• Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Large wine krater known as "House of the Warrior Vase", showing men in full armour ( helmet, cuirass, greaves, shield and spear ) as they depart fro war with a sack of supplies hanging from their spears. A fine example of Mycenaean Pictoral Style. Mycenae acropolis, Greece. 12th century BC, cat no: 1426 ,  National Archaeological Museum, Athens.
  • Alabaster jug possibly imported from Minoan Crete.   Mycenae graves, Greece. 15th century BC,  National Archaeological Museum, Athens.
  • Photo of a Three handles "Palace Style" amphora with three large octopuses within a marines cape of rocks and seaweed. A mycenaean copy of a Minoan Marine Style.   Mycenae tomb 2, Greece. 15th century BC,  cat no: 6725, National Archaeological Museum, Athens.
  • Photo of a  jug decorated with stylised birds bands showing Cycladic and Minoan influences.   Mycenae Grave find, Greece. 15th century BC,  ,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Photo of a late Helladic jug decorated with serpentine bands showing Cycladic and Minoan influences.   Mycenae Shaft Grave V, Greece. 16th to early 15th century BC,  cat no: 950,  National Archaeological Museum, Athens.
  • Three handled Mycenaean  Palace Style amphora with large palm trees symmetrically placed on the sides and smaller palm trees with floral motifs in between. This Mycenaean  vase is distinguished by the high quality of clay and paint, and by the naturalistic rendering of the decoration. From the Mycenaean cemetery at Argive Deiras, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Three handled Mycenaean  Palace Style amphora with three large octopuses within a marinescape of rocks and seaweed. A Mycenaean imitation of Minoan Marine Style. From the Mycenaean cemetery of Argive Prosymna, tomb 2, Greece. 15th Century BC. Cat No 6725 Athens Archaeological Museum.
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens.<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511. Black Background<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean ovoid rhython with spiral design , Grave II, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 221
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Grey Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Mycenaean clay jug with ornate decoration of vegetal motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8375. Black Background
  • Mycenaean clay jug with ornate decoration of vegetal motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8375.
  • Mycenaean styrup jar from the House of the oil merchant, Mycenae Acropolis 14-13thj Cent BC. National Archaeological Museum Athens. Cat No 7626.  Grey Background
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199.  White Background.
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199
  • Cycladic terracotta 'frying pan' with incied decoration from  Syros. Early found  at Phylakopi, Melos. Cycladic period III 2300-2000 BC), National Archaeological Museum Athens, Cat No 6172.  Grey background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5153.  Gray background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens,  Grey background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens,  Gray background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511.<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean three handled styrrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8376.
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196
  • painted Mycenaean stirrup jars fro perfume, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3106.  White Background.
  • painted Mycenaean stirrup jars fro perfume, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3106.
  • painted Mycenaean two handled jug with a tall neck, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3228.  White Background.
  • painted Mycenaean two handled jug with a tall neck, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3228.
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Grey Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107. <br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Black Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107. <br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Mycenaean clay alabastron decorated with seaweed motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8374.
  • Mycenaean clay alabastron decorated with seaweed motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8374.
  • Mycenaean conical rhython with an octopus design from the House of the oil merchant, Mycenae Acropolis 14-13thj Cent BC. National Archaeological Museum Athens. Cat No 7386.  White Background.
  • Mycenaean conical rhython with an octopus design from the House of the oil merchant, Mycenae Acropolis 14-13thj Cent BC. National Archaeological Museum Athens. Cat No 7386.  Grey Background
  • Mycenaean styrup jar from the House of the oil merchant, Mycenae Acropolis 14-13thj Cent BC. National Archaeological Museum Athens. Cat No 7626.  White Background.
  • Mycenaean styrup jar from the House of the oil merchant, Mycenae Acropolis 14-13thj Cent BC. National Archaeological Museum Athens. Cat No 7626.  Black Background
  • Mycenaean styrup jar from the House of the oil merchant, Mycenae Acropolis 14-13thj Cent BC. National Archaeological Museum Athens. Cat No 7626.
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199.  Grey Background
  • Mycenaean jug with stylised snakes , Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 946
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  Grey Background<br />
<br />
Bichromatic Cycladic style depicying circles. Cat No 8614
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  White Background.<br />
<br />
Bichromatic Cycladic style Mycenaean pot depicting birds. Cat No 8615
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens. <br />
<br />
Bichromatic Cycladic style Mycenaean pot depicting birds. Cat No 8615
