• Summer sale now on sign
  • Summer sale now on sign
  • Summer Blossom Taormina, Sicily
  • Summer Blossom Taormina, Sicily
  • New Summer clothes collection
  • New Summer clothes collection
  • Summer Blossom Taormina, Sicily
  • Summer Blossom Taormina, Sicily
  • mixed fresh summer fruits - strawberry, blackberry, cherry
  • mixed fresh summer fruits - strawberry, blackberry, cherry
  • Mixed summer fruits - strawberries, cherries , blackberries
  • Mixed summer fruits - strawberries, cherries , blackberries
  • Mixed summer fruits - strawberries, cherries , blackberries
  • Eger Castle and Sentor Hotel and cafe restaurant from Dobo Square in the summer - Eger- Hungary
  • Eger Castle and Sentor Hotel and cafe restaurant from Dobo Square in the summer - Eger- Hungary
  • Eger Castle and Sentor Hotel and cafe restaurant from Dobo Square in the summer - Eger- Hungary
  • Eger Castle and Sentor Hotel and cafe restaurant from Dobo Square in the summer - Eger- Hungary
  • Eger Castle and Sentor Hotel and cafe restaurant from Dobo Square in the summer - Eger- Hungary
  • Eger Castle and Sentor Hotel and cafe restaurant from Dobo Square in the summer - Eger- Hungary
  • box of  summer flowers
  • mixed yellow & red vine tomatoes
  • mixed yellow & red vine tomatoes
  • yellow tomatoes amongst other mixed tomatoes
  • mixed yellow & red vine tomatoes
  • Mixed beefsteak, cheery, plum & tom tom vive tomatoes
  • mixed yellow & red vine tomatoes
  • mixed yellow & red vine tomatoes
  • Mixed beefsteak, cheery, plum & tom tom vive tomatoes
  • mixed yellow & red vine tomatoes
  • Red and Yellow Tomatoes on the vine
  • Sussex Plum Tomaotes
  • Fresh Tomatoes
  • Mixed tomatoes photos, pictures & images
  • Mixed tomatoes photos, pictures & images
  • Jubilee vine tomatoes
  • Fresh picked plum tomatoes
  • Fresh Sussex plum tomatoes
  • Jubilee vine tomatoes
  • Jubilee vine tomatoes
  • Vittoris vine tomatoes
  • Mixed fresh yellow & red Pomodorino Tomatoes
  • Jubilee vine tomatoes
  • Jubilee vine tomatoes
  • Fresh picked plum tomatoes
  • Mixed tomatoes photos, pictures & images
  • Mixed tomatoes photos, pictures & images
  • Mixed tomatoes photos, pictures & images
  • Mixed tomatoes photos, pictures & images
  • Mixed tomatoes photos, pictures & images
  • Mixed tomatoes photos, pictures & images
  • Mixed tomatoes photos, pictures & images
  • Selection of fresh red and yellow tomatoes and plum tomatoes food photography
  • Selection of fresh red and yellow tomatoes and plum tomatoes food photography
  • Cheddar cheese and fresh tomatoes food photos.
  • Fresh Tom Tom tomatoes
  • Fresh Tom Tom tomatoes
  • Fresh Tom Tom tomatoes
  • Fresh Tom Tom tomatoes
  • Fresh Tom Tom tomatoes
  • Fresh  plum Tomatoes
  • Fresh Tomatoes
  • Fresh Tomatoes
  • Fresh Tomatoes
  • Fresh Tomatoes
  • Fresh Tomatoes
  • Mixed tomatoes photos, pictures & images
  • Sculptures on the 12th century Romanesque facade of the Chiesa di San Pietro extra moenia (St Peters), Spoletto, Italy
  • Heather blooming on the Eskdale valley moor. Castleton , Eskdale, North Yorks National Park, North Yorkshire, England
  • Heather flowering.  North Yorks National Park, North Yorkshire, England
  • Heather flowering.  North Yorks National Park, North Yorkshire, England
  • View of Danby Dale and and moors farm with heather flowering.  North Yorks National Park, North Yorkshire, England
  • View of Danby Dale and Botton Village with heather flowering.  North Yorks National Park, North Yorkshire, England
  • View of Danby Dale with heather flowering.  North Yorks National Park, North Yorkshire, England
  • Heather blooming on the Eskdale valley moor. Castleton , Eskdale, North Yorks National Park, North Yorkshire, England
  • Heather blooming on the Eskdale valley moor. Castleton , Eskdale, North Yorks National Park, North Yorkshire, England
  • Heather blooming on the Eskdale valley moor. Castleton , Eskdale, North Yorks National Park, North Yorkshire, England
  • Heather blooming on the Eskdale valley moor. Castleton , Eskdale, North Yorks National Park, North Yorkshire, England
  • Cornish vanilla chocolate ripple Ice cream in a wafer tub
  • Baroque street with the towers of the Minorite Church - Eger Hungary
  • Baroque street with the towers of the Minorite Church - Eger Hungary
  • Baroque street with the towers of the Minorite Church - Eger Hungary
  • Baroque shopping street - Eger Hungary
  • Baroque Teaching College - Eger Hungary
  • Fountains in Trafalgar Square London, with National Gallery behind
  • Fountains in Trafalgar Square London, with National Gallery behind
  • Fountains in Trafalgar Square London, with National Gallery behind
  • Fountains in Trafalgar Square London, with National Gallery behind
  • Fountains in Trafalgar Square London, with National Gallery behind
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Döğer, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Heather blooming on the Fryup Dale moor. North Yorks National Park, North Yorkshire, England
  • Maggie Hambling shell scupture to those who drowned at sea. Aldeburgh, Suffolk, England, UK.
