• 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Aerial view of the Romanesque Duomo of Pisa
  • View of the Romanesque Leaning Tower of Pisa, the Bell tower, Piazza del Miracoli , Pisa, Italy
  • View of the Romanesque Leaning Tower of Pisa, the Bell tower, Piazza del Miracoli , Pisa, Italy
  • The 14th Century Gothic style eastern facade of The Doge's Palace on St Marks Square, Palazzo Ducale, Venice Italy
  • The Doges Palace  and Campinale of St Mark from the Saint Mark's Basin Venice
  • Arial view form St Mark's Campinale of St Mark's Square and the Doges with the island of San Giorgio Maggiore behind , with its church front designed by Andrea Palladio and begun in 1566.  Venice Italy
  • Arial view form St Mark's Campinale of St Mark's Square and the Doges with the island of San Giorgio Maggiore behind , with its church front designed by Andrea Palladio and begun in 1566.  Venice Italy
  • Venice gondola trip on the venetian grand canal at sunset
  • Venice gondola trip on the venetian grand canal at sunset
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • Venice gondola trip on the venetian grand canal at sunset
  • View of the Romanesque Leaning Tower of Pisa, the Bell tower, Piazza del Miracoli , Pisa, Italy
  • View of the Romanesque Leaning Tower of Pisa, the Bell tower, Piazza del Miracoli , Pisa, Italy
  • View of the Romanesque Leaning Tower of Pisa, the Bell tower, Piazza del Miracoli , Pisa, Italy
  • Exterior view of the Bapristry and Duomo cathedral of Pisa, Italy
  • Exterior view of the Bapristry and Duomo cathedral of Pisa, Italy
  • View of the Romanesque Leaning Tower of Pisa, the Bell tower, Piazza del Miracoli , Pisa, Italy
  • View of the Romanesque Leaning Tower of Pisa, the Bell tower, Piazza del Miracoli , Pisa, Italy
  • View of the Romanesque Leaning Tower of Pisa, the Bell tower, Piazza del Miracoli , Pisa, Italy
  • View of the Romanesque Leaning Tower of Pisa, the Bell tower, Piazza del Miracoli , Pisa, Italy
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • Minoan 'Sacred Knot" fresco wall art depicting the religious apotropaic symbol, Nirou Chani 1600-1450 BC . Heraklion Archaeological Museum.,grey background
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • Sahara sand dunes of erg Chebbi, Morocco, Africa
  • The remains of the grain stores showing underground heating piers,  Houseteads Roman Fort, Veronicum, Hadrians Wall, A UNESCO World Heritage Site, Northumberland, England, UK
  • Mosaic depicting Empress Theodora and attendants. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Emperor Justinian I. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Emperor Justinian I. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Emperor Justinian I. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Mosaic depicting Emperor Justinian I. Byzantine Roman mosaics of the Basilica of San Vitale in Ravenna, Italy. Mosaic decoration paid for by Emperor Justinian I in 547. A UNESCO World Heritage Site
  • Chun or Chûn, Quoit is a megalithic burial dolmen from the Neolithic period, circa 2400 BC, near Morvah on the Chun Nature Reserve, Penwith peninsula, Cornwall, England
  • Chun or Chûn, Quoit is a megalithic burial dolmen from the Neolithic period, circa 2400 BC, near Morvah on the Chun Nature Reserve, Penwith peninsula, Cornwall, England
  • Chun or Chûn, Quoit is a megalithic burial dolmen from the Neolithic period, circa 2400 BC, near Morvah on the Chun Nature Reserve, Penwith peninsula, Cornwall, England
  • Chun or Chûn, Quoit is a megalithic burial dolmen from the Neolithic period, circa 2400 BC, near Morvah on the Chun Nature Reserve, Penwith peninsula, Cornwall, England
  • Chun or Chûn, Quoit is a megalithic burial dolmen from the Neolithic period, circa 2400 BC, near Morvah on the Chun Nature Reserve, Penwith peninsula, Cornwall, England
  • Chun or Chûn, Quoit is a megalithic burial dolmen from the Neolithic period, circa 2400 BC, near Morvah on the Chun Nature Reserve, Penwith peninsula, Cornwall, England
  • Chun or Chûn, Quoit is a megalithic burial dolmen from the Neolithic period, circa 2400 BC, near Morvah on the Chun Nature Reserve, Penwith peninsula, Cornwall, England
  • Pentre Ifan a Neolithic megalitic stone burial chamber dolmen built about 3500 BC in the parish of Nevern, Pembrokeshire, Wales.
  • Lanyon Quoit is a megalithic burial dolmen from the Neolithic period, circa 4000 to 3000 BC, near Morvah on the Penwith peninsula, Cornwall, England
  • Pentre Ifan a Neolithic megalitic stone burial chamber dolmen built about 3500 BC in the parish of Nevern, Pembrokeshire, Wales.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of neolthic Castlerigg Stone Circle monaliths and the Lake District, England,  built circa 2500 BC.<br />
<br />
Castlerigg Stone Circle was built around 4500 years ago by prehistoric farming communities who settles in the fertile valleys of the Lake District.  Current thinking has linked Castlerigg with the Neolithic Langdale axe industry in the nearby Langdale fells: the circle may have been a meeting place where these axes were traded or exchanged. Ritually deposited stone axes have been found all over Britain, suggesting that their uses went far beyond their practical capabilities. Exchange or trading of stone axes may not have been possible without first taking part in a ritual or ceremony.
  • View of neolthic Castlerigg Stone Circle monaliths and the Lake District, England,  built circa 2500 BC.<br />
<br />
Castlerigg Stone Circle was built around 4500 years ago by prehistoric farming communities who settles in the fertile valleys of the Lake District.  Current thinking has linked Castlerigg with the Neolithic Langdale axe industry in the nearby Langdale fells: the circle may have been a meeting place where these axes were traded or exchanged. Ritually deposited stone axes have been found all over Britain, suggesting that their uses went far beyond their practical capabilities. Exchange or trading of stone axes may not have been possible without first taking part in a ritual or ceremony.
