• Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Altarpiece of the Virgin by JAUME SERRA Circa 1367-1381. Tempera, gold leaf and metal plate on wood (346.3 x 321 x 26 cm) MNAC - National Museum of Catalan art, Barcelona, Spain Inv No: 015916-CJT
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic wood statue of a Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064015-000
  • Gothic wood statue of a Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064015-000
  • Gothic wood statue of a Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064015-000
  • Gothic wood statue of Saint Lucy by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064013-000
  • Gothic wood statue of a Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064015-000
  • Gothic wood statue of Saint Lucy by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064013-000
  • Gothic wood statue of Saint Lucy by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064013-000
  • Gothic wood statue of Saint Lucy by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064013-000
  • Gothic wood statue of Bishop Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064024-000
  • Gothic wood statue of Bishop Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064024-000
  • Gothic wood statue of Bishop Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064024-000
  • Gothic wood statue of Bishop Saint by the St Bertrand de Cominges Group of artists. Polychrome wood carving with varnished metal-plating.  National Museum of Catalan Art, inv no: 064024-000
  • Virgin Mary  Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • Virgin Mary  Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • Virgin Mary  Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • Virgin Mary  Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • St John the Evangelist Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • St John the Evangelist Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • St John the Evangelist Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • St John the Evangelist Gothic sculpture from a Calvery scene. Polychrome wood carving with remains of varnished metal plate. National Museum of Catalan Art, Barcelona, Spain, inv no: 004390-CJT.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic fresco mural painting "THE CONQUEST OF MAJORCA" 1285-1290. National Museum of Catalan Art, Barcelona, Spain, inv no: 071447-CJT. <br />
The mural paintings of the Conquest of Majorca come from the former ancestral home of the Caldes family in Carrer Montcada in Barcelona, a building later known as Palau Aguilar. Discovered and removed in 1961, these paintings are one of the most important examples of early or Linear Gothic Catalan painting. This magnificent example of painting on historical subject matter narrates the conquest of the island of Majorca by James I the Conqueror in 1229. Like a painted chronicle, the episodes follow the detailed narrative of Catalan medieval accounts such as King James I's 'Llibre dels Feits' and Bernat Desclot's 'Crònica'.
  • Gothic  painting "Pleurants" Circa 1295. National Museum of Catalan Art, Barcelona, Spain, inv no: 004372-005. <br />
Part of a set of eight panels. They come from the decoration on the tomb of the knight Sancho Sánchez Carrillo in the chapel of San Andrés de Mahamud (Burgos).
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Apse of Saint Peter de la Seu d'Urgell<br />
<br />
Second quarter of the twelfth century<br />
Fresco transferred to canvas<br />
From the church of St. Peter currently dedicated to St. Michael and St. Peter Cathedral group of Seu d'Urgell (Alt Urgell)<br />
<br />
Acquisition of the Museum Board Campaign 1919-1923<br />
MNAC 15867<br />
<br />
<br />
The apse is the most important part of the church as it was where the altar was located. The apse of La Seu d'Urgell like most Romanesque apses was decorated with frescoes of a Theophany (referring to images of the Incarnation of Jesus).High up in the semi circular cupola of the apse is a large image of Christ in Majesty, or Christ Pantocrator, in a mandorla, a pointed verticle oval shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art.  This is flanked by Tetramorph showing the four evangelical symbols - St Matthew the man, St Mark the lion, St Luke the ox, and John the eagle. In the middle register is are a series of  frescoes of the Apostles and the figure of Mary. The lower register, which has not been preserved, must have been painted curtains that imitated luxury fabrics.
  • Gothic decorative painted beam panels with doves, hares and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with doves, hares and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with doves, hares and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative painted beam panels with doves, hares and a carved syalise tree, Tempera on wood. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic altar panel depicting St Michael sleighing the dragon. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic altar panel depicting scenes of hell with the damned in a colder being heated by the devil. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic altar panel depicting St Michael weighing the souls at the Last Judgement. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic altar panel depicting the Last Supper. End of the 13th century, tempera on a spruce wooden panel  from  The Church of Sant Miguel de Soriguerola, Cerdanya, Huesca, Spain. Inv MNAC 43901. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel depicting scenes from the Life of St Nicholas. End of the 13th century, fresco transferred to canvas from a mural on the north wall of  The Church of San Fructuoso, Nicholas and John the Evangelist, Huesca, Spain. Inv MNAC 45796. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative relief panel depicting the Virgin Mary and Saint Antony. circa 1378-1390 from the church of Salvador of Gerb, Noguera. inv MNAC 25071, National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic decorative relief panel depicting the Virgin Mary and Saint Antony. circa 1378-1390 from the church of Salvador of Gerb, Noguera. inv MNAC 25071, National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic panel of the (Virgin Mary) Madonna of Humility. Polychrome and gold leaf on wood, circa 1433-1435. The Virgin is seated on a cushion on the floor holding the baby Jesus. She hand a jug with roses a symbol of motherhood and purity. Behind her a gold curtain is held by three angels, while two others are sitting on the floor are playing the organ and lute. The skill of the use of light and shade and the fine brushwork points to an artist of great skill using the Quattrocento style. The piece has been identified as that described by the writer on art Giorgia Vasari in 1568 which was owned Gondi family in Florence.. Inv MNAC 212817. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic statue of The Virgin Mary (Madonna) holding the baby Jesus. Polychrome and gold leaf on wood by the Circle of Gil de Siloe around 1500, probably from Castella. Inv MNAC 64028. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San John the Baptist, Santa Mary Magdele, St. James the Less, St. Paul.Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San John the Baptist, Santa Mary Magdele, St. James the Less, St. Paul.Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San John the Baptist, Santa Mary Magdele, St. James the Less, St. Paul.Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San John the Baptist, Santa Mary Magdele, St. James the Less, St. Paul.Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San Peter, Santa Clara, Saint James the Greater, St. John the Evangelist. Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San Peter, Santa Clara, Saint James the Greater, St. John the Evangelist. Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San Peter, Santa Clara, Saint James the Greater, St. John the Evangelist. Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Painted Gothic panels from the Altarpiece of the Virgin of the Angels.<br />
From Left - San Peter, Santa Clara, Saint James the Greater, St. John the Evangelist. Tempera and gold leaf on wood, circa 1385 by by Pere Serra  from the Cathedral of Tortosa (Tarragona). Inv MNAC 3950, 3948, 3949. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • A Gothic stone carving of St. Andrew Bishop bring tempted by the devil. Second half of the fourteenth century by Bartomeu de Robio.From the church of Santa Maria de Castello Farfanya (Noguera). Inv MNAC 122485. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • A Gothic stone carving of St. Andrew Bishop bring tempted by the devil. Second half of the fourteenth century by Bartomeu de Robio.From the church of Santa Maria de Castello Farfanya (Noguera). Inv MNAC 122485. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • A Gothic stone carving of St. Andrew Bishop bring tempted by the devil. Second half of the fourteenth century by Bartomeu de Robio.From the church of Santa Maria de Castello Farfanya (Noguera). Inv MNAC 122485. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Late 13th or 14th century Gothic Bas-relief depicting the miracle performed by St Michael at Mont St Michael. limestone with traces of polcrome from the Church of San Miguel de Canet lo Roig (Castello), by the Master of Sant Mateu. Inv MNAC 45846-45845. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Gothic painted Panel Altarpiece of Saint Vincent by  Master of Estopanya. Tempera and gold leaf on wood. Circa 1350-1370. 199 x 255 x 10 cm. Comes from Estopanyà (Baixa Ribagorça, Huesca).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003940-CJT
  • Close up of a Gothic painted Panel of the life of Saint Dominic, anonymous artist from Aragon. Tempera and varnished metal plate on wood. First quarter of 14th century. 134 x 193 x 8.3 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, inv no: 015825-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Limoges Gothic goblet or cup from Cerdanya, circa 1195-1200. Copper engraved with an application of Champlevé enamelling. From a church in Cerdanya, Pyrenese, Spain. Inv MNAC 12106. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges Gothic Christian thurible or incense burner, 13th century. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4550. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges Gothic goblet cup, circa 1220-1240. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4600. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges Gothic chest with scenes from the Crucifixtion, circa 1210-1220. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4573. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges Gothic chest with scenes from the Crucifixtion, circa 1210-1220. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4573. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges Gothic chest with scenes from the Crucifixtion, circa 1210-1220. Copper engraved with an application of Champlevé enamelling. Origin Unknown. Inv MNAC 4573. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Limoges figure of Christ from a Gothic Crucifix, circa 1200-1220. Copper engraving embossing, laced with an application of Champlevé enamelling and glass beads. Origin Unknow. Inv MNAC 4100. National Museum of Catalan Art (MNAC), Barcelona, Spain
