• Seated Mycenaean female figurine with raies arms, from Mycenae tomb 91, Archaeological Museum Athens. Cat No 3193. <br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Hollow Mycenaean female figurine, adorant, wearing a necklace, from Mycenae tomb 40, Archaeological Museum Athens. Cat No 2494.  Grey art Background <br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Upper part of a Mycenaean female figurine with stylised arms wearing a necklace, from Mycenae tomb 101, Archaeological Museum Athens. Cat No 4690.  Black Background<br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Seated Mycenaean female figurine with raies arms, from Mycenae tomb 91, Archaeological Museum Athens. Cat No 3193.  Grey art Background <br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Upper part of a Mycenaean female figurine with stylised arms wearing a necklace, from Mycenae tomb 101, Archaeological Museum Athens. Cat No 4690<br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Voitive Cathedral of Szeged, Dom Square, Hungary
  • Hollow Mycenaean female figurine, adorant, wearing a necklace, from Mycenae tomb 40, Archaeological Museum Athens. Cat No 2494. <br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Upper part of a Mycenaean female figurine with stylised arms wearing a necklace, from Mycenae tomb 101, Archaeological Museum Athens. Cat No 4690.  Grey art Background <br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Hollow Mycenaean female figurine, adorant, wearing a necklace, from Mycenae tomb 40, Archaeological Museum Athens. Cat No 2494.  Black Background<br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Upper part of a Mycenaean female figurine with stylised arms wearing a necklace, from Mycenae tomb 101, Archaeological Museum Athens. Cat No 4690.  White Background.<br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Seated Mycenaean female figurine with raies arms, from Mycenae tomb 91, Archaeological Museum Athens. Cat No 3193.  White Background.<br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Seated Mycenaean female figurine with raies arms, from Mycenae tomb 91, Archaeological Museum Athens. Cat No 3193.  Black Background<br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Seated Mycenaean female figurine with raies arms, from Mycenae tomb 91, Archaeological Museum Athens. Cat No 3193.  Grey Background<br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Hollow Mycenaean female figurine, adorant, wearing a necklace, from Mycenae tomb 40, Archaeological Museum Athens. Cat No 2494.  White Background.<br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Hollow Mycenaean female figurine, adorant, wearing a necklace, from Mycenae tomb 40, Archaeological Museum Athens. Cat No 2494.  Grey Background<br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Upper part of a Mycenaean female figurine with stylised arms wearing a necklace, from Mycenae tomb 101, Archaeological Museum Athens. Cat No 4690.  Grey Background<br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Voitive Cathedral of Szeged, Dom Square, Hungary
  • Interior of the Voitive Cathedral of Szeged, Dom Square, Hungary
  • Voitive Cathedral of Szeged, Dom Square, Hungary
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Seated marble goddess. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros from Glypha cemetery, grave 23, Cat no 4762. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Black background.<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue. This statue is of a hunter or warrior as it bears an incised weapon strap across its chest and holds a knife.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Black background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800). National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This Cycladic violin shaped figurine has two holes in its neck which were provavly used to hold its broken neck together with wire or cord.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800). National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This Cycladic violin shaped figurine has two holes in its neck which were provavly used to hold its broken neck together with wire or cord.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Stavros cemetery, Amorgos, grave 5, Cat No 4719. National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Stavros cemetery, Amorgos, grave 5, Cat No 4719. National Archaeological Museum, Athens. <br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros from Glypha cemetery, grave 23, Cat no 4762. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. <br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. <br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue. This statue is of a hunter or warrior as it bears an incised weapon strap across its chest and holds a knife.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Gray background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Gray background.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Naxos. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Amorgos. National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised. This staue belongs to the Dokathismata type of Amorgos with an angular face, wide chest and slender outline.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Amorgos. National Archaeological Museum, Athens. Black background.<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised. This staue belongs to the Dokathismata type of Amorgos with an angular face, wide chest and slender outline.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-3200) from Naxos, Cat No 20934. National Archaeological Museum, Athens. <br />