  • View of neolthic Castlerigg Stone Circle monaliths and the Lake District, England,  built circa 2500 BC.<br />
<br />
Castlerigg Stone Circle was built around 4500 years ago by prehistoric farming communities who settles in the fertile valleys of the Lake District.  Current thinking has linked Castlerigg with the Neolithic Langdale axe industry in the nearby Langdale fells: the circle may have been a meeting place where these axes were traded or exchanged. Ritually deposited stone axes have been found all over Britain, suggesting that their uses went far beyond their practical capabilities. Exchange or trading of stone axes may not have been possible without first taking part in a ritual or ceremony.
  • View of neolthic Castlerigg Stone Circle monaliths and the Lake District, England,  built circa 2500 BC.<br />
<br />
Castlerigg Stone Circle was built around 4500 years ago by prehistoric farming communities who settles in the fertile valleys of the Lake District.  Current thinking has linked Castlerigg with the Neolithic Langdale axe industry in the nearby Langdale fells: the circle may have been a meeting place where these axes were traded or exchanged. Ritually deposited stone axes have been found all over Britain, suggesting that their uses went far beyond their practical capabilities. Exchange or trading of stone axes may not have been possible without first taking part in a ritual or ceremony.
  • View of neolthic Castlerigg Stone Circle monaliths and the Lake District, England,  built circa 2500 BC.<br />
<br />
Castlerigg Stone Circle was built around 4500 years ago by prehistoric farming communities who settles in the fertile valleys of the Lake District.  Current thinking has linked Castlerigg with the Neolithic Langdale axe industry in the nearby Langdale fells: the circle may have been a meeting place where these axes were traded or exchanged. Ritually deposited stone axes have been found all over Britain, suggesting that their uses went far beyond their practical capabilities. Exchange or trading of stone axes may not have been possible without first taking part in a ritual or ceremony.
  • View of neolthic Castlerigg Stone Circle monaliths and the Lake District, England,  built circa 2500 BC.<br />
<br />
Castlerigg Stone Circle was built around 4500 years ago by prehistoric farming communities who settles in the fertile valleys of the Lake District.  Current thinking has linked Castlerigg with the Neolithic Langdale axe industry in the nearby Langdale fells: the circle may have been a meeting place where these axes were traded or exchanged. Ritually deposited stone axes have been found all over Britain, suggesting that their uses went far beyond their practical capabilities. Exchange or trading of stone axes may not have been possible without first taking part in a ritual or ceremony.
  • View of neolthic Castlerigg Stone Circle monaliths and the Lake District, England,  built circa 2500 BC.<br />
<br />
Castlerigg Stone Circle was built around 4500 years ago by prehistoric farming communities who settles in the fertile valleys of the Lake District.  Current thinking has linked Castlerigg with the Neolithic Langdale axe industry in the nearby Langdale fells: the circle may have been a meeting place where these axes were traded or exchanged. Ritually deposited stone axes have been found all over Britain, suggesting that their uses went far beyond their practical capabilities. Exchange or trading of stone axes may not have been possible without first taking part in a ritual or ceremony.
  • View of neolthic Castlerigg Stone Circle monaliths and the Lake District, England,  built circa 2500 BC.<br />
<br />
Castlerigg Stone Circle was built around 4500 years ago by prehistoric farming communities who settles in the fertile valleys of the Lake District.  Current thinking has linked Castlerigg with the Neolithic Langdale axe industry in the nearby Langdale fells: the circle may have been a meeting place where these axes were traded or exchanged. Ritually deposited stone axes have been found all over Britain, suggesting that their uses went far beyond their practical capabilities. Exchange or trading of stone axes may not have been possible without first taking part in a ritual or ceremony.
  • View of neolthic Castlerigg Stone Circle monaliths and the Lake District, England,  built circa 2500 BC.<br />
<br />
Castlerigg Stone Circle was built around 4500 years ago by prehistoric farming communities who settles in the fertile valleys of the Lake District.  Current thinking has linked Castlerigg with the Neolithic Langdale axe industry in the nearby Langdale fells: the circle may have been a meeting place where these axes were traded or exchanged. Ritually deposited stone axes have been found all over Britain, suggesting that their uses went far beyond their practical capabilities. Exchange or trading of stone axes may not have been possible without first taking part in a ritual or ceremony.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements de Kelescan, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements de Kelescan, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements de Kelescan, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements de Kelescan, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements de Kelescan, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Menec, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Menec, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Menec, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Kermario, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • View of Carnac neolthic standing stones monaliths, Alignements du Menec, a pre-Celtic site of standing stomes used from 4500 to 2000 BC,<br />
<br />
Carnac is famous as the site of more than 10,000 Neolithic standing stones, also known as menhirs. The stones were hewn from local rock and erected by the pre-Celtic people of Brittany. The Carnac stones were erected during the Neolithic period which lasted from around 4500 BC until 2000 BC. One interpretation of the site is that successive generations visited the site to erect a stone in honour of their ancestors.
  • Stonehenge Neolithic ancient standing stone circle monument, A UNESCO World Heritage Site, Wilshire, England
  • Stonehenge Neolithic ancient standing stone circle monument, A UNESCO World Heritage Site, Wilshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The south tower and great hall of the  finest fortified medieval manor house in England built in the 1280s, Stokesay Castle, Shropshire, England
  • The 12th century medieval Norman ruins of Goodrich Castle fortifications, Goodrich, Herefordshire, England
  • The south tower and great hall of the  finest fortified medieval manor house in England built in the 1280s, Stokesay Castle, Shropshire, England
  • The half timbered north tower built in the 1280s, the  finest fortified medieval manor house in England, Stokesay Castle, Shropshire, England
  • The Parthenon Temple ancient greek temple, the Acropolis of Athens in Greece.
