 1V . Plastercast at the Vorderasiatisches Museum, Pergamon Museum, Berlin.
  • Picture of Yazilikaya [ i.e written riock ], Hattusa  The largest known Hittite sanctuary. 13th century BC made in the reign of Tudhaliya 1V .1
  • Picture of Yazilikaya [ i.e written riock ], Hattusa The largest known Hittite sanctuary. 13th century BC made in the reign of Tudhaliya 1V .1
  • Photo of the gates which led to tunnels under the walls of the Hittite capital Hattusa 2
  • Photo of the gates which led to tunnels under the walls of the Hittite capital Hattusa 5
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats from the Palace of King Kapara are in a Neo Hittite style and depict an Archer. Louvre Museum, Paris, inv AO11072
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • 9th century BC stone Neo-Hittite/ Aramaean Orthostats from Palace Temple of the Aramaean city of Tell Halaf, ancient Guzana, in northeastern Syria close to the Turkish border. The Orthostats are in a Neo Hittite style and depict a mythical God. Louvre Museum, Paris, inv AO11073
  • Depictions of gods on the end relief panel of the 13th century BC Hittite religious rock carvings of Yazılıkaya Hittite rock sanctuary, chamber A, Hattusa, Bogazale, Turkey.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Lion Men  from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period.
  • Picture of Neo-Hittite orthostat with releif sculpture of 3 soldiers from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 6
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 2
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 3 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Ancora Archaeological Museum. 3
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey.Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 2
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering.
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords. 5
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 5
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture a libation for the gods from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara. The figure on the far left is beleived to be a king. He is facing a Bearded God wearing a bore tusk helmet. The God is holding a 3 pronged object and has a club resting on his shoulder. The 2 shaven characters on the right are mirror images of the two figures on the right except this time the king is on the far right waering a winged sun disc headress and holding a Lituus. The epigraphs identify the king and the cresent on the beared gods helmet identify him as Pugnus Mili The Sum and Moon God. 2
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Ancora Archaeological Museum. 8 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey.  Museum of Anatolian Civilisations, Ankara.
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.  To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger.
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 4 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey.Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 4
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 4
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 2
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 4
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 3
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 2
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 5
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 2
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 3
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 1
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of A Winged God from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara.  The God holds a branch of fruit in his left hand and a single fruit in the right hand. 5
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.  In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 2 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 1
  • Picture & image of a Neo-Hittite orthostat showing a Deer from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  Old Bronze age Chalcolithic Period.
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period. 3
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Ancora Archaeological Museum.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period. 2
  • Picture & image of a Neo-Hittite orthostat showing a Conjurer & acrobats from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  The conjurer on the left has long hair and is swallowing a dagger whilst the acrobats go up the stairs without holding on. All the figures are wearing horned headress and large looped earings. The acrobats are thought to be foreigners which is why they are smaller than the conjurer. Old Bronze age Chalcolithic Period.
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period.
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords.  3
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 4
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 3
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 5
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.Symetrical mythological Scene depicting "Winged Griffin Demons", half men with birds heads & wings. Their hands are raised above their heads supposidly carrying the sky. 4
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 3
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 4
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 3
  • Picture of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological Scene of 2 Spinxes standing on their back legs either side of a winged horse which is also standing on its rear legs. 4
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Chariot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 5
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 2
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords. 2
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & Image of  Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. To the left a bearded deity with a horned helmet is holding a lions back leg and is about to strike it with an axe. To the right a man is stabbing the lion with a dagger. 2
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of A Winged God from Aslantepe ,  Malatya, Turkey. Museum of Anatolian Civilisations, Ankara.  The God holds a branch of fruit in his left hand and a single fruit in the right hand. The First beared god is holding out a 3 pronged object to the king and has a boomerang in his other hand. Behind him is a 2 winged Godess with a  bare leg showing from her tunic. She is carrying a double headed axe. Behind her is another dearded God with a bore tusk helmet holding a spear. On the far right is another Godess, bare headed holding a double headed axe. On the far right is an attendant holding a bull. Above him the epographs indicate the name of the King & Gods. 2
  • Picture & image of a Neo-Hittite orthostat showing a releif sculpture  of the Goddess Kubaba from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. 5 In her right hand she is holding a pomegranate
  • Picture & image of a Neo-Hittite orthostat with a releif sculpture of Bull Men from The legend of Gilgamesh , Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a man dying. 2
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 6
  • Picture & image of a Neo-Hittite orthostat with a chariot Releif sculpture from Karkamis,, Turkey. Ancora Archaeological Museum. The Cahiot is pulled by horses with plumed headresses. One man os about to shoot an arrow from his bow, the other man is driving the cahriot. Below the horse is a animal cowering. 3
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara.  Old Bronze age Chalcolithic Period. 4
  • Picture & image of a Neo-Hittite orthostat showing Sacrificial animals being led from Alacahöyük, Alaca Çorum Province, Turkey. Museum of Anatolian Civilisations, Ankara. Old Bronze age Chalcolithic Period. 3
  • Picture & image of a Neo-Hittite orthostat showing goddess Kubaba  from  the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat of 3 warriors from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. The warrior on the far left holds a spear in one hand and the branch of a tree in the other. The middle warrior has a clenched fist an carries an impliment over his shoulder. The warrior on the far right carries a saff. All 3 are wearing swords.  4
  • Image of Neo-Hittite orthostat with releif sculpture of 3 soldiers from the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara.
  • Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 1
  • Picture & image of a Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. A three headed Sphinx which is a winged lion with a human heas and a bird of prey's head on the end of its tail 5
  • Picture of Neo-Hittite orthostat describing the legend of Gilgamesh from Karkamis,, Turkey. Museum of Anatolian Civilisations, Ankara. Mythological scene. The 2 figures in the center are flanked by lion headed men who have one fist outstretched and are known as Ugallu. The 2 figures in the middle holding spears are men with bodies of bulls known as Kusarikku. 1
  • Photo of Neo-Hittite orthostat from Karkamis, Turkey. Museum of Anatolian Civilisations, Ankara.  The meeting of the "Storm God" on right and a King on the left. 1
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey.
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a black background
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Column base Sphix sculpture support. Found in North Hall at the Castle of Sam'al - Zincirli. Basalt 8th century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3017
  • Relief panels orthostat showing a man with a gazelle on the shoulders excavated from the Northern Hall at  Sam'al / Zincirli, Turkey. Vorderasiatisches Museum, Pergamon Museum, Berlin inv no  VA3007
  • Relief panels orthostat showing a man with a gazelle on the shoulders excavated from the Northern Hall at  Sam'al / Zincirli, Turkey. Vorderasiatisches Museum, Pergamon Museum, Berlin inv no  VA3007
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Column base Sphix sculpture support. Found in North Hall at the Castle of Sam'al - Zincirli. Basalt 8th century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3017
  • A Colossal Statue of the Weather God Hadad found near Gerdshin near Sam'al / Zincirli , Turkey. The lower part of the body of the statue has Aramaic text which starts " I am Panamuwa, the son of QRL, the king of Ja'udi, I have erected this statue of Hadad, at my eternal grave.  Originally the statue would have held lightening rods and an axe. On his round cap are bull horns known as the symbols of divinity. The weather God brought the rains which in the dry areas of Mesopotamia was all important. The inscription goes on to read " May the soul of Panamuwa eat with Hadad, May the soul of Panamuwa drink with Hadad". Basalt 775 BC, Pergamon Museum Berlin, inv no VA 2882.
  • A Colossal Statue of the Weather God Hadad found near Gerdshin near Sam'al / Zincirli , Turkey. The lower part of the body of the statue has Aramaic text which starts " I am Panamuwa, the son of QRL, the king of Ja'udi, I have erected this statue of Hadad, at my eternal grave.  Originally the statue would have held lightening rods and an axe. On his round cap are bull horns known as the symbols of divinity. The weather God brought the rains which in the dry areas of Mesopotamia was all important. The inscription goes on to read " May the soul of Panamuwa eat with Hadad, May the soul of Panamuwa drink with Hadad". Basalt 775 BC, Pergamon Museum Berlin, inv no VA 2882.
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Höyük, also known as Sakçe Gözü or Sakçagözü, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot wearing armour . Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Column base Sphix sculpture support. Found in North Hall at the Castle of Sam'al - Zincirli. Basalt 8th century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3017
  • Column base Sphix sculpture support. Found in North Hall at the Castle of Sam'al - Zincirli. Basalt 8th century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3017
  • Relief panels Orthostats with representation from court officials de front a vessel, the second supporting arms. Found in North Hall of Sam'al - Zincirli. Basalt 8th Century BC. Vorderasiatisches Museum, Pergamon Museum, Berlin, inv no 3000
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces of Sam'al - Zincirli. Vorderasiatisches Museum, Pergamon Museum, Berlin,
  • Relief panels orthostat with representation by court officials, they served as a wall covering of palaces at the castle of Sam'al - Zincirli. Pergamon Museum, Berlin,
  • Relief panels depicting a lion hunt found in the palace district in the ruins of Coba Hoyuk, also known as Sakçe Gözü or Sakcagozu, archaeological site in southeastern Anatolia, Turkey.  Warriors are fighting with the lion from a chariot and on foot. The soldiers in the chariot have armour as does the horse  The archer, probably the ruler, is under the protection of the gods, indicated by the winged sun above his head. Basalt to 750 BC, The Pergamon Museum, Berlin inv no VA 971
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey.
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a grey background
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a grey art background
  • Hittite baslat sculptute of a male, late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey.
  • Hittite baslat sculptute of a male, late Hittite Period - 900-700 BC. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a black background
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a white background
  • Hittite monumental statue probably of Tarhunda, the Storm God, standing on a cart being pulled by two bulls. Adana Archaeology Museum, Turkey. Against a white background
  • Close up of Hittite relief scultures of Hittite godsEflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Close up of Hittite relief scultures of Hittite godsEflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Statues of bulls and Eflatun Pınar ( Eflatunpınar) Ancient Hittite relief sculpture monument and sacred pool, and its Hittite relief scultures of Hittite gods.  Between 15th to 13th centuries BC. Lake Beysehir National Park, Konya, Turkey.
  • Picture of the Hittite Hittite Fasillar Monument, finished replica of 13th century BC original. Anatolian Civilisations Museum, Ankara, Turkey. Against a grey art background.<br />
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The original is an unfinished monumental stele that is situated fiat on the back on a slope at the immediate vicinity of the village Fasillar within the Konya province, Beysehir. This is an exact replica of the original that was made of trachyte igneous rock. This represents the origin& that was cast into the mould of the same dimensions and colour. <br />
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The height from the toes to the top of the lions is 7,40 meters. There is also a socket that is 80 cm. Long inserted into the basement. The Hittite monument dates from the end of 13th century BC There appears the great God higher than 4 meters stepping on the smaller mountain God that is accompanied by the lions on.

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