• The Voyage of Venus, a Roman mosaic from Volubilis. Museum of Moroccan Arts and Antiquities, Morocco.
  • The Voyage of Venus, a Roman mosaic from Volubilis. Museum of Moroccan Arts and Antiquities, Morocco.
  • The Voyage of Venus, a Roman mosaic from Volubilis. Museum of Moroccan Arts and Antiquities, Morocco.
  • The Voyage of Venus, a Roman mosaic from Volubilis. Museum of Moroccan Arts and Antiquities, Morocco.
  • The Voyage of Venus, a Roman mosaic from Volubilis. Museum of Moroccan Arts and Antiquities, Morocco.
  • The Voyage of Venus, a Roman mosaic from Volubilis. Museum of Moroccan Arts and Antiquities, Morocco.
  • The Voyage of Venus, a Roman mosaic from Volubilis. Museum of Moroccan Arts and Antiquities, Morocco.
  • Roman mosaic of birds drinking from Pompeii,  Naples Archaeological Musum, Italy
  • Roman mosaic of a scene from Meanders comedy Theophoroumene(the passed girl) with musical hawkers by Dioscurides of Samos. Pompeii from the so-called Villa of Cicero, Inv 9985, Naples Archaeological Musum, Italy
  • Roman Mosaic of  Lycurgus and Ambrosia the presence of Dionysus from Herculaneum, Naples Archaeological Museum, Italy
  • Roman Mosaic portrait of a Cockerall Fight  from Pompei Archaeological Site. Naples Archaeological Museum
  • Roman mosaic of a mythical procession, Pompeii, Naples Archaeological Musum, Italy
  • Roman mosaic of drinking birds from Santa Maria Capua Vetere, ancient Capua, inv no 9992, Naples Archaeological Musum, Italy
  • Roman mosaic of a skull called "Mimento Mori" from Pompeii, inv 100982, Naples National Archeological Museum,  Art background
  • Roman mosaic of  the Academy of Plato from the Villa of T. Siminius Stephanus, inv no 124545, Naples Archaeological Musum, Italy
  • Roman mosaic of  the Academy of Plato from the Villa of T. Siminius Stephanus, inv no 124545, Naples Archaeological Musum, Italy
  • Roman mosaic of actors from the Casa del Poet Tragic (VI 8, 3,) Pompeii, inv 9986. Naples Archaeological Musum, Italy
  • Roman mosaic of actors from the Casa del Poet Tragic (VI 8, 3,) Pompeii, inv 9986. Naples Archaeological Musum, Italy
  • Round Roman mosaic of a Lion and Cupids between Dionysus and Manadi, Pompeii, House of the Centaur (VI 9.3,) inv No 10019,  Naples Archaeological Musuem, Italy
  • Roman mosaic of a Lion from Pompeii,  Naples Archaeological Musum, Italy
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Roman Mosaic portrait of a women from Pompei Archaeological Site. Naples Archaeological Museum inv 124666
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Roman mosaic with cat and ducks. From the Roman villa on Via Ardeatina, next to Cecchignola, Rome. This Roman mosaic floor panel represents a cat trying to catch a bird in flight and two ducks, one of which is holding a lotus flower in its beak. The style is similar to Hellenistic paintings. The mosaic was found in the triclinium of a Roman villa dating from the first quarter of the 1st century AD and features a central panel using a style known as “opus Vermiculatum” or small tiles to give a greater detail to the mosaic. inv 124137 National Roman Museum, Rome, Italy
  • Roman geometric floor mosaic  from the Villa of Castel di Guido, Rome. 1st century AD. National Roman Museum, Rome, Italy
  • Geometric Roman floor mosaic. From the  Grotte Celoni area of the via Casilina, Rome. End of 1st and beginning of 2nd century AD. National Roman Museum, Rome, Italy
  • Black and white floor mosaic showing the marine or sea thiasos depicting Poseidon and his retinue.. From the area between the Milvian Bridge and  l'Acqua Acetosa in the locality Tor di Quinto. End of 2nd century AD. National Roman Museum, Rome, Italy
  • Roman geometric floor mosaic  from the Villa of Castel di Guido, Rome. 1st century AD. National Roman Museum, Rome, Italy
  • Roman geometric floor mosaic with roses and flowers, from the Pietra Papa area near the Flavian Gate, Rome. 125-150 BC. National Roman Museum, Rome, Italy
  • Roman geometric floor mosaic with black and white diamonds shapes. From the Roman villa near Botte, Rome. 1st century BC . National Roman Museum, Rome, Italy
  • Roman  floor mosaic . National Roman Museum, Rome, Italy
  • Black and white floor mosaic showing the boats on the Nile. From the Cellae vinariae Nova and Arruntiana by the Tiber in Lungara, Rome. Start of 2nd century AD. National Roman Museum, Rome, Italy