  • A milecastle fort on Hadrians Wall near Houseteads Roman Fort, Vercovicium, A UNESCO World Heritage Site, Northumberland, England, UK
  • The Erechtheum ancient Greek temple, the Acropolis of Athens in Greece.
  • Avebury Neolithic standing stone Circle the largest in England, Wiltshire, England, Europe
  • Avebury Neolithic standing stone Circle the largest in England, Wiltshire, England, Europe
  • Avebury Neolithic standing stone Circle the largest in England, Wiltshire, England, Europe
  • Avebury Neolithic standing stone Circle the largest in England at sunset, Wiltshire, England, Europe
  • Avebury Neolithic standing stone Circle the largest in England at sunset, Wiltshire, England, Europe
  • Avebury Neolithic standing stone Circle the largest in England, Wiltshire, England, Europe
  • Avebury Neolithic standing stone Circle the largest in England at sunset, Wiltshire, England, Europe
  • Lindisfarne Castle & Lobster Pots, fishing boat - 16th Century castle, Holy Island, Lindisfarne, Northumberland, England
  • The Anglo Saxon Romanesque Lindisfarne Abbey ruins looking to Lidisfarne Castle,  Holy Island, Lindisfarne, Northumbria, England
  • The Anglo Saxon Romanesque Lindisfarne Abbey ruins,  Holy Island, Lindisfarne, Northumbria, England
  • The Sultan Ahmed Mosque (Sultanahmet Camii) or Blue Mosque, Istanbul, Turkey at sunset. Built from 1609 to 1616 during the rule of Ahmed I.
  • The fairy chimney rock early Christian  church of Pasabag Valley,  monks valley, near Goreme, Cappadocia, Nevsehir, Turkey
  • The fairy chimney rock early Christian  church of Pasabag Valley,  monks valley, near Goreme, Cappadocia, Nevsehir, Turkey
  • Tlos acropolis and Lycian house and temple-type rock-cut tombs. Tlos is where the mythological hero Bellerophon winged flying horse Pegasus lived. Anatolia, Turkey
  • 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • Courtyard of the 18th Century Ottoman architecture of the Ishak Pasha Palace (Turkish: İshak Paşa Sarayı) ,  Ağrı province of eastern Turkey.
  • St Mawes Castel defensive Tudor coastal fortresses (1540) built  for King Henry VIII, Falmouth, Cornwall, England
  • St Mawes Castel defensive Tudor coastal fortresses (1540) built  for King Henry VIII, Falmouth, Cornwall, England
  • St Mawes Castel defensive Tudor coastal fortresses (1540) built  for King Henry VIII, Falmouth, Cornwall, England
  • The fairy chimney rock early Christian  church of Pasabag Valley,  monks valley, near Goreme, Cappadocia, Nevsehir, Turkey
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. White background<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. Black background.<br />
<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. White background<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian head of a Thutmosid Thutmose king, New Kingdom, 18th Dynasty (1550-1292 BC), Thebes. Egyptian Museum, Turin. Grey background.<br />
<br />
The Eighteenth Dynasty of Egypt  is classified as the first dynasty of the New Kingdom of Egypt, the era in which ancient Egypt achieved the peak of its power. This dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmose. Founded by Ahmose I who was suceeded by Thutmose I, Thutmose II, Thutmose III
  • Ancient Egyptian shabtis doll, New Kingdom,. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian fragments of a small wooded glass inlayed box depicting Egyptian Pharaohs , Ptolemaic Period, (322-30BC) BC, Tebtynis. Egyptian Museum, Turin. Cat 18155.  Grey background.
  • Ancient Egyptian fragments of a small wooded glass inlayed box depicting Egyptian Pharaohs , Ptolemaic Period, (322-30BC) BC, Tebtynis. Egyptian Museum, Turin. Cat 18155.
  • Ancient Egyptian fragments of a small wooded glass inlayed box depicting Egyptian Pharaohs , Ptolemaic Period, (322-30BC) BC, Tebtynis. Egyptian Museum, Turin. Cat 18155.  Grey background.
  • Ancient Egyptian Predynastic burial pit with deceased skeleton lying on side, Circa 3100 BC. Egyptian Museum, Turin.
  • Ancient Egyptian Protodynatic burial vessel with skeleton, Circa 3000 BC. Egyptian Museum, Turin. Grey background.<br />
<br />
With the begining of the sop called "Protodynastic" period coffins began to be used for burials. The wealthy had wood coffins which were expensive as trees are rare in Egypt. Pooer people were buried in baskets or clay coffins.
  • Ancient Egyptian head rest for sleeping on, type 1 . Egyptian Museum, Turin. White background.<br />
<br />
Ancient egyptian headrests were used to raise the head whist sleeping. Padding was laid over the wooden headrest to make it more comfortable.
  • Ancient Egyptian head rest for sleeping on, type 1 . Egyptian Museum, Turin. <br />
<br />
Ancient egyptian headrests were used to raise the head whist sleeping. Padding was laid over the wooden headrest to make it more comfortable.
  • Ancient Egyptian bed delonging to Kha , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. <br />
<br />
According to excavator Shciaparelli " the beds were found in Kcha's tomb also. The larger one, his own, was found in the antechamber." Egyptians believed that in the Afterlife they would require the same comforts as they enjoyed in life so beds and many other worldly requirements were put into their tombs.
  • Ancient Egyptian bed delonging to Kha , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. <br />
<br />
According to excavator Shciaparelli " the beds were found in Kcha's tomb also. The larger one, his own, was found in the antechamber." Egyptians believed that in the Afterlife they would require the same comforts as they enjoyed in life so beds and many other worldly requirements were put into their tombs.
  • Ancient Egyptian bed delonging to Kha , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. <br />
<br />
According to excavator Shciaparelli " the beds were found in Kcha's tomb also. The larger one, his own, was found in the antechamber." Egyptians believed that in the Afterlife they would require the same comforts as they enjoyed in life so beds and many other worldly requirements were put into their tombs.
