• Standard electric light bulbs for cut out
  • Energy saving light bulbs
  • Energy saving light bulbs
  • Standard electric light bulbs for cut out
  • Energy saving light bulbs
  • Energy saving light bulbs
  • Standard Hlogen electric light bulbs for cut out
  • Standard electric light bulbs for cut out
  • Standard electric light bulbs for cut out
  • Energy saving light bulbs
  • Energy saving light bulbs
  • Energy saving light bulbs
  • Energy saving light bulbs
  • Energy saving light bulbs
  • Light Moscavado granulated sugar
  • Light Brown soft sugar
  • Old Harbour Light House & Port Authoritry buildings. Honfleur, Normandy, France.
  • Old mooring Capstain with old Harbour Light House & Port Authoritry buildings behind. Honfleur, Normandy, France.
  • Old mooring Capstain with old Harbour Light House & Port Authoritry buildings behind. Honfleur, Normandy, France.
  • Old Harbour Light House & Port Authoritry buildings. Honfleur, Normandy, France.
  • Old Harbour Light House & Port Authoritry buildings. Honfleur, Normandy, France.
  • Christmas light on shops - Lille France
  • Light Brown refined cane sugar
  • Light Muscovado unrefined  sugar
  • Light Brown soft sugar
  • Christmas light on shops - Lille France
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • Wiild  chanterelle or girolle (Cantharellus cibarius), Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms, Pied Bleu of blue foot mushrooms (Clitocybe nuda) with spaghetti
  • Sauteed Yellow Oyster mushroom with Cavatappi pasta also known as cellentani, amori, spirali, tortiglioni, or fusilli rigati
  • Seafood salad of prawns, mussels & calimari
  • Fresh cooked prawns & salad
  • Murren fenicular Train - Switzerland
  • Smoked salmon and cream cheese on a bagel
  • Slices of quiche Loraine on a white background
  • Quiche Loraine on a blue board with a slice being lifted
  • Quiche Loraine on a cooling rack with a slice being lifted
  • Smoked salmon rolls filled with cream cheese and cream cheese and peppers, in a party buffet setting.
  • quiche Loraine slices
  • quiche Loraine slices
  • quiche Loraine slices
  • Stock photos of marinaded Chargrill Chicken Fillet with rosat courgette and peppers
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • The Chateau de Chenonceau designed by French Renaissance architect Philibert de l'Orme 1555 by  to span the River Char. Loire Valley. Chenonceaux,  Indre-et-Loire département France.
  • Yellow Oyster mushroom stir fry with noodles, mange tout, red pepper, spring onions and start anise
  • Yellow Oyster mushroom stir fry with noodles, mange tout, red pepper, spring onions and start anise
  • Yellow Oyster mushrooms sauteed in butter and served on sour dough toast with wild rocket
  • William Hayes 1911  daylight studio of Hutton Le Hole  at the Ryedale Folk Museum, Hutton Le Hole, North Yorks Moors National Park, Yorkshire, England
  • Cooked Tiger Prawns & Salad
  • Fresh salmon Salad
  • Smoked Salmon & salad Sandwich
  • Murren fenicular Train - Switzerland
  • Murren Train with The Eiger 9Left) Monch (middle) & Jungrau (left) - Alps Switzerland
  • Fresh Scampi or Dublin Bay Prawns stock photos
  • Fresh Raw Prawns, stock photos
  • Murren Train - Bernese Oberland Alps - Switzerland
  • Old  Port Authoritry buildings. Honfleur, Normandy, France.
  • Classic French Quiche Lorraine
  • Slices of quiche Loraine on a dark wood background
  • Quiche Loraine in a lunch time setting with a cut slice
  • Smoked salmon parcel filled with cream cheese and cream cheese and crab, in a party buffet setting.
  • Smoked salmon parcel filled with cream cheese and cream cheese and crab, in a party buffet setting.
  • Smoked salmon rolls filled with cream cheese and cream cheese and peppers, in a party buffet setting.
  • Crab mousse made into a ring and cut, in a party buffet setting.