  • Raspberry ripple Ice cream in a wafer tub
  • Fountains in Trafalgar Square London, with National Gallery behind
  • The circular Delphi Tholos temple with Doric columns, 380 BC, Sanctuary of Athena Pronaia, Delphi Archaeological Site,  Greece
  • Doric coloums of Delphi Temple of Apollo. and ruins of Delphi archaeological site, Delphi, Greece
  • Doric coloums of Delphi Temple of Apollo. and ruins of Delphi archaeological site, Delphi, Greece
  • Ancient Greek Theatre of Delphi, Delphi Archaeological site, Delphi, Greece
  • The circular Delphi Tholos temple with Doric columns, 380 BC, Sanctuary of Athena Pronaia, Delphi Archaeological Site,  Greece
  • Ancient Greek Theatre of Delphi, Delphi Archaeological site, Delphi, Greece
  • Doric coloums of Delphi Temple of Apollo. and ruins of Delphi archaeological site, Delphi, Greece
  • The circular Delphi Tholos temple with Doric columns, 380 BC, Sanctuary of Athena Pronaia, Delphi Archaeological Site,  Greece
  • Ruins of a Zoroastrian Fire Temple at Ani archaelogical site on the Ancient Silk Road ,  Anatolia, Turkey
  • The Armenian church of St Gregory of the Abughamrents, Ani archaelogical site on the Ancient Silk Road ,  Anatolia, Turkey
  • The Armenian church of St Gregory of the Abughamrents, Ani archaelogical site on the Ancient Silk Road ,  Anatolia, Turkey
  • Main Hall in the Hareem of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Agrı province of eastern Turkey.
  • Exterior walls with Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Agrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Agrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Agrı province of eastern Turkey.
  • Main Hareem entrance of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Agrı province of eastern Turkey.
  • Main Hareem entrance of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Agrı province of eastern Turkey.
  • close up of bas relief on the entrance to the Hareem of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Agrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Agrı province of eastern Turkey.
  • Bay Hotel & fishermans houses of the historic fishing village of Robin Hood's Bay, Near Whitby, North Yorkshire, England.
  • Bay Hotel & fishermans houses of the historic fishing village of Robin Hood's Bay, Near Whitby, North Yorkshire, England.
  • Bay Hotel Pub, village & beach of historic fishing village of Robin Hood's Bay, Near Whitby, North Yorkshire, England.
  • The Roman Theatre of Aspendos, Turkey.  Built in 155 AD during the rule of Marcus Aurelius, Aspendos Theatre is the best preserved ancient theatre in Asia Minor. 96 metres in diameter it can seat 7000 the csaenae frond or backdrop wall is still intact. Following Hellenistic traditions the theatre is built into the hillside below the Acropolis.
  • Sea front houses and shingle beach of Aldeburgh , Suffolk, England
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Minarete of the Mosque of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Agrı province of eastern Turkey.
