• Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Blue Monkey Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of the the so-called Throne Room or Little Throne Room, Knossos Minoan archaeological site
  • Arthur Evans reconstruction of A Bull relief fresco  of the Nouth Propylaeum,  Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos of the  South Propylaeum of Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of A Bull relief fresco  of the Nouth Propylaeum,  Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of A Bull relief fresco  of the Nouth Propylaeum,  Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos at Knossos Minoan archaeological site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • Arthur Evans reconstruction of Dancing girl fresco from the Queen's megaron at Knossos. Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Dancing girls fresco  at Knossos. Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos of the  South Propylaeum of Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos of the  South Propylaeum of Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Blue Monkey Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Blue Monkey Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of Procession  Frescos of the  South Propylaeum of Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of A Bull relief fresco  of the Nouth Propylaeum,  Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the Dolphin Frescos, Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of the the so-called Throne Room or Little Throne Room, Knossos Minoan archaeological site
  • Arthur Evans reconstruction of the the so-called Throne Room or Little Throne Room, Knossos Minoan archaeological site
  • Arthur Evans reconstruction of  the Nouth Propylaeum Knossos Minoan archaeological site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • Arthur Evans reconstruction of  Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of  the South Propylaeum Knossos Minoan archaeological site, Crete
  • Arthur Evans reconstruction of A Bull relief fresco  of the Nouth Propylaeum,  Knossos Minoan archaeological site, Crete
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.,white background
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum., black background<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan "Three columned Shrine" minture fresco Knossos-Palace, 1700-1450 BC . Heraklion Archaeological Museum. black background<br />
<br />
The freco depicts a portico with columns on which double axes are fixed, separated by horns of consecration, on a balustrade decorated with rosettes
  • Minoan high relief wall art fresco of Griffins, Gret East Hall, Knossos. 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This minoan high relief fresco decorated the Great East Hall of Knossos palace. The decoration of the hall included religious scenes depicting boxing, and bull leaping games.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.  Grey Background.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.  Grey Background. <br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  White Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  White Background.
  • Minoan Theran style strainer jar decorated with lilies on a dark background, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This style of strainer jar is characteristic of Theran Minoan pottery also found on Minoan Crete. A strainer incorporated into the jar probably allowed it to be used in the manufacture of aramatic oils or as an incense burner.
  • Minoan 'Boxing Children' fresco Wall painting from Akrotiri, Thira (Santorini). National archaeological Musuem Athens artefact. 17th-16th cent BC.<br />
<br />
The 'Boxing Children' fresco depicts two naked boys wearing belts and boxing gloves. Their heads are shaved but for two long locks at the back and two shorter ones on their forehead. Their dark complexion indicated thair gender. The boy on the left is the more reserved of the two and wears jewelry consisting of a necklace and two bracelets, one on his arm and the other around his ankle, which indicated his higher social status. From room B1 of building B.
  • The Minoan ' Phaistos Disc" with minoan pictoral sign script, possibly a hymn , Phaistos Palace 17th cent BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
The enigmatic Phaistos disc takes pride of place in the history of Minoan script. It bears 45 pictoral signs that can be arranged into 61 groups separated by incised lines. Experts believe that the script may be of a hymn or magical in content.