<br />
One of the largest known Cycladic statues at 89CM tall this figurine still has traces of a colour on the hair and eyes.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-3200) from Naxos, Cat No 20934. National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
One of the largest known Cycladic statues at 89CM tall this figurine still has traces of a colour on the hair and eyes.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Black background.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Naxos. National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Head of a Cycladic statue with remnants of painted eyes and right cheek, Parian Marble, Amorgos, Early Cycladic II period (2800-3200BC). National Archaeological Museum, Athens.   White background.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens. Black background.<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Black background.<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800). National Archaeological Museum, Athens. <br />
<br />
This Cycladic violin shaped figurine has two holes in its neck which were provavly used to hold its broken neck together with wire or cord.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Naxos. National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Amorgos. National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised. This staue belongs to the Dokathismata type of Amorgos with an angular face, wide chest and slender outline.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Stavros cemetery, Amorgos, grave 5, Cat No 4719. National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens. <br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • Marble female Cycladic statue figurine with folded arms. Early Cycladic Period II (2800-2300 BC) from Chalandriani, Syros. National Archaeological Museum, Athens.   White background.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros from Glypha cemetery, grave 23, Cat no 4762. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. Black background.<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800). National Archaeological Museum, Athens. Black background.<br />
<br />
This Cycladic violin shaped figurine has two holes in its neck which were provavly used to hold its broken neck together with wire or cord.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue. This statue is of a hunter or warrior as it bears an incised weapon strap across its chest and holds a knife.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Amorgos. National Archaeological Museum, Athens. <br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised. This staue belongs to the Dokathismata type of Amorgos with an angular face, wide chest and slender outline.
  • Head of a Cycladic statue with remnants of painted eyes and right cheek, Parian Marble, Amorgos, Early Cycladic II period (2800-3200BC). National Archaeological Museum, Athens.   Gray background.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Stavros cemetery, Amorgos, grave 5, Cat No 4719. National Archaeological Museum, Athens. <br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • Marble female Cycladic statue figurine with folded arms. Early Cycladic Period II (2800-2300 BC) from Chalandriani, Syros. National Archaeological Museum, Athens.   Gray background.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens. Black background.<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-3200) from Naxos, Cat No 20934. National Archaeological Museum, Athens. Black background.<br />
<br />
One of the largest known Cycladic statues at 89CM tall this figurine still has traces of a colour on the hair and eyes.
  • Head of a Cycladic statue with remnants of painted eyes and right cheek, Parian Marble, Amorgos, Early Cycladic II period (2800-3200BC). National Archaeological Museum, Athens. Black background.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • Marble female Cycladic statue figurine with folded arms. Early Cycladic Period II (2800-2300 BC) from Chalandriani, Syros. National Archaeological Museum, Athens.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros from Glypha cemetery, grave 23, Cat no 4762. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue. This statue is of a hunter or warrior as it bears an incised weapon strap across its chest and holds a knife.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Grey background.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Naxos. National Archaeological Museum, Athens. <br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • Marble female Cycladic statue figurine with folded arms. Early Cycladic Period II (2800-2300 BC) from Chalandriani, Syros. National Archaeological Museum, Athens.   Grey background.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens. Black background.<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.
  • Marble female Cycladic statue figurine with folded arms. Early Cycladic Period II (2800-2300 BC) from Chalandriani, Syros. National Archaeological Museum, Athens. Black background.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens. <br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens. <br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Amorgos. National Archaeological Museum, Athens. <br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised. This staue belongs to the Dokathismata type of Amorgos with an angular face, wide chest and slender outline.