  • Black and white floor mosaic showing the marine or sea thiasos depicting Poseidon and his retinue.. From the area between the Milvian Bridge and  l'Acqua Acetosa in the locality Tor di Quinto. End of 2nd century AD. National Roman Museum, Rome, Italy
  • Black and white floor mosaic showing the marine or sea thiasos depicting Poseidon and his retinue.. From the area between the Milvian Bridge and  l'Acqua Acetosa in the locality Tor di Quinto. End of 2nd century AD. National Roman Museum, Rome, Italy
  • Roman floor mosaic of a tragic actors mask from the  Villa de Ruffinella, Tusculum. End of 1st and beginning of 2nd century AD. National Roman Museum, Rome, Italy
  • Floor mosaic with satyr heads and pan.  From a Roman villa which probably belonged to Marcus Aurelius and Lucius Verus. Genazzano. Circo 138-192 AD. National Roman Museum, Rome, Italy
  • Floor mosaic with satyr heads and pan.  From a Roman villa which probably belonged to Marcus Aurelius and Lucius Verus. Genazzano. Circo 138-192 AD. National Roman Museum, Rome, Italy
  • Roman floor mosaic with birds and floral decorations.  From via Imperale, now Columbus, near the Porta Ardeatina, Rome. 3rd century AD. National Roman Museum, Rome, Italy
  • Roman mosaic of a bust of Dionysus from the Via Flaminia, Rome. 3rd century AD. National Roman Museum, Rome, Italy
  • Roman mosaic of a bust of Dionysus from the Via Flaminia, Rome. 3rd century AD. National Roman Museum, Rome, Italy
  • Roman  floor mosaic depicting pastral scenes and scenes from mythology  from  a room of a villa  in the locality Baccano near the Via Cassia, Rome. end of 2nd and beginning of the 3rd century AD. National Roman Museum, Rome, Italy
  • Roman geometric floor mosaic depicting horsemen and their horses from the Circus  from  a room of a villa  in the locality Baccano near the Via Cassia, Rome. Beginning of the 3rd century AD. National Roman Museum, Rome, Italy
  • Roman geometric floor mosaic depicting Green Faction Charioteer and his horse from the Circus  from  a room of a villa  in the locality Baccano near the Via Cassia, Rome. Beginning of the 3rd century AD. National Roman Museum, Rome, Italy
  • Roman geometric floor mosaic depicting Red Faction Charioteer and his horse from the Circus  from  a room of a villa  in the locality Baccano near the Via Cassia, Rome. Beginning of the 3rd century AD. National Roman Museum, Rome, Italy
  • Roman geometric floor mosaic depicting Blue Faction Charioteer and his horse from the Circus  from  a room of a villa  in the locality Baccano near the Via Cassia, Rome. Beginning of the 3rd century AD. National Roman Museum, Rome, Italy
  • Roman geometric floor mosaic with diminutional cube designs, from a Roman villa near Casale de S.Basilio near Via Nomentana, Rome. 1st century BC. National Roman Museum, Rome, Italy
  • Roman floor mosaic with birds and floral decorations.  From via Imperale, now Columbus, near the Porta Ardeatina, Rome. 3rd century AD. National Roman Museum, Rome, Italy
  • Roman mosaic of a bust of Dionysus from the Via Flaminia, Rome. 3rd century AD. National Roman Museum, Rome, Italy
  • Roman floor mosaic from the  Villa de Ruffinella, Tusculum. End of 1st and beginning of 2nd century AD. National Roman Museum, Rome, Italy
  • Roman floor mosaic from the  Villa de Ruffinella, Tusculum. End of 1st and beginning of 2nd century AD. National Roman Museum, Rome, Italy
  • Roman  geometric floor mosaic  with a bust at its centre. From the Forte Prenestino area of Rome. 3rd century AD. National Roman Museum, Rome, Italy
  • Roman mosaic floor panes depicting the  seasons. From Capannelle area of the Via Appia Nova, Rome. 4th to 5th century AD. National Roman Museum, Rome, Italy
  • 4th Century AD Roman floor Mosaic showing the popular and successful charioteer Marcianus with the palm of victory.  National Museum Of Roman Art, Merida, Spain
  • Roman Mosaic of a Wild Boar hunting scene. 4th Century AD from the Roman Villa of Las Tiendas, National Museum Of Roman Art, Merida, Spain
  • Roman Mosaic portrait of a Cockerall Fight  from Pompei Archaeological Site. Naples Archaeological Museum
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • Nile Scene Roman Mosaic ( Scena Nileotica )  from Pompei Archaeological Site. Naples Archaeological Museum inv 9990