  • Minoan clay model shrine depicting a priestess playing the part of a goddess in a small single roomed house, Galatas 1700-1650 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan clay model shrine depicting a priestess playing the part of a goddess in a small single roomed house, Galatas 1700-1650 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan 2 handled flask with Marine style stylised octopus design,   Palaikastro,  1500-1450 BC; Heraklion Archaeological  Museum, white background
  • Minoan 2 handled flask with Marine style stylised octopus design,   Palaikastro,  1500-1450 BC; Heraklion Archaeological  Museum, black background
  • Minoan 2 handled flask with Marine style stylised octopus design,   Palaikastro,  1500-1450 BC; Heraklion Archaeological  Museum, grey background
  • Minoan cult svoitive tablet,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum. <br />
<br />
During this period both Minoan and Mycenaean graves were found in Karphi snctuary so these cult gods are attributable to both cultures
  • Minoan Postpalatial terracotta  "Poppy goddess: statue with raised arms and poppy seed crown,  Karphi Sanctuary 1300-1200 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The "Poppy Goddess" statuye is crowned with opium poppy seed heads. As opium is a hallucinogen that also sedates and has healing properties, experts assume this was the goddess of pain relief and healing/ During this period both Minoan and Mycenaean graves were found in Karphi snctuary so these cult gods are attributable to both cultures
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • Minoan pottery with stylised octopus decorations, 1500-1400 BC, Heraklion Archaeological Museum, grey background.  <br />
<br />
From Left to right<br />
1- Pseudostomos jug from Knossos-Venizeleio 1300-1200 BC, <br />
2- flask with Marine style stylised octopus design,   Palaikastro,  1500-1450 BC; <br />
3- conical rhython with Marine style stylised octopus design,   Palaikastro 1500-1450 BC; <br />
5- far right Krater Episkopi Lerapetra 1370-1250 BC,
  • Minoan  cult bronze double axe 'labrys' &  bronze spearhead from "warrior grave" at Knossos-Zafer Papoura,  1600-1400 BC, Heraklion Archaeological  Museum.<br />
<br />
In Minoan Crete, the double axe was an important sacred symbol of the supposed Minoan religion. In Crete it never accompanies male gods, only female goddesses. It seems that it was the symbol of the arche of the creation (Mater-arche).
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan 'Sacred Grove and Dance Freco', wall art from Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.   Grey Background. <br />
<br />
This Neopalatial period Minoan fredco comes from thecauseway of the west facade of the palace complex.
  • Minoan wall art freco depicting a procession leading a goat from Agia Triada (Hagia Triada) Crete. 1450-1300 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
This minoan fresco found at the minoan settlement of Hagia Triada, depicts a sacrifical procession leading animals to be sacrificed.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  White Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan Thiran conical rhython decorated with vertical bands of wavy lines, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.
  • Minoan cay vase with painted lilies on a dark background from Akrotiri, Thira (Santorini), National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • 'Flying gallop' clay vase. Minoan Polychrome arge jug with eyes on its spout and lions or panthers, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
This fine example of Minoan Theran polychrome pottery depicts two lions or panthers in full flight with two eyes on its spout. By the same painter as the 'Dolphing Jugs'  From the French Archaeological School in Athens collection.
  • Minoan decorated conical  rhython libation vessel, Gournia 1600-1450 BC; Heraklion Archaeological  Museum, black background.
  • Minoan decorated stirrup jar with swirl design, Zakros Palace  1500-1400 BC; Heraklion Archaeological  Museum, black background.
  • Minoan clay vase with figure of eighy handles, Zakros Palace  1500-1450 BC; Heraklion Archaeological  Museum, black background.
  • Minoan clay vase with figure of eighy handles, Zakros Palace  1500-1450 BC; Heraklion Archaeological  Museum.
  • Unusual Minoan  rhython  libation vessel consisting of hollow rings, Zakros Palace  1500-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan long spouted rhython decorated with a pomegranate, Zakros Palace  1500-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan clay cup decorated with reeds, Zakros Palace  1600-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan bridge spouted jars decorated with flowers, Archanes Palace  1600-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan  bridge spouted jars decorated with swirls, Archanes Palace  1600-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum.
  • Minoan decorated jug with sun design, Phaistos Palace 1500-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan  ewer with dense reeds design, by the "Reed Painter" , Phaistos Palace 1500-1450 BC; Heraklion Archaeological  Museum, black background.
  • Minoan domestic libation vessel with the relief of a bull, Hagia Triada 1900-1700 BC; Heraklion Archaeological  Museum, white background.
  • Minoan domestic libation vessel with the relief of a bull, Hagia Triada 1900-1700 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan domestic goddess figurine making gestures from the epiphany cycle, Hagia Triada 1900-1700 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan  beak spouted jug with double axe and sacred knot  decoration, Hagia Triada Royal Villa 1500-1540 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan clay model of a divine figure on a swing , Agia Triada 1700-1600 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan  ritual rhython with raised design, Phaistos 1800-1700 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan clay round offering table with a high base and large cup with a goddess with 2 priestesses depiction , Phaistos 1800-1650 BC; Heraklion Archaeological  Museum.
  • The Minoan terracotta rhinoceros beetle (Oryctes)  figurine, Piskokephalo,  1650-1500 BC; Heraklion Archaeological  Museum, grey background
  • The Minoan terracotta rhinoceros beetle (Oryctes)  figurine, Piskokephalo,  1650-1500 BC; Heraklion Archaeological  Museum.