  • Head of a Cycladic statue with remnants of painted eyes and right cheek, Parian Marble, Amorgos, Early Cycladic II period (2800-3200BC). National Archaeological Museum, Athens.   Grey background.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens. Black background.<br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens. <br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Naxos, Cat No 6195. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue. This statue is of a hunter or warrior as it bears an incised weapon strap across its chest and holds a knife.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Grey background.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Amorgos. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised. This staue belongs to the Dokathismata type of Amorgos with an angular face, wide chest and slender outline.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-3200) from Naxos, Cat No 20934. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
One of the largest known Cycladic statues at 89CM tall this figurine still has traces of a colour on the hair and eyes.
  • Head of a Cycladic statue with remnants of painted eyes and right cheek, Parian Marble, Amorgos, Early Cycladic II period (2800-3200BC). National Archaeological Museum, Athens.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-2300 BC) from Stavros cemetery, Amorgos, grave 5, Cat No 4719. National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • The 'Harpist of Keros' a seated parian marble female Cycladic figurine. Early Cycladic Period II (2800-2300 BC) from Keros, Cat no 3908. National Archaeological Museum, Athens. <br />
<br />
This elaborate three dimesional Cyladic statue known as the 'Harpist of Keros' depicts a seated figure plaung a harp. Its execution required an experienced workshop that could file away the parian marble with gronze tools.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros from Glypha cemetery, grave 23, Cat no 4762. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. <br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens.   Grey background.<br />
<br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic statue figurine of the naturalistic 'Plastira' type of Paros. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800 BC). National Archaeological Museum, Athens. <br />
<br />
This type of Cycladic figurine stand with feet lat to the ground with detailed facial features and ears to make a more realistic statue.
  • Cycladic violin shaped figurine. Early Cycladic Period I (Grotta-Pelos Phase 3200-2800). National Archaeological Museum, Athens.   Gray background.<br />
<br />
<br />
This Cycladic violin shaped figurine has two holes in its neck which were provavly used to hold its broken neck together with wire or cord.
  • Female Cycladic statue figurine with folded arms of the Spedos and Dokathismata type. Early Cycladic Period II (2800-3200) from Naxos. National Archaeological Museum, Athens. Black background.<br />
<br />
This Cycladic statue figurine is of the Spedos type standing on tip tie with bended knees and arms folded under the breasts with head raiised.
  • Marble female Cycladic statue figurine with folded arms of the Spedos type. Early Cycladic Period II (2800-3200) from Naxos, Cat No 20934. National Archaeological Museum, Athens.   White background.<br />
<br />
<br />
One of the largest known Cycladic statues at 89CM tall this figurine still has traces of a colour on the hair and eyes.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Mycenaean Funerary Stele with painted scenes of Mycenaean warriors, Mycenae Chamber Tomb Archaeological Museum Athens. Cat No 3256.12th Cent BC. Black Background<br />
<br />
In this Mycenaean Funerary Stele the main panel depicts Mycenaean warriors marching armed with spears and shields. In the lower panel are depictions of 4 deer and a hedgehog. In the upper panel is a badly damaged seated figure
  • Mycenaean female figurines  from Mycenae tombs, Archaeological Museum Athens. <br />
<br />
Left: Seated Mycenaean female figurine with raies arms, from Mycenae tomb 91,  Cat No 3193.  Black Background<br />
<br />
Middle: Hollow Mycenaean female figurine, adorant, wearing a necklace, from Mycenae tomb 40,  Cat No 2494. <br />
<br />
Right: Upper part of a Mycenaean female figurine with stylised arms wearing a necklace, from Mycenae tomb 101,  Cat No 4690
  • Mycenaean Funerary Stele made of Porus stone with a relief of a chariot scene, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1428.16th Cent BC. Black Background<br />
<br />
The upper panel of this Mycenaean Funerary Stele has spiral reliefs that may represent waves suggesting that the scene below is set at a coastal location. This scene shows a charioteer pulling on the reins of his chariot while a second figure in front of the chaiot hold what may be a sword.