  • Slices of quiche Loraine whole
  • Close of candle burning in a pewter candle stick
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Summer light show showing how the Gothic statues originally looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Reconstruction light show of the how the Gothic statues looked on the Gothic Cathedral of Notre-Dame, Amiens, France
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791. Black background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791.  White background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791.  Grey background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791.<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic spouted cup with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5755.  Black background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic spouted cup with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5755.   White background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic spouted cup with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5755.   Grey background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic spouted cup with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5755. <br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788. Black background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788.  White background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788.  Grey background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788.<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic deep bridge spouted jar with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5788.  Gray background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic cut away jug with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5757<br />
<br />
This jug has a strainer in the spout with floral patterns. Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic cut away jug with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5757.   Grey background.<br />
<br />
<br />
This jug has a strainer in the spout with floral patterns. Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic cut away jug with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5757<br />
<br />
This jug has a strainer in the spout with floral patterns. Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Lightly battered cod & Salad food
  • British Food - Lightly Battered Sole
  • Lightly battered sole & Salad food
  • Christams lights  at Satlzburgh market - Austria
  • Christams lights  at Satlzburgh market - Austria
  • Christams lights  at Satlzburgh market - Austria
  • Christmas market stalls at night with Christams lights  at Satlzburgh market - Austria
  • Christmas market stalls at night with Christams lights  at Satlzburgh market - Austria
  • Christmas market stalls at night with Christams lights  at Satlzburgh market - Austria
  • Christmas market stalls at night with Christams lights  at Satlzburgh market - Austria
  • Christmas market stalls at night with Christams lights  at Satlzburgh market - Austria
  • Christmas market stalls at night with Christams lights  at Satlzburgh market - Austria
  • Christmas market stalls at night with Christams lights  at Satlzburgh market - Austria
  • Christmas market stalls at night with Christams lights  at Satlzburgh market - Austria
  • Cycladic conical rhython with spiral decorations.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens.  Cat no 5791.  Gray background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic spouted cup with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5755.   Gray background.<br />
<br />
<br />
Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic cut away jug with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5757.  Black background.<br />
<br />
<br />
This jug has a strainer in the spout with floral patterns. Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Cycladic cut away jug with floral and net pattern.   Cycladic (1650-1450 BC) , Phylakopi III, Melos. National Archaeological Museum Athens. Cat no 5757.   Gray background.<br />
<br />
<br />
This jug has a strainer in the spout with floral patterns. Ceramic shapes and painted style are heavily influenced by Minoan styles during this period. Dark floral and spiral patterns are painted over a lighted backgound with wavy bands.
  • Lightly battered plaice & Salad food
  • Christams lights  at Satlzburgh market - Austria
  • Christmas market stalls at night with Christams lights  at Satlzburgh market - Austria
  • Christmas market stalls at night with Christams lights  at Satlzburgh market - Austria
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • Reconstruction of a Minoan Bull relief fresco  of the Nouth Propylaeum,  Knossos  archaeological site, Crete
  • The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The Minoan 'Saffron Gatherer' wall art fresco, from 'House of Frescoes' Knossos Palace. 1700-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Saffron Gatherers' fresco depicts a blue monket gatering saffron crocuses and placing them in a basket. The saffron is thought to have been a gift to the 'Great Goddess'. One of the earliest frescoes from Knossos.
  • Post canonical ancient Greek Cycladic warrior or hunter figurine, Late Ccladic prioc II to Cycladic period II (2500-2000 BC)Museum of Cycladic Art Athens, cat no 308. Against white.<br />
<br />
The relif of a baldric crossing the body left to righ suggest the figure was of a warrior or hunter. A small triangular dagger is incised as if hanging from the baldric.
  • Female Cycladic Canonical type, Spedos variety female figurine statuette. Early Cycladic Period II from Syros phase , (2800-2300 BC). Museum of Cycladic Art Athens,  Against Grey Background. <br />
<br />
Traces of painted decoration in red were found on the face and trunk. The nose was painted completely and four verticle bands are visible in the forehead, three on the neck and traces of bands on the chest and oblique bands on the forearms, seven on the left four on the right.
  • Terra cotta Mycenaean cult figurines with raised arms found at Delphi,  1400-1050 BC, Delphi National Archaeological Museum. <br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Theran Minoan polychrome kymbe with dolphin decorations, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.<br />
<br />
The kymbe is a typical Theran Minoan elongated vessel whose use is unknown.