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Joseph. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of the miracle of Christ turning water into wine.  Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of the Virgin Mary praying. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of the Khalke Jesus so called because it was inspired by and icon from the Khalke Palace.  Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Satan trying to deceive Jesus (panel D-8). Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Theodore Metochites presenting a model of the Chora church to Christ (panel I-48). Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of the procession of the Virgins. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of the miracle of Christ turning water into wine.  Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of the presentation of the Virgin Mary as a child to the Temple. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Joseph and Mary and the enrollment for the census for taxation (panelA-2). Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of the giving of the verdant stick with shoots that indicated joseph as Mary's fiance (panel H-43).  Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Joseph and Mary and the enrollment for the census for taxation (panel A-2). Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of the Three Kings (Magi) in audience with King Herod (panel D-14).  Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Saint George. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of an angel breaking the Good news to Mary of he forthcoming Virgin Birth (panel G-39).  Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Christ Pantocrator over the door leading to the second narex. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Christ Pantocrator over the door leading to the second narex. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of the death of the Virgin Mary (panel 50-a). Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Christ Pantocrator over the door leading to the second narex. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • Roman geometric floor mosaic with roses and flowers, from the Pietra Papa area near the Flavian Gate, Rome. 125-150 BC. National Roman Museum, Rome, Italy
  • Roman geometric floor mosaic with swastikas. From the Roman villa near Botte, Rome. 1st century BC . National Roman Museum, Rome, Italy
  • Black and white floor mosaic showing the marine or sea thiasos depicting Poseidon and his retinue.. From the area between the Milvian Bridge and  l'Acqua Acetosa in the locality Tor di Quinto. End of 2nd century AD. National Roman Museum, Rome, Italy
  • Black and white floor mosaic showing the marine or sea thiasos depicting Poseidon and his retinue.. From the area between the Milvian Bridge and  l'Acqua Acetosa in the locality Tor di Quinto. End of 2nd century AD. National Roman Museum, Rome, Italy
  • Geometric Roman floor mosaic. From the  Grotte Celoni area of the via Casilina, Rome. End of 1st and beginning of 2nd century AD. National Roman Museum, Rome, Italy
  • Floor mosaic with satyr heads and pan.  From a Roman villa which probably belonged to Marcus Aurelius and Lucius Verus. Genazzano. Circo 138-192 AD. National Roman Museum, Rome, Italy
  • Floor mosaic with Dionysus and satyrs at the center within laurel wreath. From the villa of Farnese at S.Giacomo in Settimiana, Rome. 2nd century AD. National Roman Museum, Rome, Italy
  • Roman floor mosaic with birds and floral decorations.  From via Imperale, now Columbus, near the Porta Ardeatina, Rome. 3rd century AD. National Roman Museum, Rome, Italy
  • Roman geometric floor mosaic depicting Green Faction Charioteer and his horse from the Circus  from  a room of a villa  in the locality Baccano near the Via Cassia, Rome. Beginning of the 3rd century AD. National Roman Museum, Rome, Italy
  • Roman floor mosaic from the  Villa de Ruffinella, Tusculum. End of 1st and beginning of 2nd century AD. National Roman Museum, Rome, Italy
  • Roman floor mosaic  depicting the struggle between Dionysus and the Indians. From the  Villa de Ruffinella, Tusculum. 4th century AD. National Roman Museum, Rome, Italy
