• Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panoramic view of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan North Lustral basin ,  Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan  North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan  North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • The 'Bull leaper' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The 'Blue Monkey' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • Reconstruction of a Minoan Bull relief fresco  of the Nouth Propylaeum,  Knossos  archaeological site, Crete
  • The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • The 'Bull leaper' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The Minoan  "Procession  Fresco' reconstructed at Knossos  archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of the Minoan North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • "Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, Knossos Minoan archaeological site
  • The 'Bull leaper' Minoan fresco, reconstructed at Knossos Archaeological Site, Crete
  • The so called Minoan 'Throne Room' or 'little throne room' Knossos Archaeological Site, Crete<br />
<br />
Reconstructed by Arthur Evans
  • Minoan North Lustral basin ,  Palace archaeological site, Crete
  • The so called Minoan 'Throne Room' or 'little throne room' Knossos Archaeological Site, Crete<br />
<br />
Reconstructed by Arthur Evans
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of the Minoan North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete. At sunset.
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panorama of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Panoroana of Minoan of the North Entrance Propylaeum with its painted charging  bull releif,  Knossos Palace archaeological site, Crete
  • Dolphin Freco of the Queens Megaron, Knossos Palace Archaeological Site, Crete
  • oia ( Ia )  Santorini  sunset- Greek Cyclades islands - Photos, pictures and images
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic view of traditional blue domed Greek Orthodox church of Oia, Island of Thira, Santorini, Greece.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Panoramic sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • Minoan 'Blue Monkey' wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Minoan high relief wall art fresco of Griffins, Gret East Hall, Knossos. 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
This minoan high relief fresco decorated the Great East Hall of Knossos palace. The decoration of the hall included religious scenes depicting boxing, and bull leaping games.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.<br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.<br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.  Grey Background. <br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.  Grey Background.
  • The painted Minoan Hagia Triada Sarcophagus 1370-1300 BC. Heraklion Archaeological Museum.<br />
<br />
The limestone Hagia Triada Sarcophagus is painted with frescoes depicting the ceremonies honouring the dead.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • The painted Minoan Hagia Triada Sarcophagus 1370-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The limestone Hagia Triada Sarcophagus is painted with frescoes depicting the ceremonies honouring the dead.
  • Minoan 'Blue Monkey' wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Saffron Gatherer' wall art fresco, from 'House of Frescoes' Knossos Palace. 1700-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Saffron Gatherers' fresco depicts a blue monket gatering saffron crocuses and placing them in a basket. The saffron is thought to have been a gift to the 'Great Goddess'. One of the earliest frescoes from Knossos.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Close up of The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Minoan wall art fresco from the Throne Room of Knossos, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco depicts griffins and palm trees
  • Minoan high relief wall art fresco of Griffins, Gret East Hall, Knossos. 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This minoan high relief fresco decorated the Great East Hall of Knossos palace. The decoration of the hall included religious scenes depicting boxing, and bull leaping games.
  • Minoan wall art freco depicting a procession leading a goat from Agia Triada (Hagia Triada) Crete. 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This minoan fresco found at the minoan settlement of Hagia Triada, depicts a sacrifical procession leading animals to be sacrificed.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Partridge Fresco', wall art from the  'Guset House' Knossos Palace, 1600-140 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
This Minoan fresco was painted in vivid colours using fine brush strokes and colour gradients. It portrays partridges , commonly found in Crete, among rocks and thopical Cretian flora. It decorated the pavillion in the so called 'Guset House' or 'Caravanserai.
  • The Minoan 'Partridge Fresco', wall art from the  'Guset House' Knossos Palace, 1600-140 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco was painted in vivid colours using fine brush strokes and colour gradients. It portrays partridges , commonly found in Crete, among rocks and thopical Cretian flora. It decorated the pavillion in the so called 'Guset House' or 'Caravanserai.