  • Tiled commemoration plague in the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled  lamp column of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled  lamp column of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled architectural details of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled stair balistrades of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled architectural details of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled stair balistrades of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled 'Province Alcoves' along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Tiled stair balistrades of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Albacette Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Albacette Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Albacette Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Roman theatre of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Los Milagros Aquaduct of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Los Milagros Aquaduct of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • Los Milagros Aquaduct of the Roman colony of Emerita Augusta (Mérida) dedicated by the consul Marcus Vipsanius Agrippa and built in 15BC, renovated late 1st Century AD, Merida, Estremadura, Spain
  • The tiled Albacette Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Alicante Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Alicante Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The tiled Alicante Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Avilla alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Avilla alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Avilla alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Badajoz alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Badajoz alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Badajoz alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Almera tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Seville tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Seville tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Seville tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Seville tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The Seville tiled Alcove along the walls of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The North Tower of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • The North Tower of the Plaza de Espana in Seville built in 1928 for the Ibero-American Exposition of 1929, Seville Spain
  • Altarpiece of the Virgin by JAUME SERRA Circa 1367-1381. Tempera, gold leaf and metal plate on wood (346.3 x 321 x 26 cm) MNAC - National Museum of Catalan art, Barcelona, Spain Inv No: 015916-CJT
  • Altarpiece of the Virgin by JAUME SERRA Circa 1367-1381. Tempera, gold leaf and metal plate on wood (346.3 x 321 x 26 cm) MNAC - National Museum of Catalan art, Barcelona, Spain Inv No: 015916-CJT
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Slaughter of the Innocents from Limoges Circa 1210-1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65529
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic chest decorated with the Resurection of Christ from Limoges Circa 1220. Engraved copper with inlaid enamel  enamel champlevé and glass on wooden core. National Museum of Catalan Art, Barcelona, Spain, inv no: MNAC 65530
  • Gothic cast bronze statue of Christ. Date circa 1180 probably comes from Cerdanya.  National Museum of Catalan Art, Barcelona, Spain inv no: MNAC 4553
  • Gothic cast bronze statue of Christ. Date circa 1180 probably comes from Cerdanya.  National Museum of Catalan Art, Barcelona, Spain inv no: MNAC 4553
  • Gothic cast bronze statue of Christ. Date circa 1180 probably comes from Cerdanya.  National Museum of Catalan Art, Barcelona, Spain inv no: MNAC 4553
  • Gothic cast bronze statue of Christ. Date circa 1180 probably comes from Cerdanya.  National Museum of Catalan Art, Barcelona, Spain inv no: MNAC 4553
  • Gothic statue of the Virgin Mary and Child. Polychrome and gold leaf on alabaster. Date - Second half of the 14th century. National Museum of Catalan Art, Barcelona, Spain inv no: 9874
  • Gothic statue of the Virgin Mary and Child. Polychrome and gold leaf on alabaster. Date - Second half of the 14th century. National Museum of Catalan Art, Barcelona, Spain inv no: 9874
  • Gothic statue of the Virgin Mary and Child. Polychrome and gold leaf on alabaster. Date - Second half of the 14th century. National Museum of Catalan Art, Barcelona, Spain inv no: 9874
  • Gothic wood statue of the Virgin Mary and Child. Polychrome wood carving with varnished metal-plating. Date - First quarter of the 13th century. National Museum of Catalan Art, Barcelona, Spain inv no: 3924
  • Gothic wood statue of the Virgin Mary and Child. Polychrome wood carving with varnished metal-plating. Date - First quarter of the 13th century. National Museum of Catalan Art, Barcelona, Spain inv no: 3924
  • Gothic wood statue of the Virgin Mary and Child. Polychrome wood carving with varnished metal-plating. Date - First quarter of the 13th century. National Museum of Catalan Art, Barcelona, Spain inv no: 3924
  • Gothic wood statue of the Virgin Mary and Child. Polychrome wood carving with varnished metal-plating. Date - First quarter of the 13th century. National Museum of Catalan Art, Barcelona, Spain inv no: 3924
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Gothic painted bas-relief of Life of St Peter by Joan Gasco. Polycchrome and gold leaf on wood. Date Circa 1516.  From the church of Santa Maria of Palautordera (Valles Oriental). National Museum of Catalan Art, Barcelona, Spain, inv no: 015934-000
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. Dimensions 66 x 25.8 x 2 cm. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. Dimensions 66 x 25.8 x 2 cm. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. Dimensions 68.3 x 25.3 x 1 cm. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted wood panels with scenes of the Martyrdom of Saint Lucy<br />
Circa 1300. Tempera on wood. Date Circa 1300. Dimensions 68.3 x 25.3 x 1 cm. From the parish church of Santa Llúcia de Mur (Guàrdia de Noguera, Pallars Jussà). National Museum of Catalan Art, Barcelona, Spain, inv no: 035703-CJT
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Virgin of the "Consellers" by Lluis Dalmau. Tempera and gold leaf on wood. Date 1443-1445. Dimesions 316 x 312.5 x 32.5 cm. From the altar of the chapel of Barcelona City Hall. <br />