  • Mycenaean bull figurine from from Mycenae tomb 65 , Archaeological Museum Athens. cat no 3032
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Middle Neolithic kaolinite statue of a goddess from the site of Su Anzu in Narbolia, Sardinia. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)  - Black Background
  • Middle Neolithic quartzose sandstone statue of a goddess from the archaeological site of Cott'e Baccas in Segarlu, Sardinia,. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Grey Background
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Close up of a Mycenaean Funerary Stele made of Porus stone with a relief of a chariot scene, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1428.16th Cent BC.<br />
<br />
The upper panel of this Mycenaean Funerary Stele has spiral reliefs that may represent waves suggesting that the scene below is set at a coastal location. This scene shows a charioteer pulling on the reins of his chariot while a second figure in front of the chaiot hold what may be a sword.
  • Mycenaean Funerary Stele with painted scenes of Mycenaean warriors, Mycenae Chamber Tomb Archaeological Museum Athens. Cat No 3256.12th Cent BC. Grey art Background <br />
<br />
In this Mycenaean Funerary Stele the main panel depicts Mycenaean warriors marching armed with spears and shields. In the lower panel are depictions of 4 deer and a hedgehog. In the upper panel is a badly damaged seated figure
  • Mycenaean bull figurine from from Mycenae tomb 65 , Archaeological Museum Athens. cat no 3032.  Grey Background
  • Middle Neolithic quartzose sandstone statue of a goddess from the archaeological site of Cott'e Baccas in Segarlu, Sardinia,. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - White Background
  • The Cathederal Szeged, Hungary. Szeged Dom.
  • The Cathederal Szeged, Hungary. Szeged Dom.
  • Mycenaean Funerary Stele made of Porus stone with a chariot relief, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1429.16th Cent BC. White Background.<br />
<br />
The upper register of the Mycenaean Funerary Stele are filled with spiral reliefs while the central register panel has a relief of galloping horses driven by a charioteer. In front of the galloping horse stands a man with a spear who appears to attacking the chariot.
  • Mycenaean Funerary Stele with painted scenes of Mycenaean warriors, Mycenae Chamber Tomb Archaeological Museum Athens. Cat No 3256.12th Cent BC. White Background.<br />
<br />
In this Mycenaean Funerary Stele the main panel depicts Mycenaean warriors marching armed with spears and shields. In the lower panel are depictions of 4 deer and a hedgehog. In the upper panel is a badly damaged seated figure
  • Mycenaean Funerary Stele with painted scenes of Mycenaean warriors, Mycenae Chamber Tomb Archaeological Museum Athens. Cat No 3256.12th Cent BC.<br />
<br />
In this Mycenaean Funerary Stele the main panel depicts Mycenaean warriors marching armed with spears and shields. In the lower panel are depictions of 4 deer and a hedgehog. In the upper panel is a badly damaged seated figure
  • Mycenaean bull figurines from Prosymna and Mycenae, Archaeological Museum Athens.  Grey art Background <br />
<br />
Left: Mycenaean bull figurines from Prosymna cat no 11184<br />
<br />
Right Mycenaean bull figurine from Mycenae tomb 65 cat no 3032
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Middle Neolithic quartzose sandstone statue of a goddess from the archaeological site of Cott'e Baccas in Segarlu, Sardinia,. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)  - Black Background
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)  - Black Background
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)  - Grey Background
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Grey Background
  • The Cathederal Szeged, Hungary. Szeged Dom.
  • Mycenaean Funerary Stele made of Porus stone with a relief of a chariot scene, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1428.16th Cent BC.<br />
<br />
The upper panel of this Mycenaean Funerary Stele has spiral reliefs that may represent waves suggesting that the scene below is set at a coastal location. This scene shows a charioteer pulling on the reins of his chariot while a second figure in front of the chaiot hold what may be a sword.
  • Mycenaean Funerary Stele made of Porus stone with a relief of a chariot scene, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1428.16th Cent BC. Grey art Background <br />
<br />
The upper panel of this Mycenaean Funerary Stele has spiral reliefs that may represent waves suggesting that the scene below is set at a coastal location. This scene shows a charioteer pulling on the reins of his chariot while a second figure in front of the chaiot hold what may be a sword.