  • Ancient Egyptian fragment of blue pigment,  19-20th Dynasty (1292-1076 BC, Deir el-Medina. Egyptian Museum, Turin. Schiaparelli Cat 9929. Grey background
  • Egyptian Roman mummy portrait or Fayum mummy portrait painted panel of a man, Roman Period, 1st to 3rd cent AD, Egypt. Egyptian Museum, Turin. Black background,<br />
<br />
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) are a type of naturalistic painted portrait on wooden boards attached to Upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. he portraits covered the faces of bodies that were mummified for burial. Extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies.
  • Egyptian Roman mummy portrait or Fayum mummy portrait painted panel of a man, Roman Period, 1st to 3rd cent AD, Egypt. Egyptian Museum, Turin. Grey background;<br />
<br />
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) are a type of naturalistic painted portrait on wooden boards attached to Upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. he portraits covered the faces of bodies that were mummified for burial. Extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies.
  • Egyptian Roman mummy portrait or Fayum mummy portrait painted panel of a man, Roman Period, 1st to 3rd cent AD, Egypt. Egyptian Museum, Turin. <br />
<br />
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) are a type of naturalistic painted portrait on wooden boards attached to Upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. he portraits covered the faces of bodies that were mummified for burial. Extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies.
  • Egyptian Roman mummy portrait or Fayum mummy portrait painted panel of a man, Roman Period, 1st to 3rd cent AD, Egypt. Egyptian Museum, Turin. Black background,<br />
<br />
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) are a type of naturalistic painted portrait on wooden boards attached to Upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. he portraits covered the faces of bodies that were mummified for burial. Extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies.
  • Egyptian Roman mummy portrait or Fayum mummy portrait painted panel of a man, Roman Period, 1st to 3rd cent AD, Egypt. Egyptian Museum, Turin. Grey background;<br />
<br />
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) are a type of naturalistic painted portrait on wooden boards attached to Upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. he portraits covered the faces of bodies that were mummified for burial. Extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies.
  • Egyptian Roman mummy portrait or Fayum mummy portrait painted panel of a man, Roman Period, 1st to 3rd cent AD, Egypt. Egyptian Museum, Turin. <br />
<br />
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) are a type of naturalistic painted portrait on wooden boards attached to Upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. he portraits covered the faces of bodies that were mummified for burial. Extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies.
  • Egyptian Roman mummy portrait or Fayum mummy portrait painted panel of a man, Roman Period, 1st to 3rd cent AD, Egypt. Egyptian Museum, Turin. White background.<br />
<br />
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) are a type of naturalistic painted portrait on wooden boards attached to Upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. he portraits covered the faces of bodies that were mummified for burial. Extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies.
  • Egyptian Roman mummy portrait or Fayum mummy portrait painted panel of a man, Roman Period, 1st to 3rd cent AD, Egypt. Egyptian Museum, Turin. Grey background;<br />
<br />
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) are a type of naturalistic painted portrait on wooden boards attached to Upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. he portraits covered the faces of bodies that were mummified for burial. Extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies.
  • Egyptian Roman mummy portrait or Fayum mummy portrait painted panel of a man, Roman Period, 1st to 3rd cent AD, Egypt. Egyptian Museum, Turin. Black background,<br />
<br />
Mummy portraits or Fayum mummy portraits (also Faiyum mummy portraits) are a type of naturalistic painted portrait on wooden boards attached to Upper class mummies from Roman Egypt. They belong to the tradition of panel painting, one of the most highly regarded forms of art in the Classical world. he portraits covered the faces of bodies that were mummified for burial. Extant examples indicate that they were mounted into the bands of cloth that were used to wrap the bodies.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Grey Background<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. White background.<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. White background.<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Black background,<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian decorated mari ware, class D, baked clay, Predynastic Period, Naqada II Protodynastic Period (3700-300 BC). Egyptian Museum, Turin. Black background,<br />
<br />
Mari was a new raw material used to make vases from Naqada II onwards. The material was a marl of rich clay found in some ancient Egyptian desert site which was pulverised and mixed with water. Typically the pottery had a rosy sinish when fired making a good background for painted motifs.
  • Ancient Egyptian , sandstone, New Kingdom, 18th Dynasty (1353-1336 BC, Thebes, Karnac. Egyptian Museum, Turin. White background,
  • Ancient Egyptian , sandstone, New Kingdom, 18th Dynasty (1353-1336 BC, Thebes, Karnac. Egyptian Museum, Turin. Black background,
  • Ancient Egyptian god Bes jar, Late Period, 5th century BC.  Egyptian Museum, Turin. Drovetti collection cat 2553.
  • Ancient Egyptian god Bes jar, Late Period, 5th century BC.  Egyptian Museum, Turin. Drovetti collection cat 2553. Grey background;
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum.  Black background,<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. White background<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. <br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian  decorated jar sealed with linen , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. <br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian decorated vase , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. White background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian decorated vase , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian glong neckedr jar  sealed with linen strips , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. White background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian glong neckedr jar  sealed with linen strips , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian glong neckedr jar  sealed with linen strips , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian globular jar  with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. Cat 8465.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian sealed incised decorated jar and support with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Black background. Cat 8523.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian sealed incised decorated jar and support with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. Cat 8523.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian sealed incised decorated jar and support with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Grey background. Cat 8523.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian sealed incised decorated jar and support with Kha's monogram , tomb of Kha, Theban Tomb 8 , mid-18th dynasty (1550 to 1292 BC), Turin Egyptian Museum. Cat 8523.<br />
<br />
TT8 or Theban Tomb 8 was the tomb of Kha, the overseer of works from Deir el-Medina in the mid-18th dynasty[2] and his wife, Merit. TT8 was one of the greatest archaeological discoveries of ancient Egypt, one of few tombs of nobility to survive intact.