  • The Minoan decorated jug decorated with stylised papyrus, Palaikastro,  1500-1450 BC; Heraklion Archaeological  Museum, white background
  • The Minoan decorated jug decorated with stylised papyrus, Palaikastro,  1500-1450 BC; Heraklion Archaeological  Museum, grey background
  • Minoan decorated ritual ewer with a sacral knot relief , Konssos-Little Palace 1450-1370 BC; Heraklion Archaeological  Museum, black background
  • Minoan decorated clay alabastra , Konssos-Little Palace 1450-1370 BC; Heraklion Archaeological  Museum, grey background
  • Minoan decorated clay alabastra , Konssos-Little Palace 1450-1370 BC; Heraklion Archaeological  Museum, grey background
  • Minoan decorated jug  with stylised floral design , Konssos  'Unexplored Mansion" 1450-1370 BC; 1400-1250 BC; Heraklion Archaeological  Museum
  • Minoan decorated flask with concentric decorative bands design , Konssos  Temple Tomb 1400-1250 BC; Heraklion Archaeological Museum., white background
  • Minoan decorated jug with geometric design , Zafer Papoura 1400-1250 BC; Heraklion Archaeological Museum, grey background
  • Minoan decorated pithos stirrup jar , Zafer Papoura 1400-1250 BC; Heraklion Archaeological Museum, black background
  • Minoan decorated pithos stirrup jar , Zafer Papoura 1400-1250 BC; Heraklion Archaeological Museum, grey background
  • Minoan decorated pithos stirrup jar , Zafer Papoura 1400-1250 BC; Heraklion Archaeological Museum.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and a crown of snakes, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, white background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan cult svoitive tablet,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, black background. <br />
<br />
During this period both Minoan and Mycenaean graves were found in Karphi snctuary so these cult gods are attributable to both cultures
  • Minoan cult svoitive tablet,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
During this period both Minoan and Mycenaean graves were found in Karphi snctuary so these cult gods are attributable to both cultures
  • Minoan Postpalatial terracotta  goddess statue with raised arms,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan Postpalatial terracotta  goddess statue with raised arms and crown,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan  pottery bath tub larnax decorated with a stylised crocus flower ,  Episkopi-Lerapetra 1350-1250 BC, Heraklion Archaeological  Museum, white background.<br />
<br />
To the Greeks, the Underworld was entered by water. As with many other Minoan bathtubs, this one was probably later used as a coffin to convey the deceased across the sea, where marine imagery would be equally appropriate. The two functions of bathtubs, bathing and burial, combine in the story of Agamemnon who, on return from Troy, was murdered by his wife and her lover in a silver bath.
  • Minoan  pottery bath tub  larnax decorated with a cow nursing a calf,  Episkopi-Lerapetra 1350-1250 BC, Heraklion Archaeological  Museum, white background.<br />
<br />
To the Greeks, the Underworld was entered by water. As with many other Minoan bathtubs, this one was probably later used as a coffin to convey the deceased across the sea, where marine imagery would be equally appropriate. The two functions of bathtubs, bathing and burial, combine in the story of Agamemnon who, on return from Troy, was murdered by his wife and her lover in a silver bath.
  • Minoan linea A tablet with administative script,  Knossos 1800-1450 BC, Heraklion Archaeological  Museum, white background.
  • Early Minoan decorated clay jugs ,  Michlos Cemetery 2600-1900 BC BC, Heraklion Archaeological  Museum, grey background.
  • Early Minoan round bronze box with intricate pattern on lid,  George of the Dead 2600-2300 BC BC, Heraklion Archaeological  Museum, white background .
  • Minoan Vasiliki Ware long spouted "teapots", Vasiliki 2300-1900 BC BC, Heraklion Archaeological  Museum, black background.
  • Minoan secondary burial of a skull in a vessel , Archanes Phourni 2100-1800 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
The shull was detached from the body and sfter its dissolution placed in the vessel. This burial practice highlights the significance of the skull as the symbolic vehicle of human existance and consciousness
  • Minoan Kamares Ware spouted jar with raised decorations ,  Archanes Phoumi 2100-1900 BC,  Heraklion Archaeological  Museum, white background.