  • Mycenaean bull figurines from Prosymna and Mycenae, Archaeological Museum Athens.  White Background.<br />
<br />
Left: Mycenaean bull figurines from Prosymna cat no 11184<br />
<br />
Right Mycenaean bull figurine from Mycenae tomb 65 cat no 3032
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - White Background
  • Middle Neoloithic statue from grave 410 of the hypogeic necropolis of cuccuru S'Arriu, Cabras, Sardinia, Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)  - White Background
  • Middle Neoloithic statue from grave 410 of the hypogeic necropolis of cuccuru S'Arriu, Cabras, Sardinia, Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)  - Grey Background
  • Mycenaean Funerary Stele made of Porus stone with a relief of a chariot scene, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1428.16th Cent BC. Grey Background<br />
<br />
The upper panel of this Mycenaean Funerary Stele has spiral reliefs that may represent waves suggesting that the scene below is set at a coastal location. This scene shows a charioteer pulling on the reins of his chariot while a second figure in front of the chaiot hold what may be a sword.
  • Mycenaean female figurines  from Mycenae tombs, Archaeological Museum Athens.  Grey Background<br />
<br />
Left: Seated Mycenaean female figurine with raies arms, from Mycenae tomb 91,  Cat No 3193. <br />
<br />
Middle: Hollow Mycenaean female figurine, adorant, wearing a necklace, from Mycenae tomb 40,  Cat No 2494. <br />
<br />
Right: Upper part of a Mycenaean female figurine with stylised arms wearing a necklace, from Mycenae tomb 101,  Cat No 4690
  • Mycenaean bull figurines from Prosymna and Mycenae, Archaeological Museum Athens.  Grey Background<br />
<br />
Left: Mycenaean bull figurines from Prosymna cat no 11184<br />
<br />
Right Mycenaean bull figurine from Mycenae tomb 65 cat no 3032
  • Middle Neoloithic statue from grave 410 of the hypogeic necropolis of cuccuru S'Arriu, Cabras, Sardinia, Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Grey Background
  • Middle Neoloithic statue from grave 410 of the hypogeic necropolis of cuccuru S'Arriu, Cabras, Sardinia, Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Background
  • The Cathederal Szeged, Hungary. Szeged Dom.
  • Close up of a Mycenaean Funerary Stele made of Porus stone with a relief of a chariot scene, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1428.16th Cent BC. Grey Background<br />
<br />
The upper panel of this Mycenaean Funerary Stele has spiral reliefs that may represent waves suggesting that the scene below is set at a coastal location. This scene shows a charioteer pulling on the reins of his chariot while a second figure in front of the chaiot hold what may be a sword.
  • Close up of a Mycenaean Funerary Stele made of Porus stone with a relief of a chariot scene, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1428.16th Cent BC. White Background.<br />
<br />
The upper panel of this Mycenaean Funerary Stele has spiral reliefs that may represent waves suggesting that the scene below is set at a coastal location. This scene shows a charioteer pulling on the reins of his chariot while a second figure in front of the chaiot hold what may be a sword.
  • Close up of a Mycenaean Funerary Stele made of Porus stone with a relief of a chariot scene, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1428.16th Cent BC. Black Background<br />
<br />
The upper panel of this Mycenaean Funerary Stele has spiral reliefs that may represent waves suggesting that the scene below is set at a coastal location. This scene shows a charioteer pulling on the reins of his chariot while a second figure in front of the chaiot hold what may be a sword.
  • Mycenaean Funerary Stele made of Porus stone with a relief of a chariot scene, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1428.16th Cent BC. Grey art Background <br />
<br />
The upper panel of this Mycenaean Funerary Stele has spiral reliefs that may represent waves suggesting that the scene below is set at a coastal location. This scene shows a charioteer pulling on the reins of his chariot while a second figure in front of the chaiot hold what may be a sword.