  • Ancient Egyptian Human headed canopic jar for Amenemheb, clay, New Kingdom, 19th Dynasty (1292-1190 BC), Deir el-Medina. Egyptian Museum, Turin. Old Fund cat 3471. White background.<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. By the First Intermediate Period jars with human heads (assumed to represent the dead) began to appear
  • Ancient Egyptian Human headed canopic jar for Amenemheb, clay, New Kingdom, 19th Dynasty (1292-1190 BC), Deir el-Medina. Egyptian Museum, Turin. Old Fund cat 3471.<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. By the First Intermediate Period jars with human heads (assumed to represent the dead) began to appear
  • Ancient Egyptian Imesty or Amset Canopic Jar,  New Kingdom,  Egyptian Museum, Turin. Grey background.<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. Imsety, the human-headed god representing the South, whose jar contained the liver and was protected by the goddess Isis.
  • Ancient Egyptian Imesty or Amset Canopic Jar,  New Kingdom,  Egyptian Museum, Turin. Grey background.<br />
<br />
The canopic jars were four in number, each for the safekeeping of particular human organs: the stomach, intestines, lungs, and liver, all of which, it was believed, would be needed in the afterlife. Imsety, the human-headed god representing the South, whose jar contained the liver and was protected by the goddess Isis.
  • Ancient Egyptian pylon (gateway) shaped Canopic chest for internal organs, wood, Late  to Ptolemaic Period(722-40 BC), Egyptian Museum, Turin. Old Fund Cat 2427.  Black background,<br />
<br />
Canopic chests are cases used by Ancient Egyptians to contain the internal organs removed during the process of mummification.
  • Ancient Egyptian pylon (gateway) shaped Canopic chest for internal organs, wood, Late  to Ptolemaic Period(722-40 BC), Egyptian Museum, Turin. Old Fund Cat 2427. <br />
<br />
Canopic chests are cases used by Ancient Egyptians to contain the internal organs removed during the process of mummification.
  • Ancient Egyptian pylon (gateway) shaped Canopic chest for internal organs, wood, Late  to Ptolemaic Period(722-40 BC), Egyptian Museum, Turin. Old Fund Cat 2427. Grey background.<br />
<br />
Canopic chests are cases used by Ancient Egyptians to contain the internal organs removed during the process of mummification.
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. White background, <br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. White background, <br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin.  Black background,<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. White background, <br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box, wood, Intermediate Period, 21st-22nd Dynasty (1076-746 BC), Thebes, Egyptian Museum, Turin. Grey background.<br />
<br />
Floor 1 room 10 of Museum - Among the 401 shabti found in this tomb were 36 overseerers, one for every 10 servants. These were maent to serve the deceased in the afterlife<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian shabti box of the steward of Djehutyhotep, wood, New Kingdom, 18th Dynasty (1450-1350 BC), Egyptian Museum, Turin.Old Fund Cat 2443. Grey background.<br />
<br />
Essential items of funerary equipment from the New Kingdom on, shabti figures, of which there could be from 1 to over 400 examples in a single tomb, were meant to substitute for the deceased whenever he or she was called upon to perform manual labor in the afterlife. the shabti box is a decorated wooden box to hold the figures
  • Ancient Egyptian False Door stele of Princess Wehemnefret, limestone, Old Kingdom, 4th Dynasty (2543-2435 BC), Giza, Western Cemetery, mastaba of Wehemnefret. Egyptian Museum, Turin.  Schiaparelli Cat 1840. white background<br />
<br />
In the centre at the yop the deceased woman is depicted sitiing infront of a tabel laden with bread slices. The slices are depicted vertically as was the stylistic convention of the period. Imediately below the panel , on the left side of the lintel of the false door, is the name of the deceased and her titles stressing that she is a member of the Royal family "the daughter of the king".  In the 4 upper panels high ranking officials and courtiers are depicted. The nude child with his finger in his mouth on the right inner jamb is identified by its inscription as Irenptah, the deceased grandson. In other panels are ndividuals carrying offerings and priests.
  • Ancient Egyptian False Door stele of Princess Wehemnefret, limestone, Old Kingdom, 4th Dynasty (2543-2435 BC), Giza, Western Cemetery, mastaba of Wehemnefret. Egyptian Museum, Turin.  Schiaparelli Cat 1840. black background<br />
<br />
In the centre at the yop the deceased woman is depicted sitiing infront of a tabel laden with bread slices. The slices are depicted vertically as was the stylistic convention of the period. Imediately below the panel , on the left side of the lintel of the false door, is the name of the deceased and her titles stressing that she is a member of the Royal family "the daughter of the king".  In the 4 upper panels high ranking officials and courtiers are depicted. The nude child with his finger in his mouth on the right inner jamb is identified by its inscription as Irenptah, the deceased grandson. In other panels are ndividuals carrying offerings and priests.
  • Ancient Egyptian False Door stele of Princess Wehemnefret, limestone, Old Kingdom, 4th Dynasty (2543-2435 BC), Giza, Western Cemetery, mastaba of Wehemnefret. Egyptian Museum, Turin.  Schiaparelli Cat 1840. Grey background<br />
<br />
In the centre at the yop the deceased woman is depicted sitiing infront of a tabel laden with bread slices. The slices are depicted vertically as was the stylistic convention of the period. Imediately below the panel , on the left side of the lintel of the false door, is the name of the deceased and her titles stressing that she is a member of the Royal family "the daughter of the king".  In the 4 upper panels high ranking officials and courtiers are depicted. The nude child with his finger in his mouth on the right inner jamb is identified by its inscription as Irenptah, the deceased grandson. In other panels are ndividuals carrying offerings and priests.