  • Roman mosaic floor panes depicting the  seasons. From Capannelle area of the Via Appia Nova, Rome. 4th to 5th century AD. National Roman Museum, Rome, Italy
  • Roman Mosaic of a Wild Boar hunting scene. 4th Century AD from the Roman Villa of Las Tiendas, National Museum Of Roman Art, Merida, Spain
  • Roman Mosaic portrait of a women from Pompei Archaeological Site. Naples Archaeological Museum inv 124666
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of the presentation of the Virgin Mary as a child to the Temple. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Saint George. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Anne and Joachim caressing the little child Mary.  Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Michael Palialogos VIII. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Satan trying to deceive Jesus (panel D-8). Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of the procession of the Virgins. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic in the inner narthex domw of  Mary holding Juseus surrouned by 15 Kings of the Old testiment. The letters "MP" and "OV" either side of Mary mean "Mother of God". Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • The 11th century Roman Byzantine Church of the Holy Saviour in Chora and its mosaic of Christ Pantocrator over the door leading to the second narex. Endowed between 1315-1321  by the powerful Byzantine statesman and humanist Theodore Metochites. Kariye Museum, Istanbul
  • Byzantine mosaic of the Virgin and Child was the first of the post-iconoclastic mosaics inaugurated on 29 March 867 by Patriarch Photius and the emperors Michael III and Basil I.  Hagia Sophia, Istanbul, Turkey
  • 12th Century Byzantine mosaic of  The Madonna & Child,  Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • A tiger hunting from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • A tiger hunting from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish eating a serpant from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • A bird from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Hunting scene with a hare and dog from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • A bird from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • A lion hunting from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • A lion hunting from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Hunting scene with a hare and dog from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • African animals and fish from the 3rd century Roman mosaic villa floor from Lod, near Tel Aviv, Israel. The Roman floor mosaic of Lod is the largest and best preserved mosaic floor from the levant region along the eastern Mediterranean coast. It is unclear whether the owners were Jewish, Christian or pagan but either way they would have been wealthy to own such a magnificent floor. The Shelby White and Leon Levy Lod Mosaic Centre, Lod, Israel.
  • Roman mosaic of a Young boy playing with snakes, possibly an early Christian mosaic. Syria or Lebanon, 5th century AD. Cubes of marble and limestone. Dressed in a long tunic, the child playing with two snakes could be illustrating a passage from the Book of Isai (11.6 to 8). This fragmented mosaic panel once continued in upper part, as indicated by the animal hoofs, and to the right of the mosaic are remains of a Greek inscription. inv 5094. Louvre Museum, Paris
  • snake mosaic - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed  in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Tiger mosaic. Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed  in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Dancer mosaic from the dance room no 20 - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed  in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Fisherman mosaic. Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed  in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Duck mosaic - Roman mosaics at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed  in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman mosaic of a girl playing a drum from the Room of the Ten Bikini Girls, room no 30  at the Villa Romana del Casale which containis the richest, largest and most complex collection of Roman mosaics in the world. Constructed  in the first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.