  • Minoan Kamares Ware vessels  with  polychrome decorations, Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares "eggshell" ware cups with  with  polychrome decorations, from set found at Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
These cups found as parts of sets in Phaistos palace were names "eggshell" ware due to the very thin walls of the cups. This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware beak spouted "teapot" with extended spout and  leaf polychrome decorations, Kamares Sacred Cave 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware beak spouted "teapot" with extended spout and  leaf polychrome decorations, Kamares Sacred Cave 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware spouted jar with 2 handles with  polychrome decorations, Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares banqueting Ware  ewer with chequor board decorations , Knossos 1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Minoan Kamares Ware ewer jug with applique seashell decorations , Phaistos 1800-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware pithos storage container with polychrome decorations , Phaistos 1800-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware jar with natural decorations of fish in a net, Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This pot is one of the earliest known examples of the shift of Minoan art towards depicting the natural world
  • Minoan Kamares Ware jar with natural decorations of fish in a net, Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This pot is one of the earliest known examples of the shift of Minoan art towards depicting the natural world
  • Luxury Minoan Kamares Ware Pseudostomos jug with spout and polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware Pseudostomos jug with spout and polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware with polychrome marine decorations , Phaistos 1800-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware with polychrome decorations on a rough prickly surface, Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware with polychrome decorations on a rough prickly surface, Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan fruit stand with white and polychrome decorations , Poros-Heraklion 2100-1800 BC; Heraklion Archaeological  Museum, white background
  • Minoan decorated Kamares  style jug with swirl pattern, Poros cemetery 1800-1650 BC; Heraklion Archaeological  Museum.
  • Minoan decorated stirrup jar, Malia Palace 1600-1450 BC; Heraklion Archaeological  Museum, black background.
  • Minoan decorated stirrup jar, Malia Palace 1600-1450 BC; Heraklion Archaeological  Museum.
  • Minoan decorated jug for export, Kommos Harbour 1600-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan decorated jug for export, Kommos Harbour 1600-1450 BC; Heraklion Archaeological  Museum, grey background.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum., black background<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan "Three columned Shrine" minture fresco Knossos-Palace, 1700-1450 BC . Heraklion Archaeological Museum.<br />
<br />
The freco depicts a portico with columns on which double axes are fixed, separated by horns of consecration, on a balustrade decorated with rosettes
  • Minoan pottery with stylised octopus decorations, 1500-1400 BC, Heraklion Archaeological Museum, grey background.  <br />
<br />
From Left to right<br />
1- Krater Episkopi Lerapetra 1370-1250 BC, <br />
2- flask with Marine style stylised octopus design,   Palaikastro,  1500-1450 BC; <br />
3- far right  conical rhython with Marine style stylised octopus design,   Palaikastro 1500-1450 BC;
  • Minoan pottery with stylised octopus decorations, 1500-1400 BC, Heraklion Archaeological Museum, white background.  <br />
<br />
From Left to right<br />
1- Pseudostomos jug from Knossos-Venizeleio 1300-1200 BC, <br />
2- flask with Marine style stylised octopus design,   Palaikastro,  1500-1450 BC; <br />
3- conical rhython with Marine style stylised octopus design,   Palaikastro 1500-1450 BC; <br />
5- far right Krater Episkopi Lerapetra 1370-1250 BC,
  • Minoan bridge souted jug with complex zig-zag decoration,  Sklavakambos 1500-1450 BC,  Heraklion Archaeological  Museum, grey background.
  • Minoan cylindrical cult vessel base used to support vessels full of offerings ,  1300-1100 BC,  Heraklion Archaeological  Museum .<br />
<br />
These cylindrical cult vessels were used until the Postpalatial period in the shrines of the godesses wth upraised arms
  • Minoan vase decorated with circle motif , Poros-Heraklion 1700-1450 BC,  Heraklion Archaeological  Museum , black background
  • Minoan vase decorated with circle motif , Poros-Heraklion 1700-1450 BC,  Heraklion Archaeological  Museum, grey background
  • Minoan gull rhython cult vessel, Juktas 1900-1700 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan decorted   clay 2 handled pot , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum.black background Cat No: 15047
  • Minoan clay decorated ewer jug, Speial Palatial Tradition , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, grey background.
  • Minoan clay vase with floral design, Speial Palatial Tradition , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, grey background.