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens. Black Background<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens. Grey Background<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pots and vases depicting octopuses and Mycenaean chariots, National Archaeological Museum Athens.<br />
<br />
Left: Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC,  Cat no 6725. <br />
<br />
Middle: Mycenaean three handled styrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. Cat No 8376.<br />
<br />
Right:Mycenaean pictorial Krater decorated with a horse and chariot, Tiryns Acropolis - 12-14th cent BC.  Cat No 115.
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511. White Background.<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511. Grey Background<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean pictorial Krater decorated with a two horses and chariot, Tiryns Acropolis - 13-12th cent BC. National Archaeological Museum Athens. Cat No 1511.<br />
<br />
This larfe Mycenaean pictorial Krater depicts a two horse Mycenaean chariot with two riders. Two men holding spears and circular shields walk in front of the chariot and a dog scampers under the horse. This style is typical of the 'painter of the shiled bearers' of the Tiryns workshop from the late 13th to 12th cent BC
  • Mycenaean ovoid rhython with spiral design , Grave II, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 221.  White Background.
  • Mycenaean ovoid rhython with spiral design , Grave II, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 221.
  • Mycenaean ovoid rhython with spiral design , Grave II, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 221.  Grey Background
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437.  White Background.<br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437.  Black Background<br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437.  Grey Background<br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean ring shaped Kernos with painted serpentine bands , Mycenae Acropolis, 12th Cent BC.  National Archaeological Museum Athens. Cat no 5437. <br />
<br />
This Mycenaean ring shaped Kernos was a ritual vessel with a conical rhtyhon for pouring liquids. A bovine head adorns the base of the rhython while a serpentine band and painted rosettes decorate the body
  • Mycenaean three handled styrrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8376.
  • Mycenaean three handled styrrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8376. White Background.
  • Mycenaean three handled styrrup jar with painted zig zag  and double axesdesigns, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8376.
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  White Background.
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  Black Background
  • Small Mycenaean amphora decorated with double headed axes, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 196.  Grey Background
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  Grey Background
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  White Background.
  • Small Mycenaean amphora decorated with large ivy leaves, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 192.  Black Background
  • painted Mycenaean stirrup jars fro perfume, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3106.  Black Background
  • painted Mycenaean stirrup jars fro perfume, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3106.  Grey Background
  • painted Mycenaean two handled jug with a tall neck, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3228.  Black Background
  • painted Mycenaean two handled jug with a tall neck, Mycenae Chamber Tomb 80, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 3228.  Grey Background
  • Mycenaean stirrup jar with painted octopus designs, Mycenae Chamner Tombs, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 2772.  White Background.
  • Mycenaean stirrup jar with painted octopus designs, Mycenae Chamner Tombs, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 2772.  Black Background
  • Mycenaean stirrup jar with painted octopus designs, Mycenae Chamner Tombs, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 2772.
  • Mycenaean stirrup jar with painted octopus designs, Mycenae Chamner Tombs, 14th-13th Cent BC.  National Archaeological Museum Athens. Cat no 2772.  Grey Background
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  White Background.<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  Black Background<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725.  White Background.<br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725.  Black Background<br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725. <br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725. <br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Three handled Palace Style  Mycenaean amphora with palm tree floral motifs, Mycenaean cemetery, Argive Deiras, 15 cnt BC, National Archaeological Museum Athens. Cat no 7107.  White Background.<br />
<br />
This Mycenaean vase is distinguished by the high quality of clay and paint as well as the naturalistic rendition of the palm tree decorations
  • Mycenaean clay alabastron decorated with seaweed motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8374.
  • Mycenaean clay alabastron decorated with seaweed motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8374. Black Background
  • Mycenaean clay alabastron decorated with seaweed motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8374. Grey Background
  • Mycenaean clay jug with ornate decoration of vegetal motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8375. White Background.
  • Mycenaean clay jug with ornate decoration of vegetal motifs, Tholos tomb 2 , Myrsinochori, Messenia, 15th cent BC. National Archaeological Museum Athens. Cat No 8375. Grey Background