The prestige attached to Burgundian courtly culture and the painter Jan van Eyck explain why in 1431 King Alfons the Magnanimous sent his official painter, the Valencian Lluís Dalmau, to Flanders, to learn the new realist language at first hand. In 1443, Dalmau was commissioned to paint this altarpiece for the chapel of the City Hall. This work was a breakthrough in Catalonia on account of the format, the technique used, as it was painted in oil, and the skilful illusionism of a figurative space in which that year's five councillors, painted from life, are represented on the same scale as the Virgin and the Saints. National Museum of Catalan Art, Barcelona, Spain, inv no: 015938-000
  • Gothic painted Panel Altarpiece of Saint Barbara by Goncal Peris Sarria. Tempera and gold leaf on wood. Date Circa 1410-1425. Dimesions 278 x 207.7 x 17 cm. At the beginning of the 20th century, the altarpiece was kept in the parish church of Puertomingalvo (Teruel), but it could originally have come from the chapel of Santa Bárbara near this town. This altarpiece is attributed to the painter Gonçal Peris Sarrià, one of the chief representatives of Valencian International Gothic. His style is marked by expressive and picturesque elements, the flowing line and the charm of the colour. The main compartment of the altarpiece represents the titular saint with her distinctive attributes –the tower, in allusion to her imprisonment, and the palm, as she is considered a martyr-- and above her the Calvary. On either side are depicted various episodes from the life of Saint Barbara, who was called on to keep away lightning and storms. . National Museum of Catalan Art, Barcelona, Spain, inv no: 035672-CJT
  • Gothic painted Panel Altarpiece of Saint Barbara by Goncal Peris Sarria. Tempera and gold leaf on wood. Date Circa 1410-1425. Dimesions 278 x 207.7 x 17 cm. At the beginning of the 20th century, the altarpiece was kept in the parish church of Puertomingalvo (Teruel), but it could originally have come from the chapel of Santa Bárbara near this town. This altarpiece is attributed to the painter Gonçal Peris Sarrià, one of the chief representatives of Valencian International Gothic. His style is marked by expressive and picturesque elements, the flowing line and the charm of the colour. The main compartment of the altarpiece represents the titular saint with her distinctive attributes –the tower, in allusion to her imprisonment, and the palm, as she is considered a martyr-- and above her the Calvary. On either side are depicted various episodes from the life of Saint Barbara, who was called on to keep away lightning and storms. . National Museum of Catalan Art, Barcelona, Spain, inv no: 035672-CJT
  • Gothic painted Panel Altarpiece of Saint Barbara by Goncal Peris Sarria. Tempera and gold leaf on wood. Date Circa 1410-1425. Dimesions 278 x 207.7 x 17 cm. At the beginning of the 20th century, the altarpiece was kept in the parish church of Puertomingalvo (Teruel), but it could originally have come from the chapel of Santa Bárbara near this town. This altarpiece is attributed to the painter Gonçal Peris Sarrià, one of the chief representatives of Valencian International Gothic. His style is marked by expressive and picturesque elements, the flowing line and the charm of the colour. The main compartment of the altarpiece represents the titular saint with her distinctive attributes –the tower, in allusion to her imprisonment, and the palm, as she is considered a martyr-- and above her the Calvary. On either side are depicted various episodes from the life of Saint Barbara, who was called on to keep away lightning and storms. . National Museum of Catalan Art, Barcelona, Spain, inv no: 035672-CJT
  • Gothic painted Panel Altarpiece of Saint Barbara by Goncal Peris Sarria. Tempera and gold leaf on wood. Date Circa 1410-1425. Dimesions 278 x 207.7 x 17 cm. At the beginning of the 20th century, the altarpiece was kept in the parish church of Puertomingalvo (Teruel), but it could originally have come from the chapel of Santa Bárbara near this town. This altarpiece is attributed to the painter Gonçal Peris Sarrià, one of the chief representatives of Valencian International Gothic. His style is marked by expressive and picturesque elements, the flowing line and the charm of the colour. The main compartment of the altarpiece represents the titular saint with her distinctive attributes –the tower, in allusion to her imprisonment, and the palm, as she is considered a martyr-- and above her the Calvary. On either side are depicted various episodes from the life of Saint Barbara, who was called on to keep away lightning and storms. . National Museum of Catalan Art, Barcelona, Spain, inv no: 035672-CJT
  • Gothic painted Panel Altarpiece of the Virgin Suckling the Child, Saint Clare and Saint Anthony the Abbott by the Workshop of Llorenc Saragossa. Tempera and gold leaf on wood. Date Last quarter of 14th century. Dimesions 207 x 187.5 x 10 cm. From Xelva (Valencia). National Museum of Catalan Art, Barcelona, Spain, inv no: 064027-CJT
  • Gothic painted Panel Altarpiece of the Virgin Suckling the Child, Saint Clare and Saint Anthony the Abbott by the Workshop of Llorenc Saragossa. Tempera and gold leaf on wood. Date Last quarter of 14th century. Dimesions 207 x 187.5 x 10 cm. From Xelva (Valencia). National Museum of Catalan Art, Barcelona, Spain, inv no: 064027-CJT
  • Gothic painted Panel Altarpiece of the Virgin Suckling the Child, Saint Clare and Saint Anthony the Abbott by the Workshop of Llorenc Saragossa. Tempera and gold leaf on wood. Date Last quarter of 14th century. Dimesions 207 x 187.5 x 10 cm. From Xelva (Valencia). National Museum of Catalan Art, Barcelona, Spain, inv no: 064027-CJT
  • Gothic painted bas-relief of the Presentation of Jesus at the Templeby Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm. Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017343-000