  • Roman mosaic of an Amazon on horseback fighting, From Daphne, a suburb of Antioch, Antakya, Turkey, 4th century AD. Marble blocks and glass paste cubes. The mosaic depicts the legendary woman warriors known as the Amazons, who fought with one breast showing, fighting a soldier with armour. inv 3463, The Louvre Museum, Paris
  • Roman mosaic of a Church with Towers, Eastern Mediterranean, 5th century AD. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The mosaic shows the architecture of early Roman Chriatian Basilicas. Inv 3676, The Louvre Museum, Paris
  • Roman mosaic of two Gazelles facing inwards either side of a vase, Eastern Mediterranean, the beginning of the 6th century AD. The mosaic design is typical of  church  floors in front of the choir. The choice of gazelles is rare though and indicates a local flavour to the content. Inv 3673, The Louvre Museum, Paris
  • Roman mosaic of an Amazon on horseback fighting, From Daphne, a suburb of Antioch, Antakya, Turkey, 4th century AD. Marble blocks and glass paste cubes. The mosaic depicts the legendary woman warriors known as the Amazons, who fought with one breast showing, fighting a soldier with armour. inv 3463, The Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of a Phoenix, From Daphne, a suburb of Antioch, Antakya, Turkey, 6th century AD. Marble blocks and glass paste cubes. The phoenix is a mythical bird associated with the sun. A phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity.In the mosaic it is perched rock above a background of rose buds and is bordered by a pair of facing rams. inv 3342, restored in 1936 by the Louvre Museum, Paris
  • Roman mosaic of an early Christian church floor from Qabr Hiram, Lebanon, 575 AD. Marble blocks and glass paste cubes. This mosaic was designed to follow the layout of the church which had three naves. It depicts God through images of his creation: rural activities, fruit, animals with representations of the months, seasons and winds. The inscription indicates that the basilica was dedicated to St. Christopher and was built in 575 AD.. Inv 32230-2236, Louvre Museum, Paris
  • Roman mosaic of an early Christian church floor from Qabr Hiram, Lebanon, 575 AD. Marble blocks and glass paste cubes. This mosaic was designed to follow the layout of the church which had three naves. It depicts God through images of his creation: rural activities, fruit, animals with representations of the months, seasons and winds. The inscription indicates that the basilica was dedicated to St. Christopher and was built in 575 AD.. Inv 32230-2236, Louvre Museum, Paris
  • Roman mosaic of an early Christian church floor from Qabr Hiram, Lebanon, 575 AD. Marble blocks and glass paste cubes. This mosaic was designed to follow the layout of the church which had three naves. It depicts God through images of his creation: rural activities, fruit, animals with representations of the months, seasons and winds. The inscription indicates that the basilica was dedicated to St. Christopher and was built in 575 AD.. Inv 32230-2236, Louvre Museum, Paris
  • Female Portrait (Antioch, Antakya, Turkey), 1st half of 3rd century AD. Marble cubes, limestone and glass. The mosaic bust of a female with a billowing sail that surrounds her head that it could represent the wind. The mosaic decorated the entrance of a dining room and was once flanked it with now lost representations of the marine deities Thalassa and Okeanosinv 3460, Louvre Museum, Paris
  • Roman mosaic of the inside of a church, Eastern Mediterranean, 5th century AD. This abstract representation of a church choir shows two columns, a low lattice  divider and a pair of oriental designed curtains at the top. beyond is the inner sanctum of the church with a Mandorla surrounded by flames with a cross in it. In the foreground is a a hare and devouring a bunch of grapes next to Greek letter that translate to 'Christ rescues'. Inv 5093, The Louvre Museum, Paris
  • Roman mosaic of a Hebrew, possibly from North Syria 5th-6th century AD J-C. dressed in Oriental clothing, that young man is identified by writing in Syriac has the right to his head: it tells of three Hebrews miraculously surviving after being thrown into a fire for refusing to worship the image of Nebuchadnezzar. This is biblical episode is from the Book Daniel (3 1-30), and is commonly illustrated in the East as in the West. Inv 3671, The Louvre Museum, Paris
  • Roman mosaic of an early Christian Basilica from the Eastern Mediterranean, late 5th century AD. Marble blocks, limestone, sandstone and terracotta. The church has three naves and is represented in a 'flattened Perspective’ as can be seen by the facade and along sides forming a straight continuous line. The side wall is deliberately open to make the interior visible . Inv 3677, Louvre Museum, Paris