  • Mycenaean conical rhython with an octopus design from the House of the oil merchant, Mycenae Acropolis 14-13thj Cent BC. National Archaeological Museum Athens. Cat No 7386.  Black Background
  • Mycenaean conical rhython with an octopus design from the House of the oil merchant, Mycenae Acropolis 14-13thj Cent BC. National Archaeological Museum Athens. Cat No 7386.
  • Mycenaean jug decorated with ivy leaves , Grave I, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 199.  Black Background
  • Mycenaean jug with stylised snakes , Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 946.  White Background.
  • Mycenaean jug with stylised snakes , Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 946.  Black Background
  • Mycenaean jug with stylised snakes , Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 946.  Grey Background
  • Mycenaean jug with stylised snakes , Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 946
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580.  Black Background
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580.  White Background.
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580.  Grey Background
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  White Background.<br />
<br />
Bichromatic Cycladic style depicying circles. Cat No 8614
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  Black Background<br />
<br />
Bichromatic Cycladic style depicying circles. Cat No 8614
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens. <br />
<br />
Bichromatic Cycladic style depicying circles. Cat No 8614
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  Black Background<br />
<br />
Bichromatic Cycladic style Mycenaean pot depicting birds. Cat No 8615
  • Mycenaean pot with cycladic style design , Grave Circle B, Mycenae 17-16thj Cent BC. National Archaeological Museum Athens.  Grey Background<br />
<br />
Bichromatic Cycladic style Mycenaean pot depicting birds. Cat No 8615
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5153.  Grey background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied linear decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5012.  Grey background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied linear decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5012.  Gray background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5058.  Grey background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5058.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Black background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens,  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5053.  White background.<br />
<br />
<br />
The incisions depict a boat below spiral patternes. <br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 6177.  Grey background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 4974. Black background.<br />
<br />
Yje incised decorations depict a boat amongst spiral formed waves. The boats is of a Ctcladic design  found throughout the Aegean.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 4974.   Grey background.<br />
<br />
<br />
Yje incised decorations depict a boat amongst spiral formed waves. The boats is of a Ctcladic design  found throughout the Aegean.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 4974<br />
<br />
Yje incised decorations depict a boat amongst spiral formed waves. The boats is of a Ctcladic design  found throughout the Aegean.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied decoration from  Syros. Early found  at Phylakopi, Melos. Cycladic period III 2300-2000 BC), National Archaeological Museum Athens, Cat No 6172. Black background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied decoration from  Syros. Early found  at Phylakopi, Melos. Cycladic period III 2300-2000 BC), National Archaeological Museum Athens, Cat No 6172.  Gray background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5153. Black background.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5164.  White background.<br />
<br />
<br />
In the middle of the decoration is a disc surrounded by a triangle motif. Above the handle is incised a pubic triangle.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5153.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5164. Black background.<br />
<br />
<br />
In the middle of the decoration is a disc surrounded by a triangle motif. Above the handle is incised a pubic triangle.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied linear decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5012.  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5164.  Gray background.<br />
<br />
<br />
In the middle of the decoration is a disc surrounded by a triangle motif. Above the handle is incised a pubic triangle.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied linear decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5012.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5058.  Gray background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5053.  Grey background.<br />
<br />
<br />
The incisions depict a boat below spiral patternes. <br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5053.<br />
<br />
The incisions depict a boat below spiral patternes. <br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 6177.  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 6177.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 4974.   White background.<br />
<br />
<br />
Yje incised decorations depict a boat amongst spiral formed waves. The boats is of a Ctcladic design  found throughout the Aegean.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied decoration from  Syros. Early found  at Phylakopi, Melos. Cycladic period III 2300-2000 BC), National Archaeological Museum Athens, Cat No 6172.  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied decoration from  Syros. Early found  at Phylakopi, Melos. Cycladic period III 2300-2000 BC), National Archaeological Museum Athens, Cat No 6172.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5153.  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5164.  Grey background.<br />