  • Minoan clay vase with floral design, Speial Palatial Tradition , Knossos Palace 1500-1450 BC BC, Heraklion Archaeological  Museum, black background.
  • Minoan decorated clay flask  from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.
  • Minoan "Palace Style" clay decorated jars from the  Knossos-Isopata "Royal Tomb" 1600-1500 BC BC, Heraklion Archaeological  Museum, black background.
  • Minoan clay basket shaped vessel with double axes decorations,  Special Palatial Tradition , Pseira  1500-1400 BC BC, Heraklion Archaeological  Museum, white background.
  • Minoan  pottery gabled larnax coffin chest with bird and floral decorations,   1370-1250 BC, Heraklion Archaeological  Museum.
  • Minoan  pottery coffin chest coffin with gabled lid decorated with a net pattern,  Tylissos-Panokklisia 1350-1250 BC, Heraklion Archaeological  Museum, grey background.
  • The Minoan 'Saffron Gatherer' wall art fresco, from 'House of Frescoes' Knossos Palace. 1700-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Saffron Gatherers' fresco depicts a blue monket gatering saffron crocuses and placing them in a basket. The saffron is thought to have been a gift to the 'Great Goddess'. One of the earliest frescoes from Knossos.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan 'Blue Monkey' wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Minoan high relief wall art fresco of Griffins, Gret East Hall, Knossos. 1600-1450 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
This minoan high relief fresco decorated the Great East Hall of Knossos palace. The decoration of the hall included religious scenes depicting boxing, and bull leaping games.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan high relief wall art fresco of Griffins, Gret East Hall, Knossos. 1600-1450 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
This minoan high relief fresco decorated the Great East Hall of Knossos palace. The decoration of the hall included religious scenes depicting boxing, and bull leaping games.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum. Black Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan wall art fresco of 'Ladies in Blue' from Knossos Palace 1600-1450 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
The 'Ladies in Blue' Minoan fresco depicts richy dressed female figures with opulent jewelery and clothing with flamboyant hairstyles refecting the wealth of the Palace of Knossos
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum. Black Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Theran Minoan polychrome kymbe with dolphin decorations, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
The kymbe is a typical Theran Minoan elongated vessel whose use is unknown.
  • Minoan bridge spouted jug with spiral decorations, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.
  • Tall elegant Minoan polychrome jug decorated with reeds, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.
  • Tall elegant Minoan polychrome jug decorated with reeds, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.
  • Minoan clay polychrome pithoid jar with painted circles, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.
  • The Spring fresco Minoan Wall painting from Akrotiri, National archaeological Musuem Athens Minoan artefact. 17th-16th cent BC.<br />
<br />
The Minoan 'Spring Fresco' is the only fresco found in situ at Akritiri covering three walls. It depicts the rocky Theran lanscape of Santorini before the volcanic eruption: clusetrs of red lilies with yellow stems dominate the red and grey volcanic rock formations. Swallows swoop above, either alone or in pairs animating the scene and announcing natures annual rebirth of Spring.<br />
<br />
The Spring fresco has an opulent use of colours and a lively movement bu the lilies swaying in the wind as well as the swallows at play. Room D2 Complex D.
  • The Spring fresco Minoan Wall painting from Akrotiri, National archaeological Musuem Athens Minoan artefact. 17th-16th cent BC.<br />
<br />
The Minoan 'Spring Fresco' is the only fresco found in situ at Akritiri covering three walls. It depicts the rocky Theran lanscape of Santorini before the volcanic eruption: clusetrs of red lilies with yellow stems dominate the red and grey volcanic rock formations. Swallows swoop above, either alone or in pairs animating the scene and announcing natures annual rebirth of Spring.<br />
<br />
The Spring fresco has an opulent use of colours and a lively movement bu the lilies swaying in the wind as well as the swallows at play. Room D2 Complex D.
  • Minoan 'Boxing Children' fresco Wall painting from Akrotiri, Thira (Santorini). National archaeological Musuem Athens artefact. 17th-16th cent BC.<br />
<br />
The 'Boxing Children' fresco depicts two naked boys wearing belts and boxing gloves. Their heads are shaved but for two long locks at the back and two shorter ones on their forehead. Their dark complexion indicated thair gender. The boy on the left is the more reserved of the two and wears jewelry consisting of a necklace and two bracelets, one on his arm and the other around his ankle, which indicated his higher social status. From room B1 of building B.