  • Byzantine mosaic of the Virgin and Child was the first of the post-iconoclastic mosaics inaugurated on 29 March 867 by Patriarch Photius and the emperors Michael III and Basil I.  Hagia Sophia, Istanbul, Turkey
  • Birds around a  Daphne vase. 1st to 3rd century SD Roman Mosaic from Antioche, Turkey. Louvre Museum, Paris
  • Birds around a  vase From Daphne, a suburb of Antioch, Antakya, Turkey, 1st half of 3rd century AD. Marble cubes, limestone and glass. A border of geometric perspective cubes surround a scene with one bird sitting on the vase of Daphne whilst the other surround it. The naturalistic skill of the Roman Antioch mosaic artists is so good that it is possible to tell the species of each bird. inv 3461, Louvre Museum, Paris
  • Byzantine mosaic of the Virgin and Child was the first of the post-iconoclastic mosaics inaugurated on 29 March 867 by Patriarch Photius and the emperors Michael III and Basil I.  Hagia Sophia, Istanbul, Turkey
  • Byzantine mosaic of the Virgin and Child was the first of the post-iconoclastic mosaics inaugurated on 29 March 867 by Patriarch Photius and the emperors Michael III and Basil I.  Hagia Sophia, Istanbul, Turkey
  • 11th Century Byzantine mosaic of  Emperor Constantine IX Monmachus making an offering of money . Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which the Virgin Mary & John The Baptist,  both shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • 12th Century Byzantine mosaic of  Empress Irene  (Eirene) making an offering as symbolised by the scroll. Hagia Sophia, Istanbul, Turkey
  • 11th Century Byzantine mosaic of Christ Pantocrator with (left) Emperor Constantine IX Monmachus making an offering of money and (right) Empress Zoe. Hagia Sophia, Istanbul, Turkey
  • Byzantine Mosaic of an Angel, Hagia, Sophia, Istanbul, Turkey
  • Byzantine Mosaic of an Angel, Hagia, Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which John The Virgin Mary shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which John The Virgin Mary shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, in which John The Baptist,  both shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Byzantine Deësis ( Entreaty) mosaic , 1261, detail of Christ Pantocrator for humanity on Judgment Day.   Hagia Sophia, Istanbul, Turkey
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Close up picture of the Roman mosaics of the Peristyle depicting animals in a geometric mosaic wreath inside square panels, room no 13 at the Villa Romana del Casale, first quarter of the 4th century AD. Sicily, Italy. A UNESCO World Heritage Site.<br />
<br />
The peristyle mosaic floor of Villa Romana del Casale is decorated with square mosaic repeating designs which have a rope design geometric mosaic on the outside, inside which is are laurel wreath mosaics which surround Protomas, the representation of the head and neck of an animal often used decoratively in architecture, of wild and domesticated animals. The two sides of the peristyle have been identified as one side for visitors use and the other for the family. The peristyle mosaics lead on both sides around three sides of the peristyle to steps that lead up to the corridor of the Great Hunt Mosaics,
  • Roman mosaic of a mythical procession, Pompeii, Naples Archaeological Musum, Italy
  • Roman mosaic of drinking birds from Santa Maria Capua Vetere, ancient Capua, inv no 9992, Naples Archaeological Musum, Italy
  • Roman mosaic of actors from the Casa del Poet Tragic (VI 8, 3,) Pompeii, inv 9986. Naples Archaeological Musum, Italy
  • Roman mosaic of actors from the Casa del Poet Tragic (VI 8, 3,) Pompeii, inv 9986. Naples Archaeological Musum, Italy
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Roman mosaic of a mythical procession, Pompeii, Naples Archaeological Musum, Italy
  • Roman mosaic of a mythical procession, Pompeii, Naples Archaeological Musum, Italy
  • Roman mosaic of a mythical procession, Pompeii, Naples Archaeological Musum, Italy
  • Roman mosaic of birds drinking from Pompeii,  Naples Archaeological Musum, Italy
  • Roman mosaic of birds drinking from Pompeii,  Naples Archaeological Musum, Italy
  • Roman mosaic of birds drinking from Pompeii,  Naples Archaeological Musum, Italy
  • Roman mosaic of birds drinking from Pompeii,  Naples Archaeological Musum, Italy
  • Roman mosaic of drinking birds from Santa Maria Capua Vetere, ancient Capua, inv no 9992, Naples Archaeological Musum, Italy