  • Pictures & Images of the Tortum Water Falls, Coruh Valley, Erzurum in the Eastern Anatolia, Turkey.<br />
<br />
The Tortum water falls are the largest in turkey with a drop of 164 feet (50 m) and 15 meters wide. Geologists believe they were formed in the Quaternary period by a massive landslide which blocked the deep steep sided Tortum Valley. This resulted in the formation of Tortum Lake which is 8 km long, 1 km wide and 100 meters deep.
  • Pictures & Images of the Tortum Water Falls, Coruh Valley, Erzurum in the Eastern Anatolia, Turkey.<br />
<br />
The Tortum water falls are the largest in turkey with a drop of 164 feet (50 m) and 15 meters wide. Geologists believe they were formed in the Quaternary period by a massive landslide which blocked the deep steep sided Tortum Valley. This resulted in the formation of Tortum Lake which is 8 km long, 1 km wide and 100 meters deep.
  • Pictures & Images of the Tortum Water Falls, Coruh Valley, Erzurum in the Eastern Anatolia, Turkey.<br />
<br />
The Tortum water falls are the largest in turkey with a drop of 164 feet (50 m) and 15 meters wide. Geologists believe they were formed in the Quaternary period by a massive landslide which blocked the deep steep sided Tortum Valley. This resulted in the formation of Tortum Lake which is 8 km long, 1 km wide and 100 meters deep.
  • steps amd paths leading to the Phrygian water cistern of Midas city cut deep into the underground rock. 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of Phrygian rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Close up of the inscription dedicated to King Midas on the Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • The Phrygian rock Monument known locally as Yazilikaya, ( written rock ) . 8th - 6th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
This is the largest Phrygian rock cut facade monument, measuring 17m x 16.5m. It represents the front of a Phrygian megaron type building with a low pitched roof. It is known locally as yazilikaya , which means “written rock”, because of the Paleo-Phrygian inscriptions carved above the rock above the roof outline, down the right side and in the niche. The upper inscription dedicates the monument to King Midas, and so it is also known as the “Midas Monument”. The niche probably contained an image of the Phrygian Mother  Goddess, and the word “Matar” (Mother) is inscribed inside. The monument was carved  around the 8th and  6th century BC.
  • Phrygian and later rock tombs of the necropolis of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian and later rock tombs cut into the rocks faces protecting the citadel of Midas . From the 8th century BC . Midas City, Yazilikaya, Eskisehir, Turkey.<br />
<br />
The earliest Phrygian settlement here began in the last quarter of the 8th century BC. Even after the Phrygian kingdom collapsed politically, the city was not abandoned and the Phrygian rock structures and tombs were conserved, with some additions and changes made.in the Persian, Hellenistic, Roman and Byzantine periods.
  • Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Döğer, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Close up of two sphinxes relief scul[ptures of the Phrygian temple of Aslankaya, 7th century BC. Phyrigian Valley, Emre Lake, near Doger, Turkey.<br />
<br />
On the triangular roof over the facade are two sphinxes (winged figures with the head of a human and the body of a lion), facing one another, take place. In the main facade, below, the sphinxes in a niche, a cult statue of Kybele or the Great Mother (vandalised and destroyed) was flanked by two lions. This main facade is ornamented with relief geometrical patterns.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Sebasteion sanctuary building ruins and relief panels,  Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Roman sculpted frieze blocks with garland relief sculptures, North Portico, Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • The Temple of Aphrodite at the centre of Aphrodisias. All that remains of the ancient temple consists of fourteen of the over forty Ionic columns that once surrounded it and the foundations of the cellar section. building started in the 1st century BC completed during the reign of Augustus. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Close up of the pediments of the Tetrapylon monumental gateway to  the Temple of Aphrodite. The Tetrapylon consisted of four rows of four columns and It connects the major street to the sacred way heading toward the sanctuary of Aphrodite. <br />
<br />
Aphrodisias Archaeological Site, Aydin Province, Turkey.
  • Picture of Roman sacrcophagi on a Tomb North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Tomb A6  and Sarcophagus of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Picture of a Roman raised sarcophagus of the North Necropolis. Hierapolis archaeological site near Pamukkale in Turkey.
  • Roman Great Harbour Monument opened by the city of Miletus either in honour of the achievements of Pompeius in his war against the pirates (67 BC) or for the victory of Augustus over Mark Antony and Cleopatra in the battle of Actium (31 BC). Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • The Roman Ionic Stoa forms a colonnade 99 m long & 9 m high at the beginning of the Sacred Way to Didyma. An Ionic portica at its centre which served as a grandstand during ceremonial processions on the street in front of it. 1st century AD, Miletus Archaeological Site, Anatolia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • Roman Baths of Faustina established by Faustina the Younger, wife of the Emperor Marcus Aurelius (161-180 AD). Miletus Archaeological Site, Anatilia, Turkey.