  • Minoan decorated cup with foliage, Archanes Palace  1600-1450 BC; Heraklion Archaeological  Museum, white background.
  • Minoan  bull's head rhython libation vessel, Machlos 1500-1450 BC; Heraklion Archaeological  Museum, black background.
  • Minoan  alabastron with zig zag design, Machlos 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan small bridge spouted jars decorated with lilies, Machlos 1500-1400 BC; Heraklion Archaeological  Museum, grey background.
  • The Minoan ' Phaistos Disc" with minoan pictoral sign script, possibly a hymn , Phaistos Palace 17th cent BC; Heraklion Archaeological  Museum.<br />
<br />
The enigmatic Phaistos disc takes pride of place in the history of Minoan script. It bears 45 pictoral signs that can be arranged into 61 groups separated by incised lines. Experts believe that the script may be of a hymn or magical in content.
  • Minoan decorated jug with sun design, Phaistos Palace 1500-1450 BC; Heraklion Archaeological  Museum, white background.
  • Minoan decorated jug with sun design, Phaistos Palace 1500-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan  ritual vessel with figure of eight handles imitating Egyptian prototypes, Hagia Triada Royal Villa 1500-1540 BC; Heraklion Archaeological  Museum.
  • Minoan Pithoid Amphora with decorations of interconnecting spirals, crocus flowers and reeds, Hagia Triada Royal Villa 1500-1540 BC; Heraklion Archaeological  Museum, black background.
  • Minoan cylindrical pyxis with lid (jewel box) with incised decoration, Knossos 1900-1800 BC; Heraklion Archaeological  Museum.
  • Minoan clay male figurine in the attitude of worship, Chamezi 1900-1700 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan ritual offering vessel drom temple of snakes, 1700-1600 BC; Heraklion Archaeological  Museum, grey background..
  • Minoan cly polychrome decorated storage pithos, Protopalatial period, Phaistos 1800-1650 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
The quality of Minoan pithoi of this period suggest that they were produced by specialised potters with considerable skill in the manufacture of large clay conatiners. They were used for the staorage of agricultural products and the number and size of the pithoi found during this Portopalatial period indicate increased production of farmers.
  • The Minoan clay burial pithos with skeleton in foetal,  Neopalatial period 1700-1450 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
The body was placed in a foetal postion to aid insertion into the wide mouthed pithos
  • The Minoan decorated conical rhython with Marine style stylised octopus design,   Palaikastro 1500-1450 BC; Heraklion Archaeological  Museum, grey background
  • The Minoan clay bull's head rhython lbation vessel,  Palaikastro 1500-1450 BC; Heraklion Archaeological  Museum, grey background
  • The Minoan domestic vessels, a decorated jug, Early Protopalatial period,  2100-1900 BC; Heraklion Archaeological  Museum, grey background
  • The Minoan decorated ritual Ewer From Poros with marine reliefs ,Poros Heraklion 1450 BC; Heraklion Archaeological  Museum, white background<br />
<br />
This elegant Ewer excavated from Poros is a fine example of the matute marine style of Minoan Ewer. The body is covered with  calligraphic network of dotted scale patterns, indicating the sea, in which nautili swim amongst rocks and seaweed. This style of Ewer was made in specialist workshops in the Knossos area and can be attributed to the same worksop that made ewers excavated from Zakros room IV-V. and another in Marseilles Museum
  • Minoan decorated ritual ewer with a sacral knot relief , Konssos-Little Palace 1450-1370 BC; Heraklion Archaeological  Museum, grey background
  • Minoan decorated jug  with stylised floral design , Konssos  'Unexplored Mansion" 1450-1370 BC; 1400-1250 BC; Heraklion Archaeological  Museum, white background
  • Minoan decorated conical rhython geometric design , Konssos  'Unexplored Mansion" 1450-1370 BC;  Heraklion Archaeological  Museum, grey background
  • Minoan decorated two handled Ephyraean goblet  with stylised floral design , Konssos  'Unexplored Mansion" 1450-1370 BC; 1400-1250 BC; Heraklion Archaeological Museum.
  • Minoan decorated two handled Ephyraean goblet  with stylised octopus design , Konssos  'Unexplored Mansion" 1450-1370 BC; 1400-1250 BC; Heraklion Archaeological Museum.