  • Gothic painted Panel Altarpiece of the Virgin Suckling the Child, Saint Clare and Saint Anthony the Abbott by the Workshop of Llorenc Saragossa. Tempera and gold leaf on wood. Date Last quarter of 14th century. Dimesions 207 x 187.5 x 10 cm. From Xelva (Valencia). National Museum of Catalan Art, Barcelona, Spain, inv no: 064027-CJT
  • Gothic painted bas-relief of the Presentation of Jesus at the Templeby Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm. Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017343-000
  • Gothic painted bas-relief of the Presentation of Jesus at the Templeby Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm. Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017343-000
  • Gothic painted bas-relief of the Presentation of Jesus at the Templeby Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm. Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017343-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic painted bas-relief of the Nativity by Master of Albesa, Active in Lleida. Polychrome and gilded limestone bas-relief. Second half of 14th century. Dimesions 57 x 69 x 11 cm.Compartment of a sculptural altarpiece devoted to the Virgin. From the crypt of the collegiate church of Sant Pere d'Àger (Noguera). National Museum of Catalan Art, Barcelona, Spain, inv no: 017342-000
  • Gothic wood statue of Virgin and Child by tan anontmous Catalan Artist. Carved alabaster with remains of polychrome and gold leaf. Date Second half of 14th century. Dimensions 117.5 x 38.6 x 28.4 cm.  Probably comes from Sanaüja (Segarra). National Museum of Catalan Art, Barcelona, Spain inv no: 004359-000
  • Gothic wood statue of Virgin and Child by tan anontmous Catalan Artist. Carved alabaster with remains of polychrome and gold leaf. Date Second half of 14th century. Dimensions 117.5 x 38.6 x 28.4 cm.  Probably comes from Sanaüja (Segarra). National Museum of Catalan Art, Barcelona, Spain inv no: 004359-000
  • Gothic painted Panel Virgin Suckling the Child by Llorenc Saragossa. Tempera, gold leaf and metal plate on wood. Last quarter of 14th century. Dimensions 196.7 x 148.4 x 9.5 cm.  It comes from Albarracín cathedral (Teruel).  National Museum of Catalan Art, Barcelona, Spain, inv no: 005080-000
  • Gothic wood statue of Virgin and Child by tan anontmous Catalan Artist. Carved alabaster with remains of polychrome and gold leaf. Date Second half of 14th century. Dimensions 117.5 x 38.6 x 28.4 cm.  Probably comes from Sanaüja (Segarra). National Museum of Catalan Art, Barcelona, Spain inv no: 004359-000
  • Gothic wood statue of Virgin and Child by tan anontmous Catalan Artist. Carved alabaster with remains of polychrome and gold leaf. Date Second half of 14th century. Dimensions 117.5 x 38.6 x 28.4 cm.  Probably comes from Sanaüja (Segarra). National Museum of Catalan Art, Barcelona, Spain inv no: 004359-000
  • Gothic painted Panel Virgin Suckling the Child by Llorenc Saragossa. Tempera, gold leaf and metal plate on wood. Last quarter of 14th century. Dimensions 196.7 x 148.4 x 9.5 cm.  It comes from Albarracín cathedral (Teruel).  National Museum of Catalan Art, Barcelona, Spain, inv no: 005080-000
  • Gothic painted Panel Virgin Suckling the Child by Llorenc Saragossa. Tempera, gold leaf and metal plate on wood. Last quarter of 14th century. Dimensions 196.7 x 148.4 x 9.5 cm.  It comes from Albarracín cathedral (Teruel).  National Museum of Catalan Art, Barcelona, Spain, inv no: 005080-000
  • Gothic painted Panel Virgin Suckling the Child by Llorenc Saragossa. Tempera, gold leaf and metal plate on wood. Last quarter of 14th century. Dimensions 196.7 x 148.4 x 9.5 cm.  It comes from Albarracín cathedral (Teruel).  National Museum of Catalan Art, Barcelona, Spain, inv no: 005080-000
  • Gothic painted Panel Virgin Suckling the Child by Llorenc Saragossa. Tempera, gold leaf and metal plate on wood. Last quarter of 14th century. Dimensions 196.7 x 148.4 x 9.5 cm.  It comes from Albarracín cathedral (Teruel).  National Museum of Catalan Art, Barcelona, Spain, inv no: 005080-000
  • Gothic painted Panel Virgin of the Angels by  Enrique de Estencop. Tempera, stucco reliefs and gold leaf on wood. 1391-1392. Dimensions 142.2 x 99 x 8 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 064025-000
  • Gothic painted Panel Virgin of the Angels by  Enrique de Estencop. Tempera, stucco reliefs and gold leaf on wood. 1391-1392. Dimensions 142.2 x 99 x 8 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 064025-000
  • Gothic painted Panel Virgin of the Angels by  Enrique de Estencop. Tempera, stucco reliefs and gold leaf on wood. 1391-1392. Dimensions 142.2 x 99 x 8 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 064025-000
  • Gothic painted Panel Virgin of the Angels by  Enrique de Estencop. Tempera, stucco reliefs and gold leaf on wood. 1391-1392. Dimensions 142.2 x 99 x 8 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 064025-000
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Stephen by  Jaume Serra. Tempera, gold leaf and metal plate on wood. Circa 1385. Dimesions 185.7 x 186.5 x 11 cm. From the monastery of Santa Maria de Gualter (Noguera).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003947-CJT
  • Gothic painted Panel Altarpiece of Saint Anthony the Abbot by Master of Rubio. Tempera and gold leaf on wood. Circa 1360-1375. Dimensions 173.5 x 176.3 x 11.5 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 045854-CJT
  • Gothic painted Panel Altarpiece of Saint Anthony the Abbot by Master of Rubio. Tempera and gold leaf on wood. Circa 1360-1375. Dimensions 173.5 x 176.3 x 11.5 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 045854-CJT
  • Gothic painted Panel Altarpiece of Saint Anthony the Abbot by Master of Rubio. Tempera and gold leaf on wood. Circa 1360-1375. Dimensions 173.5 x 176.3 x 11.5 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 045854-CJT