  • Mycenaean Funerary Stele made of Porus stone with a chariot relief, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1429.16th Cent BC.  Grey art Background <br />
<br />
The upper register of the Mycenaean Funerary Stele are filled with spiral reliefs while the central register panel has a relief of galloping horses driven by a charioteer. In front of the galloping horse stands a man with a spear who appears to attacking the chariot.
  • Mycenaean Funerary Stele with painted scenes of Mycenaean warriors, Mycenae Chamber Tomb Archaeological Museum Athens. Cat No 3256.12th Cent BC. Grey Background<br />
<br />
In this Mycenaean Funerary Stele the main panel depicts Mycenaean warriors marching armed with spears and shields. In the lower panel are depictions of 4 deer and a hedgehog. In the upper panel is a badly damaged seated figure
  • Mycenaean bull figurine from from Mycenae tomb 65 , Archaeological Museum Athens. cat no 3032.  White Background.
  • Mycenaean bull figurine from from Mycenae tomb 65 , Archaeological Museum Athens. cat no 3032.  Black Background
  • Mycenaean bull figurines from Prosymna and Mycenae, Archaeological Museum Athens. <br />
<br />
Left: Mycenaean bull figurines from Prosymna cat no 11184<br />
<br />
Right Mycenaean bull figurine from Mycenae tomb 65 cat no 3032
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a grey background
  • Middle Neolithic kaolinite statue of a goddess from the site of Su Anzu in Narbolia, Sardinia. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Background
  • Middle Neolithic kaolinite statue of a goddess from the site of Su Anzu in Narbolia, Sardinia. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Grey Background
  • Middle Neolithic kaolinite statue of a goddess from the site of Su Anzu in Narbolia, Sardinia. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Grey Background
  • Middle Neolithic quartzose sandstone statue of a goddess from the archaeological site of Cott'e Baccas in Segarlu, Sardinia,. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Grey Background
  • Middle Neoloithic statue from grave 410 of the hypogeic necropolis of cuccuru S'Arriu, Cabras, Sardinia, Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Black Background
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • The Cathederal Szeged, Hungary. Szeged Dom.
  • Mycenaean Funerary Stele made of Porus stone with a chariot relief, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1429.16th Cent BC. Black Background<br />
<br />
The upper register of the Mycenaean Funerary Stele are filled with spiral reliefs while the central register panel has a relief of galloping horses driven by a charioteer. In front of the galloping horse stands a man with a spear who appears to attacking the chariot.
  • Mycenaean Funerary Stele made of Porus stone with a chariot relief, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1429.16th Cent BC. Grey Background<br />
<br />
The upper register of the Mycenaean Funerary Stele are filled with spiral reliefs while the central register panel has a relief of galloping horses driven by a charioteer. In front of the galloping horse stands a man with a spear who appears to attacking the chariot.
  • Mycenaean Funerary Stele made of Porus stone with a relief of a chariot scene, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1428.16th Cent BC. White Background.<br />
<br />
The upper panel of this Mycenaean Funerary Stele has spiral reliefs that may represent waves suggesting that the scene below is set at a coastal location. This scene shows a charioteer pulling on the reins of his chariot while a second figure in front of the chaiot hold what may be a sword.
  • Mycenaean female figurines  from Mycenae tombs, Archaeological Museum Athens. <br />
<br />
Left: Seated Mycenaean female figurine with raies arms, from Mycenae tomb 91,  Cat No 3193. <br />
<br />
Middle: Hollow Mycenaean female figurine, adorant, wearing a necklace, from Mycenae tomb 40,  Cat No 2494. <br />
<br />
Right: Upper part of a Mycenaean female figurine with stylised arms wearing a necklace, from Mycenae tomb 101,  Cat No 4690
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Seated terracotta goddess, probably a sign of fertility. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Middle Neolithic kaolinite statue of a goddess from the site of Su Anzu in Narbolia, Sardinia. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - White Background
  • Mycenaean Funerary Stele made of Porus stone with a chariot relief, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1429.16th Cent BC.<br />
<br />
The upper register of the Mycenaean Funerary Stele are filled with spiral reliefs while the central register panel has a relief of galloping horses driven by a charioteer. In front of the galloping horse stands a man with a spear who appears to attacking the chariot.