  • Ancient Egyptian False Door stele of Princess Wehemnefret, limestone, Old Kingdom, 4th Dynasty (2543-2435 BC), Giza, Western Cemetery, mastaba of Wehemnefret. Egyptian Museum, Turin.  Schiaparelli Cat 1840. Grey background<br />
<br />
In the centre at the yop the deceased woman is depicted sitiing infront of a tabel laden with bread slices. The slices are depicted vertically as was the stylistic convention of the period. Imediately below the panel , on the left side of the lintel of the false door, is the name of the deceased and her titles stressing that she is a member of the Royal family "the daughter of the king".  In the 4 upper panels high ranking officials and courtiers are depicted. The nude child with his finger in his mouth on the right inner jamb is identified by its inscription as Irenptah, the deceased grandson. In other panels are ndividuals carrying offerings and priests.
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612. Black background<br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian False Door stele of Chamberlain Hornakht, son of Mera, slimestone, Middle Kingdom, 12th Dynasty (1939-1759 BC),  Egyptian Museum, Turin. Old fund cat 1612. <br />
<br />
A false door is an artistic representation of a door which does not function like a real door. They can be carved in a wall or painted on it. They are a common architectural element in the tombs of ancient Egypt,
  • Ancient Egyptian Talatat block with a female worhiper of tambourine player relief, sandstone, New Kingdom, 18th Dynasty (1353-1336 BC), Thebes, Karnac. Egyptian Museum, Turin. White background.<br />
<br />
The talatat was introduced to increase the speed new monuments to Aten could be built. The talatat were smaller, about 52x26x24 cm, than the usual building blocks used and therfore were easier to handle and build with. They were first used on the new buildings of Akhenaten at Thebes during his reign, the, after his capital was moved , for the monumenta of Amarna. When Amon was restored all the Aten temples were taken down and their blocks used in other buildings. Over 100,000 talatat have been excavated so far in Thebes and they represent a massive jigsaw puzzle as archaeologist try to piece them together into their original reliefs.
  • Ancient Egyptian Talatat block with a female worhiper of tambourine player relief, sandstone, New Kingdom, 18th Dynasty (1353-1336 BC), Thebes, Karnac. Egyptian Museum, Turin. Black background<br />
<br />
The talatat was introduced to increase the speed new monuments to Aten could be built. The talatat were smaller, about 52x26x24 cm, than the usual building blocks used and therfore were easier to handle and build with. They were first used on the new buildings of Akhenaten at Thebes during his reign, the, after his capital was moved , for the monumenta of Amarna. When Amon was restored all the Aten temples were taken down and their blocks used in other buildings. Over 100,000 talatat have been excavated so far in Thebes and they represent a massive jigsaw puzzle as archaeologist try to piece them together into their original reliefs.
  • Ancient Egyptian stele depicting Sethy I adoring Amenhotep I and Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina,  Egyptian Museum, Turin. White background. Schiaparelli Cat 6189.
  • Ancient Egyptian stele depicting Sethy I adoring Amenhotep I and Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina,  Egyptian Museum, Turin. Black background. Schiaparelli Cat 6189.
  • Ancient Egyptian stele didicated to the swallow and cat by Nebra, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Egyptian Museum, Turin. white background. Drovetti Cat No 1591.<br />
<br />
In the top register of this votive stele a swallow  (Hirundinidae) is shown perched on top of a shrine. An offering table is placed in front of it on the right side. The bird is called "the good swallow". In the lower register Nakhamun and Khay, Nebre's two sons, kneel in adoration in front of a large cat. They both hold a bouquet in their right hand, the left hand is raised in adoration before the good cat" (Houlihan,1996,87). The swallow and the cat both represent two minor deities, Menet and Tamit, who are  closely connected with the region of the Theban necropolis. It is unusual that this stele has been dedicated by Nebre, the royal craftsman, without him being depicted.
  • Ancient Egyptian stele didicated to the swallow and cat by Nebra, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Egyptian Museum, Turin. Grey background. Drovetti Cat No 1591.<br />
<br />
In the top register of this votive stele a swallow  (Hirundinidae) is shown perched on top of a shrine. An offering table is placed in front of it on the right side. The bird is called "the good swallow". In the lower register Nakhamun and Khay, Nebre's two sons, kneel in adoration in front of a large cat. They both hold a bouquet in their right hand, the left hand is raised in adoration before the good cat" (Houlihan,1996,87). The swallow and the cat both represent two minor deities, Menet and Tamit, who are  closely connected with the region of the Theban necropolis. It is unusual that this stele has been dedicated by Nebre, the royal craftsman, without him being depicted.
  • Ancient Egyptian stele didicated to the swallow and cat by Nebra, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Egyptian Museum, Turin. . Drovetti Cat No 1591.<br />
<br />
In the top register of this votive stele a swallow  (Hirundinidae) is shown perched on top of a shrine. An offering table is placed in front of it on the right side. The bird is called "the good swallow". In the lower register Nakhamun and Khay, Nebre's two sons, kneel in adoration in front of a large cat. They both hold a bouquet in their right hand, the left hand is raised in adoration before the good cat" (Houlihan,1996,87). The swallow and the cat both represent two minor deities, Menet and Tamit, who are  closely connected with the region of the Theban necropolis. It is unusual that this stele has been dedicated by Nebre, the royal craftsman, without him being depicted.
  • Ancient Egyptian stele didicated to the swallow and cat by Nebra, limestone, New Kingdom, 19th Dynasty, (1292-1190 BC), Deir el-Medina, Egyptian Museum, Turin. Grey background. Drovetti Cat No 1591.<br />
<br />
In the top register of this votive stele a swallow  (Hirundinidae) is shown perched on top of a shrine. An offering table is placed in front of it on the right side. The bird is called "the good swallow". In the lower register Nakhamun and Khay, Nebre's two sons, kneel in adoration in front of a large cat. They both hold a bouquet in their right hand, the left hand is raised in adoration before the good cat" (Houlihan,1996,87). The swallow and the cat both represent two minor deities, Menet and Tamit, who are  closely connected with the region of the Theban necropolis. It is unusual that this stele has been dedicated by Nebre, the royal craftsman, without him being depicted.