  • Gothic painted Panel Virgin of the Angels by Pere Serra. Tempera and gold leaf on wood. Circa 1385. 195.8 x 131 x 11 cm. Comes from Tortosa cathedral (Baix Ebre). <br />
This splendid central panel and the two sections of the predella with saints (which must once have flanked a tabernacle) are all that remains of an altarpiece. It was dedicated to the Virgin Mary and was painted for one of the chapels in the ambulatory of Tortosa cathedral, probably towards the 1380s. The compartment with the Virgin and Child surrounded by angels playing music is a very graceful and refined version of an iconographic type that was extremely popular at the time. Pere Serra, author of the altarpiece, came from a family of painters who grew to head the Catalan painting of the second half of the fourteenth century. National Museum of Catalan Art, Barcelona, Spain, inv no: 003950-000
  • Gothic painted Panel Altarpiece of Saint Anthony the Abbot by Master of Rubio. Tempera and gold leaf on wood. Circa 1360-1375. Dimensions 173.5 x 176.3 x 11.5 cm.  National Museum of Catalan Art, Barcelona, Spain, inv no: 045854-CJT
  • Gothic painted Panel Virgin of the Angels by Pere Serra. Tempera and gold leaf on wood. Circa 1385. 195.8 x 131 x 11 cm. Comes from Tortosa cathedral (Baix Ebre). <br />
This splendid central panel and the two sections of the predella with saints (which must once have flanked a tabernacle) are all that remains of an altarpiece. It was dedicated to the Virgin Mary and was painted for one of the chapels in the ambulatory of Tortosa cathedral, probably towards the 1380s. The compartment with the Virgin and Child surrounded by angels playing music is a very graceful and refined version of an iconographic type that was extremely popular at the time. Pere Serra, author of the altarpiece, came from a family of painters who grew to head the Catalan painting of the second half of the fourteenth century. National Museum of Catalan Art, Barcelona, Spain, inv no: 003950-000
  • Gothic painted Panel Virgin of the Angels by Pere Serra. Tempera and gold leaf on wood. Circa 1385. 195.8 x 131 x 11 cm. Comes from Tortosa cathedral (Baix Ebre). <br />
This splendid central panel and the two sections of the predella with saints (which must once have flanked a tabernacle) are all that remains of an altarpiece. It was dedicated to the Virgin Mary and was painted for one of the chapels in the ambulatory of Tortosa cathedral, probably towards the 1380s. The compartment with the Virgin and Child surrounded by angels playing music is a very graceful and refined version of an iconographic type that was extremely popular at the time. Pere Serra, author of the altarpiece, came from a family of painters who grew to head the Catalan painting of the second half of the fourteenth century. National Museum of Catalan Art, Barcelona, Spain, inv no: 003950-000
  • Gothic painted Panel Virgin of the Angels by Pere Serra. Tempera and gold leaf on wood. Circa 1385. 195.8 x 131 x 11 cm. Comes from Tortosa cathedral (Baix Ebre). <br />
This splendid central panel and the two sections of the predella with saints (which must once have flanked a tabernacle) are all that remains of an altarpiece. It was dedicated to the Virgin Mary and was painted for one of the chapels in the ambulatory of Tortosa cathedral, probably towards the 1380s. The compartment with the Virgin and Child surrounded by angels playing music is a very graceful and refined version of an iconographic type that was extremely popular at the time. Pere Serra, author of the altarpiece, came from a family of painters who grew to head the Catalan painting of the second half of the fourteenth century. National Museum of Catalan Art, Barcelona, Spain, inv no: 003950-000
  • Gothic painted Panel Altarpiece of Saint Vincent by  Master of Estopanya. Tempera and gold leaf on wood. Circa 1350-1370. 199 x 255 x 10 cm. Comes from Estopanyà (Baixa Ribagorça, Huesca).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003940-CJT
  • Gothic painted Panel Altarpiece of Saint Vincent by  Master of Estopanya. Tempera and gold leaf on wood. Circa 1350-1370. 199 x 255 x 10 cm. Comes from Estopanyà (Baixa Ribagorça, Huesca).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003940-CJT
  • Gothic painted Panel Altarpiece of Saint Vincent by  Master of Estopanya. Tempera and gold leaf on wood. Circa 1350-1370. 199 x 255 x 10 cm. Comes from Estopanyà (Baixa Ribagorça, Huesca).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003940-CJT
  • Gothic painted Panel Altarpiece of Saint Vincent by  Master of Estopanya. Tempera and gold leaf on wood. Circa 1350-1370. 199 x 255 x 10 cm. Comes from Estopanyà (Baixa Ribagorça, Huesca).. National Museum of Catalan Art, Barcelona, Spain, inv no: 003940-CJT
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic statue of Saint Peter by Joan Gasco. Tempera, oil, and stucco reliefs in gold leaf on wood. Date circa 1516. From the church of Santa Maria of Palautordera (Valles Oriental).  National Museum of Catalan Art, Barcelona, Spain inv no: 15934
  • Gothic painted Panel Altarpiece of the Annunciation  by the Circle of Ferrer and Arnau Bassa. Tempera and gold leaf on wood. Circa 1347-1360. 282.9 x 151 x 11 cm. The origin of this panel has traditionally been associated with the collegiate church of Sant Vicenç de Cardona (Bages). National Museum of Catalan Art, Barcelona, Spain, inv no: 015855-000
  • Gothic statue of the Virgin Mary and Child. Polychrome and gold leaf on alabaster. Date - Second half of the 14th century. National Museum of Catalan Art, Barcelona, Spain inv no: 9874
  • Gothic painted Panel Altarpiece of the Annunciation  by the Circle of Ferrer and Arnau Bassa. Tempera and gold leaf on wood. Circa 1347-1360. 282.9 x 151 x 11 cm. The origin of this panel has traditionally been associated with the collegiate church of Sant Vicenç de Cardona (Bages). National Museum of Catalan Art, Barcelona, Spain, inv no: 015855-000