  • The Minoan 'Tripartite Shrine' or ;Grandstand Fresco', wall art from  Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The Minoan fresco depicts females seated on a raised platform and a large crowd in what is thought to be the Central Court of Knossos Palace. .
  • Minoan 'Sacred Grove and Dance Freco', wall art from Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.   Grey Background. <br />
<br />
This Neopalatial period Minoan fredco comes from thecauseway of the west facade of the palace complex.
  • Panoramic view of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Sunset over the traditional Greek Orthodox churches of Oia (ia), Cyclades Island of  Thira, Santorini, Greece.<br />
<br />
The settlement of Oia had been mentioned in various travel reports before the beginning of Venetian rule, when Marco Sanudo founded the Duchy of Naxos in 1207 and feudal rule was instituted on Santorini. n 1537, Hayreddin Barbarossa conquered the Aegean islands and placed them under Sultan Selim II. However, Santorini remained under the Crispo family until 1566, passing then to Joseph Nasi and after his death in 1579 to the Ottoman Empire.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan 'Blue Monkey' wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Minoan wall art fresco of 'Ladies in Blue' from Knossos Palace 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The 'Ladies in Blue' Minoan fresco depicts richy dressed female figures with opulent jewelery and clothing with flamboyant hairstyles refecting the wealth of the Palace of Knossos
  • Minoan high relief wall art fresco of Griffins, Gret East Hall, Knossos. 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
This minoan high relief fresco decorated the Great East Hall of Knossos palace. The decoration of the hall included religious scenes depicting boxing, and bull leaping games.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.<br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.<br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.<br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • The painted Minoan Hagia Triada Sarcophagus 1370-1300 BC. Heraklion Archaeological Museum.<br />
<br />
The limestone Hagia Triada Sarcophagus is painted with frescoes depicting the ceremonies honouring the dead.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan 'Blue Monkey' wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Saffron Gatherer' wall art fresco, from 'House of Frescoes' Knossos Palace. 1700-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Saffron Gatherers' fresco depicts a blue monket gatering saffron crocuses and placing them in a basket. The saffron is thought to have been a gift to the 'Great Goddess'. One of the earliest frescoes from Knossos.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Close up of The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Minoan wall art fresco from the Throne Room of Knossos, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco depicts griffins and palm trees
  • Minoan wall art freco depicting a procession leading a goat from Agia Triada (Hagia Triada) Crete. 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This minoan fresco found at the minoan settlement of Hagia Triada, depicts a sacrifical procession leading animals to be sacrificed.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Partridge Fresco', wall art from the  'Guset House' Knossos Palace, 1600-140 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
This Minoan fresco was painted in vivid colours using fine brush strokes and colour gradients. It portrays partridges , commonly found in Crete, among rocks and thopical Cretian flora. It decorated the pavillion in the so called 'Guset House' or 'Caravanserai.
  • The Minoan 'Partridge Fresco', wall art from the  'Guset House' Knossos Palace, 1600-140 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
This Minoan fresco was painted in vivid colours using fine brush strokes and colour gradients. It portrays partridges , commonly found in Crete, among rocks and thopical Cretian flora. It decorated the pavillion in the so called 'Guset House' or 'Caravanserai.
  • The Minoan 'Saffron Gatherer' wall art fresco, from 'House of Frescoes' Knossos Palace. 1700-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The 'Saffron Gatherers' fresco depicts a blue monket gatering saffron crocuses and placing them in a basket. The saffron is thought to have been a gift to the 'Great Goddess'. One of the earliest frescoes from Knossos.
  • Minoan wall art fresco of 'Ladies in Blue' from Knossos Palace 1600-1450 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
The 'Ladies in Blue' Minoan fresco depicts richy dressed female figures with opulent jewelery and clothing with flamboyant hairstyles refecting the wealth of the Palace of Knossos
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum. Black Background.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum. Black Background.
  • The painted Minoan Hagia Triada Sarcophagus 1370-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The limestone Hagia Triada Sarcophagus is painted with frescoes depicting the ceremonies honouring the dead.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum. Black Background.