  • Minoan bridge spouted jug with spiral decorations, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.
  • Tall elegant Minoan polychrome jug decorated with reeds, Akrotiri, Thira (Santorini) National Archaeological Museum Athens. 17th-16th cent BC.
  • Cycladic ceramic spherical pyxis with painted linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat no 5170.   Grey background.
  • Cycladic Kernos a multiple vessel in a base.  Early Cycladic III (2300-2000 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5829.  White background.<br />
<br />
<br />
This complex vessel was used for ritual offerings. During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Cycladic ceramic krater with impressed  linear decoration. Cycladic II (2800-2300 BC) , Chalandriani, Syros. National Archaeological Museum Athens. Cat No 5258.   Gray background.
  • Small Cycladic amphora.  Early Cycladic III (2300-200 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5813.  Gray background.<br />
<br />
<br />
During this period pottery was plainer with simple geometric decorations. Depicts of birds or lowers were rare.
  • Beak spouted jug decorated with flowering crocus. Early Cycladic I (1650-1550 BC) , Phylakopi, Melos. National Archaeological Museum Athens. Cat No 5769. Black background.<br />
<br />
During this Cycladic period the pottery designs were heavily influenced by Cretean minoan with pottery like this using floral patterns.
  • Cycladic terracotta 'frying pan' with incied star decoration from Chalandriani, Syros. Early Cycladic period II 2800-2300 BC), National Archaeological Museum Athens, Cat No 5153.  White background.<br />
<br />
<br />
These so called 'frying pans' wre created by the Keros-Syros culture and are their useage is uncertain. The compex geometric patterns on their bases suggest that they may have had some symbolic meaning and were used in religious of magical rituals. They could also have served practical purposes being used as dishes, mirror mounts, astrolabes or metris measured for salt traders.
  • The 'figure of eight shield'  Mycenaean fresco wall painting, Mycenae, Greece Cat No 11672. National Archaeological Museum, Athens.  Black Background<br />
<br />
The Mycenaean 'figure of eight shield' were originaly made of cows hide and was the symbol of a goddess of war.
  • Mycenaean fresco wall painting of a marine scape. National Archaeological Museum Athens. Cat No 5844.<br />
<br />
The Mycenaean fresco fragments depict a marine scape with flying fish diving and swimming with sponges attached to rocks.
  • Mycenaean gold death mask, Grave Cicle A, Mycenae, Greece. National Archaeological Museum of Athens.  Grey Background<br />
<br />
<br />
 This death mask is typical of the other Mycenaean gold death masks fround in Grave V. made from a sigle sheet of gold the shape of the face would have been hammered ot against wood. two holes either side of the gold mask allowed it to be held over the dead mans face. As weapons were found in the graves of Grave Circle A at Mycenae, those buried here wer warriors and maybe kings as the grave goods buried with them were of great value. 16th century BC
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. Grey Background<br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean Fresco wall painting of a Mycanaean Women bearing offerings, Later Palace,  Tiryns, Greece.  Athens Archaeological Museum. Black Background<br />
<br />
14th  Cent BC. Cat No 15883. The Mycenaean fresco fragments depict a women in a procession bearing offerings for a deity. Their facial characteristic and elaborate hairstyles and rich garments are clearly visible.
  • Mycenaean Funerary Stele made of Porus stone with a relief of a chariot scene, Mycenae Grave Circle A, Grave V, Archaeological Museum Athens. Cat No 1428.16th Cent BC.<br />
<br />
The upper panel of this Mycenaean Funerary Stele has spiral reliefs that may represent waves suggesting that the scene below is set at a coastal location. This scene shows a charioteer pulling on the reins of his chariot while a second figure in front of the chaiot hold what may be a sword.
  • Hollow Mycenaean female figurine, adorant, wearing a necklace, from Mycenae tomb 40, Archaeological Museum Athens. Cat No 2494. <br />
<br />
Stylised female figurines were common in the Mycenaean world and may have represented deities , divine nurses or worshipers. these Mycenaean female figurines were probably used as voitive offering and maybe as childrens toys.