  • Gothic painted Panel Altarpiece of the Annunciation and Three Kings of the Epiphany by the Circle of Ferrer and Arnau Bassa. Tempera and gold leaf on wood. Circa 1347-1360. 282.9 x 151 x 11 cm. The origin of this panel has traditionally been associated with the collegiate church of Sant Vicenç de Cardona (Bages). National Museum of Catalan Art, Barcelona, Spain, inv no: 015855-000
  • Gothic painted Panel Altarpiece of the Annunciation and Three Kings of the Epiphany by the Circle of Ferrer and Arnau Bassa. Tempera and gold leaf on wood. Circa 1347-1360. 282.9 x 151 x 11 cm. The origin of this panel has traditionally been associated with the collegiate church of Sant Vicenç de Cardona (Bages). National Museum of Catalan Art, Barcelona, Spain, inv no: 015855-000
  • Gothic painted Panel Altarpiece of the Annunciation and Three Kings of the Epiphany by the Circle of Ferrer and Arnau Bassa. Tempera and gold leaf on wood. Circa 1347-1360. 282.9 x 151 x 11 cm. The origin of this panel has traditionally been associated with the collegiate church of Sant Vicenç de Cardona (Bages). National Museum of Catalan Art, Barcelona, Spain, inv no: 015855-000
  • Gothic painted Panel Altarpiece of the Annunciation and Three Kings of the Epiphany by the Circle of Ferrer and Arnau Bassa. Tempera and gold leaf on wood. Circa 1347-1360. 282.9 x 151 x 11 cm. The origin of this panel has traditionally been associated with the collegiate church of Sant Vicenç de Cardona (Bages). National Museum of Catalan Art, Barcelona, Spain, inv no: 015855-000
  • Gothic painted Panel Altarpiece of the Saints John by  Master of Santa Coloma de Queralt. Tempera and gold leaf on wood. Circa 1356. 220.5 x 209.8 x 11.5 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, Barcelona, Spain, inv no: 004351-CJT
  • Gothic painted Panel Altarpiece of the Saints John by  Master of Santa Coloma de Queralt. Tempera and gold leaf on wood. Circa 1356. 220.5 x 209.8 x 11.5 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, Barcelona, Spain, inv no: 004351-CJT
  • Gothic painted Panel Altarpiece of the Saints John by  Master of Santa Coloma de Queralt. Tempera and gold leaf on wood. Circa 1356. 220.5 x 209.8 x 11.5 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, Barcelona, Spain, inv no: 004351-CJT
  • Gothic painted Panel of the Announcement to the Shepherds and Annunciation by anonymous artist from Navarra. Tempera and varnished metal leaf on wood and applied carving. Circa 1335-1350. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic painted Panel of the Announcement to the Shepherds and Annunciation by anonymous artist from Navarra. Tempera and varnished metal leaf on wood and applied carving. Circa 1335-1350. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic painted Panel Altarpiece of the Saints John by  Master of Santa Coloma de Queralt. Tempera and gold leaf on wood. Circa 1356. 220.5 x 209.8 x 11.5 cm. From the church of Sant Miquel de Tamarit de Llitera (Huesca). National Museum of Catalan Art, Barcelona, Spain, inv no: 004351-CJT
  • Gothic wood statue of the Head of Christ by  Jaume Cascalls. Carved alabaster with polychrome and gilt remains.  This head must have belonged to a Recumbent Christ which could have formed part of a sculptural group of the Holy Sepulchre. It probably came from the chapel of Corpus Christi of the convent of Sant Agustí Vell, Barcelona.<br />
Jaume Cascalls is one of the most important sculptors of the fourteenth century in Catalonia. This is borne out by his involvement over almost thirty years with the project of the royal pantheon in Poblet for King Peter the Ceremonious and with other large undertakings of the time. Today, on stylistic grounds, he is credited with this 'Head of Christ', which must have formed part of a sculptural group of the Holy Sepulchre, presumably from the church of the convent of Sant Agustí Vell in Barcelona. The break in the neck suggests it belonged to a full-length recumbent Christ, like the one kept at Sant Feliu in Girona and also attributed to Cascalls. National Museum of Catalan Art, inv no: 034879-000
  • Gothic statue of the Head of Christ by  Jaume Cascalls. Carved alabaster with polychrome and gilt remains.  This head must have belonged to a Recumbent Christ which could have formed part of a sculptural group of the Holy Sepulchre. It probably came from the chapel of Corpus Christi of the convent of Sant Agustí Vell, Barcelona.<br />
Jaume Cascalls is one of the most important sculptors of the fourteenth century in Catalonia. This is borne out by his involvement over almost thirty years with the project of the royal pantheon in Poblet for King Peter the Ceremonious and with other large undertakings of the time. Today, on stylistic grounds, he is credited with this 'Head of Christ', which must have formed part of a sculptural group of the Holy Sepulchre, presumably from the church of the convent of Sant Agustí Vell in Barcelona. The break in the neck suggests it belonged to a full-length recumbent Christ, like the one kept at Sant Feliu in Girona and also attributed to Cascalls. National Museum of Catalan Art, inv no: 034879-000
  • Gothic wood statue of the Head of Christ by  Jaume Cascalls. Carved alabaster with polychrome and gilt remains.  This head must have belonged to a Recumbent Christ which could have formed part of a sculptural group of the Holy Sepulchre. It probably came from the chapel of Corpus Christi of the convent of Sant Agustí Vell, Barcelona.<br />
Jaume Cascalls is one of the most important sculptors of the fourteenth century in Catalonia. This is borne out by his involvement over almost thirty years with the project of the royal pantheon in Poblet for King Peter the Ceremonious and with other large undertakings of the time. Today, on stylistic grounds, he is credited with this 'Head of Christ', which must have formed part of a sculptural group of the Holy Sepulchre, presumably from the church of the convent of Sant Agustí Vell in Barcelona. The break in the neck suggests it belonged to a full-length recumbent Christ, like the one kept at Sant Feliu in Girona and also attributed to Cascalls. National Museum of Catalan Art, inv no: 034879-000