  • Ancient Egyptian stele dedicated to Re-Harakhty by Irtiertjay,  Late Period, 25th Dynasty, (7620-580 BC), Thebes, Cat 1530. Egyptian Museum, Turin. Grey background.<br />
<br />
The round topped stele dedicated by Irtiertjay to Re-Harakhty , Isis and the 4 sons of Horus. Gifted by the Cairo Museum
  • Ancient Egyptian stele dedicated to Re-Harakhty by Irtiertjay,  Late Period, 25th Dynasty, (7620-580 BC), Thebes, Cat 1530. Egyptian Museum, Turin. Grey background.<br />
<br />
The round topped stele dedicated by Irtiertjay to Re-Harakhty , Isis and the 4 sons of Horus. Gifted by the Cairo Museum
  • Ancient Egyptian stele dedicated to Osiris by Neskhonsu,  Late Period, 25th Dynasty, (722-664 BC), Thebes, Cat 1596. Egyptian Museum, Turin. black background,<br />
<br />
The round topped stele dedicated by Osiris to Neskhonsu, daaughter of Nespernebu, "gogs father" of Amon. Gifted by the Cairo Museum
  • Ancient Egyptian stele dedicated to Osiris by Neskhonsu,  Late Period, 25th Dynasty, (722-664 BC), Thebes, Cat 1596. Egyptian Museum, Turin. <br />
<br />
The round topped stele dedicated by Osiris to Neskhonsu, daaughter of Nespernebu, "gogs father" of Amon. Gifted by the Cairo Museum
  • Ancient Egyptian stele dedicated to Ra-Harakhty & Atum by Psetjerfi, Late Period 26th Dynasty, (590-525 BC), Cat 1568. Egyptian Museum, Turin. white background, <br />
<br />
Gifted by the Cairo Museum
  • Ancient Egyptian stele dedicated to Osiris by Neskhonsu,  Late Period, 25th Dynasty, (722-664 BC), Thebes, Cat 1596. Egyptian Museum, Turin. Grey background.<br />
<br />
The round topped stele dedicated by Osiris to Neskhonsu, daaughter of Nespernebu, "gogs father" of Amon. Gifted by the Cairo Museum
  • Ancient Egyptian stele dedicated to Ra-Harakhty & Atum by Psetjerfi, Late Period 26th Dynasty, (590-525 BC), Cat 1568. Egyptian Museum, Turin. black background,<br />
<br />
Gifted by the Cairo Museum
  • Ancient Egyptian stele dedicated to Ra-Harakhty & Atum by Psetjerfi, Late Period 26th Dynasty, (590-525 BC), Cat 1568. Egyptian Museum, Turin. Grey background.<br />
<br />
Gifted by the Cairo Museum
  • Ancient Egyptian stele dedicated by high priest Padiamenemipet to Ra-Harakhty, limestone, Late Period, 26th Dynasty, (580-520 BC), Deir el-Medina, Cat 1574. Egyptian Museum, Turin. black background,<br />
<br />
the round topped stele is dedicated by high priest Padiamenemipet to Ra-Harakht, Isis and the 4 sons of Horus. It was gifted by the Cairo Museum.
  • Ancient Egyptian stele dedicated by high priest Padiamenemipet to Ra-Harakhty, limestone, Late Period, 26th Dynasty, (580-520 BC), Deir el-Medina, Cat 1574. Egyptian Museum, Turin. <br />
<br />
the round topped stele is dedicated by high priest Padiamenemipet to Ra-Harakht, Isis and the 4 sons of Horus. It was gifted by the Cairo Museum.
  • Ancient Egyptian stele dedicated by high priest Padiamenemipet to Ra-Harakhty, limestone, Late Period, 26th Dynasty, (580-520 BC), Deir el-Medina, Cat 1574. Egyptian Museum, Turin. Grey background.<br />
<br />
the round topped stele is dedicated by high priest Padiamenemipet to Ra-Harakht, Isis and the 4 sons of Horus. It was gifted by the Cairo Museum.
  • Ancient Egyptian stele of Djehutynefer, treasury Scribe, limestone, New Kingdom, 18th Dynasty, (1480-1400 BC), Thebes,  Egyptian Museum, Turin. Grey background. Old Fund cat 1456.<br />
<br />
The detail of the stele depicts the brothers and sisters of Djehutynefer. The inscription palces the deceased under the protection of Amon in the great temple of Karnak underlining that he is entitled to share offerings brought to the god.
  • Ancient Egyptian stele of Djehutynefer, treasury Scribe, limestone, New Kingdom, 18th Dynasty, (1480-1400 BC), Thebes,  Egyptian Museum, Turin.  Old Fund cat 1456.<br />
<br />
The detail of the stele depicts the brothers and sisters of Djehutynefer. The inscription palces the deceased under the protection of Amon in the great temple of Karnak underlining that he is entitled to share offerings brought to the god.
  • Ancient Egyptian stele of Djehutynefer, treasury Scribe, limestone, New Kingdom, 18th Dynasty, (1480-1400 BC), Thebes,  Egyptian Museum, Turin. Grey background. Old Fund cat 1456.<br />
<br />
The detail of the stele depicts the brothers and sisters of Djehutynefer. The inscription palces the deceased under the protection of Amon in the great temple of Karnak underlining that he is entitled to share offerings brought to the god.
  • Ancient Egyptian stele of s standard bearer Maienhekau, limestone, New Kingdom, 18th Dynasty, (1458-1425 BC), DAbydos,  Egyptian Museum, Turin. Grey background.<br />
<br />
In the top registerMaienhekau makes offerings to Ptah, Osiris and Horus. In the middle he is shown with his wife reveiving offerings from his 2 sons. In the lower register another son with 3 gaughters is offering a formula to Maienhekau, also listing his titles. He was standard bearer (captain) on several warships and the "bearer of arms " of Thutmosis II. The current depictions are over an earlier relief which can be seen in places where the later stucco has come away.