  • Mycenaean bull figurines from Prosymna and Mycenae, Archaeological Museum Athens.  White Background.<br />
<br />
Left: Mycenaean bull figurines from Prosymna cat no 11184<br />
<br />
Right Mycenaean bull figurine from Mycenae tomb 65 cat no 3032
  • Mycenaean silver cup from the Tomb 78 of the Mycenae chamber tombs, Greece. National Archaeological Museum Athens. Grey art Background <br />
<br />
This Mycenaean silver cup has a repousse  scale pattern with wish bone handles. Cat No 3121. 16th Cent BC
  • Mycenaean Fresco wall painting of a Mycanaean footman leading a horse & hunting dog,  Tiryns, Greece. 14th - 13th Century BC. Athens Archaeological Museum. Cat No 5878.  Black Background
  • The 'Mycenaean Lady' fresco wall painting depicting a women in a procession, Mycenae, Greece Cat No 11670. National Archaeological Museum, Athens. White Background.<br />
<br />
The 'Mycenaean Lady' fresco depicts a women with a serious and pensive expression of a goddess in a solemn moment during which she accepts a gift of a necklace which she hold tightly in her right hand. she wears a short sleeved bodice over a sheer blouse which deliniates her bosom. She has an  intricate hairstyle and wears rich jewellery.
  • The 'Mycenaean Lady' fresco wall painting depicting a women in a procession, Mycenae, Greece Cat No 11670. National Archaeological Museum, Athens. White Background.<br />
<br />
The 'Mycenaean Lady' fresco depicts a women with a serious and pensive expression of a goddess in a solemn moment during which she accepts a gift of a necklace which she hold tightly in her right hand. she wears a short sleeved bodice over a sheer blouse which deliniates her bosom. She has an  intricate hairstyle and wears rich jewellery.
  • Mycenaean gold goblet with two handles ening with a dogs head biting the rim,  Acropolis Treasure of Mycenae, Greece, National Archaeological Museum of Athens.  <br />
<br />
Black BackgroundThis goblet was found as part of a hoard looted in antiquity from Grave Circle A and buried outside the enclosure. 15th century BC
  • Vapheio type Mycenaean gold cup depicting a wild bull hunt side D, Vapheio Tholos Tomb, Lakonia, Greece. National Archaeological Museum of Athens. Black Background<br />
<br />
 Two masterpieces of Creto - Mycenaean gold metalwork were excavated from a tholos tomb near Lakonia in Sparta in 1988. Made in the 15th century BC, the gold cups are heavily influenced by the Minoan style that was predominant in the Agean at the time. The bull hunt was popular with  Mycenaean  and Minoan artists and symolised power and fertility. The distinctive shape of the cup is kown as 'Vapheio type'.
  • Three handled Palace Style Mycenaean amphora with octpuses and marinescape decorations motifs, Mycenaean cemetery, Argive Prosymna, tomb 2, 15 cnt BC, National Archaeological Museum Athens. Cat no 6725.  Black Background<br />
<br />
This Mycenaean vase is an imitation of the Minoan Marine Style
  • Mycenaean jug with stylised snakes , Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 946.  Black Background
  • Mycenaean spouted clay pithos decorated with spirals and bands, Grave VI, Grave Circle A, Mycenae 16-15 Cent BC. National Archaeological Museum Athens. Cat No 8580
  • Fresh picked cultivated Enokitake, Enokidake or Enoki (Flammulina velutipes) commonly known as golden needle mushroom or lily mushroom, an edible mushroom.
  • Fresh picked edible yellow or golden oyster mushrooms (Pleurotus citrinopileatus)
  • Fresh picked edible yellow or golden pyster mushrooms (Pleurotus citrinopileatus) against a black background
  • Fresh picked wiild organic Pied de Mouton Mushrooms (hydnum repandum) or hedgehog mushrooms
  • Fresh picked wild  organic chanterelle or girolle Mushrooms (Cantharellus cibarius)
  • Fresh sloe berries fron the blackthorn bush (Prunus spinosa )
  • Fresh Holly leaves with red berries against a white background - Ilex aquifolium
  • Fresh mixed whole  mushrooms
  • Saltzburg at christmas
  • Fresh woodland Ceps - wild mushrooms
  • Saltzburg - Austria, Snowy Christmas market.