  • Gothic painted Panel Altar frontal of Jesus' childhood by anonymous artist from Navarra. Tempera and gold leaf on wood. Second quarter of 14th century. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic wood statue of the Head of Christ by  Jaume Cascalls. Carved alabaster with polychrome and gilt remains.  This head must have belonged to a Recumbent Christ which could have formed part of a sculptural group of the Holy Sepulchre. It probably came from the chapel of Corpus Christi of the convent of Sant Agustí Vell, Barcelona.<br />
Jaume Cascalls is one of the most important sculptors of the fourteenth century in Catalonia. This is borne out by his involvement over almost thirty years with the project of the royal pantheon in Poblet for King Peter the Ceremonious and with other large undertakings of the time. Today, on stylistic grounds, he is credited with this 'Head of Christ', which must have formed part of a sculptural group of the Holy Sepulchre, presumably from the church of the convent of Sant Agustí Vell in Barcelona. The break in the neck suggests it belonged to a full-length recumbent Christ, like the one kept at Sant Feliu in Girona and also attributed to Cascalls. National Museum of Catalan Art, inv no: 034879-000
  • Gothic painted Panel Altar frontal of Jesus' childhood by anonymous artist from Navarra. Tempera and gold leaf on wood. Second quarter of 14th century. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic painted Panel Altar frontal of Jesus' childhood by anonymous artist from Navarra. Tempera and gold leaf on wood. Second quarter of 14th century. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic painted Panel Altar frontal of Jesus' childhood by anonymous artist from Navarra. Tempera and gold leaf on wood. Second quarter of 14th century. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic painted Altar frontal of the Corpus Christi by Master of Vallbona de les Monges possibly Guillem Seguer. Tempera, stucco reliefs, gold leaf and varnished metal plate on wood. Circa 1335-1345. 106.5 x 223.2 x 9.3 cm. From the chapel of Corpus Christi in the church of the monastery of Santa Maria de Vallbona de les Monges (Urgell).  National Museum of Catalan Art, inv no: 009919-000
  • Gothic painted Panel Altar frontal of Jesus' childhood by anonymous artist from Navarra. Tempera and gold leaf on wood. Second quarter of 14th century. 90.8 x 171.2 x 5.8 cm. From the parish church of Arteta (Navarra).. National Museum of Catalan Art, inv no: 004368-000
  • Gothic painted Altarpiece of the Corpus Christi by Master of Vallbona de les Monges possibly Guillem Seguer. Tempera, stucco reliefs, gold leaf and varnished metal plate on wood. Circa 1335-1345. 108.8 x 222 x 8.7 cm. From the chapel of Corpus Christi in the church of the monastery of Santa Maria de Vallbona de les Monges (Urgell).  National Museum of Catalan Art, inv no: 009920-000
  • Gothic painted Altarpiece of the Corpus Christi by Master of Vallbona de les Monges possibly Guillem Seguer. Tempera, stucco reliefs, gold leaf and varnished metal plate on wood. Circa 1335-1345. 108.8 x 222 x 8.7 cm. From the chapel of Corpus Christi in the church of the monastery of Santa Maria de Vallbona de les Monges (Urgell).  National Museum of Catalan Art, inv no: 009920-000
  • Gothic painted Altarpiece of the Corpus Christi by Master of Vallbona de les Monges possibly Guillem Seguer. Tempera, stucco reliefs, gold leaf and varnished metal plate on wood. Circa 1335-1345. 108.8 x 222 x 8.7 cm. From the chapel of Corpus Christi in the church of the monastery of Santa Maria de Vallbona de les Monges (Urgell).  National Museum of Catalan Art, inv no: 009920-000
  • Gothic painted Altarpiece of the Corpus Christi by Master of Vallbona de les Monges possibly Guillem Seguer. Tempera, stucco reliefs, gold leaf and varnished metal plate on wood. Circa 1335-1345. 108.8 x 222 x 8.7 cm. From the chapel of Corpus Christi in the church of the monastery of Santa Maria de Vallbona de les Monges (Urgell).  National Museum of Catalan Art, inv no: 009920-000
  • Gothic statue of the Virgin Mary and child by an anonymous Catalan artist. Carved alabaster with remains of polychrome and gold leaf. Circa 1330-1340. 112 x 42.5 x 22.7 cm. From the parish church of Navata (Alt Empordà).. National Museum of Catalan Art, inv no: 004356-000
  • Gothic statue of the Virgin Mary and child by an anonymous Catalan artist. Carved alabaster with remains of polychrome and gold leaf. Circa 1330-1340. 112 x 42.5 x 22.7 cm. From the parish church of Navata (Alt Empordà).. National Museum of Catalan Art, inv no: 004356-000
  • Gothic statue of the Virgin Mary and child by an anonymous Catalan artist. Carved alabaster with remains of polychrome and gold leaf. Circa 1330-1340. 112 x 42.5 x 22.7 cm. From the parish church of Navata (Alt Empordà).. National Museum of Catalan Art, inv no: 004356-000
  • Gothic statue of the Virgin Mary and child by an anonymous Catalan artist. Carved alabaster with remains of polychrome and gold leaf. Circa 1330-1340. 112 x 42.5 x 22.7 cm. From the parish church of Navata (Alt Empordà).. National Museum of Catalan Art, inv no: 004356-000
  • Gothic painted Altarpiece of Saint Peter Martyr by an anonymous Aragon artist. Tempera and varnished metal plate on wood. First third of 14th century. 196.5 x 121.5 x 10 cm. From Barbastre or the monastery of Santa María de Sigena (Villanueva de Sigena, Huesca).. National Museum of Catalan Art, inv no: 015820-000
  • Gothic painted Altarpiece of Saint Peter Martyr by an anonymous Aragon artist. Tempera and varnished metal plate on wood. First third of 14th century. 196.5 x 121.5 x 10 cm. From Barbastre or the monastery of Santa María de Sigena (Villanueva de Sigena, Huesca).. National Museum of Catalan Art, inv no: 015820-000

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