  • Minoan decorated two handled Ephyraean goblet  with geometric design , Konssos  Temple Tomb 1400-1250 BC; 1400-1250 BC; Heraklion Archaeological Museum, white background
  • Minoan decorated pithos stirrup jar , Zafer Papoura 1400-1250 BC; Heraklion Archaeological Museum, grey background
  • Minoan clay ritual vessel with figure of eight handles, Isopata 1450-1300 BC, Heraklion Archaeological Museum, grey background
  • Minoan Postpalatial terracotta  goddess tablet with raised arms, Kannia Sanctuary,  Gortys, 1350-1250 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
The Goddesses are crowned with symbols of earth and sky in the shapes of snakes and birds, describing attributes of the goddess as protector of nature.
  • Minoan cult model of a 3 wheeled chariot drawn by a bull with a charioteer,  Karphi Sanctuary 1200-1100 BC, Heraklion Archaeological Museum, grey background. <br />
<br />
During this period both Minoan and Mycenaean graves were found in Karphi snctuary so these cult gods are attributable to both cultures
  • Minoan Postpalatial terracotta  "Poppy goddess: statue with raised arms and poppy seed crown,  Karphi Sanctuary 1300-1200 BC, Heraklion Archaeological Museum, black background. <br />
<br />
The "Poppy Goddess" statuye is crowned with opium poppy seed heads. As opium is a hallucinogen that also sedates and has healing properties, experts assume this was the goddess of pain relief and healing/ During this period both Minoan and Mycenaean graves were found in Karphi snctuary so these cult gods are attributable to both cultures
  • Minoan  pottery bath tub  larnax decorated with stylised octopuses,  Episkopi-Lerapetra 1350-1250 BC, Heraklion Archaeological  Museum, black background.<br />
<br />
To the Greeks, the Underworld was entered by water. As with many other Minoan bathtubs, this one was probably later used as a coffin to convey the deceased across the sea, where marine imagery would be equally appropriate. The two functions of bathtubs, bathing and burial, combine in the story of Agamemnon who, on return from Troy, was murdered by his wife and her lover in a silver bath.
  • Minoan  pottery bath tub  larnax decorated with a cow nursing a calf,  Episkopi-Lerapetra 1350-1250 BC, Heraklion Archaeological  Museum, grey background.<br />
<br />
To the Greeks, the Underworld was entered by water. As with many other Minoan bathtubs, this one was probably later used as a coffin to convey the deceased across the sea, where marine imagery would be equally appropriate. The two functions of bathtubs, bathing and burial, combine in the story of Agamemnon who, on return from Troy, was murdered by his wife and her lover in a silver bath.
  • Minoan linea A tablets recording flocks of sheep and other animals and wool produced,  1800-1450 BC, Heraklion Archaeological  Museum.
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "si-ra-ro",  1800-1450 BC, Heraklion Archaeological  Museum, white background.
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "si-ra-ro",  1800-1450 BC, Heraklion Archaeological  Museum.
  • Minoan linea A tablet recording flocks of sheep, goats, oxen and pigs at "si-ra-ro",  1800-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Minoan linea A tablet with administative script,  Knossos 1800-1450 BC, Heraklion Archaeological  Museum, grey background.
  • Very early Minoan single handled jug butial goods, Pygros burial cave,  3000-2600 BC BC, Heraklion Archaeological  Museum, grey background.
  • Very early unusual Minoan horned pot with white and red linear motifs,  vaulted tombs Lebena 3000-2100 BC BC, Heraklion Archaeological  Museum.<br />
<br />
Made of grey clay these pots are the earliest found in the Lebena vaulted tombs
  • Very early Minoan rounded 2 handled pot with white and red linear motifs,  vaulted tombs Lebena 3000-2100 BC BC, Heraklion Archaeological  Museum, black background.<br />
<br />
Made of grey clay these pots are the earliest found in the Lebena vaulted tombs
  • Very early Minoan rounded 2 handled pot with white and red linear motifs,  vaulted tombs Lebena 3000-2100 BC BC, Heraklion Archaeological  Museum, grey background.<br />
<br />
Made of grey clay these pots are the earliest found in the Lebena vaulted tombs
  • Very early Minoan round pot with white and red linear motifs,  vaulted tombs Lebena 3000-2100 BC BC, Heraklion Archaeological  Museum, black background.<br />
<br />
Made of grey clay these pots are the earliest found in the Lebena vaulted tombs
  • Early Minoan rounded teapot with typical brownish red painted bhatched lines,  Hagios Onouphrios 2900-1900 BC BC, Heraklion Archaeological  Museum, white background.