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum., black background
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.,white background
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum., black background<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • The Minoan 'Dancer' fresco deicting a doddess descending from the heavens, Knossos Palace, 1600-1450 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The Dancer fresco depits a goddess descending from the heavens as indicated by her locks of hair streaming in the wind. This is a familiar convention in Minoan iconogragraphy of a goddess hovering in the air, her right arm extended in a gesture of authority. This fragment is psrt of a larger epiphony scene
  • The Minoan runner fresco fragment wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,grey background
  • The Minoan runner fresco fragment wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,white background<br />
<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Black Captain' fresco wall art from the House of Frescoes, Knossos Palace, 1350-1300 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
The fresco probably depicts a running military detachment, the leader is wearing a Minoan loin cloth and holds two spears, he has been named "Captain of the Blacks" as those follwing him are probably black African soldiers in sercice of the palace<br />
<br />
This scene may be depicting an excersise or sport similar to the Greek Hoplite race
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan 'Bull leaping' fresco depicting an athlete leaping over a bulls back,  Knossos-Palace, 1600-1400 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
there are 3 participants, two white skinned women and one brown skinned man. One female athele is restraining the bull ny the horns to slow it down as the male athlete performs a backward summersault ober the bulls back. The second female athlete waits to catch the leaper.<br />
<br />
The fresco was found on the east side of the palace of Knossos together with fragments depicting different stages of bull leaping.
  • The Minoan "Three columned Shrine" minture fresco Knossos-Palace, 1700-1450 BC . Heraklion Archaeological Museum. black background<br />
<br />
The freco depicts a portico with columns on which double axes are fixed, separated by horns of consecration, on a balustrade decorated with rosettes
  • The Minoan "Three columned Shrine" minture fresco Knossos-Palace, 1700-1450 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
<br />
The freco depicts a portico with columns on which double axes are fixed, separated by horns of consecration, on a balustrade decorated with rosettes
  • The Minoan "Three columned Shrine" minture fresco Knossos-Palace, 1700-1450 BC . Heraklion Archaeological Museum.,grey background<br />
<br />
<br />
The freco depicts a portico with columns on which double axes are fixed, separated by horns of consecration, on a balustrade decorated with rosettes
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, black background.<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background..<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum.<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Cycladic  clay jug with fish design from the  Knossos-Temple Repositories 1650-1550 BC, Heraklion Archaeological  Museum, grey background..<br />
<br />
Cycladic vessels found iun Knossos Temple Repositories show the trading links with the rest of ancient Greece
  • Cyclades spedos type stone statue figurine with folded arms, Archanes Phourni, 2300-1700 BC. Heraklion Archaeological Museum, grey background.<br />
<br />
These voitive atatues were buried with the dead all over the Ctcladic Islands of Greece
  • Cyclades spedos type stone statue figurine with folded arms, Archanes Phourni, 2300-1700 BC. Heraklion Archaeological Museum.<br />
<br />
These voitive atatues were buried with the dead all over the Ctcladic Islands of Greece
  • Cyclades spedos type stone statue figurine with folded arms, Archanes Phourni, 2300-1700 BC. Heraklion Archaeological Museum, grey background.<br />
<br />
These voitive atatues were buried with the dead all over the Ctcladic Islands of Greece
  • Cyclades spedos type stone statue figurine with folded arms, Archanes Phourni, 2300-1700 BC. Heraklion Archaeological Museum, white background.<br />
<br />
These voitive atatues were buried with the dead all over the Ctcladic Islands of Greece
  • Cyclades spedos type stone statue figurine with folded arms, Archanes Phourni, 2300-1700 BC. Heraklion Archaeological Museum, grey background.<br />
<br />
These voitive atatues were buried with the dead all over the Ctcladic Islands of Greece
  • Cyclades spedos type stone statue figurine with folded arms, Archanes Phourni, 2300-1700 BC. Heraklion Archaeological Museum.<br />
<br />
These voitive atatues were buried with the dead all over the Ctcladic Islands of Greece
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The 'Blue Monkey' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • The 'Bull leaper' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete

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