<br />
<br />
In the middle of the decoration is a disc surrounded by a triangle motif. Above the handle is incised a pubic triangle.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5164.<br />
<br />
In the middle of the decoration is a disc surrounded by a triangle motif. Above the handle is incised a pubic triangle.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied linear decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5012. Black background.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5058. Black background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5058.  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens,<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5053. Black background.<br />
<br />
<br />
The incisions depict a boat below spiral patternes. <br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5053.  Gray background.<br />
<br />
<br />
The incisions depict a boat below spiral patternes. <br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 6177. Black background.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 6177.  Gray background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Cycladic terracotta 'frying pan' with incied boat and spiral decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 4974.   Gray background.<br />
<br />
<br />
Yje incised decorations depict a boat amongst spiral formed waves. The boats is of a Ctcladic design  found throughout the Aegean.<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with a women and man relief figures coloured in cream, red and black playing instruments, in the register below is a cult altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with women relief figures coloured in cream, red and black playing instruments, mid to late 16th century BC - İnandıktepe, Turkey
  • Close up of the Inandik Hittite relief decorated cult libation vase decorated with relif figures coloured in cream, red and black. The processional figures include musicians and acrobats, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey . Against a grey background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. In the top register is a couple having sex along with musicians and acrobats processing to an altar that can be seen in the second register, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The processional figures include musicians and acrobats processing to an altar, mid to late 16th century BC - İnandıktepe, Turkey
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey. Against a white background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey. Against a black background
  • Inandik Hittite relief decorated cult libation vase with four decorative friezes featuring figures coloured in cream, red and black. The top two registers show  processional figures include musicians and acrobats processing round the vase, the third register from the top shows an altar -  mid to late 16th century BC - İnandıktepe, Turkey. Against a grey background
  • Toprak Bagis Belgesi  cuneiform donation document. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Toprak Bagis Belgesi  cuneiform donation document. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey.. Against a white bacground.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey.. Against a black bacground.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Toprak Bagis Belgesi  cuneiform donation document of winter  pasture to the shepherds of Uhhiva city. Hittite Period 1600 - 1450 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.<br />
<br />
The document reads "The Big King donates the summery and winter pastures with shepherds of Uhhiva city to his servant Hassuli, head of the guardians. No one shall have the right to claim against Hassuli or his grandchildren in the future. The Big King's word is made of iron, which can never be changed or broken. Whoever changes his word shall be beheaded. This tablet was written by Hanukkuli, Sarpa, head of Hittite palace guardians before Iskanussu, commander-in-chief."
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta fragmants of a defenive wall tower shaped vessel . Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta ceremonial libation vessel in the shape of a mug being held in a hand and an arm. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta ceremonial libation vessel in the shape of a mug being held in a hand and an arm. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey
  • Hittite terra cotta ceremonial libation vessel in the shape of a mug being held in a hand and an arm. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.
  • Hittite terra cotta sleremonial libation rhython in the shape of a bull. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a black bacground.
  • Hittite terra cotta sleremonial libation rhython in the shape of a bull. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a white bacground.
  • Hittite terra cotta sleremonial libation rhython in the shape of a bull. Hittite Period, 1600 - 1200 BC.  Hattusa Boğazkale. Çorum Archaeological Museum, Corum, Turkey. Against a grey bacground.

FunkyStock Picture Library Resource

Picture The Past

ABOUT

FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

Pictures and Images can be downloaded or bought as stock photos or photo art prints.

COUNTRIES

Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

VIEW COUNTRIES INDEX....

HISTORICAL

Explore the past through pictures and images of its historic places. See the great palaces, castles and cities of antiquity as well as the great archaeological sites where our ancestors made history.

EXPLORE HISTORICAL PLACES...

MUSEUMS

Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

SEE MUESEUM ANTIQUITIES....