  • Early Minoan Stone jug from the George of the Dead 3000-2000 BC BC, Heraklion Archaeological  Museum , black background.<br />
<br />
In the 3rd milleneum BC the invetion of new tools made of metal allowed stone to be carved and polished to high standards. Harder stone could also be used for making stone vessels
  • Minoan Vasiliki Ware long spouted "teapots", Vasiliki 2300-1900 BC BC, Heraklion Archaeological  Museum.
  • Minoan Kamares Ware vessels  with  polychrome decorations, Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware beak spouted  jug with 2 handles and  polychrome decorations, Phaistos 1800-1650 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares "eggshell" ware cups with  with  polychrome decorations, from set found at Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
These cups found as parts of sets in Phaistos palace were names "eggshell" ware due to the very thin walls of the cups. This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares "eggshell" ware cups with  with  polychrome decorations, from set found at Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
These cups found as parts of sets in Phaistos palace were names "eggshell" ware due to the very thin walls of the cups. This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares "eggshell" ware cups with  with  polychrome decorations, from set found at Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
These cups found as parts of sets in Phaistos palace were names "eggshell" ware due to the very thin walls of the cups. This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares "eggshell" ware cups with  with  polychrome decorations, from set found at Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
These cups found as parts of sets in Phaistos palace were names "eggshell" ware due to the very thin walls of the cups. This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares "eggshell" ware cups with  with  polychrome decorations, from set found at Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
These cups found as parts of sets in Phaistos palace were names "eggshell" ware due to the very thin walls of the cups. This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware beak spouted "teapot" with extended spout and  leaf polychrome decorations, Kamares Sacred Cave 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware spouted jar with 2 handles with  polychrome decorations, Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware ewer jug with  polychrome decorations, Phaistos Palace 1800-1600 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware pithos storage container with  polychrome decorations, Phaistos 1800-1600 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware beak spouted ewer jug with  polychrome decorations, Phaistos 1800-1600 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares banqueting Ware  ewer with chequor board decorations , Knossos 1800-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Luxury Minoan Kamares banqueting Ware  krater richly decorated with appiique lilies, Phaistos  1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found.
  • Minoan Kamares Ware ewer jug with polychrome & spiked decorations , Phaistos 1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware ewer jug with polychrome decorations , Phaistos 1800-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware jar with natural decorations of fish in a net, Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, white background.<br />
<br />
This pot is one of the earliest known examples of the shift of Minoan art towards depicting the natural world
  • Minoan Kamares Ware amphora  jug with polychrome  palm leaf decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, grey background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Luxury Minoan Kamares Ware Pseudostomos jug with spout and polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum , white background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware with polychrome decorations on a rough prickly surface, Poros-Heraklion 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware with polychrome decorations on a rough prickly surface, Phaistos 1900-1700 BC; Heraklion Archaeological  Museum, black background.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware with polychrome decorations on a rough prickly surface, Phaistos 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan Kamares Ware with polychrome decorations , Phaistos 1900-1700 BC; Heraklion Archaeological  Museum.<br />
<br />
This style of pottery is named afetr Kamares cave where this style of pottery was first found
  • Minoan decorated Kamares  style jug decorated with leaves, Poros cemetery 1800-1650 BC; Heraklion Archaeological  Museum, black background.
  • Minoan decorated stirrup jar, Malia Palace 1600-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan decorated stirrup jar, Malia Palace 1600-1450 BC; Heraklion Archaeological  Museum.
  • Minoan decorated fruit stand for export, Kommos Harbour 1600-1450 BC; Heraklion Archaeological  Museum, white background.
  • Minoan decorated fhython for export, Kommos Harbour 1600-1450 BC; Heraklion Archaeological  Museum, grey background.
  • Minoan decorated jug for export, Kommos Harbour 1600-1450 BC; Heraklion Archaeological  Museum, black background.

FunkyStock Picture Library Resource

Picture The Past

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

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MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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