  • Ancient Egyptian stele of s standard bearer Maienhekau, limestone, New Kingdom, 18th Dynasty, (1458-1425 BC), DAbydos,  Egyptian Museum, Turin. Grey background.<br />
<br />
In the top registerMaienhekau makes offerings to Ptah, Osiris and Horus. In the middle he is shown with his wife reveiving offerings from his 2 sons. In the lower register another son with 3 gaughters is offering a formula to Maienhekau, also listing his titles. He was standard bearer (captain) on several warships and the "bearer of arms " of Thutmosis II. The current depictions are over an earlier relief which can be seen in places where the later stucco has come away.
  • Ancient Egyptian stele of Djehutynefer called Seshu, Scribe, limestone, New Kingdom, 18th Dynasty, (1500-14253 BC), Thebes, Old Fund cat 1638. Egyptian Museum, Turin. black background,<br />
<br />
Djehutynefer called Seshu was the accountant scribe of cattle and fowl in the temple of Amon, and his wife the house mistress Benbu
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1454. Egyptian Museum, Turin. black background.<br />
<br />
The stele is dedicated to Amenhotep I and Ahmose-Nefertari by the 'Servant in the Place of Truth' Amenemope and Amennakht. The king and the queen are shown sitting on their thrones. Above the sovereign there is a solar disc flanked by two sacred cobras and their cartouches are shown to the right of each of them. In the bottom register Amenemope is shown with his son  Amennakht, who also was a "Servant in the Place of Truth", in the pose of adoration.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1452. Egyptian Museum, Turin. white background
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1452. Egyptian Museum, Turin. black background.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1452. Egyptian Museum, Turin.
  • Ancient Egyptian Stele of Amenemope dedicated to Amenhotep I and Ahmose-Nefertari, limestone, New Kingdom, 19th Dynasty, (1279-1213 BC), Deir el-Medina, Drovetti cat 1452. Egyptian Museum, Turin. Grey background.
  • Ancient Egyptian family stele of chief scribe Horhernakht, son of Khety, Middle Kingdom, 2nd half of 12th Dynasty (1850-1759 BC).  Egyptian Museum, Turin. Grey background. Old Fund cat 1613.
  • Ancient Egyptian family stele of chief scribe Horhernakht, son of Khety, Middle Kingdom, 2nd half of 12th Dynasty (1850-1759 BC).  Egyptian Museum, Turin. Grey background. Old Fund cat 1613.
  • Ancient Egyptian family stele of chief scribe Horhernakht, son of Khety, Middle Kingdom, 2nd half of 12th Dynasty (1850-1759 BC).  Egyptian Museum, Turin. Grey background. Old Fund cat 1613.
  • Ancient Egyptian family stele of chief scribe Horhernakht, son of Khety, Middle Kingdom, 2nd half of 12th Dynasty (1850-1759 BC).  Egyptian Museum, Turin. Grey background. Old Fund cat 1613.
  • Ancient Egyptian stele of commander in chief Senebetysy, sandstone, Middle Kingdom, 13th Dynasty, (11759-1700 BC), Deir el-Medina, Old Fund cat 1629. Egyptian Museum, Turin. black background, <br />
<br />
Stet for the commander in chief of the city regiment of Sarenenutrt, son of Sainyt and his wife Senebtysy.
  • Ancient Egyptian stele of commander in chief Senebetysy, sandstone, Middle Kingdom, 13th Dynasty, (11759-1700 BC), Deir el-Medina, Old Fund cat 1629. Egyptian Museum, Turin. <br />
<br />
Stet for the commander in chief of the city regiment of Sarenenutrt, son of Sainyt and his wife Senebtysy.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. white background, <br />
<br />
On this round-topped stele, the deceased Pashed, <br />
"excellent spirit of Ra", akh-ikr, is pictured left, <br />
seated on a chair with lion's paws, smelling the lotus <br />
flower. The offering table holds a basket containing <br />
various offerings. A large open pomegranate, containing <br />
a great quantity of seeds, appears under the chair. The <br />
colours on this stele are well preserved.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. black background.<br />
<br />
On this round-topped stele, the deceased Pashed, <br />
"excellent spirit of Ra", akh-ikr, is pictured left, <br />
seated on a chair with lion's paws, smelling the lotus <br />
flower. The offering table holds a basket containing <br />
various offerings. A large open pomegranate, containing <br />
a great quantity of seeds, appears under the chair. The <br />
colours on this stele are well preserved.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. Grey background.<br />
<br />
On this round-topped stele, the deceased Pashed, <br />
"excellent spirit of Ra", akh-ikr, is pictured left, <br />
seated on a chair with lion's paws, smelling the lotus <br />
flower. The offering table holds a basket containing <br />
various offerings. A large open pomegranate, containing <br />
a great quantity of seeds, appears under the chair. The <br />
colours on this stele are well preserved.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. <br />
<br />
On this round-topped stele, the deceased Pashed, <br />
"excellent spirit of Ra", akh-ikr, is pictured left, <br />
seated on a chair with lion's paws, smelling the lotus <br />
flower. The offering table holds a basket containing <br />
various offerings. A large open pomegranate, containing <br />
a great quantity of seeds, appears under the chair. The <br />
colours on this stele are well preserved.<br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. The individual is smelling a lotus flower. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches.
  • Ancient Egyptian Ra stele , limestone, New Kingdom, 19th Dynasty, (1279-1190 BC), Deir el-Medina,  Egyptian Museum, Turin. <br />
<br />
Akh iqer en Ra " the excellent spirit of Ra' stele. One of three stele forund in different rooms of houses in Deir el-Medina where they stood in niches

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