  • The Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Close up of the Crown Gate of the Buruciye Medrese (Madrasah) built in 1271 by Dr. Muzaffer Burucerdî of Iran as a school teach physics, chemistry and astronomy. Its magnificent crown gate is one of the best examples of Seljuk architecture in Anatolia. The islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. Sivas, Turkey
  • Door of Gök Medrese which has a very rich decorative appearance. Its islamic Muqarnas corbelled vault is made up of a large number of miniature squinches, producing a sort of cellular structure. The crown gate of Gök Medrese is one of the best examples of Sejuk architecture in Anatolia, Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • The Gökmedrese or Gök Medrese built in 1271 by Vizier Ata Faahreddin Ali. Above the crown door are two minarets with a bow and single cone decorated with glazed bricks and tiles. Sivas, Turkey
  • Royal rock tombs of Pontus including Mithridates I, died 266 BC. Amasya, Turkey
  • Ottoman villas of Amasya along the banks of the river Yeşilırmak, below the Pontic Royal rock tombs and mountain top ancient citadel, Turkey
  • Upper Temple, Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Hieroglyphics on rock face, Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Hieroglyphics on rock face, Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Water storage vessel of Temple I, Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • A cult chamber built by Suiluliuma II, 1200 BC, with Hieroglyphic stone panelled walls. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite Relief sculpture of the God of War of the Kings Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • Picture & image of the Hittite lion sculpture of the Lion Gate. Hattusa (also Ḫattuša or Hattusas) late Anatolian Bronze Age capital of the Hittite Empire. Hittite archaeological site and ruins, Boğazkale, Turkey.
  • The tonnara of Scopello (Tonnara di Scopello) Old Tuna processing buildings at sunset on the Castellammare del Golfo, Sicily
  • Pictures & images of Nubia Salt works Museum and Nubia wind mill,  World Wildlife reserve of Saline di Trapani and Paceco site, Trapani Sicily.
  • The tonnara of Scopello (Tonnara di Scopello) Old Tuna processing buildings on the Castellammare del Golfo, Sicily
  • Picture and image of the stone sculpture of a Job (Giobbe) on the steps of the Parthenon by  G Benetti 1872. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a grieving family around the death bed of the deceased. In a Borgeoise realistic style sculpted by GB Villa 1896. The Rivara Family Tomb, Section D no 15, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an enigmatic angels face in a realistic style. One of the best know csulptures of Staglieno. The Oneto family tomb sculpted by G Monteverde. Section D no 13, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and iamge of the stone sculpture of an angel with a grieving family on the steps of the Palrano tomb. Sculpted in a Borgeoise realistic style by C Rubatto in 1878. Section D no 09, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a man sitting in a chair on a plinth in Borgeois Realistic style. The Bomba family Tomb sculpted by G B Cevasco. Section D no 33, the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a young women filling a candle stick with oil in an art Nouveau style. Family Tomb Montanari sculpted by G B Villa 1888. Section D no 31 the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a young women filling a candle stick with oil in an art Nouveau style. Family Tomb Montanari sculpted by G B Villa 1888. Section D no 31 the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a young giral and her dog. The Varni family tomb sculpted by S Varni 1875. Sction D No 25 the monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of 2 mourning sisters at the door of their mothers pyramid shaped tomb, The Rossi Tomb sculpted by G Benetti in 1878. Section D, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculpture of a dead man lying whilst surrounded by his grieving family. The Lavarello tomb sculpted by Brizzolara 1926. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of Margherita Capurro ascending to heaven while her husband grieves, 1901.  The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a Jannet Duff and her gireving son. Sculpted by L Beltrami 1894. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a Jannet Duff and her gireving son. Sculpted by L Beltrami 1894. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the stone sculpture  of a young couple and an angel. The Pietrafraccia Tomb sculped by G. Navone 1909. Section A, no 17, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the stone sculpture  of a young couple and an angel. The Pietrafraccia Tomb sculped by G. Navone 1909. Section A, no 17, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel on the Raggio Family Tomb 1887. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculpture of a father and son in realistic style being handed a will by the deceased. Tomb of Gian Battista Castagnola 1896. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel standing by a stone sarcophagus. The Croce Tomb sculpted by G Moreno 1889. Section A, no 23, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel standing by a stone sarcophagus. The Croce Tomb sculpted by G Moreno 1889. Section A, no 23, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel guarding the pyramid shaped tomb with some Egyptian symbols of death which increases the sense of mystery. Tomb Gorlero sculptor E. Sclavi 1892. Section A, no 24, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture ”L’Angelo Nocchiero” (the Helmsman Angel). The sculpture depicts an angel, standing astride a small boat, beginning to secure the sails at the end of a journey. His garments are streaming behind him, suggesting a strong wind. The prow of the boat is the stoic face of a woman, and under the prow the water swirls. The Giacomo Carpaneto tomb  sculpted by Giovanni Scanzi in 1886. Section A, no 25, monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a nude on the Taramiso tomb. The  monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel blessing the deceased lying on a chez longue. Bonini Tomb sculpted by D Carli 1891. Section A, no 27, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture in Borgeoise Realistic style of the Rossi family tomb. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Bronze sculpture of the Gallino Tomb by G Bennetti 1903. Section A, no 29, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a mourning widow in Borgeois Realistc style. The Emanuelle Tomb sculpted by Carli Fecce 1888. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of Paolo and Lorenzo Paracca. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the Art Nouveau stone sculpture of a nude. The Pizzorini Tomb by Vittorio  Lavezzari 1906. Section A, no 33, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of a stone sculpture of Giuseppe Recagno in a Borgeois Realistic style. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture commissioned by Luigi Parpaglioni, a rich trader coming from the Lombardy, because of his daughter’s death. The funery monument depicts  flying angel going before the soul who is rising up to the sky.  This romantic style is typical of the pre raphilites and although realistic the style is a little stilted. The Papaglioni tomb became popular and was copied by sculptors in many other countries.  Tomb Parpaglioni sculptor F. Fabiani 1884. Section A, no 35, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture commissioned by Luigi Parpaglioni, a rich trader coming from the Lombardy, because of his daughter’s death. The funery monument depicts  flying angel going before the soul who is rising up to the sky.  This romantic style is typical of the pre raphilites and although realistic the style is a little stilted. The Papaglioni tomb became popular and was copied by sculptors in many other countries.  Tomb Parpaglioni sculptor F. Fabiani 1884. Section A, no 35, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a  mourning widow who is bringing a crown and knocking on a sepulcher’s bronze door, which holds the bas relief of an hourglass, a classic symbol of the passing of time. This theme of the sorrowful survivor in front of the sepulcher’s door comes from the Monument dedicated to Maria Christina, Duchess of Teschen, Maria Theresa of Austria’s daughter, a neoclassical sculpture. In this version the widow is wearing fashionable clothes, which have been accurately represented, and her openwork shawl. Sculptor G. B. Cevasco 1875. Section A, no 38, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a  mourning widow who is bringing a crown and knocking on a sepulcher’s bronze door, which holds the bas relief of an hourglass, a classic symbol of the passing of time. This theme of the sorrowful survivor in front of the sepulcher’s door comes from the Monument dedicated to Maria Christina, Duchess of Teschen, Maria Theresa of Austria’s daughter, a neoclassical sculpture. In this version the widow is wearing fashionable clothes, which have been accurately represented, and her openwork shawl. Sculptor G. B. Cevasco 1875. Section A, no 38, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of the Podesta family tomb in the Borgeois Realistic style by  D Carli 1892. Section A, no 39, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of the Podesta family tomb in the Borgeois Realistic style by  D Carli 1892. Section A, no 39, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of an angel in 19th century Borgeois Realistic style. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a mouring bearded man in the Bourgeois Realistic style. Badaracco Tomb sculpted by G Moreno 1878. Section A, no 44, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of a mouring women in the Bourgeois Realistic style. Badaracco Tomb sculpted by G Moreno 1878. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of a mourning women  stone sculpture in the realistic borgeois style. The tomb of the Stefano family Tsculpted by by G Benetti 1877. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of an angel guiding a women to heaven stone sculpture on the Piaggio tomb sulpted by Fabian Federico 1876. Section A, no 45, The  monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture of 2 angels by  sculptor  F Fabiani 1872. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the stone sculpture in the Realistic style of Matildo Serra. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image  of the Realistic young grieving girl stone funary monument sculpture  commissioned by Enrico Amerigo for his sisters memory. beside the pedestal on which the sculptor set the deceased’s bust he placed, on the left, the figure of an old blind man, kneeling down and leaning on a stick; on the right he placed the figure of a young orphan girl, recognizable as such by her kindergarten uniform, portrayed in the act of making the sign of the cross. This work belongs to the Realism, a trend which was typical during the 1880s and 1890s, according to which the orphans, the poor, the sick and all those who benefited from somebody’s generosity had to be portrayed in a concrete fashion. Sculptor G Moreno 1890. Section A, no 53, The Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the Neo classical style stone sculpture of the Francesca Curro Tomb sculpted by G Navonne in 1895. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the Neo classical style stone sculpture of the Curro Family Tomb sculpted by G Navonne in 1895. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Ital
  • Pictures of the Neo classical style stone sculpture of the Curro Family Tomb sculpted by G Navonne in 1895. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Ital
  • Picture and image of the late borgeoise realistic style stone sculpture of the Gallino tomb sculpted by  G. Moreno 1894.  In the tomb, the bust that portrays the deceased Carolina receives the kiss of a child, probably the niece, supported by a young woman - the mother, or perhaps the elder sister - whose face is marked by pain; on the right an older man, presumably her husband, stands aside, almost absent, looking down at the ground. The most intimate tones and psychological introspection are grafted here in the language of bourgeois Realism: with undoubted technical virtuosity Moreno offers a rigorous "quantitative" description of reality, dwelling on every single detail of faces, clothing, accessories and hairstyles . Section A, no 54, The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy
  • Picture and image of the realistic stone sculpture of a women praying at the monumental tomb of Luigi Priario by sculptor Paernio 1880,  the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone classical sculptured of an angel on a monumental tombs of Giovanni Chiarella,  Staglieno Monumental Cemetery. Sculptor Giovanni Battista Cevasco 1851,  Genoa, Italy
  • Pictures of a bronze sculptured angel,  monumental De Bernardi tomb, Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of the stone sculptured monumental Pelegrini tomb of the Staglieno Monumental Cemetery, Genoa, Italy
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures of Copper age Domus de Janas Sas Concas prhistoric chambered rock burial chambers cared into trachyte ,  Abealzu-Filigosa culture 3000 BC, Oniferi,  province of Nuoro, Sardinia.
  • Pictures & images of prehistoric Copper age proto anthropomorphic standing stone statue Menhirs in the  Biru 'e Concas archaeolological site, Sorgono, Sardinia
  • Pictures & images of prehistoric Copper age proto anthropomorphic standing stone statue Menhirs in the  Biru 'e Concas archaeolological site, Sorgono, Sardinia
  • Pictures & images of prehistoric Copper age proto anthropomorphic standing stone statue Menhirs in the  Biru 'e Concas archaeolological site, Sorgono, Sardinia
  • Pictures & images of prehistoric Copper age proto anthropomorphic standing stone statue Menhirs in the  Biru 'e Concas archaeolological site, Sorgono, Sardinia
  • Pictures & images of prehistoric Copper age proto anthropomorphic standing stone statue Menhirs in the  Biru 'e Concas archaeolological site, Sorgono, Sardinia
  • Pictures & images of prehistoric Copper age proto anthropomorphic standing stone statue Menhirs in the  Biru 'e Concas archaeolological site, Sorgono, Sardinia
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau at sunset mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • Nuvolau  mountain above the Giau Pass (Passo di Giau), Colle Santa Lucia, Dolomites, Belluno, Italy
  • 14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted decotative twisting pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a medieval sculpted pillar on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Bas-relief sculpture panel with scenes from the Bible by Maitani around 1310 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Close up of a gable with mosaics depicting the the Virgin Mary created between 1350 and 1390 after designs by artist Cesare Nebbia and the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of a gable with mosaics depicting the batism of Christ by John the Baptist created between 1350 and 1390 after designs by artist Cesare Nebbia on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • C.ose up of a gable of the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the "Coronation of the Virgin Mary" osaic  in the topmost gable created between 1350 and 1390 after designs by artist Cesare Nebbia. on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, Umbria, Italy
  • Close up of the rose window built by the sculptor and architect Orcagna between 1354 and 1380 on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy
  • Close up of the doorway sculptures and mosaics on the14th century Tuscan Gothic style facade of the Cathedral of Orvieto, designed by Maitani, Umbria, Italy

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....