  • Roman mosaic of drinking birds from Santa Maria Capua Vetere, ancient Capua, inv no 9992, Naples Archaeological Musum, Italy
  • Roman mosaic of drinking birds from Santa Maria Capua Vetere, ancient Capua, inv no 9992, Naples Archaeological Musum, Italy
  • Roman mosaic of a skull called "Mimento Mori" from Pompeii, inv 100982, Naples National Archeological Museum, Black background
  • Roman mosaic of a skull called "Mimento Mori" from Pompeii, inv 100982, Naples National Archeological Museum, Grey Art background
  • Roman mosaic of a skull called "Mimento Mori" from Pompeii, inv 100982, Naples National Archeological Museum, Grey  background
  • Roman mosaic of a skull called "Mimento Mori" from Pompeii, inv 100982, Naples National Archeological Museum, White background
  • Roman mosaic of  the Academy of Plato from the Villa of T. Siminius Stephanus, inv no 124545, Naples Archaeological Musum, Italy
  • Roman mosaic of  the Academy of Plato from the Villa of T. Siminius Stephanus, inv no 124545, Naples Archaeological Musum, Italy
  • Roman mosaic of  the Academy of Plato from the Villa of T. Siminius Stephanus, inv no 124545, Naples Archaeological Musum, Italy
  • Roman mosaic of  the Academy of Plato from the Villa of T. Siminius Stephanus, inv no 124545, Naples Archaeological Musum, Italy
  • Roman mosaic of actors from the Casa del Poet Tragic (VI 8, 3,) Pompeii, inv 9986. Naples Archaeological Musum, Italy
  • Roman mosaic of actors from the Casa del Poet Tragic (VI 8, 3,) Pompeii, inv 9986. Naples Archaeological Musum, Italy
  • Round Roman mosaic of a Lion and Cupids between Dionysus and Manadi, Pompeii, House of the Centaur (VI 9.3,) inv No 10019,  Naples Archaeological Musuem, Italy
  • Round Roman mosaic of a Lion and Cupids between Dionysus and Manadi, Pompeii, House of the Centaur (VI 9.3,) inv No 10019,  Naples Archaeological Musuem, Italy
  • Round Roman mosaic of a Lion and Cupids between Dionysus and Manadi, Pompeii, House of the Centaur (VI 9.3,) inv No 10019,  Naples Archaeological Musuem, Italy
  • Round Roman mosaic of a Lion and Cupids between Dionysus and Manadi, Pompeii, House of the Centaur (VI 9.3,) inv No 10019,  Naples Archaeological Musuem, Italy
  • Roman Mosaic of  Lycurgus and Ambrosia the presence of Dionysus from Herculaneum, Naples Archaeological Museum, Italy
  • Roman Mosaic of  Lycurgus and Ambrosia the presence of Dionysus from Herculaneum, Naples Archaeological Museum, Italy
  • Roman Mosaic of  Lycurgus and Ambrosia the presence of Dionysus from Herculaneum, Naples Archaeological Museum, Italy
  • Roman Mosaic of  Lycurgus and Ambrosia the presence of Dionysus from Herculaneum, Naples Archaeological Museum, Italy
  • Roman mosaics from Pompeii showing a Panther with Dionysus symbol (Pantera con simboli dionisiaci) from the Santangelo collection, Naples Archaeological Museum, Italy
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against an art background
  • Pictures of a geometric Roman mosaic, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a grey background
  • Picture of a geometric border Roman mosaics design from a mosaic depicting lions hunting animals, from the ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a white background<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia.<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.
  • Picture of a Roman mosaics design depicting Silenus and Cupids, from the House of Sienus, ancient Roman city of Thysdrus. 3rd century AD. El Djem Archaeological Museum, El Djem, Tunisia. Against a black background<br />
<br />
The Silenus Roman mosaic depicts multiple scenes : the tying up of Silenus, who is permanently drunk, and is depicted in the middle of the mosaic lying on a bed of leaves. Around him children are trying to tie his hands and legs with garlands of flowers.

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FunkyStock Picture Library free resource for professional editorial picture editors, picture researchers, historical scholars and students and enthusiasts who want to browse some of the best pictures and images of historic countries, historical places, archaeological sites and the very best museum antiquities and artefacts exhibits in Europe and the Middle East.

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Browse travel pictures and images of historic places and archaeological sites of countries in Europe and the Middle East.

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Browse pictures & images the treasured artefacts and antiquities exhibits from the great Museum of Europe and the Middle East. See the art and objects made by our ancestors.

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