  • Minoan 'Blue Monkey' wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum. Black Background.
  • Minoan wall art fresco of 'Ladies in Blue' from Knossos Palace 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Ladies in Blue' Minoan fresco depicts richy dressed female figures with opulent jewelery and clothing with flamboyant hairstyles refecting the wealth of the Palace of Knossos
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Minoan high relief wall art fresco of Griffins, Gret East Hall, Knossos. 1600-1450 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
This minoan high relief fresco decorated the Great East Hall of Knossos palace. The decoration of the hall included religious scenes depicting boxing, and bull leaping games.
  • The Minoan 'Tripartite Shrine' or ;Grandstand Fresco', wall art from  Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
The Minoan fresco depicts females seated on a raised platform and a large crowd in what is thought to be the Central Court of Knossos Palace. .
  • Minoan wall art fresco from the Throne Room of Knossos, 1450-1300 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
This Minoan fresco depicts griffins and palm trees
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum. Black Background.
  • Minoan 'Sacred Grove and Dance Freco', wall art from Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.   Grey Background. <br />
<br />
This Neopalatial period Minoan fredco comes from thecauseway of the west facade of the palace complex.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • Minoan wall art fresco of 'Ladies in Blue' from Knossos Palace 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The 'Ladies in Blue' Minoan fresco depicts richy dressed female figures with opulent jewelery and clothing with flamboyant hairstyles refecting the wealth of the Palace of Knossos
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Minoan wall art fresco of 'Ladies in Blue' from Knossos Palace 1600-1450 BC. Heraklion Archaeological Museum.<br />
<br />
The 'Ladies in Blue' Minoan fresco depicts richy dressed female figures with opulent jewelery and clothing with flamboyant hairstyles refecting the wealth of the Palace of Knossos
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.<br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • Minoan fresco panel from the 'Lily Frescoes' from the 'Villa of the Lilies' Amnisos, 1600-1500 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
Ths freco depicts white lilies against a red background and red lilies against w white backgoround with long stems in front of a fence. The wall art uses fresco and 'in cavo' technique. Neopalatial Period.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum. Black Background. <br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • Minoan floral wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Cup Bearer' from the 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
The 'Cup Bearer' depicts a youth with long black hair, a naked torso and a richly decorated kilt carrying a large silver rhuyhon ceremonial vessel. This large Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.  Grey Background.
  • Minoan Bull wall art fresco , West Bastion, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The Minoan Bull fresco was part of a larger composition which probably had a hunter or bull leaper in it. It is a masterpiece of Minoan naturalism and a work of high quality and expresive power.
  • Minoan 'Prince of the Lilies' wall art freco, Knossos Palace, 1600-1450 BCHeraklion Archaeological Museum.  Grey Background. <br />
<br />
An emblematic image of Minoan Crete this fresco was part of a larger composition in high relief. The fresco depicts a life size figure wearing a coloured kilt with a cod piece and a belt. A majestic crown on his head is adorned with papyrus lilies and peacock feathers. Neopalatial Period.
  • The painted Minoan Hagia Triada Sarcophagus 1370-1300 BC. Heraklion Archaeological Museum.<br />
<br />
The limestone Hagia Triada Sarcophagus is painted with frescoes depicting the ceremonies honouring the dead.
  • Minoan wall art fresco depicting a female figure, Neopalatial Period, C.1450 BC. Pseira, Crete. Heraklion Archaeological Museum.
  • The painted Minoan Hagia Triada Sarcophagus 1370-1300 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
The limestone Hagia Triada Sarcophagus is painted with frescoes depicting the ceremonies honouring the dead.
  • Minoan 'Papyrus wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.
  • Minoan 'Blue Monkey' wall art fresco from the 'House of Frescoes' Knossos Palace, 1600-1500 BC. Heraklion Archaeological Museum.  White Background.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  White Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum. Black Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • The Minoan 'Saffron Gatherer' wall art fresco, from 'House of Frescoes' Knossos Palace. 1700-1450 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
The 'Saffron Gatherers' fresco depicts a blue monket gatering saffron crocuses and placing them in a basket. The saffron is thought to have been a gift to the 'Great Goddess'. One of the earliest frescoes from Knossos.