  • Mycenaean bull figurine from from Mycenae tomb 65 , Archaeological Museum Athens. cat no 3032.  Grey art Background
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Small Early Neolithic calcareous alabaster  statue of a goddess sitting from Su Cungiau de Marcu, Declomputzu, Sardinia Italy. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum) - Art Background
  • The Cathederal Szeged, Hungary. Szeged Dom.
  • The Cathederal Szeged, Hungary. Szeged Dom.
  • Mycenaean female figurines  from Mycenae tombs, Archaeological Museum Athens.  White Background.<br />
<br />
Left: Seated Mycenaean female figurine with raies arms, from Mycenae tomb 91,  Cat No 3193. <br />
<br />
Middle: Hollow Mycenaean female figurine, adorant, wearing a necklace, from Mycenae tomb 40,  Cat No 2494. <br />
<br />
Right: Upper part of a Mycenaean female figurine with stylised arms wearing a necklace, from Mycenae tomb 101,  Cat No 4690
  • Mycenaean female figurines  from Mycenae tombs, Archaeological Museum Athens.  Grey art Background <br />
<br />
Left: Seated Mycenaean female figurine with raies arms, from Mycenae tomb 91,  Cat No 3193. <br />
<br />
Middle: Hollow Mycenaean female figurine, adorant, wearing a necklace, from Mycenae tomb 40,  Cat No 2494. <br />
<br />
Right: Upper part of a Mycenaean female figurine with stylised arms wearing a necklace, from Mycenae tomb 101,  Cat No 4690
  • Mycenaean bull figurines from Prosymna and Mycenae, Archaeological Museum Athens.  Black Background<br />
<br />
Left: Mycenaean bull figurines from Prosymna cat no 11184<br />
<br />
Right Mycenaean bull figurine from Mycenae tomb 65 cat no 3032
  • Terracotta Goddess figure which has been associated with agriculture & human fertility because of her big breasts and wide hips. She is depicted sitting between 2 leopards suggesting she was important. 5750 BC. . Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background
  • Middle Neolithic quartzose sandstone statue of a goddess from the archaeological site of Cott'e Baccas in Segarlu, Sardinia,. Museo archeologico nazionale, Cagliari, Italy. (National Archaeological Museum)  - Art Background
  • Neolithic Marble Female Figurine grave offering of the early Cycladic II period from the Chalandriani, from Syros. 2800-2300BC. Athens Archaeological Museum Ref No 6169.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, National Archaeological Museum Florence, Italy , against grey
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, National Archaeological Museum Florence, Italy  , grey art background
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, inv 4770, National Archaeological Museum Florence, Italy
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, National Archaeological Museum Florence, Italy
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, inv 4770, National Archaeological Museum Florence, Italy
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, inv 4770, National Archaeological Museum Florence, Italy  , grey art background
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, National Archaeological Museum Florence, Italy , black background
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, inv 4770, National Archaeological Museum Florence, Italy , white background
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, National Archaeological Museum Florence, Italy, white background
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • 3rd - 2nd century B.C Etruscan architectural voitive plaques of women, inv 4770, National Archaeological Museum Florence, Italy , black background
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Ancient Egyptian voitive stele of Takasu for the Gods Harmakhis and Atun from Thebes. Ancient Egypt 25/26 Dynaty, 630 BC. Neues Museum Berlin Cat No: AM 935.
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a black background
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a white background
  • Styalised stone fiqurine. Catalhoyuk Collections. Museum of Anatolian Civilisations, Ankara. Against a gray mottled background

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Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....