  • The Minoan 'Blue Boy' or 'Saffron Gatherer' wall art fresco from Knossos Palace, 1600-1300 BC. Heraklion Archaeological Museum.  White Background.
  • The Minoan 'Dolphin Fresco' wall art from the Queen's Megaron, Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
Two dolphins are depicted swimming amongst small fish .
  • Close up of The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.<br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Minoan wall art fresco of 'Ladies in Blue' from Knossos Palace 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The 'Ladies in Blue' Minoan fresco depicts richy dressed female figures with opulent jewelery and clothing with flamboyant hairstyles refecting the wealth of the Palace of Knossos
  • The Minoan ' Camp Stool' wall art fresco from the West vwing of Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
This Minoan fresco probably depicted a typical banquet at Knossos Palace held in the Upper Hall of the West Wing. Figures seated on 'camp stools' are raising cups and kylikes. A female figure with Mediterranean features wearing vivid make up named ' La Parisienne' by Arthur Evans, has a large 'sacred knot' bunched behind her head and maybe she was a priestess.
  • Minoan high relief wall art fresco of Griffins, Gret East Hall, Knossos. 1600-1450 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
This minoan high relief fresco decorated the Great East Hall of Knossos palace. The decoration of the hall included religious scenes depicting boxing, and bull leaping games.
  • Minoan wall art freco depicting a procession leading a goat from Agia Triada (Hagia Triada) Crete. 1450-1300 BC. Heraklion Archaeological Museum.  White Background. <br />
<br />
This minoan fresco found at the minoan settlement of Hagia Triada, depicts a sacrifical procession leading animals to be sacrificed.
  • Minoan wall art fresco from the Throne Room of Knossos, 1450-1300 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
This Minoan fresco depicts griffins and palm trees
  • Minoan wall art freco depicting a procession leading a goat from Agia Triada (Hagia Triada) Crete. 1450-1300 BC. Heraklion Archaeological Museum. Black Background. <br />
<br />
This minoan fresco found at the minoan settlement of Hagia Triada, depicts a sacrifical procession leading animals to be sacrificed.
  • Minoan wall art depicting 'Blue Monkeys' from Knossos Palace, 1700-1450 BC. Heraklion Archaeological Museum.  Grey Background.
  • The Minoan 'Tripartite Shrine' or ;Grandstand Fresco', wall art from  Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
The Minoan fresco depicts females seated on a raised platform and a large crowd in what is thought to be the Central Court of Knossos Palace. .
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.  White Background. <br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.
  • Minoan 'Sacred Grove and Dance Freco', wall art from Knossos Palace, 1600-1450 BC. Heraklion Archaeological Museum.  Black Background. <br />
<br />
This Neopalatial period Minoan fredco comes from thecauseway of the west facade of the palace complex.
  • Minoan wall art fresco of a 'figure of eight' shield from Knossos Palace, 1450-1300 BC. Heraklion Archaeological Museum.  Grey Background. <br />
<br />
<br />
The Final Palatial Period Minoan fresco is from the Grand Staircase of the Palace of Knossos and is a Trompe-l'œil  of minoan warriors shields covered with ox hide.
  • The Minoan 'Procession Fresco', wall art from the South Prpylaeum, Knossos Palace, 1500-1400 BC . Heraklion Archaeological Museum.<br />
<br />
This latrge Minoan fresco of many figure in procession would have decorated the corridor between the West Porch and the South Propylaeum of Knossos Palace. Both sides of the corridor were painted with hundreds of male and femal;e figures carrying precious utensils and vessels, probably depicting gift bearers to the ruler of the Palace. The composition is much like those found in the Palaces and tombs of Egypt and the near east at the time. Neopalatial final period.

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